February 2011 Archives

The 83nd Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences, will honor 10 nom'd "best" from 2010 on Sunday 8 P.M. [with red carpet arrivals], telecast on ABC from Hollywood's Kodak Theatre. As last year, special and honorary award winners will be saluted, but their trophies were handed out two weeks ago [no doubt to make room for highlights from the 10 nom'd films].

In quite a break from tradition and no doubt to increase viewership among the Facebook and Twitter generation Anne Hathaway and 2010 nom James Franco host.  

aaOscarHosts11.jpgThe co-hosts plan to "play it nice." There'll be no down-and-dirty or skank comments reminiscent of a certain Brit writer/actor who recently hosted another cinema awards show.

"That kind of humor's difficult to pull off," says Hathaway, "and I'm not particularly adept at it. Not that I would feel comforable even if I were." Noting that she and Franco are the youngest hosts ever, she adds, "I have no business being cynical or calling anyone out. I haven't earned that right."

Opening the show will be a medley of clips from the 10 nom'd films with Hathaway and Franco in cameo roles.

The faltering economy didn't
hurt business at cineplex box offices. More than $10-billion in tickets were sold, which means more people than ever went to the movies [the gross is also the result of skyrocketing movie prices in the last 10 years].

When the going gets tough, America goes to the movies - even to tough movies, and those not so easy to watch. We like hissing supervillians, line up for romance, love comeback stories, and are willing to support more than mindless drivel and the adventures of superheroes.

Let's go to the movies is still a rallying cry to younger audiences, while others remain home with iced Coke and buttered popcorn, comfortable on couches and recliners with DVDs.
sandra-bullock-oscar-winner-2010.jpgThanks to James Cameron's re-introduction of 3-D, movies in that dimension [or digitally transformed into it] make it even more fun.

3-D scored at box offices not always because the films were great but because higher admissions went into effect for them.

Compared to other forms of entertainment, even with NYC's  highest movie prices in the nation, going to the movies is still one of the least expensive [even less than bowling - especially in NYC (a coupla hours on the lanes here cost as much as a Bway musical, dinner and parking!)] excursions you can make, especially if you stay away from concession stands.

Of course, it would be nice if even 50% of the films released were worth going to see. That said, it would be hard to argue this year with any of the chosen 10.

An audience of an estimated 35 million have the pizzas ordered, the trail mix mixed and the Champagne on ice. Viewers in 200 countries will watch via satellite. The big parties are the Vanity Fair and Academy's Governor's Ball, the places to be seen. Wolfgang Puck's menu for the latter will be Beverly Hill-style comfort food, with lots of caviar and smoked salmon - the opium of celebs.

In an effort to please movie buffs and in an attempt to keep the TV ratings high, the list of presenters reeks with variety - someone old, someone new, someone blue, someone for everyone. 

They
include Oscar winners Javier
Bardem, Halle Berry, Cate Blanchett, Jeff Bridges, Sandra Bullock, Tom Hanks, Nicole Kidman, Helen Mirren, Hilary Swank, Marisa Tomei, Oprah Winfrey and Reese Witherspoon. Berry will intro a Lena Hore tribute.


On hand will be past nominees Annette Bening, Josh Brolin, Robert Downey Jr. and Jude Law. Also appearing will be Russell Brand, Hugh Jackman, Scarlett Johansson and Matthew McConaughey. It's rumored that three former hosts, Billy Crystal and, get this, Bob Hope will be making surprise appearances [the latter should be quite innovative]. Alec Baldwin and Oscar winner Morgan Freeman will make cameos.

 

The behind-closed-doors Oscars scuttlebutt is that the Academy, wishing to give LiLo a fourth chance to redeem herself and in appreciation of her stellar performances on/off screen, had her on the possible presenters short list.

The problem was LiLo only had skin-tight, low and no-button outfits - mostly suitable for court appearances. However, couture designers and jewelers who loan their "stuff" to stars, when asked, emphatically said, "No!" One jeweler with showcases of multimillion dollar necklaces was heard to say, "Even surrounding her with armed guards, we were afraid we wouldn't get our loaners back."

 

A certain NYC society dame, famous for Ringling Bros. and Barnum & Bailey satin, chiffon and taffeta outfits with trains that extend across a stage, offered LiLo one of her most photographed gowns ... but on condition that she'd be surrounded by at least four of the military brass who escort/guard her in appearances. Strangely, LiLo said, "No!"


But the show will, undoubtedly, go on and on and on. There'll be lostsa entertainment. 

AMenken.jpgZachary Levi
and Mandy Moore perform "I See the Light" as they did in Disney's animated blockbuster Tangled, accompanied by theater musical legend and eight-time Oscar-winning composer Alan Menken [Sister Act, soon to open on Bway; Little Shop of Horrors; he's won best score and best song for four Disney animated movies].

Perennial fav [20 noms!, one win] Randy Newman, who brings an everyman touch to the eve's glitter, sings his nom'd tune "We Belong Together" from another animated megahit, Toy Story 3. A much-anticipated moment will be Gweneth Paltrow performing "Coming Home," the song she croaked in Country Strong, one of the year's biggest stinkers. Oscar winner A.R. Rahman [Slumdog Millionaire] and Florence Welch, of Florence + the Machine, will perform the very strange, very somber "If I Rise" from 127 Hours.

Celine Dion will into the In Memoriam segment. A newcomer as M.D. will be composer, orchestrator and arranger William Ross. 

The Academy Board of Governors voted to present the Irving G. Thalberg Memorial Award to Francis Ford Coppola. Honorary Awards have been presented to historian/preservationist Kevin Brownlow, avant garde director Jean-Luc Godard and veteran stage/screen actor Eli Wallach.

"Each of these honorees has touched movie audiences worldwide and influenced the motion picture industry through their work," said Academy prez Tom Sherak. "It's an honor to celebrate their extraordinary achievements. Eli Wallach's body of work merits great celebration. He's that prize among valued American actors. The film world is indebted to Kevin Bronlow for his cinema studies and restoration of film classics."

This year's "battle" for Best is worthy of the bloodiest ring match. The "class" pictures, The King's Speech,and the ballet psycho babble thriller Black Swan, are up against the "now" and ever-growing The Social Network with working class New England slugging its way to a knockout in The Fighter.

 

Many outstanding performances hit screens late last year to qualify for  noms. Snubs and surprises are never a surprise when the noms are announced. This year's no different.

Brave, daring Jim Carey and Ewan McGregor camped in the gay black comedy I Love You, Phillip Morris, but ignored by the Academy. Kevin Spacey's superlative performance in Casino Jack, the rollercoaster black comedy based on the scandal-plagued career of charismatic, manipulative, ultra religious lobbyist Jack Abramoff and his schemes, didn't mesmerize critics or the Academy; but he did get a Golden Globe nod. Is that consolation?

Colin Firth and Geoffrey Rush, The King's Speech, and they received nods. Jeff Bridges got what he really didn't earn last year and his grizzled, one-note Rooster in the True Grit didn't shake everyone up; but the Academy put him on the ballot. Jesse Eisenberg amazingly rose up from the jackass claptrap he's been so famous for to give a startlingly and, dare say, career making performance of a thieving PC nerd in Social Network; and the Academy took notice. But isn't it Firth's year? Unless Franco upsets the
apple cart.

a1NKidman.jpg

 

Rush, who knows how to dominate a film even when he's reading the paper, can always be depended upon, but isn't Christan Bale simply unbeatable for his emaciated turn in The Fighter? [What's he doing in the Supporting category? Wasn't he the star?]

aABening.jpgNicole Kidman knows how to play heartbreak, often sans make-up even in tight closeups, and she did to a hilt in David Lindsay-Abaire's adaptation of his Rabbit Hole, directed by John Cameron Mitchell; the Academy took notice. Dancing diva Natalie Portman's wild 'n wooly in the Black Swan and Michele Williams's hot in Blue Valentine, and then there's Annette Bening underplaying so brilliantly in The Kids Are All Right. Hard to say if it's Portman or Bening steamrolling to the podium.

a11aHSteinfeld.jpgYoung, unknown Hailee Steinfeld, seeming to channel Mercedes MacCambridge as feisty Mattie Ross, absolutely stole True Grit, but she's up against two perennial favs, Amy Adams and Melissa Leo, both beyond excellent in The Fighter. Odds are it's Leo's year [unless Academy voters were turned off by her ad campagin touting her superlative talents]. However, in a perfect world, and maybe it will be Sunday night, the gold would go to Steinfeld.



Nomination Highlights
:


Have you voted? How many have you seen?

aKingSpeech.jpg Picture

Black Swan
The Fighter
Inception
The Kids Are All Right
The King's Speech
127 Hours
The Social Network
Toy Story 3
True Grit
Winter's Bone

Director

Darren Aronofsky, Black Swan
David O. Russell,  The Fighter
Tom Hooper,  The King's Speech
David Fincher,  The Social Network
Joel and Ethan Coen,  True Grit

Actor

Javier Bardem, Biutiful
Jeff Bridges, True Grit
Jesse Eisenberg, The Social Network
Colin Firth, The King's Speech
James Franco, 127 Hours

Actress

Annette Bening, The Kids Are All Right
BlackSwan.jpgNicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter's Bone
Natalie Portman, Black Swan
Michelle Williams, Blue Valentine

