All stories by Lyn Gardner on BroadwayStars

Friday, May 11, 2018

Three Sisters review – RashDash's gloriously playful take on Chekhov by Lyn Gardner

Royal Exchange Studio, ManchesterThis brilliantly witty show asks who the classics are for – and what Chekhov’s play means for young women todayA woman in a wedding-cake dress twirls, a …

SOURCE: The Guardian at 06:33AM
Tuesday, May 8, 2018

Lexicon review – circus juggles first-class turns with a dollop of nostalgia by Lyn Gardner

Brighton festivalNoFit State’s new show mixes skill, humour and physical poetry but sidelines the womenSwapping their trademark promenade-style circus for a retro seated show in a big top,…

SOURCE: The Guardian at 07:18AM
Monday, May 7, 2018

Lyn Gardner: Let’s celebrate theatre festivals as unique hotbeds of grassroots talent by Lyn Gardner

The festival season is upon us. The Brighton Festival is blooming on the south coast, Mayfest starts shortly in Bristol with a

SOURCE: The Stage Registration at 02:00AM
Friday, May 4, 2018

Othello review – lesbian Moor boldly puts gender under microscope by Lyn Gardner

Everyman, LiverpoolPlaying a female Othello who has bedded Desdemona, Golda Rosheuvel casts new light on both Shakespeare and societySamuel Taylor Coleridge famously talked of Iago’s “mo…

SOURCE: The Guardian at 08:42AM
Wednesday, May 2, 2018

Chess review – Benny and Björn's cold war musical no match for tiddlywinks by Lyn Gardner

London ColiseumEven Alexandra Burke can’t save this lumbering story told with tracks by the Abba songwritersMusicals are the toughest of mediums, requiring the score, book and production t…

SOURCE: The Guardian at 11:04AM
Tuesday, May 1, 2018

One Green Bottle review – apocalyptic farce mixes Beckett with kabuki by Lyn Gardner

Soho theatre, LondonKathryn Hunter is the patriarch in Hideki Noda’s strange, yet ultimately moving, family tale that draws on Japanese traditionHideki Noda is a master of the theatrical e…

SOURCE: The Guardian at 01:06PM

Lyn Gardner: Theatre’s dinosaur leaders need to be dragged into the 21st century over diversity by Lyn Gardner

On Friday, The Stage published two news stories reporting on different events, but I believe they are connected. One reported Madani Younis,

SOURCE: The Stage Registration at 07:36AM
Monday, April 30, 2018

Lyn Gardner: Theatres must support emerging writers with residencies by Lyn Gardner

It has been a good year for first-time playwrights, which bodes well for the The Stage Debut Awards in 2018. First, at

SOURCE: The Stage Registration at 02:00AM
Sunday, April 29, 2018

Masterpieces review – misogyny is a badge of pride in 80s sexual violence drama by Lyn Gardner

Finborough, LondonMen openly tell rape jokes in Sarah Daniels’ 1983 play, which has renewed impact in the era of #MeToo, even if this revival could be sharperWhen Trump was caught on tape …

SOURCE: The Guardian at 01:04PM
Friday, April 27, 2018

The Assassination of Katie Hopkins review – a musical savaging of social media by Lyn Gardner

Theatr Clwyd, MoldAn inventive score and an intelligent script combine in this smart satire with nods to Jerry Springer: The OperaThe most provocative thing about this show is the title. Chr…

SOURCE: The Guardian at 01:18PM

The Phlebotomist review – a gasp-worthy dystopian thriller by Lyn Gardner

Hampstead Downstairs, LondonBlack Mirror meets Brave New World in a chilling debut play by Ella Road starring the terrific Jade AnoukaBea (Jade Anouka), a phlebotomist, falls head over heels…

SOURCE: The Guardian at 03:24AM
Thursday, April 26, 2018

The Prudes review – a couple's very public attempt to revive their sex life by Lyn Gardner

Royal Court Upstairs, LondonAnthony Neilson considers the male reaction to #MeToo in a well-meaning yet toothless two-handerJess and Jimmy are in their late 30s and have been together for ni…

SOURCE: The Guardian at 08:48AM
Tuesday, April 24, 2018

Mayfly review – a heartbreakingly funny debut by Lyn Gardner

Orange Tree, Richmond Set in a Shropshire village, Joe White’s tender and wise play is suffused with grief, loss – and unexpected laughsIt’s cold comfort down on the pig farm in this h…

SOURCE: The Guardian at 11:54AM
Monday, April 23, 2018

Rasheeda Speaking review – a sharp comedy about workplace racism by Lyn Gardner

Trafalgar Studios, LondonThere is much to enjoy and to squirm about in Joel Drake Johnson’s dissection of the office politics of some highly manipulative, racist characters The meaning of …

SOURCE: The Guardian at 02:36AM

Lyn Gardner: We have a Shakespeare problem by Lyn Gardner

Many happy returns to William Shakespeare: 454 years after his birth the playwright still dominates British theatre and culture. He is one

SOURCE: The Stage Registration at 02:00AM
Saturday, April 21, 2018

An Officer and a Gentleman review – jukebox musical never takes off by Lyn Gardner

Curve, LeicesterThe hit movie romance has been adapted into a musical, but its gender politics have dated and it lacks gritThe 80s have already generated a slew of screen-to-stage hits inclu…

SOURCE: The Guardian at 05:24AM
Monday, April 16, 2018

Lyn Gardner: Is honesty always the best policy? by Lyn Gardner

We’ve all been there. A friend has written, or directed, or has a role in a new production. You’ve been to see

SOURCE: The Stage Registration at 02:00AM
Wednesday, April 11, 2018

Reared review – secrets and surprises in skittish family comedy by Lyn Gardner

Theatre 503, LondonJohn Fitzpatrick’s play about a family with a wonky moral compass swings between all-out farce and truth-telling dramaIt is possible to really enjoy a play without ever …

SOURCE: The Guardian at 12:12PM

Is immersive theatre growing up or growing too big, too quickly? by Lyn Gardner

Immersive hit the mainstream in the past decade with audiences flocking to work by pioneering companies such as Punchdrunk, Coney and Shunt.

SOURCE: The Stage Registration at 12:00PM
Monday, April 9, 2018

Holes review – deeply felt drama brings landmark novel to life by Lyn Gardner

Nottingham PlayhouseAdult realism fuses with youthful fantasy in this rollicking adaptation of Louis Sachar’s much-loved detention camp taleAdam Penford’s tenure as artistic director at …

SOURCE: The Guardian at 07:49AM

Southbank Centre’s Rupert Thomson: ‘We need fresh approaches to art’ by Lyn Gardner

With the Queen Elizabeth Hall and Purcell Room reopening after refurbishment, Rupert Thomson tells Lyn Gardner how the Southbank Centre’s eclectic events

SOURCE: The Stage Registration at 07:36AM

Lyn Gardner: Artistic talent can’t excuse abuse by Lyn Gardner

Last week, The Stage published an interview with UK Theatre president Fiona Allan to mark the organisation’s publication of 10 principles designed

SOURCE: The Stage Registration at 02:00AM
Wednesday, April 4, 2018

UK Theatre’s Fiona Allan: ‘We’ve avoided the abuse problem for too long’ by Lyn Gardner

UK Theatre’s president tells Lyn Gardner how personal experience has informed her approach to harassment allegations and why theatre must no longer

SOURCE: The Stage Registration at 07:01PM

Spring Awakening review – feverish teens blast out furious anthems by Lyn Gardner

Hope Mill, ManchesterThis rock-musical version of Frank Wedekind’s 1891 play about sex, abortion, abuse and depression has some great tunes but never quite fliesHope Mill has staged one mo…

SOURCE: The Guardian at 07:44AM
Tuesday, April 3, 2018

Othello as an out lesbian: why Golda Rosheuvel's time is now by Lyn Gardner

The actor is set to play Shakespeare’s army commander as a gay woman in Gemma Bodinetz’s new production at Liverpool’s EverymanWhen Golda Rosheuvel stars as Othello at the Liverpool Ev…

SOURCE: The Guardian at 02:00AM
Monday, April 2, 2018

Lyn Gardner: All audiences matter – despite age by Lyn Gardner

Even at my advanced age I quite frequently look around a theatre audience and feel relatively young and spritely. Of course, there

SOURCE: The Stage Registration at 02:00AM
Friday, March 30, 2018

Beginners review – the rainy holiday that changed the world by Lyn Gardner

Unicorn, LondonThe enterprising children in Tim Crouch’s moving comedy learn that growing up is hard to doIf you’ve ever looked in the mirror and seen a glimpse of your 10-year-old self,…

SOURCE: The Guardian at 07:37AM
Thursday, March 29, 2018

A Streetcar Named Desire review – slow-burning update strips back the classic by Lyn Gardner

NST City, SouthamptonChelsea Walker’s intriguing take on Tennessee Williams’s play conjures illusions before cruelly dismantling themI don’t want realism. I want magic!” cries Blanch…

SOURCE: The Guardian at 07:50AM
Tuesday, March 27, 2018

Mountains: The Dreams of Lily Kwok review – a feast of family secrets by Lyn Gardner

Royal Exchange, ManchesterA lawyer adrift in Hong Kong summons the spirit of her Chinese grandmother to explore their shared history – and a passion for foodHelen is a Cambridge-educated l…

SOURCE: The Guardian at 08:00AM
Monday, March 26, 2018

Lyn Gardner: Slung Low shows how we must embrace the shock of the new by Lyn Gardner

Like many people, I find change hard. But I know that whenever change has been forced on me, it has turned out

SOURCE: The Stage Registration at 02:00AM
Sunday, March 25, 2018

Agnes Colander review – flawed portrait of a woman confronting her desires by Lyn Gardner

Ustinov, BathIn Trevor Nunn’s handsome but stilted production, an Edwardian painter is caught between her art and the affections of three men‘Only little bits of me are developed, and th…

SOURCE: The Guardian at 06:53AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre