All stories by Elisabeth Vincentelli on BroadwayStars

Thursday, November 1, 2012

Downton Abbey? No, it’s Washington Square by Elisabeth Vincentelli

No wonder “The Heiress” has returned to Broadway time and again since its 1947 premiere. Romance, money, lies, manipulation and petticoats: Ruth and Augustus Goetz’s melodrama has it a…

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Wednesday, October 31, 2012

Latest arts cancellations by Elisabeth Vincentelli

“The show must go on,” said the entertainment business, and for the most part it did: Most of the Great White Way was open for business yesterday, while other major institutions simply r…

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Tuesday, October 30, 2012

‘Bad Jews’ is nasty, good fun by Elisabeth Vincentelli

It’s unclear who the title characters in “Bad Jews” are. Joshua Harmon’s entertaining new comedy of hostility — did not open last night, as scheduled, at the Roundabout Underground…

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Friday, October 26, 2012

‘Legendarium’ is big fun by Elisabeth Vincentelli

With a title like “Legendarium,” you’d think the Big Apple Circus’ new show would bring on horses rigged out to look like unicorns, or at least tumbling jesters re-enacting Grimm tal…

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It’s ‘Summer’ time and the living is uneasy by Elisabeth Vincentelli

You have to hand it to Karen Allen: The once-heroine of “Raiders of the Lost Ark” made a brave choice for her return to the stage after an 11-year absence. Instead of a familiar vehicle …

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Wednesday, October 24, 2012

‘Happy’ time for good mourning by Elisabeth Vincentelli

Based on its title, can you guess the subject of the new play “Wild With Happy”? More hints: Two people flirt in a very inappropriate setting, and there’s a high-speed car chase down I…

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Monday, October 22, 2012

Touchy topics, lousy party by Elisabeth Vincentelli

Whenever there’s a dinner party in a play, chances are it’s going to end badly. Friends get together for a good meal, a nice bottle of wine. Next thing you know, someone insults someone …

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Thursday, October 18, 2012

Three guys, a gal and a bomb: not quite dynamite by Elisabeth Vincentelli

Hey, Rahim, is that a bomb in your briefs, or are you happy to see us? The title of Jon Kern’s new play should give a clue. Indeed, it’s option A for Rahim (Utkarsh Ambudkar), a young P…

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Over the moon for ‘Comet’ by Elisabeth Vincentelli

Much like the celestial body of its title, the new pop opera “Natasha, Pierre & the Great Comet of 1812” has appeared out of nowhere to brighten the theatrical season. Instead of flashy …

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Sunday, October 14, 2012

‘Woolf’: still plenty of bite by Elisabeth Vincentelli

Edward Albee’s classic dust-up “Who’s Afraid of Virginia Woolf” may now be eligible for AARP — this new Broadway revival opened Saturday, the play’s 50th anniversary — but it�…

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‘Gentle’ acquits itself well by Elisabeth Vincentelli

"Don’t Go Gentle” starts like a classic “when opposites collide” comedy: A white, conservative former DA and retired judge helps out a black, unemployed single mom and her cheeky tee…

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Friday, October 12, 2012

It’s not on the nose by Elisabeth Vincentelli

The title character in Edmond Rostand’s swashbuckling romance of a play, “Cyrano de Bergerac,” has a big nose. Make that a huge nose. But don’t mention it to Cyrano, because he’ll …

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Oh, for God’s sake by Elisabeth Vincentelli

It’s not safe to preach Gospel to an anticapitalist. Just ask Chris, the unseen college student who, in A.R. Gurney’s new comedy, “Heresy,” is jailed for arguing that the mere word �…

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Thursday, October 11, 2012

One midlife crisis, many yawns by Elisabeth Vincentelli

Welcome to the most boring midlife crisis of the year. No matter what happens to Harper Regan, the title character of Simon Stephens’ new drama, it’s hard to care. Her supervisor snottil…

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Hardly the best Foote forward by Elisabeth Vincentelli

Playwright Horton Foote made his name with wistful family dramas rooted in home and neighborhood. He left a big void when he died in 2009, and now the shoe is on the other Foote. Not only h…