Supporting Actor

Christian Bale, The Fighter
John Hawkes, Winter's Bone
Jeremy Renner, The Town
Mark Ruffalo, The Kids Are All Right
Geoffrey Rush, The King's Speech


Supporting Actress

Amy Adams,  The Fighter
Helena Bonham Carter,  The King's
Speech
Melissa Leo,  The Fighter
Hailee Steinfeld,  True Grit
Jacki Weaver,  Animal Kingdom

Animated Feature Film

How to Train Your Dragon
Illusionist
Toy Story 3

aSocialNet.jpgBest Foreign Film

Biutiful - Mexico
Dogtooth - Greece
In a Better World - Denmark
Incendies -
Canada
Outside the Law - Algeria

Best Original Screenplay

 Another Year
 The Fighter
 Inception
 The Kids Are All Right
 The King's Speech

Best Adapted Screenplay

 127 Hours
 The Social Network
 Toy Story 3
 True Grit  
 Winter's Bone

Best Original Song

"Coming Home"  -  Country Strong
"I See the Light"  -  Tangled
"If I Rise"  -  127 Hours
"We Belong Together"  -  Toy Story 3

aFight.jpgBest Original Score

How to Train Your Dragon, John Powell
Inception,
Hans Zimmer
The King's Speech, Alexandre Desplat
127 Hours,
A.R. Rahman
The Social Network,
Trent Reznor, Atticus Ross

Best Documentary

Exit Through the Gift Shop
Gasland  
Inside Job  
Restrepo
Waste Land

Best Documentary (Short)

Killing in the Name
Poster Girl
Strangers No More
Sun Comes Up
The Warriors of Qiugang


For a full list of the nominations, special and honorary awards given out, the Countdown to Oscar feature, a printable ballot, video clips, trailers of the 10 nominated "Best" and play-along games visit www.oscar.go.com.

 

 

Fraver Design Fever  

 

aLionKingPoster.jpgLincoln Center's New York Public Library for the Performing Arts at Lincoln pays tribute to theatrical advertising artist Frank "Fraver" Verlizzo with Design: Fraver, in the Cullman Center [through April 30], an exhibition of some of his  memorable poster designs [for over 300 Bway and Off Bway productions. Admission is free.aSundayPoster.jpg

Fraver received a 1987special  Drama Desk Award for "inspired artwork for theatrical productions," an honor never before bestowed in the area of theatrical advertising. Among his poster art on display will be Sweeney ToddSunday in the Park with George, The Lion King and Deathtrap.

 

Musical Tributes to Show Biz Greats

 

Musical Legends, a series of four 70-minute tributes performed in rep celebrating the careers of Pearl Bailey, Kaye Ballard, Marlene Dietrich and Nat 'King' Cole will be presented by Urban Stages [259 West 30th Street, between Seventh and Eighth Avenues] February 24 - March 13.


In Grand Illusions: The Music of Marlene Dietrich, Janice Hall, directed by Peter Napolitano, will perform her well-received cabaret act where, rather than impersonating Dietrich, she reinterprets many of the songs Dietrich made famous.


In her tribute, Pearl Bailey...By Request, Roz White, directed by Tom Jones, channels Bailey's infectious sultry tones and wit in the act she originated in the D.C. area, performing 16 tunes Bailey recorded at the height of her career.

Nat 'King' Cole: Unforgettable Smooth Grooves, stars Cleve Douglass, directed by Lee Summers, whose voice the NYTimes described "as silky as the lapels of his tuxedo."
 

And the still alive and kicking haven't been forgotten. Nightlife, Bistro and MAC Award winner Gretchen Reinhagen headlines Special Kaye: A Tribute to the Incomparable Kaye Ballard, directed by Barry Kleinbort, which mines more than five decades of material performed by Ballard onstage, screen and TV.

Tickets are $25 or $40 for two shows in one night and are available at Smarttix.com or by calling (212) 868-4444. For show schedules and more information, visit
www.urbanstages.org.

 


Harry's Back

 

Twenty years after dazzling audiences in his first solo Bway concert early in his career, three-time Grammy-winner and Tony/Drama Desk nom Harry Connick, Jr. returned to perform in his trademark New Orleans style at the Neil Simon. The show was taped and Harry Connick, Jr. in Concert On Broadway airs March 2 at 9:30 P.M. on PBS' Great Performances. Connick, playing both a concert grand and upright honky-tonk piano, is backed by a 12-piece string section. The program is a production of WNET THIRTEEN.

Connick's no stranger to Great Performances. In 1990, the series presented Connick's first primetime solo special, which garnered an Emmy.

