All stories by Brian Seibert on BroadwayStars

Monday, April 28, 2025

John Jasperse Starts La MaMa Moves! Honoring a Female Lineage by Brian Seibert

Jasperse’s engrossing “Tides” was a thrilling opener to a festival that often feels like a home for first drafts.

SOURCE: The New York Times Subscription at 02:01PM

New York City’s Creative Churn: The View From the Dance Floor by Brian Seibert and Yuvraj Khanna

“Urban Stomp” at the Museum of the City of New York chronicles the metropolis’s social dance. It also invites you to join the party.

SOURCE: The New York Times Subscription at 05:01AM
Wednesday, April 23, 2025

Review: From Kyle Abraham, Saxophones and Sculptural Shapes by Brian Seibert

On program of New York premieres at the Joyce Theater, Abraham’s contribution stands out and so do his dancers.

SOURCE: The New York Times Subscription at 01:18PM
Tuesday, April 22, 2025

Celia Rowlson-Hall’s Sisyphean Beach Balls by Brian Seibert

Celia Rowlson-Hall’s “Sissy” at the Baryshnikov Arts Center, a dance-theater hybrid featuring Marisa Tomei, pokes at the boundaries between art and life.

SOURCE: The New York Times Subscription at 11:00AM
Friday, April 18, 2025

It’s All Rhythm: A New Festival Embraces Percussive Dance by Brian Seibert and Mark Sommerfeld

The Uptown Rhythm Festival will mix styles, including tap, swing and flamenco, that are flourishing despite problems of rehearsal and performance space.

SOURCE: The New York Times Subscription at 05:00AM
Friday, April 11, 2025

Review: Dance Theater of Harlem, Reshaped and Back at City Center by Brian Seibert

Robert Garland, the company’s artistic director, has created his first work for the dancers since taking over in 2023.

SOURCE: The New York Times Subscription at 12:52PM
Monday, April 7, 2025

She’s Martha Graham. Who Are You? by Brian Seibert

At 99, the Graham company continues to grapple with the legacy of its founder with reimagined lost works and commissions.

SOURCE: The New York Times Subscription at 11:43AM
Monday, March 31, 2025

In 50th Anniversary Shows, Danspace Project Pulls Past Into Present by Gia Kourlas and Brian Seibert

As part of its 50th anniversary, the East Village institution presents reimagined dances by Ishmael Houston-Jones and Fred Holland, Donna Uchizono and Bebe Miller.

SOURCE: The New York Times Subscription at 05:00AM
Thursday, March 27, 2025

PS21, a Hub for Forward-Looking Art Upstate, Names a New Director by Brian Seibert

Vallejo Gantner, a longtime arts administrator in New York City, has taken over as artistic and executive director at PS21 in Chatham, N.Y.

SOURCE: The New York Times Subscription at 12:00PM
Wednesday, March 26, 2025

Review: Can Hubbard Street Dance Chicago Find a New Voice? by Brian Seibert

On a program with three New York premieres, the company seems stuck in an international style, though there are flickers of something more distinctive.

SOURCE: The New York Times Subscription at 12:48PM
Monday, March 17, 2025

Boy Blue Brings British Hip-Hop to Lincoln Center by Brian Seibert

Boy Blue brings its new show, dense with dance and rootsy British hip-hop, to Lincoln Center.

SOURCE: The New York Times Subscription at 05:02AM
Friday, March 14, 2025

At NYLA, ‘Terrestrial: The Sprout’ Proposes Drab Future Rituals by Brian Seibert

In “Terrestrial: The Sprout,” at New York Live Arts, three directors present a show about epic memory and indescribable feelings.

SOURCE: The New York Times Subscription at 12:13PM
Thursday, March 13, 2025

A Twyla Tharp Master Class on Themes, Variations and Allusions by Brian Seibert

A program celebrating Twyla Tharp’s 60th year making dances features the masterwork “Diabelli” and the fresh new “Slacktide,” set to Philip Glass.

SOURCE: The New York Times Subscription at 02:32PM
Friday, March 7, 2025

Review: Batsheva, and a Dance Divided by Brian Seibert

Batsheva Dance Company’s performance of Ohad Naharin’s masterful “Momo” at the Brooklyn Academy of Music was inevitably colored by events in Israel and Gaza.

SOURCE: The New York Times Subscription at 01:42PM
Thursday, February 27, 2025

Douglas Dunn’s Dance Idyll, With Undertows of Darkness by Brian Seibert

Douglas Dunn + Dancers’ season at Judson Memorial Church in Manhattan includes a pastoral premiere and an experimental opera.

SOURCE: The New York Times Subscription at 12:58PM
Wednesday, February 26, 2025

Review: Tango Passion as Muscular Feats by Brian Seibert

“Tango After Dark” at the Joyce Theater feels like an extended nightclub floor show, low in imagination and musical subtlety.

SOURCE: The New York Times Subscription at 11:46AM
Thursday, February 13, 2025

Akram Khan’s ‘Gigenis’ Is His Most Potent Work in Years by Brian Seibert

“Gigenis,” drawn from a tale in the Mahabharata, is the choreographer Akram Khan’s most potent work in years.

SOURCE: The New York Times Subscription at 03:43PM
Wednesday, February 5, 2025

Stephen Petronio Is Disbanding His Dance Company by Brian Seibert

The company, founded in 1984, has struggled with finances since the pandemic.

SOURCE: The New York Times Subscription at 12:00PM
Thursday, January 30, 2025

Review: In Justin Peck’s New Dance, Air, Earth and Self-Help by Brian Seibert

“Mystic Familiar,” a New York City Ballet premiere, has a score by the musician Dan Deacon and some all-too-familiar sentiments.

SOURCE: The New York Times Subscription at 12:44PM
Sunday, January 12, 2025

Resisting Oppression With Creativity, Two Ways by Brian Seibert

The Out-Front! Festival at the Brooklyn Academy of Music on Saturday featured thrilling works by Angie Pittman (“Black Life Chord Changes”) and Kyle Marshall (“Joan”).

SOURCE: The New York Times Subscription at 01:59PM
Thursday, January 9, 2025

Review: Tales From the Mahabharata in Harmony and Disharmony by Brian Seibert

At the Joyce Theater, Ragamala Dance presents “Children of Dharma,” an elegant production that lacks dramatic pop.

SOURCE: The New York Times Subscription at 12:13PM
Monday, January 6, 2025

A Brooklyn Group Get Its Own Home to Support Black Artists by Brian Seibert

651 Arts, dedicated to African diasporic performance, now has its own space to support work like the choreographer André Zachery’s “Against Gravity.”

SOURCE: The New York Times Subscription at 05:00AM
Monday, December 30, 2024

Oral History Project Considers Impact of Bringing Modern Dance to China by Brian Seibert

An oral history project, “Planting Seeds,” considers the history and impact of an American Dance Festival program to train dancers in China.

SOURCE: The New York Times Subscription at 05:01AM
Tuesday, December 17, 2024

Arlene Croce, Dance Critic With a Biting Wit, Dies at 90 by Brian Seibert

Writing for The New Yorker, she was both admired and feared, wielding a sometimes merciless pen. Her study of Fred Astaire and Ginger Rogers drew accolades.

SOURCE: The New York Times Subscription at 11:15AM
Sunday, December 15, 2024

Two Alvin Ailey Productions Head for the Light by Brian Seibert

Hope Boykin’s “Finding Free” and Lar Lubovitch’s “Many Angels” aspire to find higher ground at New York City Center.

SOURCE: The New York Times Subscription at 05:07PM
Wednesday, December 11, 2024

Best Dance Performances of 2024 by Gia Kourlas, Brian Seibert and Roslyn Sulcas

Once-in-a-generation ballerinas, topical works that transcended politics and a voguing “Cats” were highlights of the year.

SOURCE: The New York Times Subscription at 05:02AM
Monday, December 9, 2024

Review: Resistance and Struggle in a Dance of Private Rites by Brian Seibert

A solo by the choreographer Bintou Dembélé, the first showing of her work in the United States, explored the crossover between hip-hop and diasporic African ritual.

SOURCE: The New York Times Subscription at 03:39PM
Thursday, November 21, 2024

Alvin Ailey Dance Chooses Alicia Graf Mack to Be Next Leader by Brian Seibert

Mack, director of the dance division at Juilliard, will be the popular company’s fourth artistic director.

SOURCE: The New York Times Subscription at 04:58PM
Friday, November 15, 2024

Review: In ‘Tell It Anyway,’ Freedom Is Power by Brian Seibert

This Ralph Lemon work, part of a MoMA PS1 exhibition, is an experience of sound as much as dance. His collaborators can lead an audience to ecstasy.

SOURCE: The New York Times Subscription at 12:29PM
Monday, November 11, 2024

Review: “Frontera” at BAM by Brian Seibert

At the Brooklyn Academy of Music, the highlight of Dana Gingras’s “Frontera” may well be the lighting design.

SOURCE: The New York Times Subscription at 01:20PM
Saturday, November 9, 2024

Judith Jamison, Alvin Ailey Dancer of ‘Power and Radiance,’ Dies at 81 by Brian Seibert

She became an international star as a member of the company and later directed it, guiding it out of debt and boosting its popularity.

SOURCE: The New York Times Subscription at 06:43PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre