All stories by Lyndsey Winship on BroadwayStars

Friday, June 13, 2025

‘Completely captivated’: the rousing return of musicals’ dream ballets by Lyndsey Winship

From Oklahoma! and Singin’ in the Rain to The Big Lebowski and Maestro, these showstoppers give a blissful hit of dance. A Rodgers and Hammerstein triple bill at Regent’s Park Open Air t…

SOURCE: The Guardian at 04:18AM
Friday, June 6, 2025

‘Whipped till the blood comes’: Jersey’s shocking witch-hunting past is brought spectacularly back to life by Lyndsey Winship

The Channel Islands were dubbed ‘the witch-hunting capital of Atlantic Europe’. Even just talking to a cat could get you hanged, strangled or burned. We go behind the scenes of an outdoo…

SOURCE: The Guardian at 10:36AM

Gary Clarke Company: Detention review – horror and humour in stand against Section 28 by Lyndsey Winship

The Place, London The Yorkshire-born dance artist concludes his social historical trilogy on the Thatcher era by celebrating resistance to homophobia Gary Clarke grew up in a Yorkshire minin…

SOURCE: The Guardian at 08:24AM
Thursday, June 5, 2025

Thick & Tight: Natural Behaviour review – giddy cabaret with a turn from Donald the orange panto horse by Lyndsey Winship

Battersea Arts Centre, LondonThe dance-theatre duo embody people, flora and fauna, questioning what ‘norms’ in society and nature really mean It was the comment on Katy Perry’s space f…

SOURCE: The Guardian at 10:36AM
Wednesday, June 4, 2025

Compañía Mercedes Ruiz review – classy ode to classical flamenco by Lyndsey Winship

Sadler’s Wells, LondonIt may seem a little tame compared to some offerings at this year’s Flamenco festival but this is an elegant display of traditional style The most compelling parts …

SOURCE: The Guardian at 11:54AM
Tuesday, June 3, 2025

Flamenco with kilts and genius moments – Compañía Manuel Liñán: Muerta de Amor review by Lyndsey Winship

Sadler’s Wells, LondonThe Spanish dancer’s latest show with his all-male company is an eruption of pleasure, ego and neediness that is full of fantastic chemistry It was Manuel Liñán�…

SOURCE: The Guardian at 10:54AM
Friday, May 23, 2025

The Heat review – Paula Rego’s dog women inhabit Becky Namgauds’ frisky, feral dance-theatre by Lyndsey Winship

Lilian Baylis studio, Sadler’s Wells, LondonThe choreographer’s unapologetic depiction of female instincts fills a suburban living room with surreal scenes of suppressed sexuality and ra…

SOURCE: The Guardian at 07:24AM
Thursday, May 22, 2025

Pete Townshend remakes Quadrophenia for a new generation: ‘The world is a dangerous place at the moment’ by Lyndsey Winship

It may be set 60 years ago, but a new ballet version of The Who’s rock opera asks questions about youth, society and masculinity that still resonate – and it brought its original creator…

SOURCE: The Guardian at 04:06AM
Wednesday, May 21, 2025

Ballet BC review – fizzing energy from dancers laid bare by Lyndsey Winship

Sadler’s Wells, LondonThe Canadian company are in total control in Crystal Pite’s Frontier, while Johan Inger’s Passing has colour and humour yet is overstretched In brief, this double…

SOURCE: The Guardian at 07:42AM
Monday, May 12, 2025

‘A whirling mass of limbs and lingerie’: the salacious, riotous story of the high-kicking cancan by Lyndsey Winship

It started out as a dance for men who risked arrest for indecency – and grew into a legs-flying, bloomers-revealing sensation. We go behind the scenes at Bottoms, a thrilling new show abou…

SOURCE: The Guardian at 06:06AM
Sunday, May 11, 2025

Oona Doherty: Specky Clark review – distressed orphan out-dances the abbatoir’s raw reality by Lyndsey Winship

Sadler’s Wells, LondonWith an amazing sense of pure movement, Doherty’s bold, distinctive work takes the story of her great-great-grandfather beyond magic realism Here we are in an abatt…

SOURCE: The Guardian at 08:12AM
Thursday, May 8, 2025

A Festival of Korean Dance: Jungle review – muscular intensity and wonder by Lyndsey Winship

The Place, LondonThis year’s festival launches with a multi-layered exploration of human connection from Korea National Contemporary Dance Company K-pop, K-drama, K-beauty: South Korean cu…

SOURCE: The Guardian at 09:32AM
Wednesday, April 30, 2025

In C review – Sasha Waltz matches Terry Riley’s 1964 classic with a minimalist community by Lyndsey Winship

Queen Elizabeth Hall, London The choreographer pairs the semi-improvised score with similarly loose structures that reflect on collective action and identi…

SOURCE: The Guardian at 11:42AM
Tuesday, April 22, 2025

‘The audience chucked food at us!’ Emilyn Claid on angry shows, her ballet shame and gardening for Martha Graham by Lyndsey Winship

As she unveils The Trembling Forest with an ensemble of clay-covered performers, the great dance disruptor looks back on decades of radical and autobiographical shows Maybe it’s inevitable…

SOURCE: The Guardian at 08:32AM
Sunday, April 20, 2025

Snow White/Snow White: The Sacrifice review – puts the Grimm back in the tale by Lyndsey Winship

★★★☆☆ / ★★★★☆Sadler’s Wells East, LondonBalletLorent stages two dance-theatre versions of the fairytale – one for all the family, another for mature audiences – but…

SOURCE: The Guardian at 07:42AM
Thursday, April 3, 2025

Wake review – Irish dance takes a raucous, pole-dancing rollercoaster ride by Lyndsey Winship

Peacock theatre, London Gleefully exploding traditional funeral rites, Thisispopbaby deploy styles from stepdance to pole dance to upend expectations of Irish culture Yo…

SOURCE: The Guardian at 08:54AM
Wednesday, April 2, 2025

Royal Ballet to perform Justin Peck’s Everywhere We Go, with music by Sufjan Stevens by Lyndsey Winship

Director Kevin O’Hare announces staging of NYCB choreographer Peck’s 2014 piece, as well as new works by Akram Khan and Cathy Marston A ballet by one of New York’s hottest choreographe…

SOURCE: The Guardian at 05:48AM
Friday, March 28, 2025

Julie Cunningham & Company: Crow/Pigeons review – a beady dance delight by Lyndsey Winship

Sadler’s Wells East, LondonJules Cunningham explores themes of marginalisation in a masterful collaboration with Le Tigre’s JD Samson and a piece that echoes Merce Cunningham Last time J…

SOURCE: The Guardian at 01:06PM
Thursday, March 20, 2025

Lyon Opera Ballet/Cunningham Forever review – a modern master’s wild ambition by Lyndsey Winship

Sadler’s Wells, LondonMerce Cunningham’s demands on dancers are the stuff of legend, but as in the celebration of two of his classic works here, utterly essential Merce Cunningham was al…

SOURCE: The Guardian at 08:03AM
Sunday, March 16, 2025

Ballet Black: Shadows review – killer moves in a dance adaptation of murderous blockbuster by Lyndsey Winship

Hackney Empire, LondonOyinkan Braithwaite’s novel My Sister, the Serial Killer is the inspiration for Cassa Pancho’s dramatic ballet, accompanied by Chanel DaSilva’s A Shadow Work Putt…

SOURCE: The Guardian at 09:36AM
Thursday, March 13, 2025

Trisha Brown Dance Company & Noé Soulier review – perfect poses and brilliant bounce by Lyndsey Winship

Sadler’s Wells, LondonPairing Brown’s classic Working Title with Soulier’s recent In the Fall shows off both choreographers’ highly skilled simplicity In these times of shrinking art…

SOURCE: The Guardian at 09:48AM

‘We fell in love with the ballet and with her’: why 184-year-old Giselle keeps us swooning by Lyndsey Winship

The role has inspired the world’s best ballerinas and her story is as popular as ever – whether revived, reimagined or deconstructed. Dancers explain the appeal of Giselle ‘I thought I…

SOURCE: The Guardian at 02:12AM
Wednesday, March 12, 2025

Keep dancing: Chanel DaSilva on taking risks, dealing with grief and tackling Trump by Lyndsey Winship

As she brings A Shadow Work to the UK, the New York choreographer talks about therapy, ‘pulling up women with me’ and art-led activism Chanel DaSilva has always been a dancer. “I felt …

SOURCE: The Guardian at 08:54AM
Monday, March 10, 2025

Inside Giovanni’s Room review – pulsing dance retelling of James Baldwin novel by Lyndsey Winship

Leeds PlayhousePhoenix Dance Theatre’s artistic director Marcus Jarrell Willis brings an urgency and groove to a tale of hunger, tenderness and sexual identity In the centre of a minimal s…

SOURCE: The Guardian at 05:32AM
Friday, March 7, 2025

Osipova/Linbury review – superstar ballerina reckons with the icons of dance by Lyndsey Winship

Linbury theatre, Royal Opera House, LondonNatalia Osipova steps into Martha Graham and Isadora Duncan’s shoes in a mischievous triple bill which also acts as a statement of intent Dancers …

SOURCE: The Guardian at 08:32PM
Sunday, March 2, 2025

Mythili Prakash: She’s Auspicious review – a paean to girl power by Lyndsey Winship

Sadler’s Wells East, LondonIndian-American dancer Prakash dismantles the myth of a female goddess granted power by men As a child, Mythili Prakash was always puzzled by the myth around the…

SOURCE: The Guardian at 08:54AM
Friday, February 28, 2025

Revered in Riyadh but nixed in New York: how The Little Prince (almost) conquered the world by Lyndsey Winship

The beloved tale got Turks applauding and Saudis cheering. How will it be received in Britain? We meet the team behind a high-flying, dance-circus rejig After the Bible, The Little Prince is…

SOURCE: The Guardian at 11:12AM

Deepstaria review – Wayne McGregor’s otherworldly creatures beguile by Lyndsey Winship

Sadler’s Wells, LondonWith quiet choreography and a focus on solos and duos, there is some incredibly tender movement in a captivating show that gives a sense of rippling through water The…

SOURCE: The Guardian at 07:54AM
Wednesday, February 26, 2025

DeNada Dance Theatre: Mariposa review – Madame Butterfly metamorphosed by Lyndsey Winship

The Place, LondonCarlos Pons Guerra turns Puccini’s tragedy into the story of a Cuban sex worker who completely transforms himself to win the love of a sailor This reimagining of Madame Bu…

SOURCE: The Guardian at 12:06PM
Friday, February 21, 2025

Birdboy review – moments of spark in dark, chilly redemption story by Lyndsey Winship

Sadler’s Wells East, LondonThere is a cartoonishness at play, but a coldness too, in this shadowy tribute to the ‘weirdo’ outsider Birdboy is billed as a show for audiences aged from s…

SOURCE: The Guardian at 06:48AM
Thursday, February 20, 2025

Figures in Extinction review – life, death and a heartfelt plea for Earth’s creatures, humans included by Lyndsey Winship

Aviva Studios, ManchesterCrystal Pite and Simon McBurney’s three-act dance work on the state of the world turns the stage into a living thing and morphs between sorrow, humour, fear and re…

SOURCE: The Guardian at 08:54AM