All stories by Michael Billington on BroadwayStars

Wednesday, April 4, 2018

The Fantastic Follies of Mrs Rich review – high society here I come! by Michael Billington

The Swan, Stratford-upon-AvonMary Pix’s 1700 comedy about a rich widow’s wayward social ascent becomes theatrical gold in Jo Davies’s scintillating productionMary Pix is hardly a name …

SOURCE: The Guardian at 07:42AM
Monday, April 2, 2018

White Guy on the Bus review – fear and loathing in Philadelphia by Michael Billington

Finborough, London Two white couples lock horns over their prejudices in Bruce Graham’s powerful tale of racial dividesPlays about race often exude a liberal optimism. This pungent, abrasi…

SOURCE: The Guardian at 01:00AM
Thursday, March 29, 2018

Ruthless! review – showbiz schemers play dirty in ultra-camp musical by Michael Billington

Arts theatre, LondonAn over-the-top paean to stage ambition ends up in thrall to the world it tries to parodyCamp, says one of the gay men in Matthew Lopez’s new play, The Inheritance, is …

SOURCE: The Guardian at 11:00AM
Wednesday, March 28, 2018

The Inheritance review – Angels in America meets Howards End by Michael Billington

Young Vic, LondonStephen Daldry directs a stellar cast, including Vanessa Redgrave, in a rollercoaster epic about gay men in New YorkThis is quite something: a two-part, seven-hour play by M…

SOURCE: The Guardian at 07:01PM
Monday, March 26, 2018

Paradise Lost review – Clifford Odets captures America's shattered dreams by Michael Billington

Silk Street theatre, LondonGuildhall School of Music and Drama students deliver a stirring revival of Odets’ forgotten state-of-the-union storySpurned by the New York critics in 1935, Clif…

SOURCE: The Guardian at 12:22PM

Misty review – vivid vision of the virus infecting city life by Michael Billington

Bush, LondonArinzé Kene’s one-man show rejects the urban jungle cliches in a heartfelt but too playful exploration of the role of the artistAs we know from One Night in Miami and Girl fro…

SOURCE: The Guardian at 04:00AM
Friday, March 23, 2018

Black Men Walking review – rap, race and rambling hit peak resonance by Michael Billington

Royal Court, LondonMixing poetry and politics, Yorkshire-based rapper Testament has created a witty, innovative piece that says a lot about British identity and racial historyThis is that ra…

SOURCE: The Guardian at 06:54AM
Thursday, March 22, 2018

The Last Ship review – Sting crafts a stirring musical for Tyneside by Michael Billington

Northern Stage, NewcastleWith rousing anthems and purposeful politics, this tale of Thatcher-era shipbuilders launches anew in home watersHaving bombed on Broadway, this musical by Sting abo…

SOURCE: The Guardian at 06:25AM
Wednesday, March 21, 2018

Macbeth review – Eccleston is every inch the rugged soldier by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonChristopher Eccleston and Niamh Cusack star in an RSC production that moves at a lick but sometimes lacks subtletyProductions of Macbeth come th…

SOURCE: The Guardian at 07:05AM

Andrew Lloyd Webber at 70: how a ruthless perfectionist became Mr Musical by Michael Billington

He took the shonky British musical and made it a global phenomenon. As the composer celebrates his birthday with a new memoir, our theatre critic looks back at the hits – and flopsI first …

SOURCE: The Guardian at 02:00AM
Tuesday, March 20, 2018

The Great Wave review – gripping mystery of North Korea kidnap scandal by Michael Billington

Dorfman, LondonFrancis Turnly’s drama drills to the heart of the harsh politics and complex emotions surrounding a series of historic abductions of young Japanese peopleSometimes a play gr…

SOURCE: The Guardian at 07:23AM
Friday, March 16, 2018

Acceptance review – university drama takes on hot-button topics by Michael Billington

Hampstead theatre, LondonAmy Ng’s second play is given a crisp, clear and well-acted production, but it tries to compress a few too many big issuesThere are few topical concerns that don�…

SOURCE: The Guardian at 08:50AM
Wednesday, March 14, 2018

Frankenstein review – Manchester chiller is both terrifying and touching by Michael Billington

Royal Exchange, ManchesterBlending gothic horror and moral parable, this adaptation is skilfully stitched together by April De Angelis and Matthew XiaThere are said to be more than 55 theatr…

SOURCE: The Guardian at 08:01AM
Tuesday, March 13, 2018

Humble Boy review – serpents and supersymmetry collide in a Cotswold Eden by Michael Billington

Orange Tree, Richmond Astrophysics and simmering family tensions come to the boil in this superb revival of Charlotte Jones’s household dramaCharlotte Jones’s prizewinning play, to which…

SOURCE: The Guardian at 09:09AM
Monday, March 12, 2018

Ken Dodd: last of the music-hall maestros by Michael Billington

The veteran’s linguistic prowess, outlandish appearance and musical smarts could tickle any audience into a state of collective ecstasyThe death of Ken Dodd not only leaves the nation a sa…

SOURCE: The Guardian at 08:48AM
Sunday, March 11, 2018

The Dog Beneath the Skin review – ragbag revue too larky for its own good by Michael Billington

Jermyn Street theatre, LondonWH Auden and Christopher Isherwood’s satire on 1930s nationalism has a topical pungency but can’t match the gravity of the subjectThis political satire by WH…

