Tuesday, July 23, 2024
Jodi Melnick’s new work is performed throughout a gallery installation, while one by Annie-B Parson sprawls in a sculpture park.
SOURCE: The New York Times Subscription at 05:01AMWednesday, July 17, 2024
Jakob Karr, from “So You Think You Can Dance?,” has conceived and choreographed a show set to songs by the country musician Orville Peck.
SOURCE: The New York Times Subscription at 05:03AMMonday, July 15, 2024
Michelle Dorrance’s new work, “Shift.,” honors Gene Medler, the teacher who founded the North Carolina Youth Tap Ensemble.
SOURCE: The New York Times Subscription at 03:04PMWednesday, July 10, 2024
The best dance by far on Smuin Contemporary Ballet’s program at the Joyce is by Amy Seiwert, who is about to be the company’s director.
SOURCE: The New York Times Subscription at 11:51AMMonday, July 1, 2024
Tap festivals have been pivotal in passing on tradition. But New York’s has been canceled and the institution that supports it faces an uncertain future.
SOURCE: The New York Times Subscription at 05:02AMWednesday, June 26, 2024
Wayne McGregor’s 2015 work, making its New York debut with American Ballet Theater, fails to make dance poetry of Virginia Woolf’s novels.
SOURCE: The New York Times Subscription at 12:27PMMonday, June 17, 2024
Jawole Willa Jo Zollar, who founded Urban Bush Women four decades ago, says goodbye to it with a final work.
SOURCE: The New York Times Subscription at 05:04AMSunday, June 16, 2024
Wednesday, June 5, 2024
Monday, May 27, 2024
Tuesday, May 14, 2024
The choreographers nominated for Tony Awards this year have a broader vision than usual of the possibilities of dance in theater.
SOURCE: The New York Times Subscription at 05:03AMWednesday, May 8, 2024
Monday, May 6, 2024
Carol Mullins, who has been lighting boundary-pushing shows at Danspace Project since the 1970s, will be honored at its 50th anniversary.
SOURCE: The New York Times Subscription at 11:16AMFriday, May 3, 2024
The two premieres — one by Justin Peck, one by Amy Hall Garner — were gala-style pieces that felt more fresh than rote.
SOURCE: The New York Times Subscription at 12:29PMThursday, May 2, 2024
With choreography by Kate Prince and 27 songs by Sting, this story of refugees has impressive dance moments, but handles narrative and emotion tritely.
SOURCE: The New York Times Subscription at 01:09PMWednesday, April 24, 2024
In “Searching for Goya,” at the Joyce Theater, the troupe uses the painter’s images as frames for flamenco dances.
SOURCE: The New York Times Subscription at 02:44PMWednesday, April 17, 2024
Monday, April 15, 2024
As Harlem Stage’s E-Moves dance series turns 25, Bill T. Jones and other major choreographers discuss its impact on Black dance in New York.
SOURCE: The New York Times Subscription at 05:03AMMonday, April 8, 2024
“We the People,” Roberts’s first dance for the Martha Graham Dance Company, finds the rage and resistance hidden in an upbeat score by Rhiannon Giddens.
SOURCE: The New York Times Subscription at 05:03AMThursday, April 4, 2024
Ayodele Casel leads a program celebrating Roach’s centenary that also includes works by Rennie Harris as well as by Ronald K. Brown and Arcell Cabuag.
SOURCE: The New York Times Subscription at 12:23PMMonday, April 1, 2024
As the second company of Alvin Ailey American Dance Theater has evolved, it has trained dancers and choreographers for tenacity as much as technique.
SOURCE: The New York Times Subscription at 05:03AMFriday, March 29, 2024
Monday, March 25, 2024
A new work, “The White Feather” is inspired by the history of the Iranian National Ballet, which went dark during the Islamic Revolution and was never revived.
SOURCE: The New York Times Subscription at 01:17PMMonday, March 18, 2024
Thursday, March 7, 2024
Wednesday, February 28, 2024
The Afro-Colombian company Sankofa Danzafro presents “Behind the South: Dances for Manuel” at the Joyce Theater.
SOURCE: The New York Times Subscription at 03:54PMSaturday, February 24, 2024
With Judson Dance Theater and elsewhere, he expanded the possibilities of what dance could be, developing works around basic tasks like eating a pear or simply walking.
SOURCE: The New York Times Subscription at 12:34PMFriday, February 23, 2024
“Deep River,” featuring the choreographer’s company, Lines Ballet, has a meditative flow without much grit.
SOURCE: The New York Times Subscription at 01:27PMFriday, February 16, 2024
Jean Butler’s “What We Hold,” at the Irish Arts Center, is an installation-like work that seeks restrained classicism in a post-“Riverdance” world.
SOURCE: The New York Times Subscription at 02:00PMWednesday, February 7, 2024
Philadanco! returns to New York with four premieres that highlight the dancers’ skills without revealing much deeper artistry.
SOURCE: The New York Times Subscription at 12:38PMSaturday, January 27, 2024
Tiler Peck, a New York City Ballet star, is making her first work for the company. “It’s my opportunity to pass on to the next generation anything that’s been given to me.”
SOURCE: The New York Times Subscription at 05:00AM 
