Delicious Diversity with "Monsoon Wedding," "Bernarda's Daughters" and "Bees & Honey" by Jan Simpson

Diversity is sometimes thought of as the vegetable of theatrical offerings: something that we theater lovers should include in the diet of things we consume because it’s "good" for us. But…

Celebrating The 50th Anniversary of TOFT by Jan Simpson

No review posting today but I’m thrilled to be able to share the news that Patrick Hoffman, the director and curator of The Theatre on Film and Tape Archive at New York's Library for the P…

"The Cotillion" Looks at the Very Complex Demands Put on Middle-Class Black Women by Jan Simpson

Regular readers will know that I usually post my reviews on Saturdays but I’m changing things up this week because the show I want to talk about has a short run and the performance I recen…

Reveling in the 2022-23 Awards Season by Jan Simpson

And so it’s begun. The last show of Broadway’s 2022-23 season—a revival of The Sign in Sidney Brustein’s Window,Lorraine Hansberry’s 1964 meditation on white allyship—opened on …

A "Camelot" That's Not the Most Shining Spot by Jan Simpson

O.K., so here’s the dilemma: when you revive a classic show that has problematic elements (and which of them doesn’t?) should you keep it the way it was written or update it for modern s…

"Life of Pi" Ponders the Mysteries of Faith by Jan Simpson

It somehow feels appropriate during this Easter-Passover weekend to note that a lot of shows both on and off Broadway have been wrestling with faith this season (click here to read more abou…

Swooning—Once Again—For "Sweeney Todd" by Jan Simpson

People always ask people like me—people who've been blessed with the opportunity to see lots and lots of shows—what our favorites are. I tend to hem and haw when it comes to plays (somet…

"A Doll's House" is Chic But Underfurnished by Jan Simpson

Despite the projection of the date 1879 on the brick wall at the back of the Hudson Theatre, the new revival of Norwegian playwright Henrik Ibsen’s A Doll’s House could be taking place i…

How To Defend Yourself" Grapples With Gen-Z Concerns About Intimacy and Consent by Jan Simpson

Thousands of dollars and countless hours have been spent trying to figure out how to get young people into the theater. But I’ve got a hunch that the answer is simple: offer things they wa…

"The Sign in Sidney Brustein's Window" Is a Sign of Better Things That Never Came by Jan Simpson

Lorraine Hansberry only lived long enough to see two of her plays produced. The first was A Raisin in the Sun, celebrated when it opened in 1959 as the first play by an African-American woma…

A Grateful Sixteenth Anniversary Message by Jan Simpson

So here we are celebrating—albeit slightly belatedly—the 16th anniversary of Broadway & Me. My first post went up on Feb. 14, 2007 and in the intervening years, I've seen so many wo…

"Pictures From Home" Lacks A Clear Focus by Jan Simpson

  Around 1982 the photographer Larry Sultan began taking photos of his parents at their home in California’s affluent San Fernando Valley. And he kept at it over the next 10 years, final…

Cozy At-Home Theater for a Cold Weekend by Jan Simpson

A frigid cold front is sweeping across a large part of the country this weekend. And that can be a disincentive to go outside for even the most avid theatergoer. Luckily, there are—thanks …

Why the OCC (and Me) Made the Switch to More Gender-Inclusive Acting Awards by Jan Simpson

Giving awards can be tricky. We all want to—and should—celebrate extraordinary theatrical talent. But every time one person is ushered into the winner’s circle, a whole lot of other fo…

Finally Seduced by "Phantom of the Opera" by Jan Simpson

January can be a quiet time on Broadway. Lots of shows close (click here for a list of some of them). Very few open. Which makes it a good time to catch up with the ones still running that y…

High Hopes For a Very Happy New Year by Jan Simpson

  Wishing you a year filled with all of the above, plus, of course, lots of great theater...

My Favorite Theatrical Things in 2022 by Jan Simpson

Theater worked hard this year to come back from the pandemic. As part of those efforts, Broadway dropped its requirement that theatergoers show proof of being vaccinated and made mask wearin…

Christmas Tidings 2022 by Jan Simpson

"The Far Country" Recalls Forgotten History by Jan Simpson

The Harold and Mimi Steinberg Charitable Trust announced this week that it is awarding its $100,000 Mimi Award to two mid-career playwrights: James Ijames and Lloyd Suh. I’m pleased for bo…

How Broadway's "KPOP" Lost Its Mojo by Jan Simpson

The world of musical theater is divided right now between the people who saw KPOP before it came to Broadway and those who saw it afterward. I sadly fall into the latter group.  The origina…

Digging Deep Into Empathy With "Downstate" by Jan Simpson

Bruce Norris has a knack for making people uncomfortable.  His 2006 play The Pain and the Itch featured a 4-year-old with a genital rash, a metaphor for her family’s dysfunction that call…

Succumbing to the Charms of "& Juliet" by Jan Simpson

  & Juliet, the exuberant new musical that mashes up Shakespeare’s Romeo and Juliet with the songbook of the pop hitmaker Max Martin wasn’t made for me. It was made for the tween g…

Life and Death Stories In "Everything's Fine," "Walking With Ghosts," "Where the Mountain Meets the Sea," and "My B by Jan Simpson

The writer Joan Didion once said that “we tell ourselves stories in order to live.” But lately an increasing number of theater makers have not only been telling the stories of their live…

In Memoriam: Seymour "Red" Press by Jan Simpson

My friend Seymour "Red" Press died yesterday. Although to call him a friend doesn’t really describe what he meant to my husband K and me. Red was a longtime musical contractor and K, a tru…

A Nay for "Baldwin & Buckley at Cambridge" by Jan Simpson

As a recent story in the online magazine TDF Stages noted, James Baldwin is having a theatrical moment (click here to read more about it). The black writer and intellectual, who died in 1987…

The New "1776" Isn't Revolutionary Enough by Jan Simpson

Revivals used to be fairly simple. A producer would take a beloved title or maybe even an underappreciated one, cast it with a star or two and voilà, a show. But that’s not how it goes no…

Alan Cumming Follows His Passion in "Burn" by Jan Simpson

The very limited six-day run of Burn, Alan Cumming’s solo performance piece at The Joyce Theater, ends this weekend but there is so much joy in it that I can't resist celebrating it.  Cu…

A Labor Day Salute to Stage Managers by Jan Simpson

Monday is Labor Day, which means that it’s time for my annual tribute to some of the people whose labor makes the theater we all love work. I’ve been doing this for 15 years now and I ca…

"The Butcher Boy" and "On that Day in Amsterdam" May Have Arrived Too Soon by Jan Simpson

Everyone who loves serious theater loves the idea of giving talented new writers a chance to show what they can do. The question is the timing. Too many workshops (and the notes that come al…

This Post-Modern "Oresteia" is No Classic by Jan Simpson

Greek tragedies don’t get done a lot. Which is why I really try to see them when I can. So my theatergoing buddy Bill and I bought tickets for the new production of the Oresteia that is pl…

"Between the Lines" Tells a Familiar Story by Jan Simpson

So many musicals nowadays are based on movies or other pop culture IP (by which I mean jukebox musicals of one kind or another) that it’s nicely retro to have one based on a book. That’s…