 

 

Tom Jones to Play House

 

Merkin Concert Hall at the Kaufman Center [129 West 67th Street, between Broadway and Amsterdam Avenue] introduces its first scene-writing contest with four NYC public schools with the presentation Broadway Playhouse: Tom Jones and Harvey Schmidt on March 6 at 11 A.M. Tom Jones will be guest of honor.

JonesSchmidt.jpgThe concerts, directed by Sean Hartley, introduce the next generation of musical theater fans, age four - 11 to Bway's great musicals. Jones and Schmidt are creators of The Fantasticks, 110 in the Shade and I Do! I Do!

The concert includes sing-alongs, medleys, games celebrating the theme of "Imagination" and songs and scenes from The Fantastiks and I Do! I Do! Scene writers from P.S. 84, 124, 152 and 859 [Kaufman Center's Special Music School] submitted one-page scenes. The winner's work will be performed by Broadway Playhouse cast members Jason Robinson, Kathryn Markey, Martin Landry, Christina Bianco and Sean Hartley.

 

Tkts are $20 and available by calling (212) 501-3330 or online @ www.kaufman-center.org.

 

 

More Classic Movie Scores

 

Today's movie scores just don't compare to those from classic films. But movie buffs can relive some of those sweeping themes in new releases from the Classic Film Series treasure trove [Sony Masterworks; SRP, $13 and change].

CitizenKane.jpgThe scores are by
musical geniuses Bernard Herrmann, Citizen Kane; Erich Wolfgang Korngold, The Sea Hawk; Max Steiner, Now, Voyager/King Kong; David Raksin, Laura/The Bad and the Beautiful; Miklós Rózsa, , Spellbound; and Franz Waxman, A Place in the Sun/Sunset Boulevard. There's also a CD devoted to films starring Bette Davis, 
Now, Voyager, composed by Steiner. Included themes are from The Private Lives of Elizabeth and Essex and Jezebel.

 

NowVoyager.jpgAll titles are conducted, using original orchestrations, by Charles Gerhardt and the National Philharmonic Orchestra and recently remastered for CD. Each contains a photo book containing extensive original liner notes. 

 

They join the recently remastered complete score for Gone with the Wind [Steiner], and compositions from the films of Humphrey Bogart [including Casablanca], Bette Davis, Errol Flynn, and Tyrone Power and other themes from Korngold and master composers Alfred Newman and Dimitri Tiomkin.

 

 

 a21.jpg

Celebrate Valentine's Day in memorable fashion as Town Hall and Scott Siegel begin Broadway by the Year's 11th season February 14 at 8 P.M. with Broadway Musicals of 1921. "And it's going to be a really big show," states Siegel, uncategorically. "It's a perfect Valentine Day date night!"

The acclaimed concert series will highlight that bygone, golden era of revues, such as the Ziegfeld Follies, George White Scandals and Music Box Revues, which were crammed with song, comedy, dance and beautiful girls. 
"It was quite an exciting time," notes Siegel, "because that's when Broadway, as we know it, was taking shape."
 
The show created, written and hosted by Siegel will features the largest cast in the history of the BBT Y series. Headliners will include Kate Baldwin, Erin Davie, Erin and Jeffry Denman, Kevin Earley, Stephen Mo Hanan, Kendrick Jones, Liz Lark Brown, Bobby Steggert and the "Siegfeld" Follies Girls, 10 chorines who'll  recreate the look and style of the Bway that existed 90 years ago.

"The ladies aren't just showgirls," Siegel says. "They are among the best of Broadway gypsies." The ladies are Elizabeth Clinard, Jaime Lyn Frola, Naomi Hubert, Angela Kahle, Bethany Moore, Lauren Pastorek, Amanda Paulson, Jennifer Rias, Kiira Schmidt and Hilary Thompson. 
 
"One of the special treats of 1921," notes Siegel, "is Tony nominee Stephen Mo Hanan, one of the original stars of Cats [
Bustopher Jones], 
who did a masterful impersonation of singing sensation Al Jolson in Jolson & Company. We're introducing Nightlife Award-winner Liz Lark Brown to the Broadway community; and delighted to introduce another newcomer, Los Angeles actor/recording artist Kevin Earley, who's been making his mark here."

aa1921Composite.jpgThese artists join Tony noms Baldwin and Steggert. The Denman duo are co-directing/co-choreographing.
 
Among the classic songs first performed in '21 are "My Man" and "Second Hand Rose," signature tunes for the legendary Fanny Brice in the Ziegfeld Follies; "April Showers," "Avalon," "California, Here I Come" and "Toot, Toot, Tootsie, Goo'bye," all introduced by Jolson; Eubie Blake's "I'm Just Wild about Harry" from Shuffle Along; and, in a salute to Irving Berlin's first Music Box Revue [at his Music Box Theatre], there'll be "Say It with Music" performed by Davie, and a tap number to Berlin's "Everybody Step" by dancer extraordinaire Jones.
 
Davie and Earley will perform duets from Romberg's Blossom Time, one of the most famous operettas of the era - so popular that it toured for a quarter of a century.

The BBTY season kick off will also be a love letter to Town Hall, the "people's hall," which is beginning a year-long celebration of its 90th birthday. Under A.D. Lawrence Zucker, this non-profit org serves the City with concerts, dance, lectures, film classes and education in one of its most acoustically-sound venues.
 
Upcoming at BBTY: Broadway Musical of 1932 , March 21; Broadway Musicals of 1982, May 16; and Broadway Musicals of 1997, June 20. The majority of the BBTY concerts are available on CD from Original Cast Records [available at the kiosk in the T.H. lobby].
 
Season subscriptions are available at www.the-townhall-nyc.org. Single tkts, $45-$55, are available at the box office, through Ticketmaster, (800) 982-2787 or @ www.ticketmaster.com. BBTY lead sponsors are Bank of America and the Edythe Kenner Foundation.


Star-Studded Cast Party

Impresario Scott Siegel strikes again, this time with the masterful M. C. Jim Caruso. Together they'll will be putting on the ritz - well, certainly one of the ritziest shows with one of the most stellar star lineups in years. The Best of Jim Carouso's Cast Party, a benefit for Broadway Cares/Equity Fights AIDS on February 17 at 8 P.M. at Town Hall, will long be remembered for it's amazing roster of headliners. And the bargain-priced tkts! 

aaCaruso.jpgStars at press time are Lucie Arnaz, Hinton Battle, Klea Blackhurst, William Blake, Natalie Douglas, Jenna Esposito, Larry Gatlin, Hilary Kole, Marilyn Maye, Sally Mayes, Liza Minnelli, Lisa Mordente, Chita Rivera, Christopher Sieber, Aaron Weinstein and Karen Ziemba. 

Artists are still being added and, according to Siegel, there're going to be some surprise guest appearances. "Nope, can't tell," he states, emphatically. "Top secret!"
 

However, he does say, "This'll be the Cast Party of all Cast Parties! The talent onstage is a Who's Who of show business. Jim and I are proud so many stars stepped up to the plate to perform on behalf of Broadway Cares/Equity Fights AIDs. It's also the most reasonably-priced, star-studded benefit ever with tickets starting at $25. It's a bargain beyond measure because where can you see the likes of Broadway royalty Chita, Liza, Karen and Hinton? The icing on the cake will be appearances by Larry, Lucie and Marilyn."

aLMinnelliBirdlandCastParty.jpg

Caruso is a noted song-and-dance man. His Cast Party, an extreme open mic night that showcases impromptu performances by an A-List entertainers and unknowns, has been running Monday nights for eight years at Birdland, NY's premiere jazz emporium.

Playbill
described the evenings as "Starrier than the Hayden Planetarium...a hot spot where Broadway and Hollywood tip, twirl and hit the mic." More recently, Cast Party! became a bi-monthly event at the famed Magic Castle in Hollywood in the shadow of the Kodak complex.

"I'm over the moon presenting these superstars on the Town Hall stage, all in one night," Caruso states. "Everyone I called said 'Yes.' That's a testament to the respect we have for Broadway Cares/Equity Fights AIDS. I feel like a modern-day Ed Sullivan!

aCRiveraCarusoTownHall.jpg"When will you ever see Liza sharing a stage with Countess Luann of Real Housewives of New York City?" he continues, "or Chita on the same bill as YouTube sensation 'Miranda Sings' [the alter ego of comedienne/singer Colleen Ballinger] and ]rock violinist duo] the Dueling Fiddlers [Adam DeGraff/Russell Fallstad]? All we need is Topo Gigio and a plate-spinner or two! I can't wait to gather our shockingly unique and brilliant cast into one room to thank them all for making a dream come true!"

[Hmmmm, did someone just let a couple of surprise guest stars out of the bag?]

"Jim is, indeed, a modern day Ed Sullivan," claims Siegel. "The only difference is Jim has talent. He's going to put on a show that won't be forgotten. The talent line-up is jaw-dropping. The applause will be deafening! Be there or be square."

The Best of Jim Caruso's Cast Party, part of T.H.'s "Siegel Season," sponsors include  ASCAP, TheaterMania.com, Berkshire Theatre Festival Thoroughbred Records and Jill and Irwin Cohen.

Tkts are $25 - $75 and available at the Town Hall box office, through TicketMaster.com or by calling (800) 982-2787.

 

Linda Lavin Sings

TV legend, Tony/DD-winner Linda Lavin, currently starring in LCT's Other Desert Cities, will officially launch her CD of jazz standards, Possibilities, with a Broadway at Birdland concert  February 21 at 7 P.M. Jim Caruso will be presenting.

Possibilities includes "swinging" renditions of "Quiet Nights of Quiet Stars," "Two for the Road," "Hey, Look Me Over," and L.L.'s signature "You've Got Possibilities" from It's a Bird...It's a Plane...It's Superman. Ms. Lavin will be accompanied by M.D. Billy Stritch on piano, Bucky Pizzarelli on guitar, John Brown on bass, Aaron Weinstein on violin and Steve Bakunas on drums. 

aaaLLavinA.jpg[Bakunas is L.L.'s hubby. The couple reside in Wilmington, NC, where they're active in community projects such as helping to rehabilitate neighborhoods and homes. They donated a park and, in 1997, founded the Red Barn Studio, where L.L. has directed plays. She's also founder of the Linda Lavin Foundation there, which mentors to 11- to 14-year-old girls.]

Ms. Lavin burst on the Bway scene in 1962 in John Kander and James and William Goldman's short-lived A Family Affair, then joined the cast of On a Clear Day ... Stardom followed in ... Superman, Little Murders [DD award] and Neil Simon's Last of the Red Hot Lovers. Then, TV beckoned. She had a recurring role on Barney Miller before winning Alice, the TV adaptation of Martin Scorsese/Robert Getchell's Alice Doesn't Live Here Anymore [1974] - and becoming a household name - nine seasons, two Golden Globes and an Emmy nom.

On her return to the stage, she replaced Tyne Daly in Gypsy [1989 revival] and went on to Simon's Broadway Bound [Tony/DD awards], The Sisters Rosensweig, Death Defying Acts [DD nom, Obie], The Diary of Anne Frank [Tony/DD noms], Hollywood Arms, The New Century [DD] and Collected Stories [Tony nom]. She'll be long-remembered for her hilarious and shrill turn in Charles Busch's The Tale of the Allergist's Wife [Tony nom]. She's been in over 20 features and sit-coms.   

Tkts for Linda Lavin at Birdland are $30 and $40 with a $10 food/drink minimum. To reserve, call (212) 581-3080.


New Musical in Pasadena

Recording artist/veteran actress Amanda McBroom [Jacques Brel is Alive and Well and Living in Paris], who wrote the Janis Joplin classic "The Rose," has written the lyrics for the musical Dangerous Beauty, based on the 1998 film of the same name from Margaret Rosenthal's novel The Honest Courtesan. Jeannine Dominy, who adapted the screenplay, has written the book. Music is by Michele Brourman [The Land Before Time]. It plays through March 6 at the Pasadena Playhouse.

AMcBroom.jpgBased on a true story in16th Century Venice, it's set against the infamous period of the Catholic Church's inquisition, Dangerous Beauty tells of the tumultuous love affair of Veronica Franco and wealthy Marco Venier, but his father won't allow marriage. Veronica's mother urges her to become a courtesan. She also becomes a popular poet and firebrand, who "launched a hundred ships into battle, challenged kings and clergy and fought for the truth - even when her life was at stake after being accused of witchcraft. 

Tony nom Sheryl Kaller [Next Fall] directs a cast of 20, headlined by Jenny Powers [Grease, Little Women] as Veronica , James Snyder [Crybaby] as Marco, Bryce Ryness
[DD nom, Hair revival], Laila Robins [Heartbreak House, Frozen] and Michael Rupert [Tony, DD Awards, Sweet Charity '86 revival].

M.D. is Fred Lassen [South Pacific], with orchestrations by Bruce Coughlin [Tony, Light in the Piazza] and Ben Butler. Benoit-Swan Pouffer, A. D. Cedar Lake Contemporary Ballet and Alvin Ailey American Dance Theatre, is choreographer. Costumes are by Soyon An [two-time Emmy winner for Fox's So You Think You Can Dance.]

 

"A while back," says McBroom, who made her Bway debut in Seesaw, "I was looking for a good Saturday afternoon movie to enjoy with a big bag of popcorn and discovered Dangerous Beauty. I'm a Rufus Sewell addict, so it was a perfect way to stare at his face for two hours. Within five minutes, I was smacking myself, thinking, 'This is a musical! A big, old honking romantic sexy musical.'"

She called writing partner Brourman and insisted she "run, don't walk!" to rent the film. "She called the next morning," recalls McBroom, "and said  'Yes! Yes! and Yes!'"

 

aaaDangerous.jpgMcBroom bought a DVD and plunked it down on the desk of  producer pal Suzi Dietz. "I insisted that she watch it immediately. She agreed this could be an astounding musical. And so Dangerous Beauty was launched as a theater piece."


