All stories by Arifa Akbar on BroadwayStars

Sunday, October 6, 2024

Juno and the Paycock review – Mark Rylance delights as a drunken fantasist Dubliner by Arifa Akbar

Gielgud theatre, LondonRylance is entertainingly Chaplinesque as a dissolute husband in Seán O’Casey’s 1924 tragicomedy, but Succession’s J Smith-Cameron is its heart and soul as the …

SOURCE: The Guardian at 07:18PM

Nowhere review – an audacious and radical message for peace by Arifa Akbar

Battersea Arts Centre, LondonMixing the personal and political into one consciousness-raising ‘anti-biography’, Khalid Abdalla’s solo show takes in western colonialism, 9/11, British i…

SOURCE: The Guardian at 04:02PM
Wednesday, October 2, 2024

Look Back in Anger/Roots review – double bill of 1950s gamechanging kitchen sink dramas by Arifa Akbar

Almeida theatre, LondonWatching John Osborne’s fulminating Jimmy Porter feels curiously cold, while the same cast bring subtleties to Arnold Wesker’s classic The “angry young man” ha…

SOURCE: The Guardian at 11:48AM
Tuesday, October 1, 2024

Redlands review – Rolling Stones play second fiddle in 60s culture wars clash by Arifa Akbar

Chichester Festival theatreThis drama about Mick Jagger and Keith Jones’s 1967 drugs bust curiously foregrounds their lawyer’s family issues The public outcry that followed the prison se…

SOURCE: The Guardian at 11:48AM

‘If audiences are crying, I’ve done my job’: closing the stories of a generation of British south Asians by Arifa Akbar

Actors Meera Syal and Shobna Gulati, with playwright Tanika Gupta, explain how their National Theatre production springs from the anguish of losing their mothers Meera Syal and Tanika Gupta�…

SOURCE: The Guardian at 07:32AM
Sunday, September 29, 2024

The Cabinet Minister review – perfect timing for a Victorian satire on political freebies by Arifa Akbar

Menier Chocolate Factory, LondonThis frothy farce about an 1890 cabinet minister ‘accepting favours’ never stoops to nudge-winking to make its point – and is all the better for it If t…

SOURCE: The Guardian at 05:12PM
Friday, September 27, 2024

Giant – exploration of Roald Dahl and antisemitism that speaks to our times by Arifa Akbar

Royal Court Theatre, LondonSophisticated play melds fact with fiction in its dramatisation of a scandalous moment in the life of the author As debut plays go, Giant has some very old and exp…

SOURCE: The Guardian at 04:18AM
Thursday, September 26, 2024

1984 review – Keith Allen’s sadistic superior emanates controlled rage by Arifa Akbar

Theatre Royal BathAllen gives a capable performance in an arresting production that gives a chilling sense of state control – but the central romance fails to fizz Seventy-five years after…

SOURCE: The Guardian at 11:02AM
Wednesday, September 25, 2024

Here in America review – Miller and Kazan test the bonds of friendship in McCarthy-era witch-hunt drama by Arifa Akbar

Orange Tree theatre, LondonDavid Edgar’s play on the anti-communist Hollywood blacklists of the 1950s is clunky in its set-up, but offers a lively take on the personal politics of art and …

SOURCE: The Guardian at 01:12PM
Tuesday, September 24, 2024

Coriolanus review – David Oyelowo keeps you waiting and Es Devlin’s design is to die for by Arifa Akbar

Olivier theatre, LondonThe drama is underpowered until the end but what Lyndsey Turner’s production lacks in feeling it makes up in style Placard-holding protesters bomb an elegant stage w…

SOURCE: The Guardian at 07:36PM

‘You become addicted to pressure’: Rufus Norris on success, stress and the National Theatre’s survival by Arifa Akbar

He has triumphed over controversies, the ‘devastation’ of Covid and 100-hour weeks. As Norris leaves the biggest job in British theatre, he reveals his final season – and his plans to …

SOURCE: The Guardian at 07:32AM
Sunday, September 22, 2024

A Face in the Crowd review – cautionary tale of the creation of a Trump-lite TV star by Arifa Akbar

Young Vic, LondonThis musical has the seeds of a brilliant show for our times with Ramin Karimloo on fine form, but its complex themes are sucked away by sledge-hammer messaging Elia Kazan�…

SOURCE: The Guardian at 09:48AM
Thursday, September 19, 2024

Waiting for Godot review – Beckett’s classic tragicomedy is more comedic than tragic by Arifa Akbar

Theatre Royal Haymarket, LondonJames Macdonald’s production sacrifices tension for slapstick but ultimately delivers pathos Samuel Beckett’s 1953 tragicomedy about two woe-begotten men w…

SOURCE: The Guardian at 08:36PM

A Raisin in the Sun review – stirring drama of a family confronting segregation by Arifa Akbar

Leeds Playhouse Revival of Lorraine Hansberry’s play follows a family struggling against the odds and delivers a message of hope When Lorraine Hansberry’s debut play premiered in 1959, i…

SOURCE: The Guardian at 11:42AM
Friday, September 13, 2024

The Real Ones review – fascinating friendship zooms through decades by Arifa Akbar

Bush theatre, London Waleed Akhtar speeds through a 20-year alliance between two British Pakistanis rather too quickly to unfold its rich implications Waleed Akhtar’s last, Olivier-winning…

