All stories by Miriam Gillinson on BroadwayStars

Thursday, July 9, 2020

Jury Duty review – trial-by-audience is cheekily enjoyable by Miriam Gillinson

Available onlineWorking with other audience members, you decide whether a defendant is guilty of murder in this fun bit of lockdown theatre A man has been killed and his body, along with mos…

SOURCE: The Guardian at 09:32AM
Monday, June 29, 2020

Telephone review – dial S for stranger in a night of unexpected connections by Miriam Gillinson

Available onlineConey’s entrancing combination of storytelling and shared conversation celebrates the history of telecommunications The range of theatrical experiences emerging online is t…

SOURCE: The Guardian at 05:12PM

'Our views are not on the news': young people speak up on Covid-19 by Miriam Gillinson

Digital scrapbooks by children and teenagers are the funniest – and most bracing – reflections on lockdown. Now theatre is giving them the chance to put their fears and hope on stage Unl…

SOURCE: The Guardian at 08:24AM
Wednesday, June 17, 2020

'We use Shakespeare's heartbeat': lockdown theatre for autistic audiences by Miriam Gillinson

Flute Theatre’s game-based production of Pericles, performed for one family at a time, is designed to create a sense of calm Hottest front-room seats: best theatre and dance online Kelly …

SOURCE: The Guardian at 04:12AM
Wednesday, June 10, 2020

Plymouth Point review – dare you solve this thrilling mystery? by Miriam Gillinson

Scour the internet for clues in this hysterical whodunnit from two Punchdrunk alumni – which, for all its immersive trickery, is first and foremost a cracking piece of storytelling At a pa…

SOURCE: The Guardian at 09:12AM
Sunday, June 7, 2020

The Time Machine: A Virtual Reality review – a sleek voyage through the fourth wall by Miriam Gillinson

Creation TheatreHG Wells’ dystopian classic is recast as a live online event in this glossy telling that veers between hope and despair Hottest front-room seats: the best theatre and dance…

SOURCE: The Guardian at 07:12AM
Tuesday, June 2, 2020

Smoking Gun review – week-long interactive whistleblower thriller by Miriam Gillinson

Available onlineParticipants delve into the dodgy dealings of a Tory MP and big pharma in this clever blend of theatre and gaming Hottest front-room seats: the best theatre and dance to watc…

SOURCE: The Guardian at 07:18AM
Friday, May 8, 2020

What Once Was Ours review – voices of a disunited family and nation by Miriam Gillinson

Available onlineThe story of a pair of estranged siblings in the aftermath of the Brexit vote is brought to life by the startlingly honest views of a range of young people This 2017 co-produ…

SOURCE: The Guardian at 01:54AM
Friday, May 1, 2020

All the world’s a stage: five of the best monologues by Miriam Gillinson

From Doctor Faustus to Fleabag, here are the most stirring speeches from some of theatre’s best works Continue reading...

SOURCE: The Guardian at 09:06AM
Sunday, April 12, 2020

The Tempest review – interactive online production goes down a storm by Miriam Gillinson

Available onlineGiven a portal to Prospero’s island by Zoom, the audience become the most excited characters in this mischievous and magical version of Shakespeare’s fantasy Front-room …

SOURCE: The Guardian at 08:24AM
Tuesday, March 3, 2020

United Queendom review – we are not amused by this Kensington Palace palaver by Miriam Gillinson

Kensington Palace, LondonLes Enfants Terribles take us inside Will and Kate’s home for an immersive yet unreachable story about two women who once lived there Don’t tell Will and Kate, …

SOURCE: The Guardian at 11:06AM
Monday, March 2, 2020

The Wolves in the Walls review – Neil Gaiman adventure brims with thrills by Miriam Gillinson

Little Angel theatre, LondonGaiman’s graphic novel turns into an atmospheric show, as a girl tries to find out what’s scratching in the walls of her home After years of going to the thea…

SOURCE: The Guardian at 11:03AM
Thursday, February 27, 2020

Sinners review – Brian Cox directs sand-blasted sex and death drama by Miriam Gillinson

Playground theatre, LondonA woman waits to be stoned for adultery in a curious piece reminiscent of Beckett Brian Cox, so deliciously appalling as Logan Roy in Succession, is the headline d…

SOURCE: The Guardian at 09:24AM
Thursday, February 13, 2020

Far Away review – Jessica Hynes brings humour to short, sharp horror by Miriam Gillinson

Donmar Warehouse, London The real world slides away with frightening ease and pace in Caryl Churchill’s masterclass of tension Twenty years on from its premiere, Far Away still feels like …

SOURCE: The Guardian at 03:03PM
Saturday, February 1, 2020

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From The Lighthouse to The Haystack, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 07:24AM
Tuesday, January 28, 2020

Sex/Crime review – lust, shock and despair in role-play thriller by Miriam Gillinson

Soho theatre, LondonTwo men reimagine the acts of a serial killer in Alexis Gregory’s dark play about love, loneliness and longing Writer Alexis Gregory has described his show Sex/Crime as…

SOURCE: The Guardian at 11:54AM
Saturday, January 25, 2020

What to see this week in the UK by Andrew Pulver, Sophie Harris, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From The Personal History of David Copperfield to Madonna, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 05:36PM
Wednesday, January 22, 2020

Faces in the Crowd review – Valeria Luiselli adaptation is strikingly imaginative by Miriam Gillinson

Gate theatre, LondonJimena Larraguivel stars in a clever and evocative but confusing version of Luiselli’s multi-stranded novel about a woman who feels unseen Here’s a story full of ghos…

SOURCE: The Guardian at 03:36PM
Friday, January 17, 2020

Les Misérables review – just hear these people sing! by Miriam Gillinson

Sondheim theatre, London With a cast that never misses a note, the West End’s longest-running musical proves a haunting and thrilling inspiration What’s the sign that you’ve seen a gre…

SOURCE: The Guardian at 09:03AM

What to see this week in the UK by Andrew Pulver, Sophie Harris, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Waves to Beat Horizon, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 09:03AM
Friday, December 27, 2019

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Jojo Rabbit to Craig David, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 06:06AM
Thursday, December 12, 2019

The Last Noël review – carols, hope and regret capture the Christmas spirit by Miriam Gillinson

Old Fire Station, OxfordChris Bush’s beautifully crafted show is comforting and uplifting with just enough kick for those who find festive theatre too saccharine Call me Scrooge, but I’m…

SOURCE: The Guardian at 10:06AM
Tuesday, December 10, 2019

A Taste of Honey review – sweet songs and sour love by Miriam Gillinson

Trafalgar Studios, LondonJodie Prenger sings her heart out in an atmospheric revival of Shelagh Delaney’s classic play about an unlucky-in-love mother and daughter Words such as “raw” …

SOURCE: The Guardian at 07:12AM
Monday, December 9, 2019

One Million Tiny Plays About Britain review – a nation speaks by Miriam Gillinson

Jermyn Street theatre, LondonCraig Taylor’s jumble of micro-playlets – some just a few seconds long – coalesce into a layered, comic, moving portrait of everyday life in the UK Listeni…

SOURCE: The Guardian at 10:03AM
Friday, December 6, 2019

Gypsy review – Sondheim staged with surprising tenderness by Miriam Gillinson

Royal Exchange, ManchesterThe classic musical about performance, in all its chaotic glory, gets a warm-hearted production from Jo Davies Gypsy has been described as the King Lear of musical …

SOURCE: The Guardian at 09:33AM
Thursday, December 5, 2019

Little Red Riding Hood review – my, what big imaginations they have! by Miriam Gillinson

Derby theatreHiccup theatre’s clever take on the fairytale is full of music, puppetry, surprising twists, witty dialogue and madcap energy Hiccup Theatre’s family shows always take you …

SOURCE: The Guardian at 06:12AM
Friday, November 29, 2019

Wild Goose Dreams review – endearing online-offline romance by Miriam Gillinson

Ustinov Studio, Bath Hansol Jung’s play brings the distracting, confusing noise of the internet to a funny and sensitive story of lonely hearts in Seoul The internet is so fully realised i…

SOURCE: The Guardian at 03:03AM
Tuesday, November 26, 2019

Hunger review – hope and heartbreak on the breadline by Miriam Gillinson

Arcola, LondonAdapted from Knut Hamsun’s first-person novel, Fay Lomas’s production is an empathetic and frightening look at a writer whose senses begin to turn on him as he falls into p…

SOURCE: The Guardian at 09:48AM
Friday, November 22, 2019

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Frozen II to Anselm Kiefer, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days (Jennifer Lee, Chris Buck, 2019, US) 103 mins Continue…

SOURCE: The Guardian at 07:06AM
Thursday, November 21, 2019

Canterville Ghost review – spirited haunted-house shenanigans by Miriam Gillinson

Unicorn theatre, LondonThis take on Oscar Wilde’s story of a family moving into their spooky new home is a child-friendly blend of gothic horror and quirky comedy There’s a little bit fo…

SOURCE: The Guardian at 01:42PM
Friday, November 8, 2019

Easy review – an unfiltered snap of teenage agonies by Miriam Gillinson

Blue Elephant theatre, LondonRobyn Wilson is superb as a 16-year-old facing a daunting rite of passage in Amy Blakelock’s poignant one-woman play I know Alice. I think I pretty much was Al…

SOURCE: The Guardian at 11:06AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards