All stories by Arifa Akbar on BroadwayStars

Sunday, June 15, 2025

Anna Karenina review – Tolstoy’s tragedy fizzes with theatrical brilliance by Arifa Akbar

Chichester Festival theatreNatalie Dormer is exceptional in the title role with Phillip Breen’s clever production reflecting the full scope of the novel’s ambition The stampede of acto…

SOURCE: The Guardian at 08:36AM
Thursday, June 12, 2025

Storehouse review – an exasperating wander through the internet’s ‘arkive’ by Arifa Akbar

Deptford Storehouse, LondonWhile Liana Patarkatsishvili’s gargantuan immersive show looks spectacular, too many ideas are thrown about without being tethered to a story The disused warehou…

SOURCE: The Guardian at 12:12PM
Tuesday, June 10, 2025

Stars: An Afrofuturist Space Odyssey review – mission to Planet Orgasm by Arifa Akbar

Brixton House, LondonMojisola Adebayo’s play deftly navigates light and heavy subject matter as its hero embarks on a quest to feel the earth move Do not underestimate the gravity of the m…

SOURCE: The Guardian at 11:42AM

From Hadestown to Hercules: ancient myths are the gods’ gift to musicals by Arifa Akbar

Newly arrived in the West End, Disney’s demigod is the latest mythological A-lister to knock out showtunes. Why are deities such as Hermes and the ‘half-blood’ Percy Jackson having a m…

SOURCE: The Guardian at 10:36AM
Sunday, June 8, 2025

Changes review – secrets, blackmail and lightning fast role-juggling by Arifa Akbar

Teatro Carlo Goldoni, VeniceIn an extraordinary theatrical feat, two agile actors play 23 characters populating the seemingly ordinary working day of a central couple A day in the life of a …

SOURCE: The Guardian at 08:36AM

No Title (An Experiment) review – Willem Dafoe’s return to avant garde theatre is oddly banal by Arifa Akbar

Tese dei Soppalchi, VeniceBetween smashing glasses and reading conceptual index cards, Dafoe and Simonetta Solder neglect to locate this two-hander’s drama – or its heart Long before Wil…

SOURCE: The Guardian at 08:36AM

The Potato Eaters review – a descent from visceral dread into full-blown terror by Arifa Akbar

Lazzaretto Vecchio, VeniceOn the site of a hospital for leprosy patients, audience members are invited to wander in near darkness among twitching body bags into a choreographed scene of ritu…

SOURCE: The Guardian at 06:32AM
Wednesday, June 4, 2025

In Praise of Love review – secrets and lies circle a family on the brink by Arifa Akbar

Orange Tree theatre, LondonAmelia Sears’ production of Terence Rattigan’s knotted drama contains warmth – and love – beneath the disappointments of married life Terence Rattigan dist…

SOURCE: The Guardian at 10:48AM
Tuesday, June 3, 2025

Letters from Max review – rich reflections on life, death and nothingness from a poet who died at 25 by Arifa Akbar

Hampstead theatre, LondonSarah Ruhl’s stage adaptation of the book she wrote with her former student Max Ritvo, who died of cancer at 25, is smartly written if emotionally distant Sarah Ru…

SOURCE: The Guardian at 10:54AM
Sunday, June 1, 2025

This Is My Family review – cuddly comedy on a soggy camping holiday by Arifa Akbar

Southwark Playhouse Elephant, LondonTim Firth’s 2013 musical about domestic dysfunction and redemption seems a little twee by today’s standards but the songs and sentimental ending will …

SOURCE: The Guardian at 12:18PM
Friday, May 30, 2025

Application 39 (for the 2048 Gaza Summer Olympics) / Return to Palestine review – witness more than theatre by Arifa Akbar

★★★★☆ / ★★★★★Theatro Technis, LondonPainful yet joyous and with pitch-black humour, these plays are as good as testimonies to the horrors happening in Gaza, capturing imm…

SOURCE: The Guardian at 10:06AM
Thursday, May 29, 2025

Marriage Material review – cornershop comedy with a cardi-and-trousers charm by Arifa Akbar

Lyric Hammersmith, LondonGreat 1970s costumes, bubbling performances and an elegant set tee up this adaptation of Sathnam Sanghera’s novel about a Sikh family facing Enoch Powell-era racis…

SOURCE: The Guardian at 10:02AM

Stars, shockers, psychos and evangelists: Rupert Goold’s mighty end to his high-wire Almeida tenure by Arifa Akbar

A smattering of famous names, a big-ambition project, a gay classic and a musical thriller … the powerhouse artistic director’s final productions have all his hallmarks, showing how he m…

SOURCE: The Guardian at 08:48AM
Sunday, May 25, 2025

Milk مِلْك review – there are no words for mourning Palestinian mothers by Arifa Akbar

Queen Elizabeth Hall, Southbank Centre, LondonThe cast of six women and one man give extraordinary physical performances – but most devastating is the stillness that reflects their paralys…

SOURCE: The Guardian at 08:32AM
Thursday, May 22, 2025

Mrs Warren’s Profession review – Imelda Staunton in formidable form as brothel-keeper by Arifa Akbar

Garrick theatre, London Filial tangles, played with the actor’s real-life daughter Bessie Carter, bring George Bernard Shaw’s once-banned drama to life This is not the first production o…

SOURCE: The Guardian at 07:24PM

The Crucible review – Miller’s resonant tale of terror given radical sense of humour by Arifa Akbar

Shakespeare’s Globe, LondonDirector Ola Ince brings absurdist comedy to Arthur Miller’s classic drama of Salem witch-hunting, now told partly through song There is never a time when Arth…

