All stories by Laura Kressly on BroadwayStars

Monday, January 29, 2018

‘Visual & emotional feast’: THE FLYING LOVERS OF VITEBSK – Wilton’s Music Hall & Touring by Laura Kressly

Kneehigh’s distinctive approach to storytelling in The Flying Lovers of Vitebsk at Wilton’s Music Hall turns the tale into a visual and emotional feast that pays homage to a great artist…

SOURCE: mytheatremates.com at 07:00AM
Sunday, January 28, 2018

#Vault2018: FOR A BLACK GIRL – The Vaults @VAULTFestival by Laura Kressly

Made up primarily of short vignettes, For a Black Girl at The Vaults pulls apart the constant micro-aggressions faced every day by black women, other women of colour, black men, white women�…

SOURCE: mytheatremates.com at 08:00AM
Saturday, January 27, 2018

#Vault2018: FUCK YOU PAY ME – The Vaults @VAULTFestival by Laura Kressly

Fuck You Pay Me, as part of the VAULT Festival season is a fun, intelligent, and relatively well-paced piece of theatre, which truly has a heart of gold. And heels of gold. And nipple tassel…

SOURCE: mytheatremates.com at 12:00PM
Friday, January 26, 2018

‘Heartily recommended’: #Vault2018: NEVERLAND – The Vaults @VAULTFestival by Laura Kressly

From the creatives behind The Great Gatsby in the same venue last year, The Guild of Misrule and Theatre Deli is running NeverLand, its new musical adaptation of the Peter Pan story, as the …

SOURCE: mytheatremates.com at 05:00AM
Thursday, January 25, 2018

#Vault2018: RED BASTARD: LIE WITH ME – The Vaults @VAULTFestival ‏ by Laura Kressly

Scintillating physical comedy and personal probing questions unite, divide and cross-examine the audience in Red Bastard: Lie with Me at The Vaults as part of the VAULT Festival 2018.

SOURCE: mytheatremates.com at 06:00AM
Wednesday, January 24, 2018

‘More depressing than cathartic’: THE WAR HAS NOT YET STARTED – Southwark Playhouse by Laura Kressly

Mikhail Durnenkov presents a sample of vignettes addressing problematic aspects of modern life in The War Has Not Yet Started at Southwark Playhouse, London.

SOURCE: mytheatremates.com at 11:00AM
Monday, January 22, 2018

‘A tender & beautiful play’: TINY DYNAMITE – Old Red Lion Theatre by Laura Kressly

This is a tender and beautiful play that, within moments, makes you question why it hasn’t been staged in over 15 years.

SOURCE: mytheatremates.com at 08:00AM
Saturday, January 20, 2018

‘We participate, without feeling invaded’: CRY BLUEBERRY – Cockpit Theatre by Laura Kressly

The story is set in 1930’s America, where Blueberry the clown has just been left by his wife. He takes us on a journey of redemption, knitting his memories with an honest reflection of his…

SOURCE: mytheatremates.com at 09:00AM
Friday, January 19, 2018

‘No one coming out of this encounter is left unscathed’: THE CLAIM – Shoreditch Town Hall by Laura Kressly

The sickly, yellow lights of a featureless meeting room are making Serge thirsty. He just wants some water, to tell his story and get back home to Streatham.

SOURCE: mytheatremates.com at 01:00PM
Wednesday, January 17, 2018

‘Submerges us in a ruthless corporate world’: THE HERE & THIS & NOW – Southwark Playhouse by Laura Kressly

As I walk to my seat, my feet sink in grey carpet. On stage, four people sit in what it looks like an office. One of the characters, a man in a suit, tells us how one day he didn’t go to w…

SOURCE: mytheatremates.com at 07:00AM
Tuesday, January 16, 2018

‘Sweet & sad with a little room for improvement’: LOBSTER – Theatre503 by Laura Kressly

Breakups suck. Unexpectedly bumping into your ex sucks even more. For exes J and K, it’s even worse because they’re unknowingly about to be set up with each other.

SOURCE: mytheatremates.com at 10:00AM
Wednesday, January 10, 2018

On Broadway: What did an American theatrical anglophile make of Lucy Kirkwood’s The Children? by Laura Kressly

American dramaphiles tend to view Britain as a hotbed of hyper-verbal and hyper-intellectual plays, especially in comparison to our home-bred musicals that often lack the same resonant depth.

SOURCE: mytheatremates.com at 09:00AM
Thursday, January 4, 2018

A CHRISTMAS CAROL – Middle Temple Hall by Laura Kressly

One of Dicken’s masterpieces, A Christmas Carol is a natural classic for this time of the year, and contributed to creating the very notion of Christmas as we have known it for the past 17…

SOURCE: mytheatremates.com at 12:00PM
Friday, December 29, 2017

The Play’s the Thing UK’s 2017 Top Ten by Laura Kressly

After 250 or so shows across London and Edinburgh, these are 2017’s top ten (and a few runners up) from The Play’s the Thing UK’s founding editor.

SOURCE: mytheatremates.com at 11:00AM
Thursday, December 28, 2017

Audiences & addiction in People, Places & Things by Laura Kressly

A second, transatlantic viewing proves just how thoroughly the production theatricalises addicts’ experiences in order to generate audience empathy with the struggle to overcome addiction.

SOURCE: mytheatremates.com at 08:00AM
Tuesday, December 19, 2017

‘A little gem that doesn’t sugar-coat reality’: THE TIN SOLDIER – Edinburgh by Laura Kressly

As a company specialising in making work with disabled people, it makes sense for the company to have chosen to adapt Hans Christian Andersen’s story as it’s one of the few children’s …

SOURCE: mytheatremates.com at 10:00AM

‘Re-imagining a classic is a courageous act’: GREAT EXPECTATIONS – Old Red Lion Theatre by Laura Kressly

Re-imagining a classic is a courageous act. Tom Crowley’s adaptation follows the journey of a young man struggling to find his place in modern day England and it’s pervasive class system.

SOURCE: mytheatremates.com at 08:00AM
Monday, December 18, 2017

‘Sombre & provocative’: FCUK’D – Bunker Theatre by Laura Kressly

A young man waits impatiently for his little brother Matty to finish school. Alone on a football pitch amongst piles of dead leaves, he frets over his alcoholic mum, the state of their home …

SOURCE: mytheatremates.com at 09:00AM
Friday, December 15, 2017

‘A genuinely exciting piece of theatre’: HOW TO DISAPPEAR – Edinburgh by Laura Kressly

Initially How to Disappear seems to be a new addition to the classic, British State-of- the-Nation plays in its searing critique of the government’s welfare policy. But Morna Pearson has g…

SOURCE: mytheatremates.com at 12:00PM
Tuesday, December 12, 2017

‘Epic & sprawling’: THE TIN DRUM – Shoreditch Town Hall by Laura Kressly

It doesn’t need to be as long as it is, but The Tin Drum is a lot of fun and a dark, prescient reminder that fascism lurks around the corner of Christmas this year.

SOURCE: mytheatremates.com at 11:00AM
Saturday, December 9, 2017

THE LOST BOY PETER PAN – Pleasance Theatre by Laura Kressly

The Tradition versus Progress conflict sits along side the moral question of whether or not we should be perpetuating these attitudes in young children – who don’t know enough to see the…

SOURCE: mytheatremates.com at 11:00AM
Friday, December 8, 2017

FREDDIE, TED & THE DEATH OF JOE ORTON – London Theatre Workshop by Laura Kressly

There are some lovely set-piece scenes in this new play, but its plodding dramaturgy takes too long to develop, and the climactic ending is rushed.

SOURCE: mytheatremates.com at 12:00PM

PARLIAMENT SQUARE – Bush Theatre by Laura Kressly

Perhaps one of the biggest strengths of Fritz’s writing is his ambiguity and the fact that Parliament Square poses more questions than it answers. The stakes are high.

SOURCE: mytheatremates.com at 06:00AM
Thursday, December 7, 2017

‘You have goat to be kidding me’: GOATS – Royal Court Theatre by Laura Kressly

You have goat to be kidding me: the Royal Court’s latest experiment is a tonally-confused take on the Syrian conflict, fake news, and livestock management.

SOURCE: mytheatremates.com at 11:00AM
Tuesday, December 5, 2017

‘More stories like this are needed onstage’: CURTAIN CALL – White Bear Theatre by Laura Kressly

The overwritten script needs significant cutting and dramaturgical streamlining, but it has a dynamic premise that looks at an often-ignored demographic.

SOURCE: mytheatremates.com at 12:00PM

‘Bold, genre-bending’: SNOW WHITE & ROSE RED – Battersea Arts Centre by Laura Kressly

Combining their woman-led, political ethos with the use of live music, RashDash reclaims femininity and appropriates the traditionally patriarchal adventure of fairytales in this spirited sh…

SOURCE: mytheatremates.com at 09:00AM
Sunday, December 3, 2017

GOOD GIRL – Old Red Lion Theatre by Laura Kressly

How do you cope with anxiety when you’re too young to know what it is? This initially appears to be what Good Girl is going to be about – how as children it is so instilled in us to plea…

SOURCE: mytheatremates.com at 12:00PM
Wednesday, November 29, 2017

BAD ROADS – Royal Court Theatre by Laura Kressly

Whilst war rages in the Ukraine, a journalist goes to the front lines and falls in love. Girls sit on a park bench, waiting for their soldier boyfriends.

SOURCE: mytheatremates.com at 10:00AM
Tuesday, November 28, 2017

WILD BORE – Soho Theatre by Laura Kressly

It’s rare that I’m intimidated by a show. But as three bare bottoms on the edge of a trestle table ridicule the negative reviews the attached bodies have received, I can’t help but fee…

SOURCE: mytheatremates.com at 07:00AM
Saturday, November 25, 2017

‘Charm & wit’: #OrdinaryDaysLDN @draytonarmssw5 > @OrdinaryDaysLDN by Laura Kressly

There is the glorious Deb. A semi-neurotic slice of contemporary crisis. Nora Perone completely nails the role with her excellent vocals and comic timing.

SOURCE: mytheatremates.com at 06:04AM
Tuesday, November 21, 2017

INSIDE PUSSY RIOT – Saatchi Gallery by Laura Kressly

Les Enfants Terrible, a company now synonymous with this experience-based immersive theatre, take us through white-walled holding cells, to a cathedral with neon Donald Trump and Putin effig…

SOURCE: mytheatremates.com at 12:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre