Wednesday, January 24, 2018
This New York-based showcase offers the kind of experimental plays, like “Pillowtalk,” that thrive in more obscure performance spaces.
SOURCE: The New York Times Subscription at 03:26PMFriday, January 19, 2018
The Mint Theater’s handsome, rough around the edges production makes a better case for this 1912 play as a curiosity than as a forgotten gem.
SOURCE: The New York Times Subscription at 12:39PMWednesday, January 17, 2018
In her new play “Sovereignty,” Mary Kathryn Nagle brings together her legal activism and her family history.
SOURCE: The New York Times Subscription at 11:13AMMonday, January 15, 2018
In this gentle, humane show by Ping Chong + Company, young New Yorkers share their real-life victories and fears.
SOURCE: The New York Times Subscription at 02:34PMSunday, January 14, 2018
Stark, intricate and often exciting, the two-character chamber opera finds a prisoner tormented by the insect in her cell.
SOURCE: The New York Times Subscription at 12:28PMWednesday, January 3, 2018
Four women have sued the company and its artistic director, Albert Schultz, accusing him of sexual misconduct and creating a “culture of fear.”
SOURCE: The New York Times Subscription at 07:20PMWednesday, December 27, 2017
The dancer Robert Fairchild’s creature has a delicate, disarming beauty in Ensemble for the Romantic Century’s ambitious but awkward production.
SOURCE: The New York Times Subscription at 10:12PMMonday, December 25, 2017
Friday, December 22, 2017
In acclaimed works like “The Children,” now on Broadway, the British writer argues for collective responsibility in the face of environmental and other challenges.
SOURCE: The New York Times Subscription at 12:18PMMonday, December 18, 2017
Sunday, December 17, 2017
The sprawling life of a New York titan is given superficial treatment — and set to rock music — in this show.
SOURCE: The New York Times Subscription at 04:04PMWednesday, December 13, 2017
Twenty-five-year-old Londoner Jamael Westman has definitely come around, now that he’s starring in Lin-Manuel Miranda’s hip-hop smash.
SOURCE: The New York Times Subscription at 12:33AMTuesday, December 5, 2017
This multimedia show, featuring the Lemon Bucket Orkestra and set during the Maidan revolution, doesn’t translate its protest anthems, which the audience is asked to join.
SOURCE: The New York Times Subscription at 10:06PMFriday, December 1, 2017
Cultural appropriation isn’t a worry for the director Ariane Mnouchkine, who, at 78, isn’t slowing down, but knows she won’t be here forever.
SOURCE: The New York Times Subscription at 04:04PMWednesday, November 15, 2017
Big Dance Theater’s animated investigation of Samuel Pepys reads like a refraction of our recent monster parade.
SOURCE: The New York Times Subscription at 03:33PMWednesday, November 8, 2017
Theresa Rebeck’s furious play looks at what happens when a young architect fights back against colleagues who don’t take her seriously.
SOURCE: The New York Times Subscription at 10:04PMThe Wales Millennium Center’s take on this dark, dreamy 1982 play, part of BAM’s Next Wave Festival, seems to prize atmospherics over narrative.
SOURCE: The New York Times Subscription at 04:04PMMonday, November 6, 2017
Mickey Rowe is thought to be the first openly autistic actor to play Christopher, a 15-year-old with autism, in “The Curious Incident of the Dog in the Night-Time.”
SOURCE: The New York Times Subscription at 11:54AMWednesday, November 1, 2017
Monday, October 23, 2017
As a Manhattan therapist, Alison Fraser may seem composed. But when she tells her story, Aaron Mark’s ghoulish monologue earns its title.
SOURCE: The New York Times Subscription at 01:48PMSunday, October 22, 2017
Tuesday, October 17, 2017
David Henry Hwang has reworked his gender-blurring, career-launching Tony-winning play to assure that it feels “resonant with the culture today.”
SOURCE: The New York Times Subscription at 02:33PMMonday, October 9, 2017
Diana Oh’s rambunctious show is more a concert with storytelling than a play, but that doesn’t make it any less heartfelt, joyous or necessary
SOURCE: The New York Times Subscription at 10:06PMAnnette O’Toole plays a mother whose daughter inexplicably falls for a boasting buffoon in this classic George Kelly comedy.
SOURCE: The New York Times Subscription at 12:33PMThursday, September 28, 2017
Seeing Sarah Ruhl’s “For Peter Pan” reminds a critic of her own father and why she turns to theater to “confront the hard stuff,” like grieving his death.
SOURCE: The New York Times Subscription at 10:42AMSunday, September 24, 2017
Bringing together wrestlers, a food cart, a cellist and a bandstand, Pig Iron Theater Company takes on catastrophe in “A Period of Animate Existence.”
SOURCE: The New York Times Subscription at 03:36PMFriday, September 22, 2017
“Macbeth Muet” is a frolic through tragedy with puppetry, while “Makbet” is a darkly gregarious production (shots included).
SOURCE: The New York Times Subscription at 10:12AMMonday, September 18, 2017
The National Black Theater production of Liza Jessie Peterson’s monologue explores the personal and societal costs of mass incarceration.
SOURCE: The New York Times Subscription at 02:42PMWednesday, September 6, 2017
Tuesday, September 5, 2017
A plantation-set adaptation of “The Cherry Orchard” and a scatological monologue are visceral reminders of theater’s power to unsettle.
SOURCE: The New York Times Subscription at 01:54PMSunday, August 27, 2017
Thomas Klingenstein’s new play about an unrequited interracial love is like watching a sepia-tinged tableau.
SOURCE: The New York Times Subscription at 10:54PM 
