All stories by Aleks.sierz on BroadwayStars

Thursday, October 23, 2025

Little Brother, Soho Theatre review – light, bright but emotionally true by Aleks.sierz

This Verity Bargate Award-winning dramedy is both entertaining as well as thought provoking Niall is unwell. Very unwell. Very, very. There’s a lot going on in his head. He can’t really…

SOURCE: The Arts Desk at 12:18PM
Thursday, October 16, 2025

Ragdoll, Jermyn Street Theatre review – compelling and emotionally truthful by Aleks.sierz

Katherine Moar returns with a Patty Hearst-inspired follow up to her debut hit Farm Hall Oh yes, I actually do remember Patty Hearst. She was the American publishing magnate William Randolp…

SOURCE: The Arts Desk at 10:54AM
Thursday, October 2, 2025

The Importance of Being Earnest, Noël Coward Theatre review - dazzling and delightful queer fest by Aleks.sierz

West End transfer of National Theatre hit extravaganza stars Stephen Fry and Olly Alexander Star casting has, since the pandemic, done much to restore the fortunes of commercial theatre. An…

SOURCE: The Arts Desk at 05:54AM
Thursday, September 25, 2025

Entertaining Mr Sloane, Young Vic review – funny, flawed but welcome nonetheless by Aleks.sierz

Lively star-led revival of Joe Orton’s 1964 debut is fun, but raises uncomfortable questions Playwright Joe Orton was a merry prankster. His main work — such as Loot (1965) and What the…

SOURCE: The Arts Desk at 01:02PM
Thursday, September 18, 2025

Romans: A Novel, Almeida Theatre review – a uniquely extraordinary work by Aleks.sierz

Alice Birch’s latest is a wildly epic family drama that is both mind-blowing and exasperating OMG! I mean OMG doubled!! This is amazing! Or is it? Can Alice Birch’s Romans: A Novel at …

SOURCE: The Arts Desk at 02:48PM
Thursday, September 11, 2025

Cow | Deer, Royal Court review – paradox-rich account of non-human life by Aleks.sierz

Experimental work about nature led by Katie Mitchell is both extraordinary and banal I love irony. Especially beautiful irony. So I’m very excited about the ironic gesture of staging a sh…

SOURCE: The Arts Desk at 11:02AM
Friday, September 5, 2025

Deaf Republic, Royal Court review - beautiful images, shame about the words by Aleks.sierz

Staging of Ukrainian-American Ilya Kaminsky’s anti-war poems is too meta-theatrical The Ukraine war is not the only place of horror in the world, but it does present a challenge to theatr…

SOURCE: The Arts Desk at 02:02PM
Wednesday, September 3, 2025

The Pitchfork Disney, King's Head Theatre review - blazing with dark energy by Aleks.sierz

Thrilling revival of Philip Ridley’s cult classic confirms its legendary status Ever wondered if there was one moment when in-yer-face theatre started? Well, yes there was; there was one …

SOURCE: The Arts Desk at 12:06PM
Wednesday, August 27, 2025

Juniper Blood, Donmar Warehouse review - where ideas and ideals rule the roost by Aleks.sierz

Mike Bartlett’s new state-of-the-agricultural-nation play is beautifully performed Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the stat…

SOURCE: The Arts Desk at 01:36PM
Sunday, July 27, 2025

Inter Alia, National Theatre review – dazzling performance, questionable writing by Aleks.sierz

Suzie Miller’s follow up to her massive hit Prima Facie stars Rosamund Pike Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble�…

SOURCE: The Arts Desk at 12:06PM
Sunday, July 20, 2025

The Estate, National Theatre review – hugely entertaining, but also unconvincing by Aleks.sierz

Comedy debut stars Adeel Akhtar, but is an awkward mix of the personal and the political The first rule for brown people, says the main character – played by BAFTA-winner Adeel Akhtar –…

SOURCE: The Arts Desk at 10:54AM
Tuesday, July 8, 2025

Run Sister Run, Arcola Theatre review - emphatic emotions, overwrought production by Aleks.sierz

Chloë Moss’s latest play about the different lives of two sisters is deeply felt Near the start of Chloë Moss’s latest play, Run Sister Run, one character tells his wife to “Calm yo…

SOURCE: The Arts Desk at 05:18PM
Friday, June 20, 2025

4.48 Psychosis, Royal Court review – powerful but déjà vu by Aleks.sierz

Sarah Kane’s exceptionally groundbreaking play gets a nostalgic anniversary reboot Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it…

SOURCE: The Arts Desk at 08:42AM
Sunday, June 8, 2025

Miss Myrtle’s Garden, Bush Theatre review – flowering talent, but needs weeding by Aleks.sierz

New play about loss, love, grief and gardening is humane, but flawed   The Bush Theatre is becoming a garden centre. Earlier this year, the venue staged Coral Wylie’s Lavender, Hyacint…

SOURCE: The Arts Desk at 11:42AM
Wednesday, April 23, 2025

Personal Values, Hampstead Theatre review – deep grief that’s too brief by Aleks.sierz

New play about two sisters, death and hoarding is well written, but feels incomplete “They fuck you up your Mum and Dad; they may not mean to, but they do.” These lines from Philip Lar…

SOURCE: The Arts Desk at 01:03PM
Tuesday, April 15, 2025

All the Happy Things, Soho Theatre review - deep feelings, but little drama by Aleks.sierz

New play about a sibling’s death is well imagined and deeply felt, but a bit slender The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that…

SOURCE: The Arts Desk at 01:12PM
Sunday, April 13, 2025

Manhunt, Royal Court review – terrifyingly toxic masculinity by Aleks.sierz

After his Olivier Award win for Oedipus, Robert Icke turns to a modern “monster” Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court ar…

SOURCE: The Arts Desk at 10:54AM
Friday, April 4, 2025

Rhinoceros, Almeida Theatre review – joyously absurd and absurdly joyful by Aleks.sierz

Ionesco classic gets an entertainingly vivid and contemporary update Is the theatre of the absurd dead? In today’s world, when cruel and crazy events happen almost daily, the idea that yo…

SOURCE: The Arts Desk at 02:06PM
Tuesday, April 1, 2025

Apex Predator, Hampstead Theatre review – poor writing turns horror into silliness by Aleks.sierz

New play about motherhood and vampirism is disappointingly incoherent Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and …

SOURCE: The Arts Desk at 01:36PM
Thursday, March 27, 2025

Playhouse Creatures, Orange Tree Theatre review – jokes, shiny costumes and quarrels, but little drama by Aleks.sierz

April De Angelis’s 1993 play is a delightful if sketchy account of Restoration female actors Creatives — or creatures? In the 1660s, women — having been banned from working as actors …

SOURCE: The Arts Desk at 01:06PM
Wednesday, March 12, 2025

The Habits, Hampstead Theatre review - who knows what adventures await? by Aleks.sierz

New play about the game of Dungeons & Dragons explores fact and fantasy “The exercise of fantasy is to imagine other ways of life,” says one of the role-players during a Dungeons &a…

SOURCE: The Arts Desk at 12:06PM
Sunday, March 2, 2025

Alterations, National Theatre review – high emotional costs of ambition by Aleks.sierz

The Guyanese migrant experience of 1970s London gets the big-stage treatment Plays about the Windrush Generation are no longer a rarity, but it’s still unusual for revivals of black Briti…

SOURCE: The Arts Desk at 11:12AM
Thursday, February 27, 2025

A Knock on the Roof, Royal Court review - poignant account of living under terror by Aleks.sierz

Gaza play is both surreally humorous and finally devastating The war in Gaza has been going since 7 October 2023 — that’s about 15 months. But it’s strangely absent from British stage…

SOURCE: The Arts Desk at 12:12PM
Tuesday, February 18, 2025

East Is South, Hampstead Theatre review – bewildering and unconvincing by Aleks.sierz

House of Cards writer tackles AI and religion, but without the necessary clarity Our humanity is defined not only by our use of language, but also by our sense of the spiritual. Whether you…

SOURCE: The Arts Desk at 12:06PM
Sunday, February 16, 2025

Unicorn, Garrick Theatre review - wordy and emotionless desire by Aleks.sierz

New West End drama about spicing up marriage is oddly lacking in passion Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and h…

SOURCE: The Arts Desk at 02:18PM
Friday, February 14, 2025

More Life, Royal Court review – posthuman tragedy fails to come alive by Aleks.sierz

A new sci-fi gothic horror about life after death is intriguing, but flawed I always advocate in favour of more sci-fi plays, and over the past decade there have been a gratifying number of …

SOURCE: The Arts Desk at 03:18PM
Thursday, February 13, 2025

Churchill in Moscow, Orange Tree Theatre review – thought-provoking language and power games by Aleks.sierz

Howard Brenton’s new play about Winston and Stalin is both intelligent and fun Playwrights who work for decades often acquire a moniker. In the case of Howard Brenton, who began his caree…

SOURCE: The Arts Desk at 07:36AM
Tuesday, February 4, 2025

… Blackbird Hour, Bush Theatre review - an unrelentingly tough watch by Aleks.sierz

New play about mental breakdown is a mix of acute distress and poetic writing In a world tainted with racism and homophobia, the Bush theatre is something of a refuge from prejudice. As one …

SOURCE: The Arts Desk at 12:54PM
Sunday, January 19, 2025

A Good House, Royal Court review – provocative, but imperfect by Aleks.sierz

South African satire about racism, sexism, home ownership and community politics Most Brits don’t know much about South Africa today, but we do know about house values, so this new comedy…

SOURCE: The Arts Desk at 02:06PM
Tuesday, December 17, 2024

The Invention of Love, Hampstead Theatre review – beautiful wit, awkward staging by Aleks.sierz

Tom Stoppard’s classic evocation of Victorian golden age Oxford stars Simon Russell Beale Can men really love each other — without sex? Or, to put it another way, how many different form…

SOURCE: The Arts Desk at 02:02PM
Friday, December 13, 2024

The Legends of Them, Royal Court review – reaching out for serenity by Aleks.sierz

Gig theatre piece about the pain and redemption of a pioneer reggae artist I live in Brixton, south London. To get to the tube, I have to cross Windrush Square. Since 2021, I go past the Ch…

SOURCE: The Arts Desk at 12:36PM

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