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Thursday, February 8, 2018

The Captive Queen review – Rutter bows out with rhyming couplets and marital spats by Michael Billington

Sam Wanamaker Playhouse, LondonRelocating Dryden’s tale of love and dynasty in 17th-century India to an English mill, Rutter’s final show for Northern Broadsides is at its best when it d…

SOURCE: The Guardian at 06:31AM
Tuesday, February 6, 2018

Long Day’s Journey Into Night review – Irons and Manville leave you emotionally pulverised by Michael Billington

Wyndham’s, LondonRichard Eyre’s production arrives in the West End, bringing out the dizzying contradictions in Eugene O’Neill’s masterpieceTime works wonders. When Richard Eyre’s …

SOURCE: The Guardian at 06:59PM

How the Young Vic's David Lan dared to put the world centre-stage by Michael Billington

Lan, who ran the theatre for 18 years, reached out to bold, dynamic directors from across the globe – and they repaid him with spectacular showsI often recall a remark made by David Lan, w…

SOURCE: The Guardian at 07:03AM

Cyril’s Success / Booby’s Bay review – pint-sized pub theatre toasts 150 years by Michael Billington

Finborough, LondonHJ Byron’s 1868 play sparkles with wit, while Henry Darke delivers a timely message about Cornwall’s housing crisis The Finborough Arms in Earl’s Court is 150 years o…

SOURCE: The Guardian at 06:14AM
Friday, February 2, 2018

Dry Powder/Yous Two review – Atwell is a whiz and Christou's debut sparks by Michael Billington

★★★☆☆/★★★★☆Hampstead theatre, LondonHayley Atwell plays a ruthless capitalist while Georgia Christou shows promise with tale of a teenager and her feckless fatherHayley A…

SOURCE: The Guardian at 08:44AM
Wednesday, January 31, 2018

The Culture review – James Graham's shrewd spoof on Hull's big year by Michael Billington

The playwright juggles satire and farce in a knockabout celebration of Hull’s tenure as UK city of cultureSatire is one thing, farce another, and the two forms prove hard to reconcile in t…

SOURCE: The Guardian at 07:09AM
Tuesday, January 30, 2018

Julius Caesar review – Hytner delivers a visceral, politically urgent tragedy by Michael Billington

Bridge theatre, LondonBen Whishaw and David Morrissey star in Nicholas Hytner’s promenade production, which shows putative dictators can be populistsLike Shakespeare’s Mark Antony, Nicho…

SOURCE: The Guardian at 05:00PM
Monday, January 29, 2018

Sleepers in the Field review – witty wartime drama without the heroics by Michael Billington

The Questors, LondonA deliberately unromantic view of the second world war as experienced by one family provides an antidote to current idealised versions on screenThis play by the late, muc…

SOURCE: The Guardian at 06:23AM
Friday, January 26, 2018

Oranges and Elephants review – Victorian London's girl gangs sing out by Michael Billington

Hoxton Hall, London Lil Warren’s scattershot musical about a turf war between all-female tribes in the capital has echoes of Sarah Waters’ Tipping the VelvetThis handsomely restored venu…

SOURCE: The Guardian at 08:48AM
Thursday, January 25, 2018

John review – check into Annie Baker's gothic Gettysburg B&B by Michael Billington

Dorfman, LondonBaker’s play, set in a boarding house close to a battlefield, is a piece of American gothic that taps into universal emotionsAnnie Baker is one of the most singular talents …

SOURCE: The Guardian at 06:26AM
Thursday, January 18, 2018

The Birthday Party review – Pinter's cryptic classic turns 60 with a starry cast by Michael Billington

Harold Pinter theatre, LondonToby Jones, Zoë Wanamaker, Stephen Mangan and Pearl Mackie do rich justice to the playwright’s strange and captivating psychodrama“The first test of any wor…

SOURCE: The Guardian at 06:00PM

The Claim review – asylum seeker's fate becomes absurdist comedy by Michael Billington

Shoreditch Town Hall, LondonTim Cowbury’s play avoids the usual harrowing style associated with its subject and is swift, clear and well-actedThere is a growing body of theatre about the a…

SOURCE: The Guardian at 07:42AM
Tuesday, January 16, 2018

​Twilight: Los Angeles, 1992 review – voices ring out from Rodney King riots by Michael Billington

Gate, LondonNina Bowers delivers a nimble account of testimonies gathered in the wake of the unrest sparked by King’s televised beatingI recently suggested that, while one-person shows cou…

SOURCE: The Guardian at 09:54AM
Sunday, January 14, 2018

The Here and This and Now review – drug reps find humour is best medicine by Michael Billington

Southwark Playhouse, London A pharmaceuticals team juggle views on the global health threat posed by antibiotic resistance with pep, though Glenn Waldron’s prognosis is gloomyWhat poses th…

SOURCE: The Guardian at 06:19AM
Friday, January 12, 2018

Lone dangers: the delights and dilemmas of the one-person play by Michael Billington

The fashion for solo shows is easily explained – they’re cheap, infinitely adaptable and highlight great acting – but does truly profound drama need multiple voices?In the space of a w…

SOURCE: The Guardian at 04:49AM
Thursday, January 11, 2018

Rita, Sue and Bob Too review – a study of lives blighted by harsh reality by Michael Billington

Royal Court theatre, LondonAndrea Dunbar’s unflinching portrait of a world of limited horizons still seems chillingly resonantThis production has had an eventful history. It was yanked out…

SOURCE: The Guardian at 07:08PM
Wednesday, January 10, 2018

My Mum's a Twat review – breathtaking tale of a mother claimed by a cult by Michael Billington

Royal Court, LondonPatsy Ferran is a puckish delight as an emotionally abandoned daughter in Anoushka Warden’s candid account of teenage wounded furyEyebrows might be raised at the Royal C…

SOURCE: The Guardian at 06:59PM
Tuesday, January 9, 2018

Imaginationship review – love, murder and disco dreams in Great Yarmouth by Michael Billington

Finborough theatre, LondonSet in the seaside town that registered one of the highest Brexit votes in the UK, Sue Healy’s ebullient play has some lively performancesThe English seaside town…

SOURCE: The Guardian at 09:26AM
Monday, January 8, 2018

Hanna review – gripping solo show captures glee and guilt of motherhood by Michael Billington

Arcola theatre, LondonSam Potter’s sharp play, about a woman who finds out her daughter is not hers, raises big questions and is performed superbly by Sophie Khan LevyThere is a long histo…

SOURCE: The Guardian at 01:00AM
Friday, January 5, 2018

Into the Numbers review – stark tale of author haunted by Nanking massacre by Michael Billington

Finborough, LondonChristopher Chen’s sombre piece explores how the writing of her bestseller The Rape of Nanking, about a mass killing in 1937, affected Iris ChangIt is a critical cliche t…

SOURCE: The Guardian at 07:05AM
Thursday, January 4, 2018

Michelle Terry's plan for Shakespeare's Globe is democratic – but is it doable? by Michael Billington

Terry’s first season at the theatre promises to dismantle hierarchies but how easy is it to stage Hamlet without one director in charge?Michelle Terry’s first season as artistic director…

SOURCE: The Guardian at 11:40AM
Monday, January 1, 2018

All-star Pinter, a Suranne Jones thriller and Carey Mulligan goes solo: 2018's essential theatre by Michael Billington

Brace yourself for The Birthday Party, an EasyJet love story, Sting’s shipyard musical and Ben Whishaw as BrutusToby Jones, Zoë Wanamaker and Stephen Mangan star in a revival of a Pinter …

SOURCE: The Guardian at 05:05AM
Friday, December 29, 2017

Michael Billington on Macbeth: profile of greatest theatrical poem ever written by Michael Billington

The destructive nature of unchecked power-lust and political ambition in Shakespeare’s play speaks to us urgently still today“A drum! A drum! Macbeth doth come.” So say Shakespeare’s…

SOURCE: The Guardian at 09:54AM
Thursday, December 21, 2017

Hamilton review – revolutionary musical is thrilling salute to America's immigrants by Michael Billington

Victoria Palace, LondonLin-Manuel Miranda’s rollercoaster of a show boasts outstanding performances and charts the life of the US founding father with political passion and nimble witA Hol…

SOURCE: The Guardian at 06:12PM

Huppert and Irons are theatrical dynamite in Pinter's power games by Michael Billington

Honoured at a ceremony in Rome, the stars gave a supreme version of Ashes to Ashes – after a rather frosty reading of Albert Camus’s love letters to María CasaresThere was no lack of dr…

SOURCE: The Guardian at 03:04PM

A Christmas Carol review – dark, dreamlike Dickens at Windsor Castle by Michael Billington

Windsor CastleMarley’s ghost narrates a nightmarish account of Scrooge’s transformation in the castle’s sumptuous state apartmentsWindsor Castle’s state apartments, at first sight, m…

SOURCE: The Guardian at 08:18AM
Friday, December 15, 2017

Michael Billington's top 10 theatre of 2017 by Michael Billington

Imelda Staunton simmered, Sondheim’s showgirls sizzled, Bryan Cranston gave us a cathode-ray Lear, and Jez Butterworth found love in the time of hunger-strikes• More of the best culture …

SOURCE: The Guardian at 01:48PM

Belleville review – James Norton and Imogen Poots gleam amid Paris gloom by Michael Billington

Donmar Warehouse, LondonAmy Herzog’s tale of uprooted Americans sinks into melodrama but is elevated by a central pair who reveal all the nuances of a marriage in crisisAmericans in Paris …

SOURCE: The Guardian at 09:24AM
Thursday, December 14, 2017

Pinocchio review – the wooden wonder struts his stuff in a brilliant return to his roots by Michael Billington

Lyttelton, London The puppetry is ingenious and the songs are a joy as Dennis Kelly and John Tiffany carve a morality play out of Carlo Collodi’s original storyThe challenge in staging thi…

SOURCE: The Guardian at 08:12AM
Wednesday, December 13, 2017

The Twilight Zone review – a spooky ride into the supernatural by Michael Billington

Almeida, London Anne Washburn has adapted the TV show for an inventive production featuring tales of vanishing children, amnesiac teachers and alien interlopersAnne Washburn is clearly haunt…

SOURCE: The Guardian at 07:06AM
Tuesday, December 12, 2017

Misalliance review – Shaw's women talk the talk in an English country garden by Michael Billington

Orange Tree, Richmond Shaw’s 1909 play about class and feminism moves skilfully from disquisitory drama to anarchic comedy in this intellectually stimulating production This indispensable …

SOURCE: The Guardian at 10:18AM

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