SOURCE: The Guardian at 10:00AM
Friday, March 9, 2018

The Duchess of Malfi review – so bloody you need a blanket by Michael Billington

The Swan, Stratford-upon-Avon The front row are given protection for the second half of Maria Aberg’s RSC staging of Webster’s Jacobean tragedy – a brutal tale of female defianceThe RS…

SOURCE: The Guardian at 05:47AM
Thursday, March 8, 2018

Summer and Smoke review – gripping return for rare Tennessee Williams by Michael Billington

Almeida, LondonPatsy Ferran proves she is one of Britain’s most exciting actors in a major and wrongly neglected work by the great playwrightAs it is so rarely seen, this early play by Ten…

SOURCE: The Guardian at 05:51AM
Wednesday, March 7, 2018

Macbeth review – Rufus Norris's brutal take misses the poetry by Michael Billington

Olivier theatre, LondonRory Kinnear and Anne-Marie Duff star in a vigorous production that shows scant regard for the rhythms of the languageYou have to admire Rufus Norris’s chutzpah. For…

SOURCE: The Guardian at 06:00PM
Tuesday, March 6, 2018

The Best Man review – Gore Vidal's brutal political dogfight by Michael Billington

Playhouse, LondonMartin Shaw and Maureen Lipman star in an entertaining 1960 drama set during a Democratic party conventionIt has taken Gore Vidal’s highly entertaining drama about US pres…

SOURCE: The Guardian at 07:00AM
Monday, March 5, 2018

Returning to Haifa review – disturbing drama is a plea for peace by Michael Billington

Finborough, LondonA Palestinian couple return to their former home to be confronted by its new Israeli owner in this unsentimental, gently political family dramaCommissioned by New York’s …

SOURCE: The Guardian at 05:02AM
Thursday, March 1, 2018

Fanny and Alexander review – Bergman classic staged with superb performances by Michael Billington

Old Vic, LondonPenelope Wilton leads a top-notch cast in this gothic family drama that only fleetingly captures the brilliance of the filmYou can see the temptation to turn Ingmar Bergman’…

SOURCE: The Guardian at 07:00PM
Tuesday, February 27, 2018

Trust review – making a drama out of a capitalist crisis by Michael Billington

Gate, LondonThe exuberant pessimism of Falk Richter’s play might be hard to swallow, but Jude Christian’s production is an extraordinary mix of the political, the personal and the pantom…

SOURCE: The Guardian at 08:07AM
Friday, February 23, 2018

Picnic at Hanging Rock review – mesmerising mystery in the outback by Michael Billington

Barbican, LondonThe myth about a group of schoolgirls who go missing on Valentine’s Day is hauntingly realised by a versatile cast and impressive special effectsI initially assumed, like m…

SOURCE: The Guardian at 05:26AM
Thursday, February 22, 2018

Brighton Rock review – ingenious staging curtails Greene's Catholicism by Michael Billington

York Theatre RoyalBryony Lavery’s adaptation underplays the classic novel’s religious theme and focuses on the pleasure-seeking IdaBy a strange quirk of fate, Bryony Lavery’s adaptatio…

SOURCE: The Guardian at 08:02AM
Tuesday, February 20, 2018

Frozen review – Suranne Jones is riveting as mother facing child's killer by Michael Billington

Theatre Royal Haymarket, London The performances match the intensity of the writing in Bryony Lavery’s drama, which asks if some people are born evilFirst seen 20 years ago, Bryony Lavery�…

SOURCE: The Guardian at 07:00PM
Friday, February 16, 2018

The Shadow Factory review – Howard Brenton's bolshy drama declares war by Michael Billington

NST City, SouthamptonThe Luftwaffe’s destruction of a Spitfire factory sparks vivid tensions between local people and the state in this Southampton-set playAn expansive new arts complex in…

SOURCE: The Guardian at 07:35AM
Thursday, February 15, 2018

Girls and Boys review – gut-wrenching Carey Mulligan charts a marriage's end by Michael Billington

Royal Court, LondonMulligan is a joy to watch as she brings her expressive powers to bear in Dennis Kelly’s flawed but compelling one-handerCarey Mulligan has had quite a week. First she s…

SOURCE: The Guardian at 06:59PM
Wednesday, February 14, 2018

The York Realist review – town and country clash in Peter Gill's moving romance by Michael Billington

Donmar Warehouse, LondonRobert Hastie’s excellent revival of Gill’s 2001 play about class, sex and divided loyalties brings out its poetryThe intersection of class and sex has long fasci…

SOURCE: The Guardian at 05:49AM
Friday, February 9, 2018

Pluto review – Astro Boy epic is a technical marvel by Michael Billington

Barbican, LondonSidi Larbi Cherkaoui’s visually spectacular adaptation of Osamu Tezuka’s manga is philosophical about our relationships with robots, but lacks a human heartIn 1920, Karel…

SOURCE: The Guardian at 08:02AM
Thursday, February 8, 2018

The Captive Queen review – Rutter bows out with rhyming couplets and marital spats by Michael Billington

Sam Wanamaker Playhouse, LondonRelocating Dryden’s tale of love and dynasty in 17th-century India to an English mill, Rutter’s final show for Northern Broadsides is at its best when it d…

SOURCE: The Guardian at 06:31AM

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