All stories by Jan Simpson on BroadwayStars

Saturday, January 21, 2012

"The Road to Mecca" is a Long, Slow Trip by Jan Simpson

There are some plays that you out-and-out love.  And then there are others that you feel you ought to admire.  The latter is the way I feel about Athol Fugard’s The Road to Mecca…

SOURCE: Broadway & Me at 08:59AM
Wednesday, January 18, 2012

Why "Seminar" Gets a Failing Grade From Me by Jan Simpson

My good friend Andrea recently came to New York for the first time in four years and, of course, she wanted to see a Broadway show.  After some research— reading the Times and talking…

SOURCE: Broadway & Me at 07:59AM
Wednesday, January 11, 2012

"Outside People" Tackles a Very "In" Topic by Jan Simpson

The Soviet Union was the bogeyman that threatened what Superman used to call “The American way” when I was a kid.  It lost the gig when the Berlin Wall fell in 1989.  Since the…

SOURCE: Broadway & Me at 09:59AM
Saturday, January 7, 2012

"Lysistrata Jones" Fails to Score on Broadway by Jan Simpson

Despite recent balmy temperatures, the winter frost is beginning to settle in. The new year isn't even a week old and two shows have already announced that they’re folding their tents beca…

SOURCE: Broadway & Me at 08:59AM
Wednesday, January 4, 2012

"Close-Up Space" is Too All Over the Place by Jan Simpson

What are they teaching in drama schools and playwriting workshops?    I ask because so many playwrights today seem to think all they need is snappy dialog and then voilà, they hav…

SOURCE: Broadway & Me at 07:59AM
Saturday, December 31, 2011

The Best Theater of 2011 by Jan Simpson

If you read as many “10 Bests” lists as I do around this time each year, it quickly becomes obvious that the lists say a whole lot more about the people making them than they do about an…

SOURCE: Broadway & Me at 10:32AM
Wednesday, December 28, 2011

"Bonnie & Clyde" Got Gunned Down Too Early by Jan Simpson

Let’s be honest: what I think about Bonnie & Clyde isn’t going to matter one bit because the show has already posted its closing notice and will be moving out of the Gerald Schoenfel…

SOURCE: Broadway & Me at 11:59AM
Saturday, December 24, 2011

Christmas Wishes by Jan Simpson

No post today but, instead, heartfelt wishes that you and yours have a holiday filled with love, laughter, the company of good friends... and, maybe, some good theater too.

SOURCE: Broadway & Me at 12:55PM
Wednesday, December 21, 2011

Will "Stick Fly" Have Sticking Power? by Jan Simpson

Somewhere Lorraine Hansberry must be smiling.  When A Raisin in the Sun opened at the Ethel Barrymore Theatre in 1959 on, she was the first black woman to have a play produced on Broadw…

SOURCE: Broadway & Me at 12:39PM
Saturday, December 17, 2011

"On a Clear Day You Can See Forever" Sounds a Lot Better Than It Looks by Jan Simpson

The shrinks who psychoanalyzed Broadway’s best back in the early ‘60s must have been doozies.  How else to explain the fact that two of the most high-profile flops from that period …

SOURCE: Broadway & Me at 08:59AM
Wednesday, December 14, 2011

"Ch’ing•lish" Has Some Serious Things to Say by Jan Simpson

The first thing I noticed when my husband K and I walked into the Longacre Theatre to see David Henry Hwang’s new play Ch’ing•lish was the unusually large number of Asian faces in the …

SOURCE: Broadway & Me at 06:13PM
Saturday, December 10, 2011

Turning on the Ghost Light by Jan Simpson

No post today.  My husband K and I are having our apartment painted.  The painters arrive early on Monday morning and so we've spent the last few days packing up things (it's amazi…

SOURCE: Broadway & Me at 08:57AM
Wednesday, December 7, 2011

This "Cherry Orchard" Needs Some Weeding by Jan Simpson

 Repertory companies were once mainstays of the theater but, with rare exceptions like Britain’s Royal Shakespeare Company, they’re become rarities nowadays. It’s just too expensi…

SOURCE: Broadway & Me at 06:59AM
Saturday, December 3, 2011

"Private Lives" is Just Lively Enough by Jan Simpson

Like every exclusive society, the world of theater lovers has its unspoken rules.  For starters, we’re all supposed to genuflect to everything by Shakespeare, mostly everything by Che…

SOURCE: Broadway & Me at 11:59AM
Wednesday, November 30, 2011

"Maple and Vine" Needs Some Pruning by Jan Simpson

photo by Joan Marcus Everybody knows that theater is a collaborative art, with its elements—the acting, the directing, the design, lighting and the play itself—all leaning on one anothe…

SOURCE: Broadway & Me at 10:59AM
Saturday, November 26, 2011

Why "Blood and Gifts" Is a Sure-Fire Keeper by Jan Simpson

You gotta love the folks at Lincoln Center Theater.  Or at least I do.  Artistic director André Bishop and executive producer Bernard Gersten do what too few of their not-for-prof…

