Tuesday, May 29, 2018
Tuesday, May 22, 2018
Marina Carr’s blistering play seems ideal for this cathartic cultural moment. Its Irish Repertory Theater production is a missed opportunity.
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The aftermath of the Fukushima disaster infiltrates the lives of a young couple in Toshiki Okada’s spare, affecting play
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Philip Dawkins’s play blends realism and campy melodrama as it envisions the fumbling beginnings of an affair between Williams and William Inge
SOURCE: The New York Times Subscription at 11:18PMAs the first black actor to play Billy Bigelow on Broadway, Mr. Henry is changing theater, while a newborn son is changing him.
SOURCE: The New York Times Subscription at 06:18AMThursday, May 3, 2018
The show had its premiere on Cape Cod two summers ago. It has been revised, but it retains its primary strengths and its fatal weaknesses.
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Monday, April 16, 2018
A conquering hero comes home in a ferociously funny, and surprisingly timely, revival of the novelist’s 1970 play.
SOURCE: The New York Times Subscription at 02:06PMSunday, April 15, 2018
Jason Grote and Marisa Michelson‘s new musical, set in modern-day New York, deconstructs the Middle Eastern folk tales of “One Thousand and One Nights.”
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First produced in 2011, this coming-of-age story about a pregnant teenager lands uncomfortably in the wake of #MeToo.
SOURCE: The New York Times Subscription at 12:17PMMonday, April 9, 2018
A solo show by Eliza Bent and directed by Knud Adams explores cultural appropriation — and how we can call it out when we see it.
SOURCE: The New York Times Subscription at 01:47PMFriday, April 6, 2018
The Bengsons are a folk-rock duo adapting their personal stories for the stage. But their new show, “The Lucky Ones,” posed a painful challenge: “Is it possible to tell the truth kindl…
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In this Primary Stages production, Sharon Washington recalls how an enchanting period in her family’s history was also tinged with pain.
SOURCE: The New York Times Subscription at 04:30PMMonday, April 2, 2018
Friday, March 30, 2018
Familiarity with Tolstoy’s novel is no prerequisite for enjoying this antic show by the Berlin-based troupe Gob Squad.
SOURCE: The New York Times Subscription at 01:55PMThe movie is beloved. But it also pits girls against girls. How, then, do you make a stage musical that satisfies fans and meets our cultural moment?
SOURCE: The New York Times Subscription at 05:00AMTuesday, March 20, 2018
Reality and identity are mutable things in “Distant Observer: Tokyo/New York Correspondence,” by Takeshi Kawamura and John Jesurun, at La MaMa.
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A boxing champ who survived an attempt on her life prepares to seek revenge in this multimedia play at Abrons Arts Center.
SOURCE: The New York Times Subscription at 02:00PMSunday, March 11, 2018
Jeremy J. Kamps’s play — a smart but overloaded riff on “The Cherry Orchard” set on a family farm — doesn’t quite hit the right accent.
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Jaclyn Backhaus and Andrew Neisler’s new play wants to be a collection of stories about fierce women. But it’s so packed with plot lines, it only partly succeeds.
SOURCE: The New York Times Subscription at 09:45PMTuesday, February 20, 2018
The play, inspired by real people and events in the decades leading up to the foundation of Israel, cuts to the role of music in creating a nation.
SOURCE: The New York Times Subscription at 09:45PMGet to know the playwright Hammaad Chaudry, the 13-year-old actress Rileigh McDonald and the actor Andrew Burnap.
SOURCE: The New York Times Subscription at 05:22PMMonday, February 19, 2018
This bio-play about the married artists Jackson Pollock and Lee Krasner is a surreal sparring match, steeped in alcohol and dripping with paint.
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A primer of the books and films to get you ready for the Broadway opening of “Harry Potter and the Cursed Child, Parts One and Two.”
SOURCE: The New York Times Subscription at 02:17PMMonday, February 12, 2018
Friday, February 9, 2018
Roslyn Ruff and Jeff Hiller bring new dimensions to plays about Betty Shabazz and a chatty wedding guest.
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From a historical drama to an updated Restoration comedy classic, Washington, D.C., theaters make a case for evening the playing field.
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This smart, troubling piece of documentary theater spends time with men cordoned off from regular society, and those who believe they can be redeemed.
SOURCE: The New York Times Subscription at 08:30PMSunday, January 28, 2018
Alexa Shae Nizak is uncannily persuasive as an adolescent girl who gets more than she bargained for in Scott Organ’s play.
SOURCE: The New York Times Subscription at 01:51PMThursday, January 25, 2018
Michael Weller resets “Liliom,” the play that inspired Rodgers and Hammerstein, in Coney Island. But the central romance remains problematic.
SOURCE: The New York Times Subscription at 09:45PMWednesday, January 24, 2018
This New York-based showcase offers the kind of experimental plays, like “Pillowtalk,” that thrive in more obscure performance spaces.
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