All stories by Michael Billington on BroadwayStars

Thursday, September 12, 2019

A Doll's House review – Ibsen's classic shrewdly reimagined in colonial India by Michael Billington

Lyric Hammersmith, LondonWith a career-defining performance from Anjana Vasan, Tanika Gupta’s production is moving, multilayered and intelligent Tanika Gupta has transposed Ibsen’s semin…

SOURCE: The Guardian at 05:48AM
Wednesday, September 11, 2019

Birthdays Past, Birthdays Present review – masterful Ayckbourn unwraps a family feud by Michael Billington

Stephen Joseph theatre, ScarboroughNaomi Petersen’s turn is the icing on the cake of this time-bending drama from a writer who has lost none of his ingenuity Dramatists, from George S Kauf…

SOURCE: The Guardian at 06:48AM
Monday, September 9, 2019

Peter Nichols probed his private life to reveal the state of the nation by Michael Billington

The playwright behind A Day in the Death of Joe Egg, who has died aged 92, wrote deeply autobiographical plays that offered an image of modern Britain Peter Nichols, who has died aged 92, on…

SOURCE: The Guardian at 08:36AM

Chiaroscuro review – Jackie Kay's play is more gig than theatre by Michael Billington

Bush theatre, LondonLynette Linton’s debut as artistic director is a musical revival of an undramatic piece about the dilemmas of four women The Bush, which has recently revived Winsome P…

SOURCE: The Guardian at 08:36AM
Sunday, September 8, 2019

Torch Song review – pioneering gay drama still packs a punch by Michael Billington

Turbine, LondonMatthew Needham stars with tremulous assurance as the witty, sharp-tongued drag queen of Harvey Fierstein’s 70s drama Theatre seems one of our crazy nation’s few growth in…

SOURCE: The Guardian at 11:33AM
Friday, September 6, 2019

A Very Expensive Poison review – Lucy Prebble's Litvinenko drama fascinates by Michael Billington

Old Vic, London The twisted tale of the Russian dissident’s death by radioactive poisoning employs songs, puppets and even Putin as an unreliable narrator Watching Lucy Prebble’s fascina…

SOURCE: The Guardian at 02:24PM
Thursday, September 5, 2019

Two Trains Running review – August Wilson's study of a crisis-ridden city by Michael Billington

Royal and Derngate, NorthamptonThe richness of Wilson’s characters make them a joy to watch and a great cast lifts this tale set in Pittsburgh in 1969 By today’s standards, the plays of …

SOURCE: The Guardian at 09:54AM
Wednesday, September 4, 2019

The 10 best plays about politics by Michael Billington

As Hansard opens at the National Theatre and drama heats up in Westminster, our critic picks his favourite political theatre Whose side is Shakespeare on? As always, it is difficult to tell.…

SOURCE: The Guardian at 07:54PM

Hansard review – Who’s Afraid of Virginia Woolf? for the Cotswold set by Michael Billington

Lyttelton theatre, LondonAlex Jennings and Lindsay Duncan treat us to 90 minutes of sustained verbal warfare between an entitled Tory minister and his disaffected liberal wife When a charact…

SOURCE: The Guardian at 07:36AM

A shining light: Peter Gill, the unsung hero of British theatre by Michael Billington

He’s written 18 plays, rescued DH Lawrence from theatrical oblivion and played a crucial role at the National Theatre – all the while putting love, loss and the working class centre stag…

SOURCE: The Guardian at 03:24AM
Friday, August 30, 2019

Bartholomew Fair review – a merry muddle of Jonson's carnivalesque satire by Michael Billington

Sam Wanamaker Playhouse, LondonBlanche McIntyre’s hectic production attempts to convey the riotous vice of Ben Jonson’s Jacobean London fair, but falters in translation to modernity Ben …

SOURCE: The Guardian at 12:06PM
Wednesday, August 28, 2019

Sexy, subversive … and sad: Phoebe Waller-Bridge's Fleabag in West End premiere by Michael Billington

Wyndham’s Theatre, London The first night, playing to a celebrity-packed audience, felt like a coronation but Waller-Bridge still has the ability to spring surprises Six years after its de…

SOURCE: The Guardian at 07:42PM
Friday, August 23, 2019

Appropriate review – Branden Jacobs-Jenkins pushes everything to the limit by Michael Billington

Donmar Warehouse, LondonDark secrets emerge as three siblings gather at their late father’s old plantation home in this daring drama Branden Jacobs-Jenkins is a subversive writer. In An Oc…

SOURCE: The Guardian at 07:48AM
Thursday, August 22, 2019

The Weatherman review – a glimpse into the sex trade's grisly reality by Michael Billington

Park theatre, LondonAn array of disturbed characters are cogs in the grimmest of machines in Eugene O’Hare’s frustrating but well-written debut Sex trafficking is a big and serious subje…

SOURCE: The Guardian at 07:54AM
Wednesday, August 21, 2019

The Doctor review – Robert Icke offers brilliant diagnosis of modern ills by Michael Billington

Almeida, LondonJuliet Stevenson delivers one of the peak performances of the theatrical year in Robert Icke’s striking reimagining of Schnitzler As a director and writer, Robert Icke speci…

SOURCE: The Guardian at 07:24AM
Wednesday, August 14, 2019

The Argument review – no winners emerge from William Boyd's couple at war by Michael Billington

Theatre Royal, BathA whole set of relationships unravel in a shrewdly observant play showing the ripple effect of marital hostilities This is only the second play by the admired novelist Wil…

SOURCE: The Guardian at 07:24PM
Tuesday, August 13, 2019

Actually review – two sides of the story about a date gone wrong by Michael Billington

Trafalgar Studios, LondonPhotograph 51 playwright Anna Ziegler returns with a problematic two-hander that asks us to decide where the truth lies In Photograph 51, Anna Ziegler attacked the …

SOURCE: The Guardian at 08:24AM
Monday, August 12, 2019

Edinburgh festival 2019: the shows we recommend by Brian Logan, Alex Needham, Catherine Love, Michael Billington, Chris Wiegand, Mark Fisher, Anna Winter and Kate Wyver

Plan your schedule with our roundup of top shows, ordered by start time. This page will be updated daily throughout the festival BoutSummerhall, 10.20am, until 25 AugustAn exploration of bro…

SOURCE: The Guardian at 03:12PM
Friday, August 9, 2019

Go Bang Your Tambourine review – family, faith and Oedipal feuds by Michael Billington

Finborough theatre, LondonA grieving father and son lock horns over an alluring visitor in a magnetically acted revival of Philip King’s Freudian drama Philip King is best known for See Ho…

SOURCE: The Guardian at 06:36AM
Thursday, August 8, 2019

8 Hotels review – Paul Robeson drama lifts curtain on a racist America by Michael Billington

Minerva, Chichester Based on a true story, a new play tracks a backstage affair with big repercussions for Robeson, played perfectly by Tory Kittles Nicholas Wright’s compelling new play i…

SOURCE: The Guardian at 06:33AM
Monday, August 5, 2019

How Not to Drown review – an adolescent adventure story of a Kosovan refugee by Michael Billington

Traverse, EdinburghDritan Kastrati’s journey as an 11-year-old to the UK with people smugglers is a survival story that speaks to what it is like to be caught between two cultures Dritan K…

SOURCE: The Guardian at 06:42AM

The Secret River review – pinpointing a crucial moment in Australian history by Michael Billington

King’s theatre, EdinburghAndrew Bovell’s adaptation of Kate Grenville’s novel about the collision between settlers and Indigenous Australians combines masterly storytelling with metaph…

SOURCE: The Guardian at 06:42AM
Sunday, August 4, 2019

Enough review – the unstoppable force of women by Michael Billington

Traverse, EdinburghStef Smith’s latest production depicts the two female leads rejecting male classification and raising themselves up Stef Smith wrote a fascinating dystopian drama in Hum…

SOURCE: The Guardian at 03:32PM

La Reprise: Histoire(s) du Theatre (I) review – compassion and curiosity in recreation of a murder by Michael Billington

Royal Lyceum, EdinburghDirector Milo Rau asks disturbing political questions while attempting to honour the real-life victim of a senseless homophobic crime This is exactly the kind of show …

SOURCE: The Guardian at 10:06AM
Wednesday, July 24, 2019

Bridges of Madison County review – sober musical take on tale of late-flowering love by Michael Billington

Menier Chocolate Factory, London With two excellent lead performances at its heart, Trevor Nunn’s production of the musical version of the bestselling love story is focused and honest Firs…

SOURCE: The Guardian at 06:48AM
Sunday, July 21, 2019

The Actor's Nightmare review – it's just a stage they're going through by Michael Billington

Park theatre, London Christopher Durang’s breezy sextet of plays takes the cast from pique to panic as he explores the insecurities of performing life To complement its main-house product…

SOURCE: The Guardian at 11:24AM
Thursday, July 18, 2019

Vienna 1934-Munich 1938 review – Vanessa Redgrave's portrait of antifascism by Michael Billington

Ustinov Studio, BathThe star mines her family history in this passionate but haphazard ride through socialist resistance to the Nazis This is a show unlike any other. Subtitled “A Family A…

SOURCE: The Guardian at 03:48PM
Wednesday, July 17, 2019

Whodunnit (Unrehearsed) review – secret celeb shines in murder mystery by Michael Billington

Park theatre, LondonA quick-witted Gyles Brandreth, one of 22 stars in action during the run, sleuthed stylishly in this fundraising spoof This is all very jolly. Jez Bond and Mark Cameron h…

SOURCE: The Guardian at 04:18PM
Tuesday, July 16, 2019

The Night of the Iguana review – Clive Owen joins menagerie of lost souls by Michael Billington

Noël Coward theatre, LondonOwen is a disgraced priest, Anna Gunn a widowed hotel keeper in Tennessee William’s languorous hymn to human endurance ‘Nothing human disgusts me unless it’…

SOURCE: The Guardian at 06:54PM
Friday, July 12, 2019

Joseph and the Amazing Technicolor Dreamcoat review – stunning debutant steals a starry show by Michael Billington

London PalladiumSheridan Smith and Jason Donovan bring charisma to a jubilant revival – but neither can match the young dreamer at its centre I first saw this show in 1972 when it was a mo…

SOURCE: The Guardian at 09:33AM
Thursday, July 11, 2019

The Fountainhead review – Ivo van Hove hypnotises with Ayn Rand's nonsense by Michael Billington

The Lowry, SalfordInternationaal Theater Amsterdam present a constantly inventive, four-hour staging of the overheated 1943 polemic Ivo van Hove is the most ubiquitous of modern directors. B…

SOURCE: The Guardian at 07:18AM

All that Chat