SOURCE: Broadway & Me at 08:59AM
Wednesday, November 23, 2011

Is "Wild Animals You Should Know" Too Tame? by Jan Simpson

Theater doesn’t exist in a vacuum.  A show like The Agony and the Ecstasy of Steve Jobs took on a different meaning after the Apple co-founder’s death.  And Wild Animals You Sh…

SOURCE: Broadway & Me at 11:59AM
Saturday, November 19, 2011

A Love Affair with "Venus in Fur" by Jan Simpson

My husband K is in love with the actress Nina Arianda.  Which is OK with me because—like every other true theater lover in New York right now—I, too, am in love with Arianda, the st…

SOURCE: Broadway & Me at 12:59PM
Wednesday, November 16, 2011

"The Mountaintop" is More of a Molehill by Jan Simpson

Katori Hall became the first African-American woman to win the Olivier Award for Best New Play when The Mountaintop, her meditation on the last night in Martin Luther King Jr.’s life, play…

SOURCE: Broadway & Me at 10:59AM
Saturday, November 12, 2011

This "King Lear" is Listless by Jan Simpson

There’s not much scenery on the stage at The Public Theater’s Newman theater space where a new production of King Lear opened this week but that doesn’t stop nearly everyone on stage f…

SOURCE: Broadway & Me at 09:52AM
Wednesday, November 9, 2011

"Queen of the Mist" Has Moments of Greatness by Jan Simpson

No matter how talented they are, ample-bodied and strong-featured actresses like Mary Testa usually play the funny best friend or the sassy sidekick instead of the leading lady.  And so…

SOURCE: Broadway & Me at 08:59AM
Saturday, November 5, 2011

"Asuncion" Offers Too Many Glib Assumptions by Jan Simpson

Maybe I’m the wrong demographic for Asuncion, the new play by Jesse Eisenberg that just opened in a Rattlestick Playwrights Theater production at the venerable Cherry Lane Theatre.  O…

SOURCE: Broadway & Me at 08:59AM
Wednesday, November 2, 2011

"Relatively Speaking" Has Nothing New to Say by Jan Simpson

Lots of people seem almost angry that they don’t like Relatively Speaking, the trio of one-act comedies now playing at the Brooks Atkinson Theatre. It averaged a  D+ on StageGrade, wh…

SOURCE: Broadway & Me at 06:59AM
Saturday, October 29, 2011

"The Agony and the Ecstasy of Steve Jobs" isn't as Agonizing nor Ecstatic as it Aims to Be by Jan Simpson

Cynics have long said that dying young can be a career boost in show business.  But I doubt that even the most sardonic of them meant that the good fortune would redound on someone othe…

SOURCE: Broadway & Me at 09:40AM
Wednesday, October 26, 2011

"Milk Like Sugar" is a Bittersweet Treat by Jan Simpson

There’s an audience for Milk Like Sugar, the new play by Kirstin Greenidge that’s currently playing at Playwrights Horizons. But it's clearly not for everyone. About half way through thi…

SOURCE: Broadway & Me at 09:58AM
Saturday, October 22, 2011

Singing Hallelujah for "Sons of the Prophet" by Jan Simpson

The New York Times critic Charles Isherwood has declared that Stephen Karam’s new play Sons of the Prophet is “the first important new play of the fall season.” That’s quite a compli…

SOURCE: Broadway & Me at 09:00AM
Wednesday, October 19, 2011

"We Are Here" Ends Up Nowhere by Jan Simpson

It’s not every young playwright who makes her New York debut at the Manhattan Theatre Club.  Or who has that play directed by the hot- director-of-the-moment Sam Gold. Or designed by …

SOURCE: Broadway & Me at 08:59AM
Saturday, October 15, 2011

"Man and Boy" Isn't Ballsy Enough by Jan Simpson

There are at least three obvious reasons that may have prompted the Roundabout Theatre Company to revive Man and Boy, the 1963 drama by the British playwright Terence Rattigan, which opened …

SOURCE: Broadway & Me at 04:30PM
Wednesday, October 12, 2011

"The Lyons" Can't Roar Cause It's Toothless by Jan Simpson

People see plays for all kinds of reasons.  I was excited about The Lyons because I wanted to see what made Linda Lavin turn down chances to reprise her terrific performances in two hig…

SOURCE: Broadway & Me at 07:59AM
Saturday, October 8, 2011

Autumn, The Algonquin and Other Reveries by Jan Simpson

Not much seen this week—at least not that I can yet write about since I try to keep the opening night embargo that shows ask reviewers to observe.  Besides, it’s promising to be a b…

SOURCE: Broadway & Me at 09:03AM
Wednesday, October 5, 2011

Why "Dreams of Flying Dreams of Falling" Flies by Jan Simpson

I’m going to be honest with you.  I had no idea what to make of Dreams of Flying Dreams of Falling, the new Adam Rapp play that the Atlantic Theater Company, its own facilities under …

SOURCE: Broadway & Me at 08:59AM

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