The musical was selected for the 2004 West Coast ASCAP Workshop. In 2005, it workshoped at Vassar's New York Stage and Film, followed a year later by a production in NAMT's Festival of New Musicals. 


McBroom describes the musical as "a beautiful, intelligent, seductive piece about an astounding woman - with book, music and lyrics by women, directed by quite a talented woman and  produced by two  powerful women [Dietz and Tara Smith]. This couldn't have happened 20 years ago."

The musical, she adds, "is totally in synch with today's women - and men don't have to be afraid. It's as sexy as it gets in musical theater!

 

Kaller said the show has been one of the most joyous experiences of her career, due especially to the incredible support from P. P. A.D. Sheldon Epps and exec director Stephen Eich. "The cast is anchored by Broadway, national tour, regional and West End actors, bu the richness of musical theater talent in L.A. is stunning." 

For additional information visit www.PasadenaPlayhouse.org and www.DangerousBeautyTheMusical.com.

Trivia: When told the Joplin biopic was looking for a title tune, McBroom, who'd never submitted a song "because I didn't consider myself a songwriter," took a leap of faith. When she turned "The Rose" in, "the producers hated it. They said it was totally wrong, dull and a hymn. Not rock 'n roll." However, music supervisor Paul Rothchild, who'd been Joplin's producer, asked them to reconsider. "Again," says McBroom, "they said 'No.' So he mailed it to Bette [Midler]. She liked it! And that's how my life changed forever!"

McBroom laughs, "Originally, the film was called The Pearl, after Janis' nickname, but her family refused permission to use that name. Lucky for me. Pearl is much harder to rhyme."


You, Too, Can Be a Star

Sing out, Louise or Lou! "It's good for your health, spirit and soul," says Linda Amiel Burns, MAC Award-winning director and vocal coach, of her Singing Experience workshops, begun in 1977.

 

Cabaret legend Julie Wilson and even an acclaimed singer such as Oscar nom Danny Aiello agree with Burns. Both have stated the program, "for pros and newbies," hones your vocal skills and much more.

Burns speaks of the program as "an extraordinary voyage of self-discovery, where you learn or relearn technique, are dared to take risks and develop self-confidence. In the end, you soar above your imagined limitations and discover the artist within. It's for people of all ages and from all walks of life."

The workshop is a package of four three-hour rehearsal sessions with seasoned accompanists. "Tuition" is a non-refundable $485. So you have to do more than just show up. You have to get out there and live your dream.

Participants experiment with arrangements, keys and tempo. Then comes a performance at a NY cabaret [audiences are welcome and pay standard cover charge and minimum], followed a week later by a tape-viewing party, where the performance is evaluated. Rehearsals are geared to individual needs, beginner or pro.

Upcoming workshops begin February 15 and April 20. For registration and information, visit www.SingingExperience.com.  


New to DVD

The intact TV adaptation of Alan Ayckbourn's acclaimed The Norman Conquests is available for the first time on DVD [Acorn Media; three discs; five hours, five minutes; SRP, $60]. The trilogy, told from three same-time angles, is a romantic comedy of errors and uproarious study in family dysfunction as confusion reigns, passions flare and tempers rise.

aNormanConq.jpg[Acorn are distributors of the Lost Treasures Collection: Rare Performances from the Archives of the Tony Award Broadcasts.]

It stars irrespressible Oscar nom Tom Conti, Penelope Keith [To the Manor Born], Richard Briers [Good Neighbors], Fiona Walker [I, Claudius], Penelope Wilton [Downton Abbey] and David Troughton. The plays Table Manners, Living Together and Round and Round the Garden weres seen on PBS' Great Performance series in 1977 [winning an Emmy], directed by Herbert Wise.
The action unfolds around a kitchen table, in a garden and in a living room. Though you see the same course of events from three vantage points, Ayckbourn wrote it so that the plays can be viewed in any order and actually made sense. A bonus feature is an Ayckbourn biography.


Discovering Hamlet [Athena Learning/Acorn; two discs; 53 minutes; SRP, $40] is a revealing, behind-the-scenes look at the process of staging Shakespeare's most demanding tragedy.

In 1988, rising star Kenneth Branagh tackled the role of Shakespeare's prince of Denmark for the first time under the directorial guidance of celebrated actor Derek Jacobi, considered by the NYTimes "the best Hamlet of his generation."

Four-time Oscar nom Branagh, actor/director/writer, brought Hamlet and Henry V to the screen in acclaimed productions. Tony winner [Much Ado...], five-time DD-nom and Emmy winner Jacobi [I, Claudius; Bway, Uncle Vanya 2000 revival, Breaking the Code, Cyrano de Bergerac] has played some of the bard's most challenging characters in his 50-year career, including Hamlet, Prospero, Macbeth and Lear.

Filmmakers Mark Olshaker [director] and Larry Klein followed the company and given full access from the first read-throughs, through four weeks of rehearsals, to opening night.


There's three-and-a-quarter hours of bonus features including interviews with Jacobi; behind-the-scenes footage; cast and creative team interviews; biographies; photo gallery; and the doc Hamlets through the Ages, narrated by Patrick Stewart. A 12-page viewer's guide is included.

Coming March 29 is the 40th anniversary 21-disc complete edition of the Upstairs, Downstairs, with over 25 hours [yes!] of bonus features, some brand new. The award-winning, landmark program, which takes place over three decades from the early 1900s in class-conscious England's Bellamy household. It became the most popular Brit drama series in TV history. Gordon Jackson, David Langton, Jean Marsh, Angela Baddeley and Christopher Beeny lead a huge ensemble.

For a complete catalog of available TV specials and series, visit www.AcornOnline.com.  


 

Classic Films on DVD

TCM Greatest Classic Films [Warner Home Video; two discs; SRP, $28] continues to release double-sided DVD discs showcasing Hwood legends. The newest sets are Jean Harlow [Dinner at Eight, Libeled Lady, China Seas, Wife versus Secretary], Errol Flynn [The Adventures of Robin Hood, Captain Blood, The Sea Hawk, Adventures of Don Juan] and John Ford [She Wore a Yellow Ribbon, Three Godfathers, Cheyenne Autumn, Wagon Master].

aaaHarlowFlynn.jpgThe packages are bargain-priced, but the series films have not been remastered. That said, except for an occasional scratch, the transfers are mostly pristine. You certainly can't quibble over entertainment value.

John Wayne stars in three of four-time Oscar-winning director Ford's masterful Westerns. Cheyenne Autumn [1964], Ford's last, packs a wallop of star power: James Stewart, Karl Malden, Richard Widmark and Carroll Baker. The assembled Flynn films are, indeed, classic of the swashbuckling genre he made so popular.

Turner Classic Movies will feature Harlow, among AFI's "Top 25 Female Legends," as its March "Star of the Month.". Though thrown into the role of a sex kitten at the mere age of 20 and most often shrill and one-note, Harlow's a force to be reckoned with.

The Harlow set gives a terrific through line to her all-to-brief career. She died in 1937 at the age of 26, having made over 40 films.

Her four films, except for the vastly watchable all-star Dinner at Eight, directed by George Cukor [based on George S. Kaufman and Edna Ferber's award-winning play but with some especially sprightly additional dialogue by pioneer female screenplay writer Frances Marion and Hwood's go-to screenplay doctor Donald Ogden Stewart], might be unknown to all but ardent film buffs.

Clark Gable stars in all but Dinner. The title Libeled Lady might lead you to believe it's a piercing drama, but it's a comedy.

The prize here is Wife versus Secretary, with Harlow actually giving a performance and sans bleached blonde hair - holding her own quite well against the formidable talents of  Gable, Myrna Loy and James Stewart. The film, a sharp, sophisticated comedy, was shot after the industry-adopted  Hays Code but gets away with murder with it's central theme of wife-swapping and who's married to who.

Releasing in April will be TCM Greatest Classic Legends sets showcasing Bette Davis and Marlon Brando. The latter will include A Street Car Named Desire: The Original Director's Version. That director would be Elia Kaza, who directed Tennessee Williams' landmark stage production.



The Saint at the Mini-Met

Dicapo Opera will present a new production of Gian-Carlo Menotti's controversial Pulitzer Prize-winning The Saint of Bleecker Street February 24 at 7:30 P.M. and February 26 at 8 P.M. [184 East 76th Street, between Lexington and Third Avenues, St. Jean Baptiste Catholic Church, lower level]. There'll be additional performances on March 4 at 8 and March 6 at 4. Saint will be performed in English and Italian, with supertitles. Michael Capasso will direct. Pacien Mazzagatti conducts.

The opera was last performed here two decades ago. The story, which pits religious faith against agnostic disbelief, tells of a simple young girl in NY's Little Italy who's blessed or afflicted with the stigmata. Neighbors believe her to be a saint, much to the concern of her
protective but atheist brother convinced that she needs hospitalization.

Upcoming: Tchaikovsky's Eugene Onegin April 29, May 1, 5 and 7.

Tickets are $50 and available at www.smarttix.com [service charges apply]. For more information, including cast, visit www.dicapo.com.




Don't miss the

53rd Annual Grammy Awards,

Sunday, 8 P.M. Eastern, CBS 

 

 

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