All stories by Laura Kressly on BroadwayStars

Saturday, February 24, 2018

‘Charming & sweet without being saccharine’: I HAVE A BAD FEELING ABOUT THIS – Vault Festival by Laura Kressly

by Laura Kressly Alice and her husband moved house from a bustling city to sleepy Berkhamsted just 6 weeks ago. She can’t wait to make new friends and get stuck into all that village l…

SOURCE: mytheatremates.com at 01:00PM

‘A humbling reflection on modern life’: PARTY SKILLS FOR THE END OF THE WORLD – Shoreditch Town Hall by Laura Kressly

Party Skills for the End of the World balances on the slack line between fun and danger with skill and precision, making for a complex and provocative evening.

SOURCE: mytheatremates.com at 08:00AM
Friday, February 23, 2018

‘Language is beautifully used’: THE HOUSE OF BERNARDA ALBA – Cervantes Theatre by Laura Kressly

In The House of Bernarda Alba at Cervantes Theatre, Lorquian language is beautifully used and the production showcases bright and powerful actresses on stage.

SOURCE: mytheatremates.com at 06:00AM

‘Makes for theatre that packs a punch’: ANGRY – Southwark Playhouse by Laura Kressly

“Remember me; I sparkled.” Philip Ridley’s ability to write about the most grotesque scenarios with the most beautiful language will never cease to amaze. His latest offering is Angry …

SOURCE: mytheatremates.com at 05:00AM
Thursday, February 22, 2018

‘Joyful but baffling’: NAPOLEON DISROBED – Arcola Theatre by Laura Kressly

There’s a lot to like about Napoleon Disrobed at the Arcola Theatre, but its focus on getting laughs in individual moments means the narrative arc is neglected. Only a little work is neede…

SOURCE: mytheatremates.com at 09:00AM
Wednesday, February 21, 2018

‘Moving mix of high emotion & comedy’: TIGER – Vault Festival by Laura Kressly

Tiger strikes a great balance between highly emotional drama and the comedy of a man dressed as a tiger, doing yoga.

SOURCE: mytheatremates.com at 02:00PM

‘Hits a perfect balance’: MARGARET THATCHER QUEEN OF SOHO – Vault Festival by Laura Kressly

The night before Parliament votes on Section 28, an amendment to the Local Government Act which prevents schools or similar local authorities from promoting homosexuality, Margaret Thatcher …

SOURCE: mytheatremates.com at 01:00PM

‘A lot of potential’: BREAKFAST – Vault Festival by Laura Kressly

With bolder, physical choices and more exploration of the theatrical material, Breakfast has a lot of potential.

SOURCE: mytheatremates.com at 12:00PM
Tuesday, February 20, 2018

‘It needs seasoning’: CONSUMABLES – Vault Festival by Laura Kressly

There is a an interesting story to be told here, but Consumables needs further research and development. Despite its charm, it is far too bland.

SOURCE: mytheatremates.com at 04:00PM

‘Quick to captivate the audience’: ELSA – Vault Festival by Laura Kressly

Narrating the colourful conversations and interactions Elsa encounters, enhanced by the beautiful transitions of lighting states, Rogers brings magic to our everyday moments with her musical…

SOURCE: mytheatremates.com at 03:00PM

‘Comic pedigree but needs some polish’: A SERIOUS PLAY ABOUT WORLD WAR II – Vault Festival by Laura Kressly

By the time A Serious Play About World War II hits Edinburgh, it may well have enough about it to prove a hit. However, it currently needs a fair amount of work before the company can call i…

SOURCE: mytheatremates.com at 02:00PM

‘Interesting piece of writing on a little-discussed topic’: YOU – Vault Festival by Laura Kressly

Mark Wilson’s two-hander You is constantly shifting with Kathryn O’Reilly and Stephen Myatt-Meadows slipping from one character to another, circling each other, sometimes with love, some…

SOURCE: mytheatremates.com at 01:00PM

‘Lovely imagining of what was & might have been’: MAD AS HELL – Jermyn Street Theatre by Laura Kressly

Mad as Hell is the story of little known Eletha Barrett (Vanessa Donovan), a Jamaican woman who was married to film star Peter Finch (Stephen Hogan), for his final 12 years.

SOURCE: mytheatremates.com at 11:00AM

‘One of those “grab a friend & discuss endlessly” productions’: THE B*EASTS – Bush Theatre by Laura Kressly

The punches just keep coming in The B*easts. It’s one of those “grab a friend and discuss endlessly” productions, and the more we do chat with each other, hopefully the more we can avo…

SOURCE: mytheatremates.com at 06:00AM
Monday, February 19, 2018

‘Directed with energy & passion’: I HAVE A MOUTH & I WILL SCREAM – Vault Festival #Vault2018 by Laura Kressly

I can appreciate the effort made by the company in I Have a Mouth & I Will Scream to address the fundamental difficulty of being a contemporary feminist, but I am left a little wanting.

SOURCE: mytheatremates.com at 02:00PM

‘Sideswiped with emotion’: SURPRISE! – Vault Festival #Vault2018 by Laura Kressly

Surprise! feels incredibly original and defies genre. It also touched on the issue of mental health in such a poignant way, that once Silver had spoken honestly and directly about how much t…

SOURCE: mytheatremates.com at 11:00AM

‘Structurally simple but linguistically rich’: GIRLS & BOYS – Royal Court Theatre by Laura Kressly

Girls & Boys at the Royal Court Theatre is a necessary contribution to mainstream subsidised theatre and unquestionably deserving of a place in contemporary feminist theatre’s canon.

SOURCE: mytheatremates.com at 07:00AM
Sunday, February 18, 2018

‘Embodies every part of resilience women have inside of them’: MISSION ABORT – Vault Festival by Laura Kressly

Therese Ramstedt’s Mission Abort shares a personal experience of abortion which she clearly holds very close to her heart. She sheds a punchy and humorous take on something that needs to b…

SOURCE: mytheatremates.com at 06:00AM
Saturday, February 17, 2018

‘Different perspectives’: STUD/IF WE GOT SOME MORE COCAINE I COULD SHOW YOU HOW I LOVE YOU – Vault Festival by Laura Kressly

If We Got Some More Cocaine I Could Show You How I Love You at The Vaults, on the other hand, is an excellent example of theatre which explores gay love and queer identity from an unfamiliar…

SOURCE: mytheatremates.com at 02:00PM

‘Snappy and deeply moving’: AI LOVE YOU – Vault Festival by Laura Kressly

AI Love You, part of the Vault Festival, holds up a mirror to the technological challenges facing society in a way similar to the Netflix hit series Black Mirror and asks the question: “Is…

SOURCE: mytheatremates.com at 11:00AM

‘Worthy, if unclear, ideals’: GOLD COAST – Theatre503 by Laura Kressly

The poor script and production fails to serve the impact of PTSD underlying Gold Coast at Theatre503, a significant overhaul is needed to give it potency.

SOURCE: mytheatremates.com at 07:00AM
Thursday, February 15, 2018

‘A stellar performance not to be missed’: THE MOOR – Old Red Lion Theatre by Laura Kressly

Catherine Lucie’s play The Moor is performed in a murder mystery style as we try to figure out, along with the central character, what exactly happened on the night of a party where a pote…

SOURCE: mytheatremates.com at 09:00AM
Wednesday, February 14, 2018

‘Compelling work’: THE DRILL – Battersea Arts Centre by Laura Kressly

The Drill is a compelling work from this young company quickly establishing themselves as one of the country’s leading company of theatremakers.

SOURCE: mytheatremates.com at 07:00AM
Tuesday, February 13, 2018

‘Keeps us interested & entertained throughout’: ASSMONKEY: IN CONVERSATION – Vault Festival #Vault2018 by Laura Kressly

Assmonkey: In Conversation at The Vaults is a show full of stand-up comedy, songs, dance and yoga and it will move you when you least expect it.

SOURCE: mytheatremates.com at 03:00PM

‘Moments of real beauty’: MEDEA ELECTRONICA – Ovalhouse by Laura Kressly

Like many recent Medea revivals, Pecho Mama has tried to make the audience understand Medea’s actions, but here, like with others, they fail in articulating this huge moment in the play. T…

SOURCE: mytheatremates.com at 01:00PM

‘Dark & brutally honest’: GUNDOG – Royal Court Theatre by Laura Kressly

Gundog at the Royal Court Theatre joins other plays in recent years about farming and rural life, standing out in its bleakness, thematic complexity and disarming poetry. This small play has…

SOURCE: mytheatremates.com at 07:00AM
Monday, February 12, 2018

‘The tension never sags’: AGAIN – Trafalgar Studios by Laura Kressly

Stephanie Jacob’s new play Again at the Trafalgar Studios could be a traditional comedy-drama about the trials and tribulations of a family, but the writer employs a clever dramaturgical d…

SOURCE: mytheatremates.com at 05:00PM

‘Enthralling if partially unfulfilling’: JOY – Vault Festival #Vault2018 by Laura Kressly

All Good Artists Are Dead returns with its second show as a collective: Joy is a wide-ranging and stretchy exploration of diaspora and sex. Dina Gordon performs as Joy, a woman who contains …

SOURCE: mytheatremates.com at 10:30AM

‘Performances are winning, script charming’: OTHELLO — Unicorn Theatre by Laura Kressly

It’s hard to know how to reframe the complexities of envy and irrational hate in youthful terms for Othello at the Union Theatre, but though Cornelissen doesn’t always quite manage it, t…

SOURCE: mytheatremates.com at 08:00AM
Sunday, February 11, 2018

‘Deftness & sensitivity’: BOYS – Vault Festival #Vault2018 by Laura Kressly

Boys at The Vaults is exploration of manhood, of masculinity, of what it means to be a man of colour in the UK today.

SOURCE: mytheatremates.com at 01:00PM

‘Like watching a delicate tennis match’: BLACKOUT – Vault Festival #Vault2018 by Laura Kressly

Even though Blackout at The Vaults isn’t a piece of forum theatre, we feel invited to really explore the situation as if we are one of the characters.

SOURCE: mytheatremates.com at 11:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre