All stories by Mark Fisher on BroadwayStars

Thursday, April 28, 2016

Dance of Death review – Strindberg's psychological drama in close-up by Mark Fisher

Citizens theatre, GlasgowThis claustrophobic three-hander can be electrifying but Tam Dean Burn’s erratic Captain upsets the balance of a delicately calibrated conflictThe first part of Au…

SOURCE: The Guardian at 08:46AM
Tuesday, April 26, 2016

The Iliad review – Zeus is a beach bum as Homer's gods feel the heat by Mark Fisher

Royal Lyceum, EdinburghMark Thomson’s psychologically rich production of the epic has mortals ferociously slugging it out while the gods recline in deckchairs The great thing about the Gre…

SOURCE: The Guardian at 11:43AM
Thursday, April 14, 2016

Squaddies, goblins and sex with Macbeth: 10 years of the National Theatre of Scotland by Mark Fisher

From Alan Cumming performing a solo Macbeth, to shows in pubs, airports and cars, the National Theatre of Scotland has produced some of the UK’s most daring work. As they turn 10, we pick …

SOURCE: The Guardian at 08:32AM
Friday, April 1, 2016

Little Red and the Wolf review – a feminist fairytale we'd all like to believe by Mark Fisher

Dundee RepTo defeat the Big Bad Wolf, Little Red must sets aside her lupine prejudices and befriend a sensitive wolf cub in this picture-perfect staging for the over fivesOnce we would tell …

SOURCE: The Guardian at 06:35AM
Monday, March 14, 2016

Canned Laughter review – 70s comedy trio's gleefully creaky cabaret by Mark Fisher

Adam Smith theatre, KirkcaldyAllan Stewart, Andy Gray and Grant Stott breeze through the kinds of routines that once graced the London PalladiumPlays about comedians always have a hurdle to …

SOURCE: The Guardian at 07:34AM
Monday, February 29, 2016

Blackbird review – mesmerising abuse drama offers no simple answers by Mark Fisher

Citizens, GlasgowA convicted paedophile meets his victim 15 years later in this richly ambiguous two-hander, with Paul Higgins and Camrie Palmer excellent as the tortured pairThis revival of…

SOURCE: The Guardian at 10:51AM
Sunday, February 28, 2016

The Destroyed Room review – from barbed chit-chat to apocalypse by Mark Fisher

Tron, GlasgowVanishing Point’s exploration of how we relate to images of distress – as engaged observers or callous voyeurs – is compelling and daringYou’ll have had the same convers…

SOURCE: The Guardian at 07:45AM
Wednesday, February 24, 2016

The Maids – review by Mark Fisher

Tron, GlasgowIt is a particularly sour pair of ugly sisters who primp and preen around their mistress's boudoir in this all-male staging of the Jean Genet play for the Glasgay festival. Dere…

SOURCE: The Guardian at 04:50AM
Sunday, February 21, 2016

The Crucible review – brisk and bullish, with a new centre of gravity by Mark Fisher

Royal Lyceum, EdinburghWith a skeletal set and cast positioned in tableaux, director John Dove focuses on Arthur Miller’s compelling textWhen Ron Donachie takes the stage as Deputy Governo…

SOURCE: The Guardian at 07:54AM
Tuesday, February 16, 2016

The James Plays review – triumphant trilogy holds a mirror to Scottish history by Mark Fisher

Edinburgh Festival theatreRona Munro’s day-long reimagining of 15th-century royal Scotland shows a nation determined to do things on its own terms Related: The lost kings of Scotland There…

SOURCE: The Guardian at 09:32AM
Monday, February 8, 2016

Endgame review – Coronation Street stars step into Beckett's bleak music hall by Mark Fisher

Citizens, GlasgowA cast led by Chris Gascoyne and David Neilson deliver Samuel Beckett’s apocalyptic play with nihilistic forceCould it have been intentional that Chris Gascoyne’s Clov s…

SOURCE: The Guardian at 07:51AM
Sunday, January 31, 2016

How You Gonna Live Your Dash review – a pyrotechnic study of uncertainty by Mark Fisher

Platform, GlasgowJenna Watt’s striking and poignant interaction between colourful smoke and life-changing decisions is at once gorgeous and full of jeopardyTowards the start of this entert…

SOURCE: The Guardian at 09:06AM
Saturday, January 23, 2016

Knives in Hens, Tron, Glasgow by Mark Fisher

Tron, GlasgowYou could describe the plot of Knives in Hens easily enough. You could say that David Harrower's play was about a young woman driven to kill her adulterous ploughman husband wit…

SOURCE: The Guardian at 11:15PM
Thursday, January 21, 2016

The Weir review – a welcome return to Conor McPherson's old haunt by Mark Fisher

Royal Lyceum, EdinburghAmanda Gaughan’s excellent revival highlights the loneliness of the characters gathered to tell tales in a rural pubThere’s something unsatisfying about a certain …

SOURCE: The Guardian at 05:46AM
Monday, December 21, 2015

Mark Fisher’s top 10 Scottish theatre of 2015 by Mark Fisher

Theatres in Scotland played host to the dazzling stagecraft of Robert Lepage, a striking Titus Andronicus and raucous but close-harmonising schoolgirls This summer, I was lucky to get two bi…

SOURCE: The Guardian at 02:55AM
Thursday, December 10, 2015

Tracks of the Winter Bear review – bleak midwinter for secret sweethearts by Mark Fisher

Traverse, EdinburghStephen Greenhorn and Rona Munro’s one-act companion pieces aim for a warming sense of Dickensian resolution, but are actually a bit of a downer It’s the law that ever…

SOURCE: The Guardian at 09:46AM
Tuesday, December 8, 2015

Sleeping Betty review – diamond-encrusted panto full of fancy dancing by Mark Fisher

Tron, GlasgowThis bijou romp combines a delightfully mismatched romance, lovable characters and sparkling designsNo doubt the role is still being played as it used to be in some panto or oth…

SOURCE: The Guardian at 08:19AM
Monday, December 7, 2015

Rapunzel review – half-hearted fairytale gets itself in a tangle by Mark Fisher

Citizens, GlasgowDespite strong design and spirited performances, this retelling can’t decide whether it’s a serious Christmas show or a panto with age-inappropriate jokesI enjoy King Le…

SOURCE: The Guardian at 10:16AM
Wednesday, December 2, 2015

The Little Mermaid review – laugh-a-minute panto romp makes waves by Mark Fisher

Macrobert Arts Centre, SterlingHans Christian Andersen probably wouldn’t recognise the choreography nabbed from Taylor Swift, but he’d approve of the uproarious female energy I don’t t…

SOURCE: The Guardian at 08:32AM
Monday, November 30, 2015

The Lion, the Witch and the Wardrobe review – wraps the audience up in wonder by Mark Fisher

Royal Lyceum, EdinburghAndrew Panton’s musical production treats CS Lewis’s story with absolute seriousness while seamlessly leading you into the wintry world of NarniaDo you remember th…

SOURCE: The Guardian at 07:28AM
Sunday, November 1, 2015

The Choir review – big-hearted, good humoured Christian allegory by Mark Fisher

Citizens theatre, GlasgowPaul Higgins and Ricky Ross’s musical on a theme of absolution, reconciliation and redemption is uneven but carried by its rousing expression of communal enterpris…

SOURCE: The Guardian at 09:57AM
Tuesday, October 27, 2015

The Seer, Spectrum Centre, Inverness by Mark Fisher

Spectrum Centre, InvernessThe Accidental, Ali Smith's much-lauded novel, is about the effect on a middle-class family of the mysterious Amber. Enigmatic, inconsistent and appearing out of no…

SOURCE: The Guardian at 07:34PM
Friday, October 23, 2015

The Devil's Larder review – fondue orgies and grisly poisonings by Mark Fisher

Custom House, EdinburghThis sumptuous site-responsive tour touches on food as both source of pleasure and harbinger of mortalitySome say all theatre is about sex or death. It’s certainly t…

SOURCE: The Guardian at 07:16AM
Wednesday, October 14, 2015

Ghosts review – Ibsen for the Jimmy Savile era by Mark Fisher

Tron theatre, GlasgowPlaywright Megan Barker’s reworking of Ghosts shines a light into the murky corners of outwardly respectable lives – and it’s unsettling stuff Related: Hedda Gable…

SOURCE: The Guardian at 10:31AM
Tuesday, October 13, 2015

Stories for the Starlit Sky review – Daniel Kitson wins the storytelling marathon by Mark Fisher

Royal Lyceum, EdinburghWith three wobbly-hearted shows in one slow-burning evening, ever-funny Kitson tells life stories with scruffy humanityOn the Lyceum stage not long ago, three actors l…

SOURCE: The Guardian at 08:34AM
Wednesday, September 23, 2015

Waiting for Godot review – Cox and Paterson make electrifyingly idle tramps by Mark Fisher

Royal Lyceum, EdinburghAs Samuel Beckett’s pair of dusty gents, Brian Cox and Bill Paterson bounce off each other with gleeful animation in a full-blooded ensemble productionSomething fasc…

SOURCE: The Guardian at 08:06AM
Thursday, September 17, 2015

The Waiting is over: Brian Cox and Bill Paterson on finally sharing a stage by Mark Fisher

Their paths have crossed throughout their acting careers, but Brian Cox and Bill Paterson will finally team up for the ultimate double act: Beckett’s Waiting for Godot. They discuss its ev…

SOURCE: The Guardian at 06:51AM
Monday, September 14, 2015

The Cheviot, the Stag and the Black, Black Oil review – a raucous five-star revival by Mark Fisher

Dundee RepThis update of John McGrath’s epic play is the rousing theatrical equivalent of a Proclaimers gigTold as a Brechtian ceilidh with song, poetry, scenes and sketches, John McGrath�…

SOURCE: The Guardian at 09:32AM
Thursday, September 3, 2015

All My Sons review – uninspired staging of an ever-relevant play by Mark Fisher

Theatre Royal, GlasgowDirector Michael Emans’s production fails to ignite the passion of Arthur Miller’s postwar classicEvery so often a news story breaks that reminds you of All My Sons…

SOURCE: The Guardian at 08:38AM
Wednesday, August 12, 2015

Traumas, tumours and bombs: Robert Lepage on his childhood in Quebec by Mark Fisher

From his sister’s brain tumour to his family’s cramped flat, the revered actor and director Robert Lepage has plundered his childhood to tell the story of Quebec’s often violent strugg…

SOURCE: The Guardian at 03:43AM
Sunday, July 26, 2015

Richard II review – political intrigue and rock'n'roll hedonism in a glasshouse by Mark Fisher

Glasgow Botanic GardensJennifer Dick’s streamlined production makes a persuasive case for Shakespeare’s tale of the flighty monarchYou wait 420 years for what might be the first professi…

SOURCE: The Guardian at 10:34AM

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