All stories by Mark Fisher on BroadwayStars

Saturday, March 1, 2025

‘I said there was no reason to make it a musical!’ Mel Brooks on The Producers’ West End transfer by Mark Fisher

Veteran director, who originally opposed adapting 1967 film for the stage, is ‘very proud’ as Menier Chocolate Factory production will move to London’s Garrick theatre The Menier Choco…

SOURCE: The Guardian at 05:42PM
Wednesday, February 26, 2025

A View from the Bridge review – thrilling update pulls no punches by Mark Fisher

Tron theatre, GlasgowJemima Levick’s superb production sets Arthur Miller’s tale of family, immigration, poverty and passion in the modern-day Brooklyn docks Is it an innocent domestic m…

SOURCE: The Guardian at 05:36AM
Sunday, February 23, 2025

Confessions of a Shinagawa Monkey review – gorgeous whimsy from Haruki Murakami by Mark Fisher

Tramway, GlasgowSandy Grierson is astonishing as a talking monkey working in a Japanese bathhouse in this slight but theatrically beguiling slice of magical-realism Mizuki Ando has a distres…

SOURCE: The Guardian at 07:42AM
Wednesday, February 19, 2025

Champion review – Muhammad Ali, the Queen, punk and the National Front make an incendiary mix by Mark Fisher

Live theatre, NewcastleA South Shields family are torn by opposing forces as Ishy Din cleverly taps into the emotive memories of a weekend in the summer of 1977 It is a reasonable question. …

SOURCE: The Guardian at 10:06AM
Friday, February 14, 2025

Mary and the Hyenas review – patchy ode to Wollstonecraft and women ‘howling at the world’ by Mark Fisher

Hull Truck theatreSnappy movement and a Billy Nomates score can’t make up for the lack of emotional range in this portrait of the 18th-century writer It was quite a life. Having escaped a …

SOURCE: The Guardian at 03:54PM
Thursday, February 13, 2025

Escaped Alone and What If If Only review – Caryl Churchill’s double whammy of dazzling dread by Mark Fisher

Royal Exchange theatre, ManchesterHiding behind the fluttering dialogue and domestic chatter lies a dark poetry in a pair of plays that address terrifying futures head on Last month, wildfir…

SOURCE: The Guardian at 12:36PM
Wednesday, January 29, 2025

Pass the Parcel review – witty reckoning with a mother’s death by Mark Fisher

Royal Court, LiverpoolBubbling with quirky detail, Sarah Whitehead’s full-length debut captures the contradictions of close relationships between sisters without sentimentality The past ha…

SOURCE: The Guardian at 11:06AM
Thursday, January 23, 2025

The Merchant of Venice review – poisonous prejudice erupts with shocking speed in a show with tech-bro touches by Mark Fisher

Royal Lyceum, EdinburghJohn Douglas Thompson is a commanding Shylock in a vision of an apparently benign city where tolerance buckles all too quickly He likes a bit of a laugh, this Shylock…

SOURCE: The Guardian at 06:32AM
Tuesday, December 10, 2024

The Borrowers review – Arrietty and co’s awfully wordy adventure by Mark Fisher

The Dukes, LancasterWith a cumbersome script and no sense of danger or atmosphere, this production loses its way If you are in any doubt that this adaptation of the 1952 Mary Norton novel ha…

SOURCE: The Guardian at 11:54AM
Monday, December 9, 2024

A Christmas Carol review – sparse on sparkles but Dickens’ story remains a beacon by Mark Fisher

Derby theatreAbsorbing adaptation is faithful to the original, with sepia lighting and a whiskery, curmudgeonly Scrooge pinching pennies in hard times Even the proportions of Ebenezer Scroog…

SOURCE: The Guardian at 07:24AM

Aladdin review – seasonal panto fun, with a good dose of song and storytelling by Mark Fisher

Stephen Joseph theatre, ScarboroughThe titular hero’s coming-of-age tale takes advantage of local tourist attractions and a bright hard-working cast in this brisk and cheerful production …

SOURCE: The Guardian at 03:02AM
Friday, December 6, 2024

The Jungle Book review – swinging version of Kipling’s adventure by Mark Fisher

Octagon, BoltonThis musical adaptation of the classic tale is full of charm and catchy new numbers with a captivating turn by Kiara Nicole Pillai as Mowgli There is a startling piece of tran…

SOURCE: The Guardian at 08:12AM
Monday, December 2, 2024

Treasure Island review – with a yo-ho-ho and the spirit of adventure by Mark Fisher

Royal Lyceum, EdinburghDuncan McLean’s riotous adaptation begins in a care home for retired pirates, from which the resourceful heroes set sail in a washtub buoyed by imagination Who is th…

SOURCE: The Guardian at 05:36AM
Friday, November 29, 2024

Spend Spend Spend review – punchy revival of a rags to riches to rags tale by Mark Fisher

Royal Exchange theatre, ManchesterJustin Greene and the late Steve Brown’s musical about a working-class woman who wins big on the pools and blows the lot is given a moving dream twist As …

SOURCE: The Guardian at 09:12AM
Wednesday, November 27, 2024

Peter Panto and the Incredible Stinkerbell review – JM Barrie’s fantasy is joyfully upturned by Mark Fisher

Tron theatre, GlasgowThere are cursory mentions of crocodiles, clocks and boys who never grow up, but Johnny McKnight’s script charts its own course in a hilariously daft production I have…

SOURCE: The Guardian at 07:06AM
Thursday, November 21, 2024

The Sound of Music review – charming musical nourishes the soul by Mark Fisher

Pitlochry Festival theatreIn our dark times, the Rodgers and Hammerstein classics offer a sugar-coated disguise for a show with political heft Elizabeth Newman’s six-year tenure as Pitloch…

SOURCE: The Guardian at 07:32AM
Friday, November 15, 2024

The Scouse Red Riding Hood review – Grandma gets high in raucous adult panto by Mark Fisher

Royal Court, LiverpoolWolf-like property developers are set to evict the grandmother, who is on a night of drug-fuelled abandon, in this enjoyable show This is Liverpool, so the most frighte…

SOURCE: The Guardian at 04:48PM
Thursday, November 7, 2024

Fixing review – delightful off-road adventure about family mechanics by Mark Fisher

Alphabetti, NewcastleWritten and performed by Matt Miller, this tender solo show weaves in bittersweet childhood memories with car maintenance metaphors We have signed up for a 12-week cours…

SOURCE: The Guardian at 11:54AM
Friday, November 1, 2024

Kenrex review – Jack Holden is astonishing in a play that grips like a true-crime podcast by Mark Fisher

Playhouse, SheffieldThe actor plays a dozen roles with aplomb in a small-town US tale co-written with Ed Stambollouian What an astonishing performance. In a kind of true-crime version of Und…

SOURCE: The Guardian at 09:31AM
Thursday, October 31, 2024

Bright Places review – reflective yet raucous play about living with MS by Mark Fisher

Birmingham RepRae Mainwaring’s award-winning drama about a young woman with multiple sclerosis is given a playful production This play’s title refers to the patches of an MRI scan that i…

SOURCE: The Guardian at 04:06PM
Wednesday, October 23, 2024

The Whitby Rebels review – true-life tale of madcap mission to the Arctic by Mark Fisher

Stephen Joseph theatre, ScarboroughAn unlikely crew, including a vicar and two pensioners, sail a dodgy ship on a voyage to honour an explorer. But the sitcom setup fails to deliver much com…

SOURCE: The Guardian at 08:12AM
Tuesday, October 1, 2024

The Lieutenant of Inishmore review – the fur flies as Martin McDonagh’s cat-loving thug returns by Mark Fisher

Everyman, Liverpool Julian Moore-Cooke is terrific as Padraic, avenging his pet, but the mix of humour and gory violence needs fine-tuning in this revival The joke at the heart of Martin McD…

SOURCE: The Guardian at 07:32AM

Anna/Anastasia review – the seductive delusions of an imaginary duchess by Mark Fisher

Òran Mór, Glasgow A plain-speaking policeman finds himself confronted by one of history’s great impostors in Jonny Donahoe’s entertaining play Anastasia is attempting to look regal in …

SOURCE: The Guardian at 07:32AM
Sunday, September 29, 2024

To Save the Sea review – Brent Spar oil rig resounds with song in a Greenpeace musical by Mark Fisher

Tron, GlasgowNearly 30 years on, environmental activists’ occupation of the North Sea fuel store gets an ambitious, heartfelt musical treatment This time last year, Just Stop Oil protestor…

SOURCE: The Guardian at 05:12PM
Wednesday, September 25, 2024

Angela Carter’s The Company of Wolves review – full-blooded fairytale leaps for the jugular by Mark Fisher

New Vic, Newcastle-under-LymeThe pack prowls the stage and falls from the sky in this dark and dynamic production combining Carter’s rich gothic language with impressive aerial skills The…

SOURCE: The Guardian at 09:48AM
Thursday, September 19, 2024

Abigail’s Party review – Mike Leigh’s excruciating suburban comedy still stings by Mark Fisher

Northern Stage, NewcastleVast amounts of shagpile set the scene for Jack Bradfield’s production of the grotesque classic about materialism and status chasing It ends with a blast of Prince…

SOURCE: The Guardian at 08:32AM
Wednesday, September 18, 2024

Romeo and Juliet review – star-crossed lovers double up and dazzle by Mark Fisher

Shakespeare North Playhouse, PrescotExuberant production sees spoken word and physically expressive BSL users mirroring each other as they audition to take the lead roles Unusually for a Sha…

SOURCE: The Guardian at 03:02PM
Thursday, September 12, 2024

Show & Tell review – Ayckbourn’s latter-day Lear blusters around the front room by Mark Fisher

Stephen Joseph theatre, ScarboroughWhen the retired MD of a department store books a theatre company to perform at his home, relationships and reality begin to unravel If, like Alan Ayckbour…

SOURCE: The Guardian at 06:48AM
Friday, August 23, 2024

The Brenda Line review – humanity on the helpline for heavy breathers by Mark Fisher

Pitlochry Festival theatre Harry Mould’s sweet and sexually frank debut focuses on the female volunteers at the Samaritans in the 1970s charged with talking to ‘telephone masturbators’…

SOURCE: The Guardian at 01:36AM
Tuesday, August 20, 2024

Edinburgh goes bananas for cult show with a gorilla costume, a rocking chair and little else by Mark Fisher

Back for its 15th year, this festival favourite finds a bespectacled primate sitting silently on stage for 56 minutes – to wild applause The queue snakes around the bar, stretches down the…

SOURCE: The Guardian at 08:24AM
Monday, August 19, 2024

Chemo Savvy review – cancer comedy inspired by actor Andy Gray is less about death than about rebirth by Mark Fisher

Gilded Balloon at the Museum, EdinburghAlan McHugh’s play is about grief and the agony of treatment – but also hope and laughter in the face of adversity What a lovely thing to have done…

SOURCE: The Guardian at 03:12AM