All stories by Susie Browning on BroadwayStars

Wednesday, November 6, 2019

Rambert 2 review at Sadler’s Wells, London – ‘a distinctive triple bill’ by Susie Browning

Rambert’s youth company – Rambert 2 – is back at Sadler’s Wells with a triple bill of distinctive pieces. Terms and Conditions

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Friday, August 23, 2019

Hard to be Soft: A Belfast Prayer review at Lyceum Theatre, Edinburgh – ‘deeply moving’ by Susie Browning

Oona Doherty’s Hard to be Soft: A Belfast Prayer is inspired by the people of her home city. It explores the things

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Thursday, August 22, 2019

Looping: Scotland Overdub review at Zoo Southside, Edinburgh – ‘a vibrant fusion of Brazilian and Scottish festivities’ by Susie Browning

A chain of fairy lights twinkles above a dark hazy room.  Dressed in colourful silk and splashes of paint, bodies appear and

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Purposeless Movements review at the Studio, Edinburgh – ‘touching and thought-provoking’ by Susie Browning

After a successful run in 2016, Birds of Paradise Theatre Company has returned to the city for this year’s Edinburgh International Festival.

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Monday, May 20, 2019

The Rite of Spring review at The Place, London – ‘visceral, raw and poignant’ by Susie Browning

A pool of golden light hits the stage and six dancers dressed in rose, violet and bronze silk dart across the space.

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Monday, January 7, 2019

Playwright Gabriel Gbadamosi: ‘If some people are not free, then who is?’ by Susie Browning

Gabriel Gbadamosi is an Irish-Nigerian poet and playwright who is making his London stage debut with Stop and Search at the Arcola

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Tuesday, December 11, 2018

Daisy Wood-Davis, Jake Quickenden and Marcus Collins cast in Hair tour by Susie Browning

Daisy Wood-Davis, Jake Quickenden and Marcus Collins are to lead the cast for the 50th Anniversary production of Hair – the Musical. They

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Monday, December 10, 2018

Nativity! The Musical to return for third run in 2019 by Susie Browning

Nativity! The Musical is to return with a UK tour in 2019. It will open at the Grand Theatre in Wolverhampton on

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Saturday, June 23, 2018

Review: Olaf, Barons Court Theatre by Susie Browning

Adapted by Mark Ewbank, Artistic Director of Ottisdotter Productions at the Barons Court Theatre, this is the first time in The post Review: Olaf, Barons Court Theatre appeared first on A Yo…

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Saturday, June 16, 2018

Review: Smack That (a conversation), Barbican by Susie Browning

As part of the Barbican’s 2018 season, The Art of Change, Rhiannon Faith celebrates women’s empowerment through dance theatre. Performed The post Review: Smack That (a conversation), Bar…

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Saturday, June 9, 2018

Review: Utility, Orange Tree Theatre by Susie Browning

The American playwright Emily Schwend’s award winning play Utility arrives at the Orange Tree Theatre with direction by Caitlin McLeod. The post Review: Utility, Orange Tree Theatre appear…

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Tuesday, May 15, 2018

Review: Mark Thomas, Stratford East by Susie Browning

“They hate it when we laugh at them” Situated in the northern West Bank, the Palestinian city Jenin is an The post Review: Mark Thomas, Stratford East appeared first on A Younger Theatre.

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Monday, May 14, 2018

Review: Nightclubbing, Camden People’s Theatre by Susie Browning

‘The Light Catcher’ Inspired by the artist Grace Jones and her award winning album ‘Nightclubbing’ (1981), Rachael Young comes to The post Review: Nightclubbing, Camden People’s Th…

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Saturday, March 17, 2018

Review: Humble Boy, Orange Tree Theatre by Susie Browning

After its hugely successful production staged at the National Theatre in 2001, Paul Miller brings a new revival of Humble Boy written by Charlotte Jones to the Orange Tree Theatre. The play …

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Friday, March 2, 2018

Review: Trust, Gate Theatre by Susie Browning

“I used to want to change the world” Written by the German writer Falk Richter, Jude Christian directs a satirical production of the Trust at the Gate. The theatre is transported into a …

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Sunday, February 25, 2018

Review: Gala Flamenca, Sadler’s Wells by Susie Browning

As this year’s Flamenco Festival, director Angel Rojas brings us an evening at Sadler’s Wells filled with rhythmic passion that evolves into a magical liturgy of fiery flamenco dancers a…

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Sunday, February 11, 2018

Review: The Moor, The Old Red Lion Theatre by Susie Browning

‘The Moor is different in the morning, than at night’ Written by Catherine Lucie, The Moor is about a young mother Bronagh (Jill Mcausland) who searches for freedom within her life. She …

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Thursday, February 8, 2018

Review: Black Mountain, Orange Tree Theatre by Susie Browning

‘I sometimes think we are being watched.’ James Grieve directs a new production of Birch’s Black Mountain at the Orange Tree Theatre. A raw psychological thriller, that shows the destr…

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All that Chat

2019-2020 BROADWAY SEASON
Oct 06: Slave Play
Feb 01: The Minutes
TBA: Blue