All stories by Matt Wolf on BroadwayStars

Monday, February 1, 2021

BWW Feature: We Saw Them First/The Actors - Five Plays Whose Players Later Became Stars by Matt Wolf

Many British screen stars may seem to have come to public attention as comparative unknowns, but not to theatre devotees. What follows is a list of five actors whom I managed to catch early …

SOURCE: BroadwayWorld at 08:22AM
Monday, January 25, 2021

BWW Feature: Five London Shows That Got Away by Matt Wolf

An ever-mutating virus has led to general uncertainty on and off the West End about the start-up of live performance. That shifting scenario in turn brings to mind some of the titles from th…

SOURCE: BroadwayWorld at 08:47AM
Thursday, January 21, 2021

‘Bridgerton’s’ Approach to Race and Casting Has Precedent Onstage by Matt Wolf

There’s been much discussion about the presence of Black actors in Regency England on the Netflix show, but performers of color have been playing historical roles in London theaters for de…

SOURCE: The New York Times Subscription at 04:03AM
Sunday, January 10, 2021

Five 2021 London Shows We Can't Wait To See by Matt Wolf

From Andrew Lloyd Webber to Sondheim via David Tennant's West End return, London is poised for activity post-pandemic

SOURCE: BroadwayWorld at 12:27PM
Wednesday, January 6, 2021

Beloved panto 'Dick Whittington' goes virtual with National Theatre at Home by Matt Wolf

'Dick Whittington' never opened at the National but can be seen online

SOURCE: LondonTheatre.co.uk at 05:23AM
Sunday, December 27, 2020

Best of 2020: Theatre by Matt Wolf

Out of pandemic-driven chaos and confusion came moments of clarity - and "Blindness" "Goodbye": The single word lingered heavily in the air last March 16, as the scripted closing both of th…

SOURCE: theartsdesk.com at 11:54AM
Monday, December 21, 2020

A Christmas Carol, Old Vic review - the bells have it once again by Matt Wolf

Andrew Lincoln invents Scrooge afresh in robust seasonal perennial As proof that you can't have too much of a good thing, consider the return of Matthew Warchus's buoyant production of A Ch…

SOURCE: theartsdesk.com at 08:48AM

'The Comeback' at the Noel Coward Theatre is a madcap respite by Matt Wolf

Comic double-act reviewed the night before performances were suspended indefinitely

SOURCE: LondonTheatre.co.uk at 07:17AM
Tuesday, December 15, 2020

Mischief Movie Night is a hilarious, 75-minute improv delight by Matt Wolf

The 'Goes Wrong' team brings their irrepressible improv show to the West End

SOURCE: LondonTheatre.co.uk at 07:24PM

A Christmas Carol, Dominion Theatre review - brash and bustling and snowy, too by Matt Wolf

Dickens redux, noisily but with brio The twelve days of Christmas have nothing on the flotilla of Christmas Carols jostling for view this season, each of which is substantially different eno…

SOURCE: theartsdesk.com at 07:12AM
Thursday, December 10, 2020

'Nine Lessons and Carols' at the Almeida is a mixed bag of vignettes by Matt Wolf

The Almeida Theatre reopens for the first time since March.

SOURCE: LondonTheatre.co.uk at 06:31PM

The Dumb Waiter, Hampstead Theatre review - menace without a hint of mirth by Matt Wolf

Taut Pinter revival sacrifices the play's darkly comic underlay Add the Hampstead Theatre to the swelling ranks of playhouses opening its doors this month, in this case with a revival well i…

SOURCE: theartsdesk.com at 06:48AM
Wednesday, December 9, 2020

'A Christmas Carol' at the Bridge Theatre is holiday magic by Matt Wolf

Simon Russell Beale and Patsy Ferran in fresh adaptation of Dickens

SOURCE: LondonTheatre.co.uk at 06:25PM
Tuesday, December 8, 2020

GHBoy, Charing Cross Theatre review - drugs and sex but no rock 'n' roll by Matt Wolf

Paul Harvard's ambitious debut play needs further focus A 35-year-old gay man has to figure out which way to turn in GHBoy, the Paul Harvard play whose connection to the chemsex world is emb…

SOURCE: theartsdesk.com at 06:36AM
Thursday, November 26, 2020

This Lockdown, England’s Theaters Know What to Do Online by Matt Wolf

The first coronavirus shutdown caught playhouses unawares, but they learned lessons that stood them in good stead when the shutters came down again.

SOURCE: The New York Times Subscription at 03:32AM
Friday, November 20, 2020

32 YEARS WITH LONDON THEATRE NEWS: PERFORMANCES EVERLASTING by Matt Wolf

Our critic looks back on 32 years with a publication he was with from its very first issue, in 1988.