SOURCE: The Guardian at 09:48AM
Thursday, September 12, 2024

Why Am I So Single? review – dating debacles from the duo behind Six by Arifa Akbar

Garrick theatre, LondonToby Marlow and Lucy Moss have created powerhouse tunes about friendship, family and heartache but this story’s romantic woes are often routine Two writers of musica…

SOURCE: The Guardian at 11:06PM

Our Country’s Good review – Timberlake Wertenbaker revises penal colony epic for a new world by Arifa Akbar

Lyric Hammersmith, LondonRachel O’Riordan directs a new version of the play about the rehabilitative force of theatre in colonial Sydney The curtain is a union jack, opening on to uncultiv…

SOURCE: The Guardian at 09:02AM
Monday, September 9, 2024

V&A celebrates a century of national theatre archive with tribute to avid collector by Arifa Akbar

New exhibition, named after ‘theatrical encyclopedia’ Gabrielle Enthoven, showcases British stage history from the Restoration to Fleabag She was an avid collector of playbills, programm…

SOURCE: The Guardian at 08:54AM
Sunday, September 8, 2024

The Band Back Together review – witty reflections on youth and middle-age by Arifa Akbar

Arcola theatre, LondonA trio of friends reconvene in their home town to play together for the first time in two decades Band reunions seem to be in the air, or one band’s, at least. Here i…

SOURCE: The Guardian at 12:06PM
Friday, September 6, 2024

Twine review – threeway tree metaphors in a fractured exploration of adoption by Arifa Akbar

The Yard, LondonWhile its subject matter is powerful, the story of three split selves is too disconnected to follow, with one scene jumping to another and not joining up to form a whole The …

SOURCE: The Guardian at 01:48PM
Wednesday, September 4, 2024

The Real Thing review – Tom Stoppard’s gem still shines by Arifa Akbar

Old Vic, LondonPassion and art are dissected in tricksy style in a production that manages to wrongfoot the audience There are several circularities drawn around what is real and what is par…

SOURCE: The Guardian at 10:54AM
Sunday, September 1, 2024

G review – gothic dread meets goofy comedy in a thrilling coming-of-age story by Arifa Akbar

Royal Court Upstairs, LondonInspired by urban legends and Afro-surrealism, Tife Kusoro’s spooky tale of three schoolchildren pursued by unknown forces is an audacious original A hand curls…

SOURCE: The Guardian at 10:54AM
Thursday, August 29, 2024

Death of England: Closing Time review – bombshell rants fail to land as the men watch the footie by Arifa Akbar

@sohoplace, LondonThe final part of Clint Dyer and Roy Williams’ trilogy is a bold, brash reflection on racism and working-class identity but the tone is too screamy for the tension to bui…

SOURCE: The Guardian at 08:42AM
Tuesday, August 27, 2024

A Six follow-up, an LA clown … and War Horse rides again: theatre, comedy and dance autumn preview by Arifa Akbar, Brian Logan and Lyndsey Winship

Why Am I So Single sets dating angst to music; more Hollywood stars hit the West End; and a Brummie dance trilogy reaches its finale Continue reading...

SOURCE: The Guardian at 08:02AM
Friday, August 23, 2024

After the Silence review – compelling tale of racial inequalities and slavery in Brazil by Arifa Akbar

The Studio, EdinburghFiction and reality blur in this unruly but utterly engrossing show, which blends documentary and theatre – and will stay with you long after you have left There seems…

SOURCE: The Guardian at 06:54PM

Jobsworth review – caffeinated black comedy with a stupendous performance by Arifa Akbar

Pleasance Courtyard, EdinburghActor-playwright Libby Rodliffe plays plate-spinning Bea, desperately working several jobs, in a monologue co-written with Isley Lynn Jobsworth is billed as a r…

SOURCE: The Guardian at 06:02AM
Thursday, August 22, 2024

The Fifth Step review – Jack Lowden excels as an alcoholic finding a sponsor by Arifa Akbar

Lyceum, Edinburgh In David Ireland’s complex two-hander, co-starring Sean Gilder, a troubled youth is persuaded to join the 12-step programme by a former addict There are few certainties i…

SOURCE: The Guardian at 03:42PM

Stuffed review – urgent warning about food poverty drowned out by clowning by Arifa Akbar

Pleasance Courtyard, Edinburgh A polemical show blends powerful audio recordings of those at the sharp end of the austerity economy with distracting stage business This drama’s title allud…

SOURCE: The Guardian at 05:03AM
Wednesday, August 21, 2024

Deadheads review – the fraying of two sisters’ childhood bond by Arifa Akbar

Assembly George Square, Edinburgh Maddie Lynes’ play subtly tracks a sibling relationship across the decades, sliding between flashbacks and the present day Three Sisters Productions is a …

SOURCE: The Guardian at 09:18AM

Man: A One-Woman Show – compelling collage of toxic masculinity by Arifa Akbar

Underbelly, Bristo Square, Edinburgh Emma Taylor gives magnetic life to a spectrum of mansplaining and rage but these scenes don’t quite build towards a bigger vision A fast sequence of sc…

SOURCE: The Guardian at 04:54AM

It’s the Economy, Stupid! review – engaging account of maths, money and personal cost by Arifa Akbar

Pleasance Dome, Edinburgh Joe Sellman-Leava’s dramatised lecture, with droll asides from Dylan Howells, could hit harder at a greater length The title is a phrase coined by a strategist fo…

SOURCE: The Guardian at 02:48AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic