All stories by Alexis Soloski on BroadwayStars

Tuesday, January 7, 2020

On TV’s New Musicals, Every Episode Is Opening Night by Alexis Soloski

Television is in love with musical shows, with “Zoey’s Extraordinary Playlist” and “Katy Keene” joining the growing chorus this winter. But they’re not easy to pull off.

SOURCE: The New York Times Subscription at 09:18PM
Thursday, January 2, 2020

A Séance Relies on Illusion. So Does Theater. by Alexis Soloski

E.S.P. Conjuring the dead. Speaking with them. Shows like “The Thin Place” and “Our Dear Dead Drug Lord” use the occult to put on a show.

SOURCE: The New York Times Subscription at 05:18PM

17 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 05:18PM

Broadway in 2020: big stars, big revivals and that Michael Jackson musical by Alexis Soloski

After another smash hit year at the box office, the next 12 months promises more of the same ... with added controversy The lights are bright on Broadway. Blinding even. With 35 plays and mu…

SOURCE: The Guardian at 12:03PM
Wednesday, January 1, 2020

Simon Stone Faced the Unthinkable. He Thinks You Should Too. by Alexis Soloski

After a family tragedy, the Australian director found a home in the theater, creating harrowing updates of classics. His latest: “Medea” at the Brooklyn Academy of Music.

SOURCE: The New York Times Subscription at 10:48AM
Thursday, December 19, 2019

4 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 06:48PM
Wednesday, December 18, 2019

Review: ‘The Sorceress’ Casts a Charming Spell in Yiddish by Alexis Soloski

Now playing at the Museum of Jewish Heritage, the 19th-century operetta is a fairy tale confection you can feel right down to your kishkes.

SOURCE: The New York Times Subscription at 01:54PM

The Show Must Go On, and On, and On by Alexis Soloski

Forget the finale. After the curtain call now comes the megamix, the last dance, the group hymn — whatever it takes to turn an entertainment into an event.

SOURCE: The New York Times Subscription at 05:12AM
Tuesday, December 17, 2019

Sing Street review – hit film heads to the stage with something missing by Alexis Soloski

New York Theatre Workshop, New York An adaptation of the 2016 comedy is charming and well-performed but so slight that it fades from the memory fast I left Sing Street, the new musical from …

SOURCE: The Guardian at 05:33AM
Sunday, December 15, 2019

Review: ‘London Assurance’ Minds Its Manners by Alexis Soloski

A 19th-century comedy from Dion Boucicault, at the Irish Repertory Theater, showcases some delicious characters in an imperfect vehicle.

SOURCE: The New York Times Subscription at 11:42PM
Thursday, December 12, 2019

Four Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 06:18PM

‘One November Yankee’ Review: TV Stars on a Bumpy Flight by Alexis Soloski

Harry Hamlin and Stefanie Powers bring a measure of glamour to a patchy two-hander about three sibling pairs and one downed airplane.

SOURCE: The New York Times Subscription at 01:18PM
Wednesday, December 11, 2019

Reeve Carney’s Week: Pedal Boards and Peloton Ads by Alexis Soloski

The star of “Hadestown” shares what he watched, read and listened to last weekend.

SOURCE: The New York Times Subscription at 10:36AM
Tuesday, December 10, 2019

Review: In ‘42 FT,’ a Circus Shrunk to Fit by Alexis Soloski

At the new Cirque Mechanics show, the revolving ring, rotating ladders and spinning swings might not thrill, but the performers do.

SOURCE: The New York Times Subscription at 03:48PM
Sunday, December 8, 2019

‘Keep’ Review: Daniel Kitson Takes Inventory by Alexis Soloski

An excursion into the Theater of Lists at St. Ann’s Warehouse proves to be both original and exasperating.

SOURCE: The New York Times Subscription at 10:36PM
Friday, December 6, 2019

Holiday Magic: Fooled and Fooled and Fooled Again by Alexis Soloski

In its sixth year on Broadway, “The Illusionists” serves up familiar routines, but two smaller shows deliver egghead charm and brainy sleight-of-hand.

SOURCE: The New York Times Subscription at 01:48PM

Jagged Little Pill review – Alanis musical hits Broadway with a bang by Alexis Soloski

Broadhurst Theatre, New York Oscar-winning screenwriter Diablo Cody has brought Alanis Morissette’s music to the stage with a contrived yet hugely entertaining show When Alanis Morissette …

SOURCE: The Guardian at 05:03AM
Wednesday, December 4, 2019

Broadway in 2019: a flashy, fractured year of confused highs and lows by Alexis Soloski

There were big musicals, thoughtful political statements and big star disappointments in a disordered year of theater Broadway went to Paris this year. And to New Haven, north London, the Gu…

SOURCE: The Guardian at 01:54PM
Tuesday, December 3, 2019

Best Theater of 2019 by Ben Brantley, Jesse Green, Laura Collins-Hughes, Alexis Soloski and Elisabeth Vincentelli

Shows that defied categorization offered a stark choice: Escape an angry world, or face up to its travails. Beyond Broadway, writers explored race, inequality and addiction.

SOURCE: The New York Times Subscription at 05:18AM
Wednesday, November 27, 2019

Samuel D. Hunter’s Own Private Idaho by Alexis Soloski

The playwright left his home state 20 years ago. While rehearsing his new play, “Greater Clements,” he drove through the lonesome landscapes that still inspire his work.

SOURCE: The New York Times Subscription at 11:24AM
Thursday, November 21, 2019

A Christmas Carol review – Dickens on Broadway is a festive tearjerker by Alexis Soloski

Lyceum Theatre, New York Jack Thorne’s Broadway transfer of the Christmas classic is sentimental but moving and boasts a host of surprises Charles Dickens’s A Christmas Carol has always …

SOURCE: The Guardian at 05:42AM
Tuesday, November 19, 2019

Review: In ‘Love in Hate Nation,’ the Revolution Will Not Be Scrutinized by Alexis Soloski

Joe Iconis’s new musical celebrates women’s prison flicks and girl group harmonies. But his teen rebels could use a cause.

SOURCE: The New York Times Subscription at 10:48AM
Tuesday, November 12, 2019

Get Ready for the Masterwork No One Has Seen by Alexis Soloski

“Fefu and Her Friends,” perhaps the finest work of the Cuban-American director and playwright María Irene Fornés, is finally getting a New York revival.

SOURCE: The New York Times Subscription at 12:36PM
Friday, November 8, 2019

Cyrano review – Peter Dinklage sings through patchy musical update by Alexis Soloski

Daryl Roth Theatre, New York A new take on the romantic comedy boasts music from the National and a stellar turn from Glee’s Blake Jenner but there are stumbles throughout Before Peter Din…

SOURCE: The Guardian at 11:06AM
Monday, November 4, 2019

Review: The Big Apple Circus Still Delivers by Alexis Soloski

Sure, there’s some awkward innuendo. But that doesn’t spoil the annual thrill of seeing a troupe so effortlessly diverse, international and adept.

SOURCE: The New York Times Subscription at 03:06PM
Friday, November 1, 2019

Review: ‘A Woman of the World’ Dwells in Possibility by Alexis Soloski

Rebecca Gilman’s one-woman show stars Kathleen Chalfant as Mabel Loomis Todd, who burnished herself with Emily Dickinson’s celebrity.

SOURCE: The New York Times Subscription at 01:36PM
Wednesday, October 30, 2019

Review: In ‘Monsoon Season,’ a Marital Squall Turns Ugly by Alexis Soloski

Bad things happen to bad people in Lizzie Vieh’s comedy, set in Arizona, about a couple who break up, crack up and make up.

SOURCE: The New York Times Subscription at 04:18PM
Thursday, October 24, 2019

‘What If They Went to Moscow?’ Review: Chekhov, Sliced and Spliced by Alexis Soloski

Christiane Jatahy’s surgical adaptation of “Three Sisters” takes the audience from stage to screen.

SOURCE: The New York Times Subscription at 08:18PM
Wednesday, October 23, 2019

Think He’s a Jerk? Then He’s Doing His Job by Alexis Soloski

As the self-involved, self-lacerating womanizer in the play “Linda Vista,” Ian Barford aims to offer the audience just enough reasons not to give up on him.

SOURCE: The New York Times Subscription at 02:48PM
Monday, October 21, 2019

American Utopia review: David Byrne starts making sense by Alexis Soloski

Hudson Theatre, New York The country is far from perfect, a Broadway audience will not chant the names of black Americans killed by police. The singer presses on More than a concert and less…

SOURCE: The Guardian at 02:36AM
Friday, October 18, 2019

Little Shop of Horrors review – gory musical blooms again off-Broadway by Alexis Soloski

Westside Theatre, New York Killer performances from Jonathan Groff and Tammy Blanchard bring a revival of the 1982 tale of a bloodthirsty plant to vibrant life The musical comedy our climate…

SOURCE: The Guardian at 05:54AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre