All stories by Thom Geier on BroadwayStars

Thursday, June 12, 2025

‘The Counterfeit Opera’: Macheath deserves a better comeback (Off Broadway review) by Thom Geier

Old Macheath is back, this time flashing his pearly whites as a thief in 1850s New York City in an updated version of John Gay and Johann Christoph Pepusch’s 1728 classic The Beggar’s Op…

SOURCE: Culture Sauce at 11:00PM

Jean Smart rivets in the Lifetime-ready drama ‘Call Me Izzy’ (Broadway review) by Thom Geier

After a quarter-century absence, Jean Smart makes a welcome return to Broadway in the one-woman show Call Me Izzy, a glorified Lifetime movie about a middle-aged Louisiana woman who endures …

SOURCE: Culture Sauce at 11:00PM
Monday, June 2, 2025

Maya Hawke glistens in absurdist, unbalanced ‘Eurydice’ (Off Broadway review) by Thom Geier

There is something about ancient Greek stories that continues to resonate with us millennia later. Nearly a quarter century ago, a young playwright named Sarah Ruhl decided to tackle the leg…

SOURCE: Culture Sauce at 09:00PM

‘Ha Ha Ha Ha Ha Ha Ha’: A clown’s hilarious and profound therapy session (Off Broadway review) by Thom Geier

Ha Ha Ha Ha Ha Ha Ha, now playing at the Public Theater after successful runs at the Edinburgh Fringe and the Soho Playhouse, is the kind of sui generis solo performance that will have you d…

SOURCE: Culture Sauce at 04:49PM
Sunday, June 1, 2025

‘Bowl EP’ finds queer love in a skate park, to a hip-hop beat (Off Broadway review) by Thom Geier

Nazareth Hassan’s play Bowl EP, now playing at the Vineyard Theatre in a coproduction with the National Black Theater and the New Group, pulses with the inventiveness and infectious energy…

SOURCE: Culture Sauce at 05:00PM
Tuesday, May 20, 2025

‘Goddess’ is a buoyant new musical almost ready to be worshiped (Off Broadway review) by Thom Geier

“What is human? What is divine?” Those are the opening lines of the recognizably human and borderline divine new musical Goddess, which opened Tuesday at the Public Theater. They’re sp…

SOURCE: Culture Sauce at 09:30PM

Dulé Hill and Daniel J. Watts shine in a befuddling biomusical ‘Lights Out: Nat King Cole’ (Off Broadway review) by Thom Geier

Lights Out: Nat King Cole, a weirdly structured biomusical about the late, great jazz singer that opened Tuesday at the New York Theatre Workshop, is a curious exercise in polarities. The br…

SOURCE: Culture Sauce at 06:00PM
Sunday, May 18, 2025

Liev Schreiber and Maggie Siff flash their seductive charms in ‘Creditors’ (Off Broadway review) by Thom Geier

Love is never quite as it seems — and lovers can be just as elusive when you try to pin down their desires. That’s a truism that is reinforced in August Strindberg’s Creditors, which i…

SOURCE: Culture Sauce at 09:00PM

‘Bus Stop’ idles through a dutiful but uneven revival (Off Broadway review) by Thom Geier

A lot of time has passed since William Inge’s Bus Stop first pulled into New York theaters in 1955 with its snapshot of salt-of-the-earth folks waylaid by a bad weather for a few hours in …

SOURCE: Culture Sauce at 08:00PM
Thursday, May 8, 2025

Hugh Jackman beguiles in twisty ‘Sexual Misconduct of the Middle Classes’ (Off Broadway review) by Thom Geier

Hugh Jackman, fresh from his song-and-dance triumph at Madison Square Garden a few months ago, returns to the New York stage in a beguiling and twisty new two-hander, Sexual Misconduct of th…

SOURCE: Culture Sauce at 09:00PM
Monday, May 5, 2025

‘Five Models in Ruins, 1981’ offers mostly surface pleasures (Off Broadway review) by Thom Geier

There’s a surface cleverness running through playwright Caitlin Saylor Stephens’ Five Models in Ruins, 1981, a new drama set during a Vogue photo shoot in the fall just after the royal w…

SOURCE: Culture Sauce at 09:00PM
Thursday, May 1, 2025

‘Wonderful Town’ is a rare Encores! disappointment (Off Broadway review) by Thom Geier

The Encores! series at New York City Center has revived so many classic musicals and underrated gems over the years. The latest production of Wonderful Town is a surprising disappointment, b…

SOURCE: Culture Sauce at 10:03AM
Tuesday, April 29, 2025

‘The Death of Rasputin’: Don’t go Russian to the new immersive show on Governors Island (Off Broadway review) by Thom Geier

Has the immersive theater bubble popped? Sleep No More, the elaborate theatrical experience mashing up Macbeth and film noir over five meticulously curated floors of a warehouse in New York�…

SOURCE: Culture Sauce at 08:00PM
Monday, April 28, 2025

The Tony Awards should launch a new category: Best Playbill bio, with Megan Hilty as this year’s front runner by Thom Geier

Broadway stars like Megan Hilty, George Clooney, and Sadie Sink are eschewing the usual list of credits and awards with jokey Playbill bios

SOURCE: Culture Sauce at 05:30PM

‘Grief Camp’ struggles to grapple with loss (Off Broadway review) by Thom Geier

Annie Baker, the minimalist playwright best known for her Pulitzer-winning drama The Flick, casts a long shadow over a new generation of playwrights. But it’s not enough to write a natural…

SOURCE: Culture Sauce at 09:00AM
Sunday, April 27, 2025

‘Real Women Have Curves’ is a full-bodied delight (Broadway review) by Thom Geier

This Broadway season has been unexpectedly rich in promising new musicals, and it concludes with a sensational surprise: Real Women Have Curves, based on Josefina López’s 1990 play and a …

SOURCE: Culture Sauce at 09:30PM

‘Dead Outlaw’ brilliantly plumbs the dark side of Americana to a rockabilly beat (Broadway review) by Thom Geier

Musical theater creators have long explored some of the darkest chapters of history but few are as dark — or as unusual — as the hero of composer David Yazbek, lyricist Erik Della Penna,…

SOURCE: Culture Sauce at 05:00PM
Saturday, April 26, 2025

‘Just in Time’: Jonathan Groff is a dream lover in the by-the-numbers biomusical (Broadway review) by Thom Geier

Is there a more endearing Broadway star at the moment than Jonathan Groff? The veteran performer, who won the Tony Award last year for softening the very rough edges of the first-class jerk …

SOURCE: Culture Sauce at 10:00PM
Thursday, April 24, 2025

‘Pirates!’: Get your booty to this candy-colored musical (Broadway review) by Thom Geier

Like Abbott and Costello, Laurel and Hardy, Key and Peele, or green eggs and ham, W.S. Gilbert and Arthur Sullivan are a comedic duo for the ages. There are a lot of brightly hued yolks and …

SOURCE: Culture Sauce at 10:00PM
Wednesday, April 23, 2025

‘Hold Me in the Water’: Does a walker slow the search for love? (Off Broadway review) by Thom Geier

Ryan J. Haddad’s new monologue/play Hold Me in the Water, which opened Wednesday at Off Broadway’s Playwrights Horizons, has the confessional energy of an overdue catch-up session with a…

SOURCE: Culture Sauce at 08:30PM
Tuesday, April 22, 2025

Netflix goes for broke with ‘Stranger Things: The First Shadow’ (Broadway review) by Thom Geier

Netflix’s sci-fi series Stranger Things, which is expected to stream its fifth and (supposedly) final season later this year, has developed a rabid following since its 2016 debut for its s…

SOURCE: Culture Sauce at 08:00PM
Monday, April 21, 2025

‘Floyd Collins’ excavates a musical oddity (Broadway review) by Thom Geier

America has always found a place in its heart for dreamers, however flawed or misguided. Almost exactly a century ago, the story of a Kentucky cave enthusiast and natural risk-taker named Fl…

SOURCE: Culture Sauce at 10:00PM
Wednesday, April 16, 2025

Whitney White’s ‘Macbeth in Stride’ reimagines the Bard’s femme fatale (Off Broadway review) by Thom Geier

There’s nothing particularly new about reframing William Shakespeare’s Scottish play around the hero’s notoriously ruthless and manipulative wife, Lady Macbeth. Zinnie Harris’s Macbe…

SOURCE: Culture Sauce at 11:59PM

Caryl Churchill explores life’s absurdities in ‘Glass. Kill. What If If Only. Imp’ (Off Broadway review) by Thom Geier

Caryl Churchill may be the best living playwright in the English language. And at 86, she’s still producing work of remarkable vigor and nuance in her quintessentially absurdist style. Her…

SOURCE: Culture Sauce at 10:00PM
Monday, April 14, 2025

‘John Proctor Is the Villain’ puts Gen Alpha through a modern crucible (Broadway review) by Thom Geier

There’s something refreshing about seeing a Broadway theater packed with Gen Alpha patrons. Many of them flocked to the recent Romeo + Juliet with barely-twentysomething stars Kit Connor a…

SOURCE: Culture Sauce at 11:00PM
Sunday, April 13, 2025

‘Irishtown’ roasts the clichés of Irish theater over a peat fire (Off Broadway review) by Thom Geier

If you’ve had the pleasure of attending performances at the Irish Repertory Theatre, you’ve grown accustomed to certain recurring themes and tropes in the grand tradition of Irish drama:…

SOURCE: Culture Sauce at 08:00PM
Saturday, April 12, 2025

‘Purpose’ grills a boujee Black family to perfection (Broadway review) by Thom Geier

Even before winning the Tony Award last year for his pointed dramedy Appropriate, Branden Jacobs-Jenkins had emerged as one of the brightest lights in the current American theater scene with…

SOURCE: Culture Sauce at 12:30PM
Thursday, April 10, 2025

‘Smash’ is a bombshell misfire of a musical (Broadway review) by Thom Geier

The first episode of Smash — a backstage look at the making of a Broadway biomusical about Marilyn Monroe — was one of the most perfect TV pilots produced in the new millennium. Playwrig…

SOURCE: Culture Sauce at 10:00PM

Wole Soyinka’s ‘The Swamp Dwellers’ depicts a Nigerian family at a crossroads (Off Broadway review) by Thom Geier

Wole Soyinka is a seminal figure in world literature and drama, but the 90-year-old Nigerian Nobel Prize winner’s works are seldom performed in New York. That’s particularly true of his …

SOURCE: Culture Sauce at 09:00PM
Tuesday, April 8, 2025

‘Stephen Sondheim’s Old Friends’: Let them entertain you (Broadway review) by Thom Geier

Even four years after his death at age 91, Stephen Sondheim remains a towering figure in American musical theater. The breadth of his talents as a composer, lyricist, and storyteller get a l…

SOURCE: Culture Sauce at 09:00PM
Monday, April 7, 2025

‘Boop!’ brings a forgotten Jazz Age cartoon to full and glorious life (Broadway review) by Thom Geier

Betty Boop, the baby-voiced Jazz Age flapper from black-and-white Max Fleischer cartoons of the 1930s, is not the most obvious piece of ancient IP to become the center of a new Broadway musi…

SOURCE: Culture Sauce at 09:00PM