All stories by Brian Seibert on BroadwayStars

Thursday, December 17, 2015

Review: ‘Antigona’ Is Noche Flamenca’s Teeming Take on the Greek Tragedy by Brian Seibert

Settling into a six-week run at West Park Presbyterian Church, the troupe has found ways to subtly mirror and amplify the emotions of its star.

SOURCE: The New York Times Subscription at 02:16PM
Wednesday, December 2, 2015

In ‘Double It,’ Going for That Circus Atmosphere by Brian Seibert

Chen Shi-Zheng, who created the pop-opera “Monkey: Journey to the West,” encourages his troupe of young acrobats to goof off in his new production.

SOURCE: The New York Times Subscription at 11:36AM
Wednesday, November 11, 2015

Review: Michael Flatley’s New Show Has Unicorns, Rainbows and Some Footwork, Too by Brian Seibert

“Lord of the Dance: Dangerous Games” is your last chance to watch Mr. Flatley dancing. And with him, you’ll get flames, fog-banks and explosions.

SOURCE: The New York Times Subscription at 03:33PM
Thursday, October 15, 2015

Review: ‘A Ballerina’s Tale’ Chronicles the Rise of Misty Copeland by Brian Seibert

Nelson George’s documentary delves into the talent and drive — and the career-threatening injuries — of American Ballet Theater’s first black female principal dancer.

SOURCE: The New York Times Subscription at 11:33AM
Friday, April 17, 2015

Christopher Wheeldon’s ‘An American in Paris’ Brings Ballet Values to Broadway by Brian Seibert

As director and choreographer of “An American in Paris” at the Palace Theater, Mr. Wheeldon proves the power of wordless storytelling.

SOURCE: The New York Times Subscription at 06:26PM
Wednesday, November 12, 2014

Dance Review: American Dance Machine Troupe Debuts by Brian Seibert

American Dance Machine for the 21st Century, a repertory company for musical-theater dance, made its debut at the Joyce Theater on Tuesday.

SOURCE: The New York Times Subscription at 04:58PM
Friday, September 12, 2014

City Ballet Stars Land Major Musical Theater Roles by Brian Seibert

In a mix of happenstance and connections, three members of New York City Ballet will soon perform in major musicals.

SOURCE: The New York Times Subscription at 05:32PM
Wednesday, January 15, 2014

Sarasota Ballet Signs Artistic Director to 10-Year Contract by Brian Seibert

Iain Webb, a former dancer with The Royal Ballet, was first appointed to the position in 2007 on a four-year contract.

SOURCE: The New York Times Subscription at 01:28PM
Wednesday, November 27, 2013

Critic’s Notebook: ‘After Midnight’ Harks Back to the Cotton Club Days by Brian Seibert

The only way virtuosic jazz tap has made it onto Broadway this century is in a vehicle that purports to jump back eight decades.    

SOURCE: The New York Times Subscription at 05:11PM
Thursday, September 20, 2012

Performance Art Review: Brian Rogers’s ‘Hot Box’ at Chocolate Factory by Brian Seibert

Brian Rogers’s “Hot Box,” at the Chocolate Factory, uses video projections and noise for its impact.

SOURCE: The New York Times Subscription at 05:32PM
Wednesday, May 9, 2012

Theater Review: ‘Heat Wave’ Revue at Queens Theater in the Park by Brian Seibert

The choreographer and style setter Jack Cole is celebrated in “Heat Wave,” a musical revue.

SOURCE: The New York Times Subscription at 05:17PM

All that Chat

REOPEN BROADWAY SEASON
Sep 14, 2021: Chicago - Ambassador Theatre
Oct 17, 2021: Dana H. - Lyceum Theatre
Mar 28, 2022: Plaza Suite - Hudson Theatre
Apr 07, 2022: The Minutes - Studio 54
Apr 28, 2022: Macbeth - Lyceum Theatre