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Monday, October 8, 2012

Not best or most novel staging by Elisabeth Vincentelli

Rona Jaffe’s 1958 best seller “The Best of Everything” certainly pressed a lot of hot buttons. Think “Sex and the City” set in the world of New York book publishing during the “M…

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Thursday, October 4, 2012

There but for the grace of God (or not) go we by Elisabeth Vincentelli

As the bittersweet new Broadway play “Grace” shows, religion, real estate and love have one thing in common: They require a degree of hopeful, maybe even blind, trust. Steve — Paul Ru…

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Wednesday, October 3, 2012

Obscure revival: wedded bliss by Elisabeth Vincentelli

Stephen Sondheim’s musicals have been called textbook examples of integration — stories told through a seamless fusion of book and songs. And yet many of Sondheim’s tunes easily stand …

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Saturday, September 29, 2012

This post-apocalyptic ‘Hour’ is endless by Elisabeth Vincentelli

Post-apocalyptic plots are hard to screw up. Throw bedraggled survivors into dangerous situations, question civilization’s future, and your audience is hooked.But while all these elements …

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Friday, September 28, 2012

1882 toxic tale more relevant (& punchy) than ever by Elisabeth Vincentelli

Up until intermission, “An Enemy of the People” seems like your run-of-the-mill Roundabout period revival. The casually paced production is dignified, well-acted by likable stars such as…

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Tuesday, September 25, 2012

Catch Jenn Harris in 'Silence! The Musical' before it's too late by Elisabeth Vincentelli

You only have until Sunday to catch one of the finest performances in town. For the past two years or so, Jenn Harris has been absolutely fantastic in "Silence! The Musical." Because the sho…

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‘Dog’gone shame by Elisabeth Vincentelli

Off-broadway’s “Red Dog Howls” begins with the line: “There are sins from which we can never be absolved.” So, not a comedy then. And that’s an understatement: Alexander Dinelari…

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Friday, September 21, 2012

Companion piece you otter see by Elisabeth Vincentelli

Paul is so devastated after Jennifer’s unexpected death that he’s wailing in pain. “She brought joy to my life,” he tells Don, his friend and colleague. “She was a f - - king Hall …

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Despite Jake’s stage debut, Brit play is all wet by Elisabeth Vincentelli

Describing an overprepared but underskilled contestant on “The X Factor” recently, Simon Cowell said, “You’re like a mouse trying to be an elephant.” Snap! And double snap for “I…

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Wednesday, September 19, 2012

Real-life death-row drama will set you free by Elisabeth Vincentelli

‘the Exonerated” is about a very exclusive club no one would ever want to join: those who made it out of death row alive. Jessica Blank and Erik Jensen’s play tells the real stories of…

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Broken dreams, dream play by Elisabeth Vincentelli

‘Detroit” is deceptively small in scope. You could say it’s about neighborly relations. But Lisa D’Amour’s dark comedy — which opened last night at Playwrights Horizons, after a…

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Monday, September 17, 2012

‘Einstein’ remains genius by Elisabeth Vincentelli

There’s nothing to understand in “Einstein on the Beach,” nothing to “get.” And as the revival of this 1976 masterpiece shows, that’s OK. As conceived by composer Philip Glass, …

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Drunks & stunts enliven fest by Elisabeth Vincentelli

In just a few years, the French Alliance’s Crossing the Line Festival (fiaf.org/ctl) has become a fall staple. Focusing mostly on French and American artists, this interdisciplinary fest d…

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Thursday, September 13, 2012

‘Moon’ shines by Elisabeth Vincentelli

‘i could be arrested for theft, fraud and murder, and it’s not even 4 o’clock.” This isn’t a hardened criminal talking, but a frazzled mother and home-care attendant named Loretta…

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Wednesday, September 12, 2012

Stay tuned by Elisabeth Vincentelli

Anticipation always runs high in September. Yay, a new season! Tons of new shows to look forward to! But while there are promising offerings this year, we may have to dig a little deeper to …

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Tuesday, September 11, 2012

This ‘Broome’ won’t sweep you off your feet by Elisabeth Vincentelli

It’s tough going for a comedy like “Mary Broome,” which revolves around a spectacularly unsympathetic lead character. It’s not Mary herself, by the way — because this 1911 play rea…

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