Regina Taylor’s ‘Crowns,’ at Princeton’s McCarter Theatre Center, gives voice to the special relationship between black women and their hats. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 04:33PMBryony Lavery’s ‘Frozen,' from Isis Productions, fails to explore the fetishization of forgiveness. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 02:23PMLeonard Bernstein’s ‘A Quiet Place,’ warts and all, gets a thoughtful treatment from Curtis Opera Theatre and Opera Philadelphia. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 10:10AM'Aipotu,' the second installment of John Guare’s ‘Lydie Breeze’ trilogy, at EgoPo Classic Theater, deconstructs the utopian myth. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 02:26PMLydia R. Diamond's adaptation of ‘The Bluest Eye’ at Arden Theatre Company, fails to capture the wrenching power of Toni Morrison’s landmark novel. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 03:45PMDespite a stylish production from Curio Theatre Company, David Adjmi's ‘Marie Antoinette’ offers little insight on the complicated monarch. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 06:56PMBroadway Philadelphia brings the national tour of ‘Waitress’ to Philadelphia. It serves up a pile of sugar, but needs a pinch of salt. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 09:04AMOpera Philadelphia’s local premiere of ‘Written on Skin’ offers a fresh spin on a contemporary masterpiece. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 03:43PMDelaware Theatre Company’s regional premiere of Simon Stephens’s ‘Heisenberg’ disrupts our rom-com expectations of meeting cute. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 01:58PMOn their way to Carnegie Hall, pianist Daniil Trifonov and baritone Matthias Goerne make beautiful, intense music at Princeton’s McCarter Theatre Center. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 05:38PMQuintessence Theatre Group’s fresh, invigorating ‘Waiting for Godot’ foregrounds the humanity and heart of Samuel Beckett’s tramps. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 05:03PMEgoPo Classic Theater’s premiere of John Guare’s ‘Lydie Breeze’ trilogy gets off to an arresting and maddening start with 'Cold Harbor.' Cameron Kelsall reviews.
SOURCE: Broad Street Review at 12:48PMBristol Riverside Theatre chronicles the war at home in Donald Margulies’s ‘Time Stands Still.' Cameron Kelsall reviews.
SOURCE: Broad Street Review at 11:22AMWalnut Street Theatre’s production of Stephen Karam's ‘The Humans’ gets clogged up in kitchen sink realism. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 10:10PMMcCarter Theatre Center’s ‘Stones in His Pockets’ has charm, but often reinforces the stereotypes it tries to subvert. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 06:33PMMichael Frayn’s acclaimed ‘Copenhagen’ shows its age in Lantern Theater Company’s 10th anniversary production. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 12:23PMWalnut Street Theatre’s lively production occasionally lifts ‘Baskerville,' Ken Ludwig’s leaden Arthur Conan Doyle adaptation. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 02:55PMCameron Kelsall didn't plan to write a 2017 Best-of theater list, but considering the proliferation of excellent new work by local playwrights, he couldn't help himself.
SOURCE: Broad Street Review at 07:44PMBroadway powerhouses Marin Mazzie and Jason Danieley bring their intimate cabaret to Princeton’s McCarter Theatre. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 04:32PMAs black women in the United States reclaim their time and refuse to be silenced, ‘The Color Purple’ feels more relevant than ever. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 02:27PMSeveral strong performances cannot overcome City Theater Company’s muddled interpretation of ‘Sunday in the Park with George.' Cameron Kelsall reviews.
SOURCE: Broad Street Review at 07:30PMCurio Theatre Company presents an astonishingly fresh take on Beth Henley’s ‘Crimes of the Heart.' Cameron Kelsall reviews.
SOURCE: Broad Street Review at 06:46PMCurtis Opera Theatre offers a chilly take on Tchaikovsky’s ‘Eugene Onegin.' Cameron Kelsall reviews.
SOURCE: Broad Street Review at 08:27PMBruce Graham uses ‘The Craftsman’ to confront his critics, but the result is more screed than storytelling. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 07:06PMHammonton, New Jersey's Eagle Theatre revises ‘The Fantasticks,’ with diminishing returns. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 02:59PMCameron Kelsall reviews Theresa Rebeck’s trenchant workplace comedy. The post Review: What We’re Up Against at WP Theater (McGinn/Cazale) appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 12:03AMBristol Riverside Theatre's production of Ronald Harwood’s classical music comedy ‘Quartet’ plays painfully out of tune. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 01:31PMFederico García Lorca becomes an afterthought in the Wilma’s unfocused ‘Blood Wedding.' Cameron Kelsall reviews.
SOURCE: Broad Street Review at 12:45PMRipe Time’s convoluted take on Haruki Murakami's short story 'Sleep' shows the perils of adaptation. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 05:04PMAct II Playhouse’s revival of Michael Hollinger's ‘Red Herring’ will win you over hook, line, and sinker. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 03:32PMCameron Kelsall reviews Zoe Kazan's futuristic domestic drama. The post Review: After the Blast at Claire Tow Theater at Lincoln Center appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:03PM
