All stories by Mark Lawson on BroadwayStars

Friday, February 3, 2023

The Tempest review – Alex Kingston is a magnificent Prospero by Mark Lawson

Royal Shakespeare theatre, Stratford-upon-AvonClimate catastrophe and power struggles dominate Elizabeth Freestone’s RSC interpretation of Shakespeare’s play If there were prizes for inv…

SOURCE: The Guardian at 10:12AM
Friday, November 25, 2022

Arms and the Man review – Shaw’s women show their steel by Mark Lawson

Orange Tree theatre, LondonThis 1894 farce set during the Serbo-Bulgarian war is impeccably played in a production showing the playwright’s radical vision still resonates When Channel 4 be…

SOURCE: The Guardian at 04:24AM
Wednesday, November 9, 2022

A Christmas Carol review – Adrian Edmondson stars in a biting tale for our times by Mark Lawson

Royal Shakespeare theatre, Stratford-upon-AvonDavid Edgar’s sharp script feels close to home in this exuberant, illusion-filled version of Dickens’ seasonal but socially conscious story …

SOURCE: The Guardian at 02:03AM
Sunday, September 18, 2022

Stumped review – at the crease with Beckett and Pinter by Mark Lawson

Original Theatre OnlineShomit Dutta’s play imagines the two cricket-obsessed Nobel prize winners as waiting batsmen in an enjoyable spin on Waiting for Godot and The Dumb Waiter Samuel Bec…

SOURCE: The Guardian at 07:43AM
Thursday, September 15, 2022

The Clothes They Stood Up In review – Alan Bennett tale dressed to impress by Mark Lawson

Nottingham PlayhouseAdrian Scarborough stars in his own adaptation of Bennett’s story, featuring convincing new dialogue and staged with visual panache Between the stage and TV plays and j…

SOURCE: The Guardian at 10:07AM
Friday, September 2, 2022

The Narcissist review – a darkly honest dissection of post-Trump politics by Mark Lawson

Minerva, ChichesterA spin doctor’s life spirals into chaos after he’s hired by an ambitious senator in Christopher Shinn’s grimly comic drama After working on Hillary Clinton’s faile…

SOURCE: The Guardian at 07:55AM
Friday, August 12, 2022

Two Ukrainian Plays review – masterful framing of a nation’s tragedy by Mark Lawson

Finborough theatre, LondonA ghostly tale and a potent monologue form a double bill that uses the 2014 conflict to remark movingly on current events Because theatres schedule so far ahead, th…

SOURCE: The Guardian at 10:54AM
Sunday, July 3, 2022

Peter Brook: the great seeker of British theatre by Mark Lawson

The esteemed British director inspired each new generation of theatre creatives to be more daring and experimental Peter Brook, influential theatre visionary, dies aged 97 The two key Britis…

SOURCE: The Guardian at 09:48AM
Sunday, June 19, 2022

King Lear review – Kathryn Hunter’s frail, fond old ruler almost unbearably affecting by Mark Lawson

Shakespeare’s Globe, LondonBack in the role she first played in 1997, Hunter uses her extraordinary transformative powers to show us the king as a geriatric child at the head of a disinteg…

SOURCE: The Guardian at 10:18AM
Sunday, May 22, 2022

Murder on the Orient Express review – a first-class ride all the way by Mark Lawson

Chichester Festival theatreHenry Goodman gives us every inch of Hercule Poirot’s dandiness and comedy in this exemplary adaptation of Christie’s ingenious murder mystery, but also gets e…

SOURCE: The Guardian at 12:37PM
Wednesday, May 4, 2022

Stephen Sondheim’s Old Friends review – a glorious all-star memorial service by Mark Lawson

Sondheim theatre/Prince Edward theatre, LondonJudi Dench, Rob Brydon, Imelda Staunton and Bernadette Peters joined the cast for this superb tribute to a genius Stephen Sondheim was so vast a…

SOURCE: The Guardian at 12:12PM
Thursday, April 21, 2022

Henry VI: Rebellion / Wars of the Roses review – thrilling games of thrones by Mark Lawson

Royal Shakespeare theatre, Stratford-upon-AvonWith their portrait of a wobbling monarchy and egotistical leadership, these rare stagings are particularly topical The three plays about King H…

SOURCE: The Guardian at 09:42AM
Wednesday, April 20, 2022

The Taxidermist’s Daughter review – Kate Mosse’s gothic mystery stuffed with visual thrills by Mark Lawson

Chichester Festival theatreMosse’s adaptation of her blood-soaked novel delivers on chills but could do with more substance amid the sound and fury Gothic chillers are rare in modern theat…

SOURCE: The Guardian at 09:42AM
Tuesday, April 12, 2022

Our Man in Havana review – Graham Greene classic becomes a clever musical by Mark Lawson

Watermill theatre, NewburyThe actor-musicians deserve an award for multitasking here, switching between roles and instruments in a production exploring lying and dual identities Though equiv…

SOURCE: The Guardian at 11:24AM
Wednesday, April 6, 2022

Anyone Can Whistle review – Sondheim flop gets a blazing revival by Mark Lawson

Southwark Playhouse, LondonThis elusive curiosity – whose original production in 1964 closed on Broadway after nine performances – finds brilliant new contexts for its absurdist story So…

SOURCE: The Guardian at 08:42AM
Friday, March 25, 2022

The Wellspring review – a father and son’s musical ode to memory by Mark Lawson

Royal & Derngate, NorthamptonDavid Owen Norris and his son Barney reflect on the slipperiness of history in a show that elegantly defies categorisation Ticketing websites divide shows fo…

SOURCE: The Guardian at 04:54PM
Thursday, March 24, 2022

Straight Line Crazy review – Ralph Fiennes enthrals as the man who shaped New York by Mark Lawson

Bridge theatre, LondonFiennes heads an electrifying cast in David Hare’s dynamic portrait of Robert Moses, an aggressive yet visionary urban planner who refused to back down Robert Moses, …

SOURCE: The Guardian at 01:33AM
Thursday, March 17, 2022

Peter Bowles: a commanding talent who was so much more than a sitcom star by Mark Lawson

The classy actor could play both establishment and villainous characters with aplomb. He was naturally charming and hugely admired by great men of theatre like Harold Pinter Peter Bowles die…

SOURCE: The Guardian at 02:54PM
Thursday, March 3, 2022

When We Dead Awaken review – Ibsen’s final play explores an artist’s farewell by Mark Lawson

Coronet theatre, LondonThis drama about a sculptor looking back on his life is powerfully staged by the Norwegian Ibsen Company In the last year of the 19th century, when Henrik Ibsen began …

SOURCE: The Guardian at 12:06PM
Wednesday, March 2, 2022

Patrick Stewart: ‘I asked to play Ophelia in McKellen’s Hamlet – but the timings didn’t work out’ by Mark Lawson

As he beams aboard another Star Trek adventure, the 81-year-old actor talks about playing Picard as an intergalactic Prospero, hitting the bottle during Macbeth – and reaching page 310 of …

SOURCE: The Guardian at 10:03AM
Wednesday, February 9, 2022

Hamlet review – Freddie Fox’s alcoholic prince goes to church by Mark Lawson

Holy Trinity Church, GuildfordFox is emotionally wrenching in Tom Littler’s inventive and streamlined production, which explores the play’s integral Christianity Shakespeare gives a vari…

SOURCE: The Guardian at 08:48AM
Thursday, January 27, 2022

Barry Cryer was cheeky, kind and a canny engineer of comedy | Mark Lawson by Mark Lawson

A generous-hearted jokesmith, Cryer created laughs for generations of comics, was a consummate performer and had a lifelong commitment to wit ‘An honorary uncle to countless comics’: Jac…

SOURCE: The Guardian at 02:36PM
Wednesday, January 26, 2022

The Palace of Varieties review – the Beast of Bolsover snarls at Thatcher and spars with Boris Johnson by Mark Lawson

Derby theatreUsing music hall and Broadway songs to tell the story of former MP Dennis Skinner’s colourful Commons battles makes surprising sense Writers often say that content dictates fo…

SOURCE: The Guardian at 09:12AM
Friday, January 21, 2022

Whodunnit? Ask Emma Thompson and her surprise super-sleuths by Mark Lawson

Ian McKellen and Sanjeev Bhaskar will also take to stage and solve a crime without rehearsal in starry fundraising drama at London theatre Actors have nightmares of going on in a play for wh…

SOURCE: The Guardian at 12:54PM
Sunday, January 16, 2022

The 4th Country review – three’s a crowd in confused Northern Ireland drama by Mark Lawson

Park Theatre, London Interweaving triple narratives of lovers, siblings and soldiers doesn’t give enough space to explore the complexities of British rule The title of The 4th Country pres…

SOURCE: The Guardian at 11:33AM
Thursday, December 16, 2021

‘You immediately tell your friends to cancel their tickets’ – what’s it like to star in a flop? by Mark Lawson

How does it feel to go back on stage night after night in a play that’s been mauled by critics and deserted by audiences? Richard Eyre and other directors and actors relive their trauma Mo…

SOURCE: The Guardian at 01:54AM
Wednesday, December 15, 2021

A Fight Against … review – Chilean playwright’s sparky sketches by Mark Lawson

Royal Court Theatre Upstairs, LondonPablo Manzi’s political scenes, which span several decades and are powerfully performed, could perhaps lead to a future epic Thirty years ago, the Royal…

SOURCE: The Guardian at 09:33AM
Friday, December 10, 2021

Best of Enemies review – James Graham’s superb study of media and politics by Mark Lawson

Young Vic, LondonDavid Harewood and Charles Edwards go head-to-head as William F Buckley Jr and Gore Vidal respectively in an enthralling play based on a 1968 TV debate James Graham speciali…

SOURCE: The Guardian at 09:36AM
Tuesday, December 7, 2021

The Play What I Wrote review – Tom Hiddleston has a laugh in farce masterclass by Mark Lawson

Birmingham Repertory theatreThe A-lister provided joyous shock on opening night, as Morecambe and Wise’s screen routines return to the boards Regularly drawing TV audiences in the 1970s th…

SOURCE: The Guardian at 11:24AM
Friday, November 26, 2021

Stephen Sondheim: a daring and dazzling musical theatre icon by Mark Lawson

The American composer and lyricist, who has died aged 91, shaped the musical artform with his wise, witty and extravagantly clever work Stephen Sondheim achieved such acclaim – for deepeni…

SOURCE: The Guardian at 07:06PM

Yes So I Said Yes review – prepare to be appalled by Mark Lawson

Finborough theatre, LondonDavid Ireland’s provocative, surreal, intensely brutal farce finds a former loyalist paramilitary seeking mediation from Eamonn Holmes for a dispute with his neig…

SOURCE: The Guardian at 09:18AM

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