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Two years after Oxford Dictionaries chose “youthquake” as its word of the year, Zest Theatre presents a manifesto for the term in
A Latino immigration enforcement officer escorts Gracie, a young, undocumented Chicana girl towards detainment and deportation, and away from Kentucky – away
Working with the Lyric Hammersmith’s director of young people Nicholai La Barrie and the Lyric’s artistic associates, this is the second production
It runs in the family. Sarah’s estranged father recently killed himself. Her son is also beginning to struggle with his mental health.
Incredibly close: Frey Kwa Hawking writes on Anthony Simpson-Pike and Nina Segal's 'irreverent and feral' adaptation of Wolfram Lotz's radio play about colonialism.
The post Review: The Rid…
'Rich people acting out their little dramas': Frey Kwa Hawking writes on Sleepwalk Collective's final show in their Kardashian trilogy, a deconstructed, live-art opera.
The post Review: Kou…
"A long, slow slide into horror after horror" – Frey Kwa Hawking writes on Nicôle Lecky's narrative of a young woman suffocated by anxieties.
The post Review: Superhoe at Royal Court app…
What do we share with each other? Even those who are as radically different from us as we can imagine? In this
'Theatre that refuses to form an orderly queue': Frey Kwa Hawking reviews Borderline's playful satire of the UK's labyrinthine immigration system.
The post Review: Welcome to the UK at The …
'Moments of compassion and trust": Frey Kwa Hawking writes on Gabriel Gbadamosi's wide-ranging, but opaque new play.
The post Review: Stop and Search at Arcola Theatre appeared first on Exeu…
Fun on the side: Frey Kwa Hawking writes on Kevin Elyot's debut play about nonmonogamy, as it transfers to Trafalgar Studios.
The post Review: Coming Clean at Trafalgar Studios appeared firs…
Willy Hudson's solo show explores 'the arbitrariness of what we expect young gay people to have instantly figured out, before they even come out', writes Frey Kwa Hawking
The post Review: Bo…
Miranda’s world is dark. Beyond early hints at an abusive dad, and a nan who endured hardship as an immigrant and is
A magical immersion in the history of Battersea: Frey Kwa Hawking writes on Sarah Golding's 'gentle and very different Christmas show'
The post Review: Return to Elm House at Battersea Arts …
As Brexit looms, a series of live art parties are creating space to explore multicultural LGBT+ experiences.
The post Queer Migrant Takeover appeared first on Exeunt Magazine.
A bewildering tribute: Frey Kwa Hawking writes on Gary Barlow's Take That! musical.
The post Review: The Band at Theatre Royal Haymarket appeared first on Exeunt Magazine.
Penned by Andrew Pollard, Martin Berry’s panto for Queen’s Theatre Hornchurch is a rather by-the-numbers affair. Though the fairground setting allows for
'Quiet and considered': Frey Kwa Hawking reviews Jack McNamara's production of Don DeLillo's play about a man in a vegetative state
The post Review: Love-Lies-Bleeding at Print Room appeared…
Lisa Carroll’s play Cuckoo is a witty study of the mess and complexity of adolescent friendship. When word gets out that a
'a bit like being occasionally struck by lightning': Frey Kwa Hawking writes on Made in China's fast-talking new show.
The post Review: Super Duper Close Up at The Yard appeared first on Exe…
Federico García Lorca’s Rural Trilogy at the Cervantes Theatre ends with a considered and confident production of his “tragic poem” Yerma, performed
'an offering to just a few of those history missed over': Frey Kwa Hawking reviews Daniel York Loh's new play about the Chinese Labour Corps
The post Forgotten 遗忘 at Arcola Theatre appea…
Two years ago, trans activist and performance artist Travis Alabanza had a burger thrown at them along with a transphobic slur. No
As Matthew Lopez's gay epic transfers from the Young Vic to the West End, Frey Kwa Kawking writes on its sprawling, compassionate glory.
The post Review: The Inheritance at Noël Coward Thea…
Frey Kwa Hawking reviews Forward Arena's transporting adaptation of Virginia Woolf's 'slim, dense, irrepressible novel'
The post Review: Mrs Dalloway at Arcola Theatre appeared first on Exeu…
First performed in 1951 – and in permanent repertory at the Theatre de la Huchette in Paris ever since – Eugene Ionesco’s
The question of ownership: Frey Kwa Hawking reviews Debris Stevenson's autobiographical ode to grime.
The post Review: Poet in da Corner at Royal Court appeared first on Exeunt Magazine.
Frey Kwa Hawking reviews a play that 'doesn’t make conventional sense, but a kind of sense you feel intuitively.'
The post Review: The Woods at Royal Court appeared first on Exeunt Magaz…
A grief-stricken mother reluctantly prepares for her son to marry, but trouble waits outside the bride’s house – and he’s on a
Theatre503’s latest is a finalist of the venue’s Playwriting Award for new writing in 2016, and Alison Carr’s ear for natural, funny
Makes a seemingly little play vast: Frey Kwa Hawking reviews the Public Acts production of Shakespeare's Pericles.
The post Review: Pericles at National Theatre appeared first on Exeunt Maga…