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Art is everything a high-profile touring show should be – a carefully thought out, well-directed production of a hit play featuring a big-name cast at the top of their game.
All the delight of the original picture book story of The Singing Mermaid who gets swept away in the circus is brought to the stage in this puppet adaptation from the Little Angel Theatre. A…
Edinburgh Fringe venue operator C Venues has had the tenancy of its main site on Chambers Street revoked by the building’s owner,
Dr Seuss’ famous Cat in the Hat has been brought to life in this new version of the much-loved children’s book on at the King’s Theatre this week.
The tenth anniversary tour of Green Day’s American Idiot kicks up a storm as this Selladoor production arrives at the Playhouse for a week.
Edinburgh Fringe chief Shona McCarthy has sought to clarify her comments on low pay at the festival, after she was reported as
Anthropocene, from Scottish Opera at the King’s, is a work that is constantly shifting its ground both dramatically and musically; while it is absorbing it never entirely solidifies.
Theatre company Stellar Quines has launched a series of training courses aimed at addressing the lack of women working in creative design.
Imaginate has announced a £535,000 programme of wide-ranging initiatives for the children’s theatre and dance sectors in Scotland over the next three
There is a depth and grit to Touching The Void at the Lyceum that threatens to carry all before it.
For their fourth operatic collaboration, composer Stuart MacRae and librettist Louise Welsh, who first collaborated as part of Scottish Opera’s 5:15 experiment,
A thought-provoking and inspiring piece of musical theatre, Glasgow Girls at the King’s Theatre feels more relevant than ever as it returns for a new tour.
Spillers Pantomimes returns to Motherwell for the 13th year running with a show that is so popular it had its run extended
There is no happy ending to choreographer Arthur Pita and dramatist Anna Rulevskaya’s nightmarishly unpredictable contemporary dance adaptation of Hans Christian Andersen’s
Creative Scotland has announced the first grants of a new touring fund for theatre and dance, with 17 projects receiving a total
There is real delight for pre-school kids to be had at the Studio of the Festival Theatre this Christmas, as the clever and playful Poggle is revived by Barrowland Ballet.
Scottish Ballet’s Cinderella, back at the Festival Theatre this Christmas, is still a festive treat. Christopher Hampson’s celebrated production of Prokofiev’s ballet, originally seen …
Imagine Theatre has finally found its feet in Fife after two under-firing years, with a family-orientated Beauty and the Beast that works
Scottish comedy legends the Krankies return to Glasgow’s Armadillo at the SEC after two years away in a version of Qdos Productions’
Christopher Hampson’s Cinderella, choreographed to Prokofiev’s score, remains a sumptuous seasonal delight in Scottish Ballet’s revival of its 2015 production. Hampson uses
Gary McNair revives his chronicles of the life of William Topaz McGonagall, originally created for Oran Mor’s A Play, a Pie and
Alan McHugh’s Aladdin both subverts panto traditions and celebrates them. He’s ditched the racist overtones and made sure the love story between
There is much to admire about the staging of Mouthpiece at the Traverse, and even more about how it is acted. In the end, however, the play tantalises rather than delivers.
Dominic Hill’s production, first seen at the Citizens in 2014 and revived by the company for its sabbatical at Glasgow Tramway, revels
Beauty & the Beast comes to the King’s for the first time since 1946 in a pantomime that continues a classic run of hits and is sticking around well into January next year.
There is plenty of choice and bundles of energy at Nonsense Room Productions’ adaptation of the children’s picture book, You Choose, for Edinburgh’s Christmas at the Festival Square Sp…
Since Alexandra Burke last starred as trapped superstar Rachel Marron in The Bodyguard, she has reached the finals of Strictly and featured
Beauty and the Beast was last staged as a pantomime at the Edinburgh King’s in 1946. This year’s return is a triumphant
There’s a happy ending, beginning and indeed, middle, as Jack and the Beanstalk gets a Musselburgh makeover at the Brunton Theatre this festive season.
Duncan Hendry, the chief executive of Edinburgh’s Capital Theatres, is to step down in June 2019 after seven years in the role.
John Binnie returns to the Brunton after 18 years to write and direct a pantomime that finds inventive solutions to staging Jack