All stories by Michael Billington on BroadwayStars

Wednesday, October 2, 2019

'Master Harold' … and the Boys review – a waltz for worldly harmony by Michael Billington

Lyttelton, London Athol Fugard explores South Africa in 1950 through a white teenager and two black men who practise ballroom routines The plays Athol Fugard co-created with John Kani and Wi…

SOURCE: The Guardian at 08:24AM
Tuesday, October 1, 2019

Sanditon and The Watsons: TV and theatre finish what Austen started by Michael Billington

Unfinished Jane Austen novels have been adapted for television and the stage. Theatre’s room for experiment delivers the most satisfying imaginative leap By a strange chance it is currentl…

SOURCE: The Guardian at 09:18AM
Sunday, September 29, 2019

Macbeth review – John Simm excels despite much toil and trouble by Michael Billington

Chichester Festival theatreThe murderous thane faces witches, relentless video and a musical assault in this lengthy production but emerges as a figure of rare complexity Read interview with…

SOURCE: The Guardian at 07:12AM
Friday, September 27, 2019

My Beautiful Laundrette review – an iconic movie cleverly reimagined by Michael Billington

Curve, LeicesterAdapted from Hanif Kureishi’s 1985 film, this production retains its 80s ethos while speaking to today’s world with the racial and gender politics heightened Making plays…

SOURCE: The Guardian at 11:06AM
Wednesday, September 25, 2019

Two Ladies review – presidents’ wives turn to violence by Michael Billington

Bridge theatre, LondonZoë Wanamaker and Zrinka Cvitešić attempt to seize power at a summit meeting in Nancy Harris’s provocative play The finest song in Hamilton hymns the urge to be in…

SOURCE: The Guardian at 07:24PM

Glass. Kill. Bluebeard. Imp. review - finding fascination in bloodshot fables by Michael Billington

Royal Court, LondonCaryl Churchill’s four pieces entertainingly combine mythical, mundane and gory Every Caryl Churchill play is an experiment with form. Her latest work comprises four pie…

SOURCE: The Guardian at 07:24PM
Tuesday, September 24, 2019

Youth Without God review – anti-Nazi drama calls out liberal bystanders by Michael Billington

Coronet theatre, LondonChristopher Hampton’s disturbing adaptation of Ödön von Horváth’s 1937 novel is a promising text, albeit let down by an imperfect production Christopher Hampton…

SOURCE: The Guardian at 06:33PM
Friday, September 20, 2019

The Permanent Way review – if only Hare's study of railway chaos had dated by Michael Billington

The Vaults, LondonDavid Hare’s searing play about the chaos and tragedy that followed rail privatisation rings as true today as ever ‘We have ended up with a very dysfunctional and flawe…

SOURCE: The Guardian at 11:42AM
Thursday, September 19, 2019

Reasons to Stay Alive review – striking staging of Matt Haig depression memoir by Michael Billington

Crucible, SheffieldThis dramatisation of the mental health bestseller takes a step towards removing the stigma from depression – though it’s no substitute for the book Depression is “i…

SOURCE: The Guardian at 07:18AM
Wednesday, September 18, 2019

Faith, Hope and Charity review – urgent account of the austerity age by Michael Billington

Dorfman, LondonAlexander Zeldin’s latest production shines a light on the resilience and humour of those struggling to survive Alexander Zeldin’s plays are like no one else’s: they hum…

SOURCE: The Guardian at 07:54AM
Tuesday, September 17, 2019

Jez Butterworth: quicksilver sage behind the 21st century's best play by Michael Billington

In Jerusalem, the playwright laid bare a country’s phoney myths and confronted who we are as individuals and nations The best plays of the 21st century Jez Butterworth is one of only two w…

SOURCE: The Guardian at 07:18PM

The 50 best theatre shows of the 21st century by Michael Billington, Alexis Soloski, Catherine Love, Mark Fisher and Chris Wiegand

A hip-hop history lesson, a dizzy Dahl musical and a continent-hopping barbershop … we pick the finest new works of theatre since 2000 Jez Butterworth: the sage behind our No1 Continue rea…

SOURCE: The Guardian at 07:18PM
Monday, September 16, 2019

Anna Bella Eema review – trailer-park golem with a touch of Thoreau by Michael Billington

Arcola, LondonGothic sound design and a trio of sharp central performances lend this version of Lisa D’Amour’s rather mystifying play some definition Lisa D’Amour’s play is as weird …

SOURCE: The Guardian at 08:54PM

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Jonathan Jones, Andrew Clements, Michael Billington and Lyndsey Winship

From Downton Abbey to Khalid, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 03:48AM
Friday, September 13, 2019

The King of Hell’s Palace review – eye-opening look at horrifying corruption in China by Michael Billington

Hampstead theatre, LondonCeleste Den portrays a real-life hero who exposed how local officials were spreading HIV ‘You are an enemy of the people,” a character remarks in Frances Ya-Chu …

SOURCE: The Guardian at 08:03AM
Thursday, September 12, 2019

A Doll's House review – Ibsen's classic shrewdly reimagined in colonial India by Michael Billington

Lyric Hammersmith, LondonWith a career-defining performance from Anjana Vasan, Tanika Gupta’s production is moving, multilayered and intelligent Tanika Gupta has transposed Ibsen’s semin…

SOURCE: The Guardian at 05:48AM
Wednesday, September 11, 2019

Birthdays Past, Birthdays Present review – masterful Ayckbourn unwraps a family feud by Michael Billington

Stephen Joseph theatre, ScarboroughNaomi Petersen’s turn is the icing on the cake of this time-bending drama from a writer who has lost none of his ingenuity Dramatists, from George S Kauf…

SOURCE: The Guardian at 06:48AM
Monday, September 9, 2019

Peter Nichols probed his private life to reveal the state of the nation by Michael Billington

The playwright behind A Day in the Death of Joe Egg, who has died aged 92, wrote deeply autobiographical plays that offered an image of modern Britain Peter Nichols, who has died aged 92, on…

SOURCE: The Guardian at 08:36AM

Chiaroscuro review – Jackie Kay's play is more gig than theatre by Michael Billington

Bush theatre, LondonLynette Linton’s debut as artistic director is a musical revival of an undramatic piece about the dilemmas of four women The Bush, which has recently revived Winsome P…

SOURCE: The Guardian at 08:36AM
Sunday, September 8, 2019

Torch Song review – pioneering gay drama still packs a punch by Michael Billington

Turbine, LondonMatthew Needham stars with tremulous assurance as the witty, sharp-tongued drag queen of Harvey Fierstein’s 70s drama Theatre seems one of our crazy nation’s few growth in…

SOURCE: The Guardian at 11:33AM
Friday, September 6, 2019

A Very Expensive Poison review – Lucy Prebble's Litvinenko drama fascinates by Michael Billington

Old Vic, London The twisted tale of the Russian dissident’s death by radioactive poisoning employs songs, puppets and even Putin as an unreliable narrator Watching Lucy Prebble’s fascina…

SOURCE: The Guardian at 02:24PM
Thursday, September 5, 2019

Two Trains Running review – August Wilson's study of a crisis-ridden city by Michael Billington

Royal and Derngate, NorthamptonThe richness of Wilson’s characters make them a joy to watch and a great cast lifts this tale set in Pittsburgh in 1969 By today’s standards, the plays of …

SOURCE: The Guardian at 09:54AM
Wednesday, September 4, 2019

The 10 best plays about politics by Michael Billington

As Hansard opens at the National Theatre and drama heats up in Westminster, our critic picks his favourite political theatre Whose side is Shakespeare on? As always, it is difficult to tell.…

SOURCE: The Guardian at 07:54PM

Hansard review – Who’s Afraid of Virginia Woolf? for the Cotswold set by Michael Billington

Lyttelton theatre, LondonAlex Jennings and Lindsay Duncan treat us to 90 minutes of sustained verbal warfare between an entitled Tory minister and his disaffected liberal wife When a charact…

SOURCE: The Guardian at 07:36AM

A shining light: Peter Gill, the unsung hero of British theatre by Michael Billington

He’s written 18 plays, rescued DH Lawrence from theatrical oblivion and played a crucial role at the National Theatre – all the while putting love, loss and the working class centre stag…

SOURCE: The Guardian at 03:24AM
Friday, August 30, 2019

Bartholomew Fair review – a merry muddle of Jonson's carnivalesque satire by Michael Billington

Sam Wanamaker Playhouse, LondonBlanche McIntyre’s hectic production attempts to convey the riotous vice of Ben Jonson’s Jacobean London fair, but falters in translation to modernity Ben …

SOURCE: The Guardian at 12:06PM
Wednesday, August 28, 2019

Sexy, subversive … and sad: Phoebe Waller-Bridge's Fleabag in West End premiere by Michael Billington

Wyndham’s Theatre, London The first night, playing to a celebrity-packed audience, felt like a coronation but Waller-Bridge still has the ability to spring surprises Six years after its de…

SOURCE: The Guardian at 07:42PM
Friday, August 23, 2019

Appropriate review – Branden Jacobs-Jenkins pushes everything to the limit by Michael Billington

Donmar Warehouse, LondonDark secrets emerge as three siblings gather at their late father’s old plantation home in this daring drama Branden Jacobs-Jenkins is a subversive writer. In An Oc…

SOURCE: The Guardian at 07:48AM
Thursday, August 22, 2019

The Weatherman review – a glimpse into the sex trade's grisly reality by Michael Billington

Park theatre, LondonAn array of disturbed characters are cogs in the grimmest of machines in Eugene O’Hare’s frustrating but well-written debut Sex trafficking is a big and serious subje…

SOURCE: The Guardian at 07:54AM
Wednesday, August 21, 2019

The Doctor review – Robert Icke offers brilliant diagnosis of modern ills by Michael Billington

Almeida, LondonJuliet Stevenson delivers one of the peak performances of the theatrical year in Robert Icke’s striking reimagining of Schnitzler As a director and writer, Robert Icke speci…

SOURCE: The Guardian at 07:24AM
Wednesday, August 14, 2019

The Argument review – no winners emerge from William Boyd's couple at war by Michael Billington

Theatre Royal, BathA whole set of relationships unravel in a shrewdly observant play showing the ripple effect of marital hostilities This is only the second play by the admired novelist Wil…

SOURCE: The Guardian at 07:24PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre