All stories by Thom Geier on BroadwayStars

Tuesday, March 17, 2026

‘My Joy Is Heavy’ finds musical resilience in loss (Off Broadway review) by Thom Geier

The indie folk-rock duo known as the Bengsons have been a regular fixture on Off Broadway stages over the last decade (and even made an appearance on Broadway last year performing Stephen Me…

SOURCE: Culture Sauce at 06:00PM
Monday, March 16, 2026

‘Mother Russia’ is a comedy worth Russian to see (Off Broadway review) by Thom Geier

It’s the early days of perestroika in St. Petersburg and Evgeny (Adam Chanler-Berat), the son of a local Communist Party boss turned budding oligarch, is struggling to please his dad with …

SOURCE: Culture Sauce at 10:00AM
Sunday, March 15, 2026

Matthew Broderick sends up Hollywood narcissism in ‘Ulster American’ (Off Broadway review) by Thom Geier

David Ireland’s Ulster American, now playing at the Irish Rep, is a well-crafted skewering of straight, white, male creative types of a certain age who are desperate to maintain their rele…

SOURCE: Culture Sauce at 08:00PM
Saturday, March 14, 2026

‘The Unknown’ follows Sean Hayes through the delicious bumps in the night (Off Broadway review) by Thom Geier

The theater can be like a campfire from childhood, a place where you gather in the darkness to listen to a story about things that go bump in the night. David Cale’s The Unknown makes the …

SOURCE: Culture Sauce at 10:00PM
Thursday, March 12, 2026

Daniel Radcliffe radiates bemused empathy in ‘Every Brilliant Thing’ (Broadway review) by Thom Geier

It’s not every day that Harry Potter calls you old. To be clearer, it was Daniel Radcliffe, now a bearded young dad in his mid-30s, who approached my partner and me minutes before the star…

SOURCE: Culture Sauce at 11:00PM
Wednesday, March 11, 2026

‘Antigone: This Play I Read in High School’ updates Greek tragedy as pro-choice allegory (Off Broadway review) by Thom Geier

Sophocles is having a moment. Robert Ickes’ Oedipus, recently on Broadway, recast the title character as an Obama-like political upstart facing down birtherism allegations, while Lee Zeldi…

SOURCE: Culture Sauce at 10:00PM

‘Bughouse’ drifts into the Darger zone (Off Broadway review) by Thom Geier

Director/choreographer Martha Clarke made her name with a danced drama inspired by Hieronymus Bosch’s symbolism-heavy 16th century masterpiece “The Garden of Earthly Delights.” It’s …

SOURCE: Culture Sauce at 08:00PM
Tuesday, March 10, 2026

‘Cold War Choir Practice’ looks back at a MAD world (Off Broadway review) by Thom Geier

Ro Reddick’s absurdist historical drama Cold War Choir Practice was inspired by her experience growing up in Syracuse, New York, as one of the only Black members of a Reagan-era children�…

SOURCE: Culture Sauce at 07:00PM
Friday, March 6, 2026

‘You Got Older’ captures Alia Shawkat in her awkward phase, in her 30s (Off Broadway review) by Thom Geier

Millennial anxiety runs deep in Clare Barron’s You Got Older, which is getting an insightful revival at the Cherry Lane Theatre. Alia Shawkat stars as Mae, a thirtysomething who decides to…

SOURCE: Culture Sauce at 01:00PM

‘Night Side Songs’ treats caregiving as a communal singalong (Off Broadway review) by Thom Geier

When receiving a diagnosis of cancer, it’s tempting to retreat into yourself, to shut out all friends and family, and bear the burden of an uncertain future alone. Yasmine (Brooke Ishibash…

SOURCE: Culture Sauce at 10:00AM
Thursday, March 5, 2026

Wallace Shawn’s ‘What We Did Before Our Moth Days’ is all talk (Off Broadway review) by Thom Geier

Wallace Shawn’s best known collaboration with director André Gregory is the 1981 Louis Malle film My Dinner With André, in which the two denizens of the downtown arts scenes engage in a …

SOURCE: Culture Sauce at 09:30PM

‘Burnout Paradise’ whips up a circus for multitaskers (Off Broadway review) by Thom Geier

Organized mayhem is the overriding aesthetic of Burnout Paradise, a celebration of multitasking produced and performed by the Pony Cam theater troupe from Melbourne, Australia. Four performe…

SOURCE: Culture Sauce at 09:00PM
Sunday, March 1, 2026

‘Bigfoot! The Musical’ galumphs onto stage with laughs aplenty (Off Broadway review) by Thom Geier

There are laughs aplenty in the Fringey new musical Bigfoot! — which is perhaps not surprising since the book and score are by veteran comedy writer Amber Ruffin (with an assist from David…

SOURCE: Culture Sauce at 09:30PM

‘The Reservoir’ overflows with feeling and a star turn from Noah Galvin (Off Broadway review) by Thom Geier

Noah Galvin, a former Evan Hansen on Broadway who starred in the TV shows The Real O’Neals and The Good Doctor, delivers a star-making performance in the new dramedy The Reservoir that rec…

SOURCE: Culture Sauce at 07:00PM
Thursday, February 26, 2026

‘Chinese Republicans’ banks on laughs but muddles its message (Off Broadway review) by Thom Geier

Investment banking is not the most welcoming of industries — especially for folks who don’t carry the privilege of being white and male. That familiar truth gets a fresh reworking in Ale…

SOURCE: Culture Sauce at 09:00PM
Monday, February 2, 2026

Jamie Allan is a magical storyteller in ‘Amaze’ (Off Broadway review) by Thom Geier

A thread of Gen X nostalgia runs strongly through British illusionist Jamie Allan’s Amaze, where the walls of the auditorium at New World Stages are lined with posters of ’80s films and …

SOURCE: Culture Sauce at 07:00PM
Wednesday, January 28, 2026

‘Data’ uploads timely high suspense in a high-tech setting (Off Broadway review) by Thom Geier

Who says Silicon Valley techies don’t have a conscience? Matthew Libby’s unbelievably timely drama Data centers on computer scientists at a firm called Athena trying to develop a top-sec…

SOURCE: Culture Sauce at 10:00PM
Tuesday, January 27, 2026

‘Blackout Songs’ is both drunk and disorderly (Off Broadway review) by Thom Geier

You can see why rising Hollywood stars Abbey Lee (Mad Max: Fury Road) and Owen Teague (IT) were drawn to Joe White two-handed drama Blackout Songs, making its New York debut at the MCC Theat…

SOURCE: Culture Sauce at 07:00PM
Sunday, January 25, 2026

Elevator Repair Service deconstructs Joyce’s ‘Ulysses’ (Off Broadway review) by Thom Geier

Elevator Repair Service — the troupe best known for its eight-hour, word-for-word staged reading of The Great Gatsby — has decided to tackle another 20th-century literary classic: James …

SOURCE: Culture Sauce at 10:00PM
Wednesday, January 21, 2026

‘An Ark’ brings high-tech performance capture (and Ian McKellen) to live theater (Off Broadway review) by Thom Geier

Live theater traipses into the uncanny valley of high-tech performance capture with An Ark, a fascinating new production that outfits audience members with mixed-reality headsets that allow …

SOURCE: Culture Sauce at 09:00PM
Thursday, January 15, 2026

‘The Disappear’ gets lost in the tragicomic nether zone (Off Broadway review) by Thom Geier

Erica Schmidt has packed her new play The Disappear with many promising elements, including some sharp insights into a middle-aged narcissist who’s earned a dubious reputation as a creativ…

SOURCE: Culture Sauce at 09:00PM
Sunday, January 11, 2026

Carrie Coon crawls under the skin in ‘Bug’ (Broadway review) by Thom Geier

Tracy Letts’s Bug, making its Broadway debut three decades after its first performance, is a psychological thriller that has a timely prescience in David Cromer’s riveting production. Ca…

SOURCE: Culture Sauce at 01:00PM
Thursday, December 18, 2025

‘Picnic at Hanging Rock’ sets a dreamy mystery to music (Off Broadway review) by Thom Geier

Australian author Joan Lindsay has credited a dream as the inspiration for her beloved 1967 novel Picnic at Hanging Rock — a story centered around the disappearance of a teacher and three …

SOURCE: Culture Sauce at 10:00PM

Best theater of 2025, from ‘Liberation’ to ‘Operation Mincemeat’ by Thom Geier

It was a remarkable year for theater in New York, even if some of my favorites didn’t linger for very long. In whittling down my list, I decided to exclude some shows that transferred to B…

SOURCE: Culture Sauce at 10:00PM
Tuesday, December 16, 2025

Matthew Broderick stumbles through a muddled ‘Tartuffe’ (Off Broadway review) by Thom Geier

Molière’s 1664 satire Tartuffe is having a moment in New York this fall. First, André de Shields led a campy revival in the Gilded Age library at House of the Redeemer. Now Matthew Brode…

SOURCE: Culture Sauce at 06:00PM
Monday, December 15, 2025

June Squibb and Cynthia Nixon test the limits of our AI future in ‘Marjorie Prime’ (Broadway review) by Thom Geier

The world has changed a lot since I first saw Jordan Harrison’s Marjorie Prime at Off Broadway’s Playwrights Horizons a decade ago. The premise had once seemed like science fiction: A fa…

SOURCE: Culture Sauce at 04:00PM
Sunday, December 14, 2025

Michelle Williams leads a listless ‘Anna Christie’ (Off Broadway review) by Thom Geier

Anna Christie has become a kind of oddball stepchild in the Eugene O’Neill canon, seldom seen in New York City since the memorable 1993 Broadway revival with Natasha Richardson and Liam Ne…

SOURCE: Culture Sauce at 04:30PM
Thursday, December 4, 2025

‘A Christmas Carol’ gives Scrooge a backstory, to mixed results (Off Broadway review) by Thom Geier

God bless us every one. Ebenezer Scrooge is back in town, in a highly modified adaptation of the Charles Dickens classic A Christmas Carol that first played on Broadway in 2019 (and scooped …

SOURCE: Culture Sauce at 08:00PM
Wednesday, December 3, 2025

‘Practice’ cunningly obliterates the line between artistic rigor and exploitation (Off Broadway review) by Thom Geier

Directors have always had a reputation for their god complex, but Asa Leon — the manipulative theater-maker at the center of Nazareth Hassan’s dark satire Practice — takes matters to a…

SOURCE: Culture Sauce at 11:30AM
Monday, November 24, 2025

‘Initiative’ taps into turn-of-the-millennium teen anxiety in an epic way (Off Broadway review) by Thom Geier

It’s apt that Else Went’s epic theater piece Initiative is opening at the Public Theater just as Netflix prepares to roll out the final season of Stranger Things. Both projects are binge…

SOURCE: Culture Sauce at 10:00PM
Sunday, November 23, 2025

‘Gruesome Playground Injuries’: Kara Young and Nicholas Braun embrace a world of hurt (Off Broadway review) by Thom Geier

Kara Young and Nicholas Braun make an engaging odd couple as emotionally (and physically) damaged young people in a decades-long situationship in Gruesome Playground Injuries, which opened S…

SOURCE: Culture Sauce at 04:00PM

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off