All stories by Susannah Clapp on BroadwayStars

Sunday, June 20, 2021

The Death of a Black Man review – an impassioned dispatch from 70s black Britain by Susannah Clapp

Hampstead theatre, LondonThe ingenious struggle of a new generation of entrepreneurs is charted in Dawn Walton’s bright revival of Alfred Fagon’s prescient 1975 play Alfred Fagon’s pla…

SOURCE: The Guardian at 06:48AM
Sunday, June 13, 2021

The week in theatre: After Life; The Sun, the Moon, and the Stars – review by Susannah Clapp

Dorfman; Theatre Royal Stratford East, LondonGhosts confront bureaucracy and memory; and a murdered man’s spirit inspires his twin sister to tackle racial injustice Here are ghosts bringin…

SOURCE: The Guardian at 08:18AM
Sunday, June 6, 2021

The week in theatre: Walden; Reasons You Should(n’t) Love Me; Queers by Susannah Clapp

Pinter; Kiln; Old Vic/online Gemma Arterton’s failed astronaut confronts her overachieving sister in Amy Berryman’s debut play; wheelchair user Amy Trigg transfixes with her witty monolo…

SOURCE: The Guardian at 08:03AM
Sunday, May 30, 2021

A Midsummer Night’s Dream; Cruise review – a tale of two audiences by Susannah Clapp

Shakespeare’s Globe; Duchess theatre, LondonSeated groundlings make history at the Globe’s carnivalesque Dream. And Jack Holden conjures memories of the onslaught of Aids As if by magic,…

SOURCE: The Guardian at 07:42AM
Sunday, May 23, 2021

Still Life review – nothing ordinary about these everyday Nottingham tales by Susannah Clapp

Available onlineJulie Hesmondalgh as a food bank volunteer and Frances de la Tour in glinting Alan Bennett headline this sharp set of five plays filmed in and around the city As theatres reo…

SOURCE: The Guardian at 06:03AM
Saturday, May 8, 2021

Tennis Elbow review – a nonstop rally of jokes by Susannah Clapp

Pitlochry Festival theatre, onlineJohn Byrne revisits the terrain of his 1977 hit spoof Writer’s Cramp to follow the fortunes of artist Pamela Crichton Capers in this dizzy audio drama Pel…

SOURCE: The Guardian at 11:33AM
Sunday, April 25, 2021

A Splinter of Ice review – Graham Greene and Kim Philby clink glasses by Susannah Clapp

Available onlineBen Brown’s new play imagining the author’s Moscow meeting with his former MI6 colleague fails to truly chill The theatre is rich in dramas about the Cambridge spies. Ala…

SOURCE: The Guardian at 06:42AM
Sunday, April 11, 2021

Romeo & Juliet review – Jessie Buckley and Josh O’Connor are outstanding by Susannah Clapp

National Theatre/Sky ArtsBuckley and O’Connor head a terrific cast in this imaginatively pared down, made-for-TV production What an accomplished example of pandemic-style drama: a sleek fu…

SOURCE: The Guardian at 06:06AM
Sunday, March 28, 2021

The week in theatre: Angela; The Band Plays On; Hear Me Out reviews – shopping and ducking by Susannah Clapp

Pitlochry Festival theatre; Crucible Sheffield; podcast; all available onlineMark Ravenhill tenderly explores his mother’s life; monologues and music from Sheffield; and actors talk about …

SOURCE: The Guardian at 06:54AM
Sunday, March 21, 2021

Dream review – the RSC's hi-tech Shakespeare only goes so far by Susannah Clapp

RSC onlineA motion-captured Puck and computer-generated forest of fairies hint at possible futures for live performance At 7pm on Tuesday more than 7,000 people were watching. At a later per…

SOURCE: The Guardian at 09:48AM
Sunday, March 14, 2021

Aisha (the black album); Putting a Face On review – more pointed monologues by Susannah Clapp

Old Vic, London; available onlineJade Anouka sprints through American history, while all is calmly, inexorably revealed in Kiri Pritchard-McLean’s subtle play about gaslighting The Old Vic…

SOURCE: The Guardian at 07:42AM
Sunday, March 7, 2021

One Hand Tied Behind Us: Betsy; Contactless review – emphatic monologues by Susannah Clapp

Old Vic, London; available onlineSolo voices reverberate in these archive performances of Maxine Peake’s play about a woman in prison, and Ella Hickson’s roaming story of escape I have o…

SOURCE: The Guardian at 06:18AM

Samuel West: 'On screen I mostly play evil members of the establishment or Victorian perverts' by Susannah Clapp

The actor on his pandemic poetry jukebox, life lessons of the Moomins, the pros and cons of Twitter, and how to reboot regional theatre Samuel West, 54, one of the best verse speakers of his…

SOURCE: The Guardian at 06:18AM
Sunday, February 28, 2021

The week in theatre: Hymn; Typical review – first-rate and perfectly balanced by Susannah Clapp

Almeida, London; Soho theatre, London; both available onlineAdrian Lester and Danny Sapani work as one in Lolita Chakrabarti’s brilliantly realised study of male friendship. And a breathle…

SOURCE: The Guardian at 06:24AM
Sunday, February 21, 2021

All on Her Own Review – a curio of repressed emotion by Susannah Clapp

MZG Theatre Productions; available onlineJanie Dee impresses in a smart production of a Terence Rattigan solo work bound up in class issues Terence Rattigan has long been rescued from the th…

SOURCE: The Guardian at 06:54AM
Sunday, February 14, 2021

Good Grief review – tender tale of loss in a hybrid of stage and screen by Susannah Clapp

Original Theatre; available onlineSian Clifford and Nikesh Patel rehearsed for two days on Zoom before being filmed in a studio in Lorien Haynes’s impressively naturalistic bereavement sto…

SOURCE: The Guardian at 06:36AM
Sunday, January 31, 2021

Weg met Eddy Bellegueule review – a four-way triumph by Susannah Clapp

Internationaal Theater Amsterdam, live streamPlaying multiple roles – and all the music – four young actors dazzle in Eline Arbo’s superb staging of Édouard Louis’s brutal coming-of…

SOURCE: The Guardian at 06:36AM
Sunday, December 27, 2020

The week in theatre: Living Newspaper; Angels in Bristol review – quick thinking by Susannah Clapp

Royal Court, London, online; Bristol Old Vic onlineMore than 60 writers and 200 freelancers get to work on the Royal Court’s inspired latest venture, while the Bible gets a Bristol twist …

SOURCE: The Guardian at 04:48AM
Saturday, December 26, 2020

Theatre: Susannah Clapp's 10 best of 2020 by Susannah Clapp

Our critic looks back on dazzling state-of-the-nation monologues and valiant virtual reimaginings, Ovid and Oliver Twist Dance: Sarah Crompton’s five best of 2020 The Observer critics’…

SOURCE: The Guardian at 02:32PM
Sunday, December 20, 2020

The week in theatre: The Comeback; Six by Susannah Clapp

Noël Coward; Lyric, London A brisk new backstage farce was overtaken by events, while Henry VIII’s splendid singing wives were silenced once more as London entered tier 3 All gone. And at…

SOURCE: The Guardian at 06:24AM
Saturday, December 19, 2020

Oh, yes she is: panto dames through the decades – in pictures by Susannah Clapp

It can be a role as career-defining as Hamlet. Dan Leno, who starred at Drury Lane every Christmas from 1888 to 1904, was the first great pantomime dame: a tiny ex-clog dancer with a top-kno…

SOURCE: The Guardian at 12:54PM
Sunday, December 13, 2020

The week in theatre: Nine Lessons and Carols; A Christmas Carol; The Ballad of Corona V; The Dumb Waiter – review by Susannah Clapp

Almeida; Bridge; Big House; Hampstead, LondonAs theatres ease into the new normal, the Almeida and Big House celebrate connection and isolation, while Nicholas Hytner’s A Christmas Carol d…

SOURCE: The Guardian at 07:06AM
Sunday, November 15, 2020

15 Heroines review – a triumphant revoicing of Ovid by Susannah Clapp

Jermyn Street theatre onlineThe aggrieved women of the poet’s Heroides speak loud and clear in 15 bristling new monologues by top playwrights, scorchingly delivered by 15 leading actors He…

SOURCE: The Guardian at 06:06AM
Sunday, November 8, 2020

The week in theatre: Death of England: Delroy; Crave; Little Wars – reviews by Susannah Clapp

Olivier, London; Chichester Festival theatre; live streamThe sequel to Clint Dyer and Roy Williams’s Death of England, plus works by Sarah Kane and Steven Carl McCasland, evoke rage and pr…

SOURCE: The Guardian at 09:06AM
Sunday, November 1, 2020

The week in theatre: Bubble; Adam Kay: This Is Going to Hurt; Nine Lives – review by Susannah Clapp

Nottingham Playhouse; Apollo; Bridge, LondonOpposites attract in James Graham’s typically astute new two-hander; Adam Kay’s surgical wit lights up the West End; and an asylum story with …

SOURCE: The Guardian at 07:12AM
Monday, October 19, 2020

Uncle Vanya review – coronavirus gives Chekhov a shot in the arm by Susannah Clapp

The pandemic supercharges the atmosphere in this film version of Ian Rickson’s recent stage production Here is an extraordinary, transfiguring leap from stage to screen. Ian Rickson’s pr…

SOURCE: The Guardian at 04:03PM
Sunday, October 11, 2020

Nights in the Gardens of Spain & Miss Fozzard Finds Her Feet review – fetish with flair by Susannah Clapp

Bridge theatre, LondonTamsin Greig flutters while Maxine Peake is uproarious in a fiendish double bill from Alan Bennett’s Talking Heads series What a cunning double bill this is. The late…

SOURCE: The Guardian at 06:06AM
Monday, September 21, 2020

Kenneth Tynan: the Musical review – you heard it here first by Susannah Clapp

The newly formed Musical Theatre Factory creates bespoke musicals for any occasion; for our critic, a potentially barnstorming show about her predecessor... Like all good ideas, it looks obv…

SOURCE: The Guardian at 10:24AM
Sunday, September 13, 2020

The Shrine & Bed Among the Lentils review – silent screams from Monica Dolan and Lesley Manville by Susannah Clapp

Bridge theatre, LondonThe wide-open space of the Bridge is commanded with riveting intimacy in one of four Talking Heads double bills The sheer success of Alan Bennett’s Talking Heads mak…

SOURCE: The Guardian at 06:32AM
Sunday, September 6, 2020

The week in theatre: Beat the Devil; Sleepless: A Musical Romance – review by Susannah Clapp

Bridge, London; Troubadour, Wembley ParkDavid Hare’s explosive, first-hand coronavirus monologue, delivered by Ralph Fiennes, hits every target. And Kimberley Walsh and Jay McGuinness carr…

SOURCE: The Guardian at 06:36AM
Sunday, August 23, 2020

Out of the Woods review – bitten by the big bad wolf by Susannah Clapp

Alan Cumming puts his trademark drollery to diabolic effect in this exhilarating twist on Little Red Riding Hood Each week through these Covid months the National Theatre of Scotland has bee…

SOURCE: The Guardian at 06:32AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards