All stories by Marshall Bradshaw on BroadwayStars

Wednesday, June 7, 2017

David Ives’s The School for Lies (review) by Marshall Bradshaw

Playwright David Ives’s mastery of rhymed verse builds on Molière’s 17th-century comedy of manners. Together, they will leave your sides aching. The School for Lies is the fourth French…

SOURCE: DC Theatre Scene at 11:54AM
Tuesday, May 16, 2017

Synetic’s Hunchback of Notre Dame: thrilling and heartbreaking (review) by Marshall Bradshaw

A wordless production of The Hunchback of Notre Dame makes plenty of sense: Quasimodo has literally gone deaf from ringing the bells of Notre Dame. And on a deeper level, the primal forces a…

SOURCE: DC Theatre Scene at 08:24AM
Wednesday, May 3, 2017

Forum brings Schenkkan’s must-see Building the Wall to Arena and Silver Spring (review) by Marshall Bradshaw

Speculative political fiction written six months ago and set a mere two years from today is a bold thing to write and produce. But there was a moral imperative to the subject of this play …

SOURCE: DC Theatre Scene at 10:36AM
Tuesday, April 25, 2017

The Most Spectacularly Lamentable Trial of Miz Martha Washington (review) by Marshall Bradshaw

In the midst of a fever dream, The Most Spectacularly Lamentable Trial of Miz Martha Washington flips the power dynamic of Mt. Vernon and leaves first First Lady Martha Danbridge Washington …

SOURCE: DC Theatre Scene at 09:12AM
Thursday, April 20, 2017

Patience pays off in The Late Wedding at Hub Theatre (review) by Marshall Bradshaw

The Late Wedding doesn’t have a traditional plot. Instead, the play is more like a lesson plan: Its central theme is introduced and explained methodically, and then the audience is exposed…

SOURCE: DC Theatre Scene at 07:36AM
Tuesday, April 18, 2017

.d0t: a RotoPlastic Ballet, short and very much on point (review) by Marshall Bradshaw

With puppetry, projection, lighting, and video timed perfectly to a live, original, nerdcore rap score, .d0t:: a RotoPlastic Ballet runs like clockwork, even as it tells the stories of machi…

SOURCE: DC Theatre Scene at 10:18AM
Monday, April 3, 2017

Nilaja Sun’s Pike St. at Woolly Mammoth (review) by Marshall Bradshaw

Nilaja Sun’s latest solo-performance, Pike St., calls back to her upbringing in the Lower East Side to invoke a rich cast of characters, but is held back by a design choice and brief dur…

SOURCE: DC Theatre Scene at 01:36PM
Wednesday, March 22, 2017

Coolatully from Solas Nua (review) by Marshall Bradshaw

Coolatully hits every single trope of a modern Irish story with an impeccable, though taciturn exactitude. Solas Nua is “the only organization in the United States dedicated exclusively t…

SOURCE: DC Theatre Scene at 09:24AM
Monday, March 13, 2017

Coolatully from Solas Nua (review) by Marshall Bradshaw

Coolatully hits every single trope of a modern Irish story with the impeccable, taciturn exactitude. Solas Nua is “the only organization in the United States dedicated exclusively to conte…

SOURCE: DC Theatre Scene at 06:32AM
Tuesday, February 21, 2017

God of Carnage lives up to its rep at Compass Rose (review) by Marshall Bradshaw

There are many different types of laughter in a theater: Chuckles from slapstick, a knowledgeable laugh at word play… God of Carnage reaches into the audience, grabs hard, and drags ou…

SOURCE: DC Theatre Scene at 08:48AM
Monday, February 6, 2017

Baby Screams Miracle at Woolly Mammoth Theatre (review) by Marshall Bradshaw

Baby Screams Miracle is a wild storm of religion, sexuality, and family that leaves the audience unsure if the rest of the world is still standing. From the first moment that Cody Nickell as…

SOURCE: DC Theatre Scene at 10:06AM
Tuesday, January 31, 2017

Falling for As You Like It at Folger (review) by Marshall Bradshaw

Full of song, love, and laughter, As You Like It will sweep you off your feet. If you don’t love it at first sight, wait. Of all the couples in this romantic story, the best chemistry in A…

SOURCE: DC Theatre Scene at 11:48AM
Thursday, January 26, 2017

Lumina Studio’s adapted LEAR (review) by Marshall Bradshaw

Lumina Studio Theatre packs LEAR with high-concept projections and mute scenes, but does best when they give their actors room to play. Director/Assistant Director David Minton’s adaptatio…

SOURCE: DC Theatre Scene at 08:24AM
Thursday, December 1, 2016

The Tarot Reading experiment – a vision for the future? by Marshall Bradshaw

Something strange happened last Halloween: The Tarot Reading took its first steps. With both inaugural performances sold out, the brainchild of Alan Katz and Quill Nebeker could have a long …

SOURCE: DC Theatre Scene at 03:24PM
Friday, November 18, 2016

Straight White Men at Studio Theatre (review) by Marshall Bradshaw

In Straight White Men, playwright Young Jean Lee finds remarkable insight and startling sympathy with our society’s least oppressed identity. Far from a brutal if well-deserved takedown, L…

SOURCE: DC Theatre Scene at 08:36AM
Tuesday, November 8, 2016

Stephen Spotswood’s Girl in the Red Corner (review) by Marshall Bradshaw

The Welders’ latest show, Girl in the Red Corner by Stephen Spotswood, falls short of some expectations, but makes up for it in its many human moments delivered by its talented cast. Aud…

SOURCE: DC Theatre Scene at 12:31PM
Tuesday, October 18, 2016

The Year of Magical Thinking at Arena Stage (review) by Marshall Bradshaw

Switching between mediums can be as difficult as telling someone about a dream. If the new version cannot deliver on everything the original does (next to impossible), it better bring some v…

SOURCE: DC Theatre Scene at 11:24AM
Tuesday, October 4, 2016

Staceyann Chin in MotherStruck (review) by Marshall Bradshaw

Staceyann Chin is a memoirist, a spoken-word poet, and a live wire. The best qualities of all three are on display in her autobiographical show, MotherStruck now at Studio Theatre. The show …

SOURCE: DC Theatre Scene at 01:00PM
Friday, September 23, 2016

The Diary of Anne Frank at Olney Theatre Center (review) by Marshall Bradshaw

It is a daunting challenge to perform as Anne Frank. Not only is she an historical figure whose face is known worldwide, but she is also one who went through puberty during the events that m…

SOURCE: DC Theatre Scene at 12:45PM
Wednesday, September 21, 2016

YOU HAVE MADE A STORY ON MY SKIN (review) by Marshall Bradshaw

For a show about scars, YOU HAVE MADE A STORY ON MY SKIN is surprisingly comforting. It embodies a beautiful acceptance and even love for the wounded past and scarred present that make us wh…

SOURCE: DC Theatre Scene at 07:10AM
Sunday, August 21, 2016

The Last Class: a Jazzercize Play (review) by Marshall Bradshaw

The Last Class: a Jazzercize Play makes the most of its setting. The story is told in real time during an actual jazzercize routine. The cast’s hard-earned sweat is corporeal proof of thei…

SOURCE: DC Theatre Scene at 08:39AM
Saturday, July 16, 2016

Jamie and Duncan’s Glorious Suicide at the End of the World (review) by Marshall Bradshaw

Jamie and Duncan’s Glorious Suicide at the End of the World is like a dream, effortlessly insane and delightful, though light on narrative. Matthew Schott and Alex Garretson wrote the…

SOURCE: DC Theatre Scene at 09:40AM
Friday, July 15, 2016

The Elephant in the Room (review) by Marshall Bradshaw

Right Brain Performancelab’s The Elephant in the Room has an ambitious goal: To engage the audience with theatrical epistemology by way of vaudeville, musical theater, ballet, Butoh, clown…

SOURCE: DC Theatre Scene at 07:50AM
Wednesday, July 13, 2016

one half of Waiting for Godot (review) by Marshall Bradshaw

  At first, the MLK Jr. Memorial Library’s Room A-5 dwarfs the audience for Imperial Theatre Live’s production of Waiting for Godot. They come in and sit in clumps of twos or threes…

SOURCE: DC Theatre Scene at 12:32PM
Monday, July 11, 2016

Reflecting Antigone (review) by Marshall Bradshaw

The Rude Mechnical’s Reflecting Antigone is true Fringe: Unique and moving, if weighed down by imperfect execution. If you can forgive it for its many rough edges, you will find a solid an…

SOURCE: DC Theatre Scene at 01:54PM

15 Villainous Fools (review) by Marshall Bradshaw

The Bard has yet another win to tally. 15 Villainous Fools is a meat-and-potatoes show for Capital Fringe, but rarely so well done. The show is a retelling of William Shakespeare’s The Com…

SOURCE: DC Theatre Scene at 10:58AM
Saturday, July 9, 2016

One Mutual Happiness (review) by Marshall Bradshaw

  At the top of the show, David Kessler admits that he has a problem: He cries too much. Tears of every emotion at just about any occasion, but especially at weddings. Little does the a…

SOURCE: DC Theatre Scene at 10:19PM

The Computer That Loved (review) by Marshall Bradshaw

Dr. Erik Mueller might have the most fascinating resume in all of Fringe this year, but The Computer That Loved’s meditation on his love life is still a work in progress. Mueller, who wrot…

SOURCE: DC Theatre Scene at 11:50AM
Friday, July 8, 2016

Petunia and Chicken (review) by Marshall Bradshaw

Petunia and Chicken from Animal Engine Theatre Company transforms the basement of a synagogue into the vast and harsh plains of Nebraska, two actors into a huge and colorful cast, and anoth…

SOURCE: DC Theatre Scene at 02:06PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards