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As opening night for ‘Yerma’ approaches, Diana Bentley and Ted Dykstra couldn’t be more grateful for the Coal Mine community’s support for their new venue.
Shakeil Rollock, creator, director and choreographer of “Okay, you can stop now,” says personal histories and the news cycle intersect in more ways than we might assume.
Despite an at-times unearned length, “Fifteen Dogs” is a must-see for its performances, including Tom Rooney at the top of his game as a lovelorn poodle.
The TV star makes his Mirvish debut this month in “Pressure,” a British play about the meteorologists who advised Eisenhower while planning D-Day in 1944.
‘Girls and Boys’ made a splash in Stratford last summer, a quick jaunt from the behemoth Stratford Festival. Its upcoming remount will play at the Streetcar Crowsnest in Toronto.
Petty took his final bow Saturday, bidding adieu to Toronto’s yearly Christmas pantomime after 25 years.
MacDonald says she always saw her groundbreaking novel “as a 3D experience for the reader.” Part One opens in Toronto Jan. 20.
This “Alice in Wonderland” is nothing short of a delight — and Bad Hats Theatre puts on a very good show.
When retail stores deck the halls for holiday shopping, they’re using many of the same tenets of design that make theatrical productions pop, according to experts in both fields.
This isn’t the “Moby Dick” of your high school English classroom and these aren’t the puppets from days of Jim Henson yore.
From Jac Yarrow’s offstage charisma to his vocal chops, it’s clear why Sir Andrew Lloyd Webber chose him as his leading man.
“The staying power of ‘’da Kink in My Hair’ is rooted in authenticity. And truth,” says Anthony. “Everyone wants to feel seen, heard, listened to, loved, accepted.”
“It’s especially lovely because I’ve been chosen by my peers,” says groundbreaking director Brassard.
The Ontario native got their start in the street dance sub-genres “popping” and “locking.” When “& Juliet” came knocking, they knew it was the right project for them.
Playwright, librettist and screenwriter Ambrose has seen firsthand the barriers to immigration. “They’re unfairly skewed to people from certain regions of the world.”
Andrew Broderick, a “Canadian Idol” alum and frequent face on Ontario’s most famous stages, leads in “Choir Boy” by “Moonlight” screenwriter Tarell Alvin McCraney.
Moscovitch’s corporate drama ‘Post-Democracy’ premieres at Tarragon Theatre in November.
“Being a Canadian expat out here in the States, I’ve seen this rise of xenophobia firsthand. And it’s felt very scary at times,” says Sundeep Morrison.
Haley McGee and director Mitchell Cushman are a dream team, two masterminds with a penchant for controlled chaos and mess, and they’re both at the top of their game.
Studio 180’s take on Paula Vogel’s gorgeous play corrects the record of Sholem Asch’s “God of Vengeance,” and it does so with heart and grit.
“This is an age-old tale. And it’ll always be around because it will always matter,” says Jasmine Rogers on the staying power of “Mean Girls.”
“Ultimately, it’s all to serve,” said Wahsontí:io Kirby, who acts in “1939” and contributed Mohawk translations of Shakespeare’s “All’s Well That Ends Well.” “The spirit…
“Indecent” premiered on Broadway in 2017 when Vogel was 65 and had already won a Pulitzer Prize for “How I Learned to Drive.”
Donna-Michelle St. Bernard’s haunting story of child slavery and community loss is unspeakably sad — and impeccably well staged.
The Siminovitch Prize is the most significant theatre award in Canada, worth $100,000 in all.
Her non-fiction book of the same name won the Grantham Prize for excellence in environmental journalism in 2010.
He’s been lovingly nicknamed “The Brucester,” and he joins a long line of fibreglass statues made for Mirvish by Gerald McLoughlin.
The stories of Kurdish female freedom fighters are the focus of a verbatim theatre production — using interview transcripts and found footage — in Toronto.
The beloved musical set in Gander after the events of Sept. 11, 2001 has a triumphant concert staging in St. John’s.
“Sometimes magic can come out of destruction,” says artistic director Diana Bentley. “Extraordinary things can come out of moments like this.”
Here’s a cheat sheet for some of the best deals on theatre tickets for the upcoming 2022-23 season.