All stories by Ben Brantley on BroadwayStars

Thursday, October 22, 2015

Review: In ‘First Daughter Suite’: Unelected but Still Under a Microscope by Ben Brantley

This musical, at the Public Theater, looks at the younger inhabitants of the White House.

SOURCE: The New York Times Subscription at 12:25AM
Tuesday, October 20, 2015

Review: ‘Ripcord,’ a Comic Tale of Adversaries by Ben Brantley

Two women of opposing temperaments share a room in a retirement home, in David Lindsay-Abaire’s play, from the Manhattan Theater Club.

SOURCE: The New York Times Subscription at 10:33PM
Sunday, October 18, 2015

Review: ‘Underneath,’ an Embrace of Irish Ghosts by Ben Brantley

This solo performance piece by Pat Kinevane at the Irish Arts Center has a freshly risen corpse as its narrator, and she has a story to tell.

SOURCE: The New York Times Subscription at 10:25PM
Thursday, October 15, 2015

Review: ‘Travels With My Aunt’ Taps Into a Hidden Sense of Adventure by Ben Brantley

The Keen Company’s revival, a stage adaptation of Graham Greene’s frolicsome 1969 novel, is on Theater Row.

SOURCE: The New York Times Subscription at 10:37PM
Wednesday, October 14, 2015

Banned in Belarus, but the Shows Go On by Ben Brantley

A critic’s journey into the politically charged world and productions of the Belarus Free Theater.

SOURCE: The New York Times Subscription at 03:49PM

‘First Daughter Suite,’ at the Public Theater, Shows Young Girls in a Fishbowl by Ben Brantley

The show explores life in the White House for the likes of Amy Carter, Tricia and Julie Nixon, and Susan Ford.

SOURCE: The New York Times Subscription at 03:49PM
Sunday, October 11, 2015

Review: In Miranda July’s ‘New Society,’ the Audience Makes the Show by Ben Brantley

Ms. July, a self-conscious practitioner of self-consciousness, has an improbable gift for turning the initially irritating into the charming.

SOURCE: The New York Times Subscription at 04:09PM
Friday, October 9, 2015

Review: ‘Fool for Love,’ a Kinship That Breaks Hearts and Knuckles by Ben Brantley

Nina Arianda and Sam Rockwell tear up the scenery (and each other) in Daniel Aukin’s definitive revival of Sam Shepard’s drama.

SOURCE: The New York Times Subscription at 12:24AM
Wednesday, October 7, 2015

Review: In ‘Sisters’ Follies,’ Basil Twist Conjures Two Avant-Garde 1915 Benefactors by Ben Brantley

Starring Julie Atlas Muz and Joey Arias, this spooky production blends surreal projections, hoisting harnesses and puppets to depict the 1915 founders of the Abrons Arts Center’s playhouse.

SOURCE: The New York Times Subscription at 11:39PM
Tuesday, October 6, 2015

Review: ‘Old Times,’ Where the Past Is a Dangerous Place by Ben Brantley

This Harold Pinter revival is not an “Old Times” for purists, but it has its pleasures.

SOURCE: The New York Times Subscription at 11:07PM
Monday, October 5, 2015

Review: ‘Cloud Nine,’ a Comedy of Fluid and Complicated Couplings by Ben Brantley

This Atlantic Theater Company revival of Caryl Churchill’s play is set in the Victorian age (for its first act) and in 1979 (for its second).

SOURCE: The New York Times Subscription at 10:22PM
Friday, October 2, 2015

An Appraisal: Recalling the Eloquent Loneliness of the Playwright Brian Friel by Ben Brantley

Discussing Mr. Friel’s work, Ben Brantley reflects on the elusiveness of great art and the pain of the artist who creates it.

SOURCE: The New York Times Subscription at 02:13PM
Wednesday, September 30, 2015

Debating ‘Otello,’ Blackface and Casting Trends by Ben Brantley and Anthony Tommasini

Ben Brantley and Anthony Tommasini weigh in on the debate set off by the Metropolitan Opera’s decision to forgo darkening makeup in its latest production.

SOURCE: The New York Times Subscription at 06:04PM
Monday, September 28, 2015

Review: ‘Fondly, Collette Richland’ Offers Open-Eyed Dreaming by Ben Brantley

Elevator Repair Service takes on a script that appears to pose seemingly insurmountable difficulties for a stage director.

SOURCE: The New York Times Subscription at 10:27PM

Review: Revisiting Gertrude Stein’s Writings in ‘Reread Another’ by Ben Brantley

Hearing words in a new way is part of the experience of “Reread Another,” a 1921 avant-garde play by Gertrude Stein.

SOURCE: The New York Times Subscription at 10:27PM
Sunday, September 27, 2015

Review: In ‘Antigone’ at BAM, Agony and Despair in Inexorable Motion by Ben Brantley

Ivo van Hove’s doom-steeped production stars Juliette Binoche as the fatally rebellious daughter of the house of Oedipus.

SOURCE: The New York Times Subscription at 10:34PM
Thursday, September 24, 2015

Review: At Hartford Stage, Expectations of Love and the Weight of Memory by Ben Brantley

Two people who almost had an affair 20 years ago have another chance in Christopher Shinn’s “An Opening in Time” at Hartford Stage.

SOURCE: The New York Times Subscription at 10:22PM
Monday, September 21, 2015

Review: Thomas Bradshaw’s ‘Fulfillment,’ on One Man’s Ceiling, and His Frustrations by Ben Brantley

This deadpan drama by the shock artist Thomas Bradshaw is more of a slice-of-life narrative than his previous ventures into new frontiers of outrage.

SOURCE: The New York Times Subscription at 10:55PM
Sunday, September 20, 2015

Theater Review: Review: ‘A Midsummer Night’s Dream’ Tailored for Multitaskers by Ben Brantley

A cast of five plays all the roles in Shakespeare’s uproarious comedy of romantic confusions.

SOURCE: The New York Times Subscription at 10:36PM
Friday, September 18, 2015

Theater Week Ahead: ‘Daddy Long Legs’ at the Davenport by Ben Brantley

Megan McGinnis and Paul Alexander Nolan star in a musical about pen pals from Jean Webster’s 1912 novel best known as a 1955 movie with Leslie Caron and Fred Astaire.

SOURCE: The New York Times Subscription at 11:30AM
Thursday, September 17, 2015

Review: A Modern Makeover for ‘Iphigenia in Aulis’ by Ben Brantley

A humorously made-over Greek chorus is one of the twists in Anne Washburn and Rachel Chavkin’s version of Euripides’ play.

SOURCE: The New York Times Subscription at 10:50PM
Wednesday, September 16, 2015

ArtsBeat: London Theater Journal: Getting Giddy by Ben Brantley

Ben Brantley reviews “The Beaux’ Stratagem” at the National Theater.

SOURCE: The New York Times Subscription at 12:36PM
Monday, September 14, 2015

Review: In ‘Photograph 51,’ Nicole Kidman Is a Steely DNA Scientist by Ben Brantley

Playing Rosalind Franklin, a lone woman among male researchers in London, Ms. Kidman projects relentless determination.

SOURCE: The New York Times Subscription at 06:15PM

ArtsBeat: London Theater Journal: The Greeks All Over Again by Ben Brantley

Ben Brantley on two versions of “The Oresteia,” part of the current fashion for Greek tragedy on London and New York Stages.

SOURCE: The New York Times Subscription at 12:57PM
Friday, September 11, 2015

ArtsBeat: London Theater Journal: Nowhere Man by Ben Brantley

Ben Brantley on two plays by Simon Stephens: “Song from Far Away” and “One Minute.”

SOURCE: The New York Times Subscription at 08:10PM
Thursday, September 10, 2015

Review: Richard Maxwell’s ‘Isolde’ Returns With Starry Eyes by Ben Brantley

This romantic love triangle, which played at the Abrons Arts Center, is now playing in Brooklyn.

SOURCE: The New York Times Subscription at 10:26PM

Ben Brantley on Learning to Embrace Broadway Revivals by Ben Brantley

So many plays and musicals are being revived so soon after their previous runs that it’s best to appreciate the opportunity rather than curse the production.

SOURCE: The New York Times Subscription at 11:22AM
Monday, September 7, 2015

ArtsBeat: London Theater Journal: Firebrands by Ben Brantley

Ben Brantley reviews “The Heresy of Love” and “Jacqueline Wilson’s Hetty Feather.”

SOURCE: The New York Times Subscription at 03:58PM
Friday, September 4, 2015

London Theater Journal: A Scorching Momma Rose by Ben Brantley

A review of Imelda Staunton in "Gypsy."

SOURCE: The New York Times Subscription at 09:19AM
Wednesday, September 2, 2015

ArtsBeat: London Theater Journal: Rehab and Resistance by Ben Brantley

A review of Duncan Macmillan’s new play “People, Places and Things.”

SOURCE: The New York Times Subscription at 04:03PM
Monday, August 31, 2015

ArtsBeat: London Theater Journal: Discipline, Punish and Put on a Play by Ben Brantley

Timberlake Wertenbaker’s “Our Country’s Good” has been given a big, handsome and somewhat literal-minded revival at the National Theater.

SOURCE: The New York Times Subscription at 03:07PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre