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The touring production of the Broadway musical suffers from comparisons to Ryan Murphy’s starry Netflix adaptation.
The confessional comic, in the D.C. area for two performances, never expected that her Netflix special ‘Sweet & Salty’ would resonate so deeply with audiences.
The ever-youthful actor talks about his latest ‘big-boy’ role, and other recent cameos.
The theatrical installation uses 230 scrolling dioramas to tell the story of two Afghan brothers on a harrowing journey to London.
The adventurous D.C. theater, which isn’t known for musicals, puts on Michael R. Jackson’s Pulitzer-winning show.
Working in philanthropy, criminology and disaster relief have imbued his work in Arena Stage’s “Seven Guitars” with greater humanity.
The “Cowboy Bebop” actor’s glam-rock radiance shows the high-octane musical in a new light.
Mason Alexander Park plays the genderqueer glam rocker in Olney Theatre’s production, and a trans version of Gren in Netflix’s “Cowboy Bebop.”
Cody Nickell and Michael Russotto star in the fact-based play, adapted from sportswriter Mitch Albom’s best-selling memoir.
Stylishly staged, though at times incongruent, Paata Tsikurishvili’s largely wordless production fuses “The Fall of the House of Usher” with “The Raven.”
The company opens its “season of gratitude” with a showcase of contemporary and classic works.
The Tony Award-winning musical, inspired by Greek myth, includes the showstopper ‘Wait for Me.’
The Oscar-nominated actor, onstage in ‘Remember This: The Lessons of Jan Karski,’ see parallels between Karski’s fight and today.
A crowd of up to 12,000 will gather to watch Lydia R. Diamond’s play, about the first woman to play in the Negro Leagues, on the Nationals Park video scoreboard.
Lydia R. Diamond’s play tells the story of the first woman to play full-time professional baseball.
Kathy Dillaber, who lost her sister at the Pentagon on 9/11, found connection and catharsis in the hit musical, which will be performed at the Lincoln Memorial on Sept. 10.
James Ijames’s play strikes a chord but is overburdened by its scattered ambitions.
The streaming production, shot across various locations in the D.C. area, overcomes some technical mishaps with ambitious staging and a top-notch cast.
Mohegan playwright Madeline Sayet’s solo performance, finely captured on screen, raises poignant questions about colonialism and cultural genocide.
Summer season of 50 performances opens with Afrofuturistic production of “A Midsummer Night’s Dream.”
Nominated for a Tony in “Hamilton,” the actor appears in Signature Theatre’s ‘After Midnight,” and not for the first time.
Studio Theatre’s “Until the Flood,” Signature Theatre’s “Midnight at the Never Get” and Arena Stage’s “A More Perfect Union” excel in the absence of in-person attendance.
How covid restrictions have redefined ‘putting on a show’ for one theater.
“Until the Flood,” by Dael Orlandersmith, looks at systemic racism from multiple perspectives.
The “Ma Rainey’s Black Bottom” actor passes the torch to a more age-appropriate actor for this filmed revival of his one-man memoir.
Actor Patrick Page (‘Hadestown’) performs a streaming version of his one-man show for the Shakespeare Theatre Company.
The musical revue, filmed under coronavirus safety protocols, includes tunes from the Sondheim canon, a staple of the Arlington company.
Lauren Gunderson’s “The Catastrophist” is loosely based on Wolfe’s book “The Viral Storm.”
Film version of actor Paul Morella’s one-man take on Dickens to be made available online.
The company has partnered with Marquee TV to stream four new works.
The Columbia Height theater will stage reduced-capacity shows as part of a pilot program.