SOURCE: www.theaternewsonline.com at 05:59AM
Friday, November 6, 2020

Charlie Stemp on 'Mary Poppins,' the pandemic, and a safe theatre reopening by Matt Wolf

Interview with MARY POPPINS leading man Charlie Stemp

SOURCE: LondonTheatre.co.uk at 05:52PM
Thursday, November 5, 2020

Death of England: Delroy, National Theatre review - a furious if fleetingly seen sequel by Matt Wolf

Opening and closing night were the same for vital solo show Broadway tends to be the Darwinian environment where a show's opening night can also mark its closing.

SOURCE: theartsdesk.com at 10:42AM

Partying Like It’s 1925 as London’s Theaters Go Dark (Again) by Matt Wolf

Two long-running immersive theater productions — “The Murdér Express” and “The Great Gatsby”— offered some much-needed merriment just before a new lockdown hit England.

SOURCE: The New York Times Subscription at 04:18AM
Monday, October 26, 2020

Nine Lives, Bridge Theatre review - engaging if slim finale to ambitious solo season by Matt Wolf

Sparky solo play leaves you wanting yet more Call him Ishmael, and the Zimbabwe-born, UK-based writer Zodwa Nyoni has done just that. That's the name of the solo character in Nyoni's slight…

SOURCE: theartsdesk.com at 06:24AM
Thursday, October 15, 2020

Politics, Poems and Charm in Two London Monologues by Matt Wolf

Two young Black playwrights chronicle tales of the Nigerian diaspora in performances at the Bridge Theater, but only one digs deep.

SOURCE: The New York Times Subscription at 04:54AM
Wednesday, October 7, 2020

Hermione Lee: Tom Stoppard, A Life review - the last word on a theatrical wordsmith by Matt Wolf

Capacious biography pins down an elusive subject "The older he got, the less he cared about self-concealment," or so it is said of Sir Tom Stoppard, somewhere deep into the 865 pages of …

SOURCE: theartsdesk.com at 08:32AM
Tuesday, October 6, 2020

'The Last Five Years' at Southwark Playhouse soars even higher after shutdown by Matt Wolf

'The Last Five Years' revival is itself revived at Southwark Playhouse

SOURCE: LondonTheatre.co.uk at 04:00PM
Sunday, October 4, 2020

Nights in the Garden of Spain & Miss Fozzard Finds Her Feet, Bridge Theatre review - potent mix of pain and comedy by Matt Wolf

Essential series of Alan Bennett stage pairings comes to an end Stillness works like a stealth bomb in Nights in the Garden of Spain, in which Tamsin Greig further confirms her status as on…

SOURCE: theartsdesk.com at 05:54AM
Thursday, October 1, 2020

Playing Sandwiches & A Lady of Letters, Bridge Theatre review - the darkness dazzles, twice over by Matt Wolf

Masterclasses make up a mighty hour of theatre "Getting dark," or so comments Irene Ruddock (a pitch-perfect Imelda Staunton) in passing midway through A Lady of Letters, and, boy, ain't th…

SOURCE: theartsdesk.com at 05:24AM
Thursday, September 24, 2020

Solo Plays for Anxious Times by Matt Wolf

The Bridge theater in London has resumed performances after the coronavirus shutdown with a series of monologues by David Hare and Alan Bennett.

SOURCE: The New York Times Subscription at 06:18AM
Monday, September 21, 2020

Michael Sheen, David Threlfall, Indira Varma 'mesmerise' in Old Vic 'Faith Healer' by Matt Wolf

review of Old Vic In Camera presentation of the late Brian Friel's 1979 play 'Faith Healer'

SOURCE: LondonTheatre.co.uk at 05:22PM
Saturday, September 19, 2020

Intimate 'Pippin' at Garden Theatre invokes the past and present by Matt Wolf

Alfresco 'Pippin' revival at south London pub theatre

SOURCE: LondonTheatre.co.uk at 06:18AM
Thursday, September 10, 2020

Rose, Hope Mill Theatre online review - a performer at her peak by Matt Wolf

Maureen Lipman in fearless form in Martin Sherman's discursive solo play Solo plays and performances are, of necessity, the theatrical currency of the moment, whether across an entire seaso…

SOURCE: theartsdesk.com at 07:03AM
Friday, September 4, 2020

Showstopper! The (Socially Distanced) Improvised Musical, review: Whimsical and witty by Matt Wolf

The sheer brio of the endeavour proved irresistible, and one wasn’t surprised to see the performers’ eyes misting over

SOURCE: inews.co.uk at 07:50PM