Friday, October 24, 2025
Abigail Levine’s new work, at Target Margin Theater, is terrific as a kind of enhanced reading, but lags on the level of choreography.
SOURCE: The New York Times Subscription at 12:29PMWednesday, October 22, 2025
In “What Is War,” two singular artists, Eiko Otake and Wen Hui, grapple with memories of China and Japan in World War II.
SOURCE: The New York Times Subscription at 12:23PMSunday, October 19, 2025
At the new Powerhouse: International festival in Brooklyn, Christos Papadopoulos debuted an oblique, glacially cool work with seven dancers.
SOURCE: The New York Times Subscription at 12:27PMFriday, October 17, 2025
American Ballet Theater opened its season with an all-Twyla Tharp program, featuring her first dance for the company, “Push Comes to Shove,” and the for-the-ages “Bach Partita.”
SOURCE: The New York Times Subscription at 01:43PMWednesday, October 15, 2025
The Limón Dance Company tries to shake up its image with a world premiere by Diego Vega Solorza and a reimagined “Emperor Jones.”
SOURCE: The New York Times Subscription at 11:25AMWednesday, October 8, 2025
A festival at the Joyce Theater leaves out the Age of Aquarius work that made this choreographer popular, presenting surprisingly old-fashioned ballet instead.
SOURCE: The New York Times Subscription at 01:32PMWednesday, September 17, 2025
The annual festival, popular for its take-a-chance-priced tickets, opened with a show featuring work by Jamar Roberts, the tap dancer Dario Natarelli and Akram Khan.
SOURCE: The New York Times Subscription at 02:10PMMonday, September 15, 2025
Mette Ingvartsen’s “Skatepark” will inaugurate the new Powerhouse: International festival, showcasing the vast performing space of Powerhouse Arts in Gowanus, Brooklyn.
SOURCE: The New York Times Subscription at 05:00AMMonday, September 1, 2025
At Japan Society, Emergences celebrates Mishima’s centennial. “One of the things that I absolutely love about Mishima is that I don’t absolutely love him,” said one participant.
SOURCE: The New York Times Subscription at 05:12AMMonday, August 25, 2025
The Down to Earth festival answers a pandemic-era call for changes in the performing arts, offering free events in city parks and urban spaces.
SOURCE: The New York Times Subscription at 05:02AMSunday, August 24, 2025
Thursday, August 14, 2025
Tiler Peck has curated a program of Robbins’s dances at the Joyce Theater featuring casts of ballet luminaries and rising stars.
SOURCE: The New York Times Subscription at 12:47PMThursday, August 7, 2025
Her connection to the great modern dancer lasted a lifetime, from studying with her as a child to leading the Martha Graham Dance Company as an artistic director.
SOURCE: The New York Times Subscription at 02:24PMWednesday, July 30, 2025
Noche Flamenca’s new production was less focused than usual on its standout, Soledad Barrio, making room for talented soloists.
SOURCE: The New York Times Subscription at 11:47AMFriday, July 18, 2025
To celebrate the shows’ golden anniversaries, the Broadway star Robyn Hurder demonstrates what makes their choreography so special.
SOURCE: The New York Times Subscription at 05:06AMMonday, July 14, 2025
In American Ballet Theater’s production, four principal dancers made their debuts in the role, which carries the ballet.
SOURCE: The New York Times Subscription at 10:05AMFriday, July 11, 2025
Swing and Lindy Hop, dance forms created by Black Americans in the 1920s and ’30s, are flowering in Korea. New York will get a taste in a mini festival.
SOURCE: The New York Times Subscription at 11:00AMSunday, July 6, 2025
Her stewardship of the troupe that bears his name became a model for other dance companies, like Martha Graham’s, after their founders died.
SOURCE: The New York Times Subscription at 02:44PMSunday, June 29, 2025
The latest work by the choreographer Pam Tanowitz combines music and design in fresh and delightfully unpredictable ways.
SOURCE: The New York Times Subscription at 03:18PMThursday, June 19, 2025
At the Joyce Theater through Sunday, the Paul Taylor Dance Company revives two half-lost works from the 1960s, traversing matters both sacred and profane.
SOURCE: The New York Times Subscription at 12:25PMSunday, June 15, 2025
At the Chocolate Factory Theater in Queens on Friday, Martita Abril’s performance expressed life on the border from multiple angles.
SOURCE: The New York Times Subscription at 03:00PMOur critics picked 10 performances that have offered a robust alternative to the here and now with a tonic of beauty, rage and wisdom.
SOURCE: The New York Times Subscription at 05:00AMSunday, June 8, 2025
Jawole Willa Jo Zollar’s new work for Alvin Ailey American Dance Theater at Brooklyn Academy of Music moves between church and twistin’ the night away.
SOURCE: The New York Times Subscription at 11:54AMMonday, June 2, 2025
A Trisha Brown company tour recalls a time when Rauschenberg, one of the country’s most influential artists, was changing and being changed by American dance.
SOURCE: The New York Times Subscription at 05:02AMFriday, May 23, 2025
Among the 20th century’s most significant choreographers, he led the Bolshoi Ballet for more than 30 years, creating epic ballets like “Spartacus.”
SOURCE: The New York Times Subscription at 01:06PMThursday, May 22, 2025
This year’s DanceAfrica festival at BAM features Song & Dance Company of Mozambique, which a member likened to a mirror for the nation.
SOURCE: The New York Times Subscription at 10:00AMMonday, May 19, 2025
Before he served in Iraq, Román Baca was a ballet dancer. Now he helps other veterans deal with their trauma — through dance.
SOURCE: The New York Times Subscription at 05:02AMFriday, May 16, 2025
The Bill T. Jones/Arnie Zane Dance Company’s season at New York Live Arts features the premiere of “Curriculum III: People, Places & Things.”
SOURCE: The New York Times Subscription at 02:09PMMonday, May 12, 2025
In the Tony-nominated musical “Operation Mincemeat,” five performers play a slew of roles. The choreography onstage and off is fast, elaborate and exacting.
SOURCE: The New York Times Subscription at 05:01AMMonday, April 28, 2025
Jasperse’s engrossing “Tides” was a thrilling opener to a festival that often feels like a home for first drafts.
SOURCE: The New York Times Subscription at 02:01PM“Urban Stomp” at the Museum of the City of New York chronicles the metropolis’s social dance. It also invites you to join the party.
SOURCE: The New York Times Subscription at 05:01AM 
