Friday, April 19, 2013
In “Abundance,” by Beth Henley at Hartford Stage, two wives discover the humor and cold horrors of the 19th-century unexplored West.
SOURCE: The New York Times Subscription at 08:57PMMark S. Hoebee directs the Paper Mill Playhouse’s production of “Thoroughly Modern Millie,” a play based on a 1967 film written by Richard Morris.
SOURCE: The New York Times Subscription at 08:18PMThursday, April 18, 2013
John Shévin Foster’s “Plenty of Time,” at the Castillo Theater, is a journey through time via two people who meet just once a year.
SOURCE: The New York Times Subscription at 06:03PMSunday, April 14, 2013
In “Futurology the Musical,” astronauts from the future travel through time to intervene when an aspiring young actress-singer is on the verge of being corrupted by a showbiz lizard.&nbs…
SOURCE: The New York Times Subscription at 06:03PMFriday, April 12, 2013
A mistaken husband’s rage has consequences in a new production of “The Winter’s Tale,’ directed by Rebecca Taichman, at the McCarter Theater Center.
SOURCE: The New York Times Subscription at 07:41PMFriday, March 22, 2013
“Rich Girl” asks a timely question for fans of Henry James’s “Washington Square”: What if suspicious Victorian parents could have Googled their daughters’ suitors?
SOURCE: The New York Times Subscription at 10:40PMWednesday, March 20, 2013
In “The Little Flower” Anthony Lo Bianco sets out to demonstrate what made Fiorello La Guardia, who ran New York City from 1934 through 1945, so beloved.
SOURCE: The New York Times Subscription at 05:32PMTuesday, March 19, 2013
“The Norwegians,” C. Denby Swanson’s extremely odd and delightful comedy at the Drilling Company, is about two Scandinavian hit men in Minnesota.
SOURCE: The New York Times Subscription at 04:43PMThe Keen Company revives “The Old Boy,” A. R. Gurney’s 1991 tale of class-consciousness, money, loyalty and resistance to change.
SOURCE: The New York Times Subscription at 04:36PMTuesday, March 12, 2013
Friday, March 8, 2013
Tuesday, March 5, 2013
Music, wrestling, pratfalls: an “As You Like It” at the New Victory Theater that aims to charm adolescents.
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The early Sam Shepard play, known for its violently dark humor, is at Long Wharf Theater Stage I until March 10.
SOURCE: The New York Times Subscription at 09:23PMFriday, February 22, 2013
“Two Trains Running” is one of a series of plays by August Wilson about the African-American experience in the 20th century.
SOURCE: The New York Times Subscription at 09:22PMSunday, February 17, 2013
A widower vacations in London with hopes of sexual adventure but winds up finding something else among an assortment of endearing characters in “Off the King’s Road,” a play by Neil Ko…
SOURCE: The New York Times Subscription at 01:31PMFriday, February 15, 2013
More than a play about three sex tourists, “Carnaval” reveals backgrounds and secrets, and adds serious tension at the end.
SOURCE: The New York Times Subscription at 09:42PMA production of John Cariani’s “Almost, Maine” at TheaterWorks Hartford does a lovely, witty job of showing off its romantic but unsentimental heart.
SOURCE: The New York Times Subscription at 08:56PMThursday, February 14, 2013
Bryonn Bain has written and performs “Lyrics From Lockdown,” a solo show that’s the story of his unjustified 1999 arrest and detainment by the New York Police Department.
SOURCE: The New York Times Subscription at 06:46PMFriday, February 8, 2013
Sunday, January 27, 2013
Based on a true story, “Airswimming” chronicles the lives to two women institutionalized for giving birth out of wedlock in 1920s England.
SOURCE: The New York Times Subscription at 05:28PMFriday, January 25, 2013
“The Future Is Not What It Was,” by Michael Rabe, playing at Walkerspace, refers to the future but is set “in a world not unlike our own, where society’s moral compasses have been br…
SOURCE: The New York Times Subscription at 06:02PMWednesday, December 26, 2012
Penny Fuller plays a widow left in deep debt in a musical adaptation of the play “13 Things About Ed Carpolotti.”
SOURCE: The New York Times Subscription at 05:12PM“Flipside” delivers 28 Patti Page hits in less than two hours from two performers with warm and lovely voices.
SOURCE: The New York Times Subscription at 01:15PMFriday, December 7, 2012
“The Best of Enemies,” at the George Street Playhouse, recounts the unlikely friendship between Claiborne Paul Ellis, a Klansman, and Ann Atwater, a civil rights activist.
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Four shows that recently opened in New York — “Golden Age,” “Golden Boy,” “Golden Child” and “The Golden Land” — have similar titles but little else in common.
SOURCE: The New York Times Subscription at 03:35PMFriday, November 23, 2012
Alexandra Silber, Hunter Foster and Arielle Jacobs star in “Inner Voices,” an evening of three one-act solo musicals.
SOURCE: The New York Times Subscription at 08:13PMSaturday, November 17, 2012
“Stones in His Pockets,” by Marie Jones, at Hudson Stage, depicts villagers hoping their bleak lives will benefit from a film.
SOURCE: The New York Times Subscription at 11:45PMWednesday, November 14, 2012
“Soulographie: Our Genocides,” a series of 17 plays by Erik Ehn, is being presented at La MaMa, the first time they have been presented as a group.
SOURCE: The New York Times Subscription at 06:13PMWednesday, November 7, 2012
Ari Brand, who has a starring role in the Off Broadway adaptation of Chaim Potok’s “My Name Is Asher Lev,” talks about the play and his “Broadway Bound” disappointment three years …
SOURCE: The New York Times Subscription at 12:46PMWednesday, October 31, 2012
Saturday, October 27, 2012
In “Venus in Fur,” by David Ives, a seemingly idiotic actress arrives late to an audition and ends up turning the tables on an arrogant theater director.
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