SOURCE: The Guardian at 10:36AM
Wednesday, May 21, 2025

Little Brother review – remarkable migrant memoir falters on stage by Arifa Akbar

Jermyn Street theatre, LondonIbrahima Balde’s desperate journey to find his brother should make for essential theatre, but this production lacks the emotional intensity of the book Ibrahim…

SOURCE: The Guardian at 09:54AM
Sunday, May 18, 2025

The Last Incel review – the hate, horror and comedy that lurk online by Arifa Akbar

Pleasance theatre, LondonJamie Sykes’ queasily entertaining play dramatises the contemptible views found in ‘incel’ forums – but also elicits sympathy for its characters, whose loath…

SOURCE: The Guardian at 12:24PM
Friday, May 16, 2025

The Unlikely Pilgrimage of Harold Fry review – life-affirming musical reckons with death by Arifa Akbar

Minerva theatre, Chichester Mark Addy plays the Bunyanesque everyman whose trip to the postbox becomes a spiritual journey set to glorious foot-stomping songs The…

SOURCE: The Guardian at 08:24AM
Wednesday, May 14, 2025

Insane Asylum Seekers review – likably droll telling of generational trauma by Arifa Akbar

Bush theatre, London Laith Elzubaidi’s autobiographical one-man play explores the lingering pain of his family’s flight from Iraq with a standup’s humour In the w…

SOURCE: The Guardian at 08:32AM
Thursday, May 8, 2025

Here We Are review – Sondheim’s desperate diners have a double helping of Buñuel by Arifa Akbar

Lyttelton, LondonThis energetic look at the charmed lives of the 1% features some signature sparks, but the class satire is not potent enough in the composer’s swansong Stephen Sondheim’…

SOURCE: The Guardian at 08:18PM
Sunday, May 4, 2025

Romeo and Juliet review – star-crossed lovers transported to the wild west by Arifa Akbar

Globe theatre, LondonDirector Sean Holmes’s high concept production shows that the frontier works surprisingly well as Shakespeare’s fractious Verona The warring Houses of Montague and C…

SOURCE: The Guardian at 07:36AM
Thursday, May 1, 2025

Scenes from a Repatriation review – 12 ingenious questions about cultural ownership by Arifa Akbar

Royal Court theatre, London Singaporean Joel Tan’s play revolves around the fate of an ancient statue, in disparate scenes of thrilling complexity played by a zesty cast Controversies ove…

SOURCE: The Guardian at 03:06PM
Wednesday, April 30, 2025

Titus Andronicus review – Simon Russell Beale is sublime amid epic horrors by Arifa Akbar

Swan theatre, Stratford-upon-AvonEchoes of Gaza and Guantanamo ripple through the violence of Shakespeare’s paradoxically poetic play, immaculately staged by the RSC It is not just heads t…

SOURCE: The Guardian at 11:42AM
Tuesday, April 29, 2025

My Master Builder review – Ewan McGregor’s cheating starchitect is torn down by Arifa Akbar

Wyndham’s theatre, LondonIbsen is moved to the Hamptons in Lila Raicek’s play, co-starring Kate Fleetwood and Elizabeth Debicki, about the destruction wreaked by adultery Henrik Ibsen’…

SOURCE: The Guardian at 09:32PM

Paul Mescal, Stormzy and the return of rep – National Theatre boss reveals her risky debut season by Arifa Akbar

With star names, a Hamlet in shades, orgiastic murder and a miners’ strike musical, Indhu Rubasingham promises something for all. But can she attract newcomers while keeping diehards happy…

SOURCE: The Guardian at 04:06PM
Monday, April 28, 2025

‘A mix of vaudeville and David Lynch’: the hit play about a giant rabbit on a psychoanalyst’s couch by Arifa Akbar

Booker-nominated writer Deborah Levy is thrilling audiences with her play about a psychoanalyst dealing with a very unusual patient, seized with anxiety about modern life. She explains how i…

SOURCE: The Guardian at 03:24AM
Saturday, April 26, 2025

Krapp’s Last Tape review – Gary Oldman’s arresting one-man Beckett is a startling piece of theatre by Arifa Akbar

York Theatre RoyalOldman gives an emotional encounter with his past selves as he single-handedly directs, set-designs and performs Samuel Beckett’s existential monologue Gary Oldman’s de…

SOURCE: The Guardian at 10:54PM
Friday, April 25, 2025

The Brightening Air review – shades of Vanya as a Sligo family squabble, tease and wrestle by Arifa Akbar

Old Vic, London Terrific performances from Chris O’Dowd and Rosie Sheehy lead a populous family drama hinging on a broken-down country farmhouse Conor McPherson’s family dysfunctional dr…

SOURCE: The Guardian at 10:32AM
Thursday, April 24, 2025

The Great Gatsby: A New Musical review – what a swell party this ain’t by Arifa Akbar

Coliseum, London F Scott Fitzgerald’s classic jazz age novel ought to be the perfect basis for a musical, but no amount of Charlestons from a fine cast can put the fizz into this There is …

SOURCE: The Guardian at 08:32PM
Wednesday, April 16, 2025

‘To hell with RP’ … how surprise Olivier nominee Rosie Sheehy is following in Richard Burton’s footsteps by Arifa Akbar

To survive in acting, she thought she had to nail received pronunciation. Then she remembered Port Talbot’s extraordinary lineage, reverted to her native accent – and everything changed …

SOURCE: The Guardian at 01:18AM