All stories by Michael Billington on BroadwayStars

Saturday, September 23, 2017

Coriolanus/Dido, Queen of Carthage review – Shakespeare and Marlowe do battle by Michael Billington

Royal Shakespeare theatre/The Swan, Stratford-upon-Avon This well-matched pair of tragedies in the RSC’s Rome season give us strong images, unforgettable lines, probing psychology – and …

SOURCE: The Guardian at 06:54AM
Thursday, September 21, 2017

Ben Hur Live | theatre review | by Michael Billington

O2 Arena, LondonThe statistics alone for this show are mind-boggling. It requires 620 tonnes of sand, involves a cast and crew of 400 and a total of 46 horses, donkeys and ponies. But specta…

SOURCE: The Guardian at 10:42PM

Wings review – Juliet Stevenson soars in stroke recovery tale by Michael Billington

Young Vic, London Performing 360-degree loops, pummelled by voices and piecing together her shattered speech, Stevenson goes bravely to the limit in this high-concept showJuliet Stevenson mu…

SOURCE: The Guardian at 06:24AM
Wednesday, September 20, 2017

For Love or Money review – Northern Broadsides strike comedy gold by Michael Billington

Viaduct, Halifax Blake Morrison transposes a corrupt, covetous 18th-century Paris to 1920s Yorkshire in a lively satire directed by and starring Barrie RutterNorthern Broadsides have made a …

SOURCE: The Guardian at 08:54AM
Tuesday, September 19, 2017

Love Never Dies | Theatre review by Michael Billington

Adelphi, LondonThere is much to enjoy in Andrew Lloyd Webber's new musical. The score is one of the composer's most seductive. Bob Crowley's design and Jack O'Brien's direction have a beauti…

SOURCE: The Guardian at 10:12PM
Monday, September 18, 2017

Oslo review – the political gets personal as tense peace talks are given epic sweep by Michael Billington

Lyttelton, London In JT Rogers’ engrossing play on a historic moment in the Israeli-Palestinian peace process in 1993, we are reminded that diplomacy requires duplicityJT Rogers is an Amer…

SOURCE: The Guardian at 07:06PM
Friday, September 15, 2017

Prism review – Robert Lindsay brings Jack Cardiff's movie memories into focus by Michael Billington

Hampstead theatre, LondonLindsay is magnetic as the celebrated cinematographer, who looks back over his life from Alzheimer’s-affected old age in Terry Johnson’s moving playJack Cardiff,…

SOURCE: The Guardian at 08:18AM
Thursday, September 14, 2017

Boudica review – Gina McKee reigns supreme in Brexit-baiting epic by Michael Billington

Shakespeare’s Globe, LondonMcKee brings an imposing stillness to Tristan Bernays’s play about the ancient British queen whose uprising is crushed by the RomansGina McKee plays Boudica, t…

SOURCE: The Guardian at 08:04AM
Wednesday, September 13, 2017

The Blinding Light review – Howard Brenton imagines Strindberg's inferno by Michael Billington

Jermyn Street theatre, London The Swedish dramatist’s life is shown to echo his plays in a new production about his obsession with alchemy and his relationships with three women‘Death to…

SOURCE: The Guardian at 09:54AM

Peter Hall: a titan of the theatre and a vulnerable, sensitive man by Michael Billington

In conversations with Hall over 40 years, I encountered a creative powerhouse who exuded confidence yet could be a strangely solitary figurePeter Hall was a man of infinite contradictions. I…

SOURCE: The Guardian at 05:04AM
Tuesday, September 12, 2017

The Birthday Party – review by Michael Billington

Royal Exchange, ManchesterBlanche McIntyre is one of the flotilla of female directors coming to the forefront of British theatre. But, although she's assembled a cracking cast for this reviv…

SOURCE: The Guardian at 09:42AM

Sir Peter Hall obituary: powerful force in British theatre by Michael Billington

Creator of the Royal Shakespeare Company who built up the National and championed regional playhousesSir Peter Hall, who has died aged 86, was the single most influential figure in modern Br…

SOURCE: The Guardian at 09:42AM

The March on Russia review – dreams turn to despair in David Storey's family reunion by Michael Billington

Orange Tree, Richmond In this revival of Storey’s 1989 play, set during the Thatcher era, a poignant celebration subtly turns into a state-of-the-nation drama There could no better tribute…

SOURCE: The Guardian at 09:42AM

Sir Peter Hall: 'Politicians don't grasp the case for the arts' by Michael Billington

More than any other director, Sir Peter Hall shaped British theatre. As he turns 80, he tells Michael Billington about his doubts about the new RSC building and his dismay at fighting arts c…

SOURCE: The Guardian at 05:54AM

Angels and demons: the unmissable theatre, comedy and dance of autumn 2017 by Michael Billington, Lyn Gardner, Judith Mackrell and Brian Logan

Hamilton hits London, Bryan Cranston’s news anchor goes berserk, Wayne McGregor turns his DNA into dance, Mae Martin revisits her teen addictions and Toyah Willcox is a time-travelling que…

SOURCE: The Guardian at 02:12AM
Monday, September 11, 2017

The Knowledge review – Maureen Lipman steers witty cabbie comedy by Michael Billington

Charing Cross theatre, LondonThis adaptation of Jack Rosenthal’s TV film brings back the desperate drivers and their sadistic examiner – but does the story belong on stage?Any adaptation…

SOURCE: The Guardian at 06:42PM
Friday, September 8, 2017

On the Shore of the Wide World, Royal Exchange, Manchester by Michael Billington

Royal Exchange, ManchesterFamilies lie at the heart of drama. And Simon Stephens' new play, co-commissioned by the National Theatre and the Royal Exchange, offers a sensitive study of three …

SOURCE: The Guardian at 12:18AM
Thursday, September 7, 2017

Faithful Ruslan: The Story of a Guard Dog review – ingenious allegory with a bite by Michael Billington

Belgrade theatre, Coventry A dazzling ensemble play dogs and chickens, as well as brutal soldiers and their prisoners, in this account of the horrors of the gulagHelena Kaut-Howson is one of…

SOURCE: The Guardian at 10:48AM
Wednesday, September 6, 2017

Follies review – Sondheim's showbiz stunner returns in breathtaking style by Michael Billington

National Theatre, LondonImelda Staunton is unforgettable in Dominic Cooke’s ingenious revival of a musical that perfectly fuses splendour and poetic sadnessAlthough it has legions of admir…

SOURCE: The Guardian at 06:04PM
Tuesday, September 5, 2017

Medea review – Carrie Cracknell's version is a tragic force to be reckoned with by Michael Billington

Olivier, LondonHelen McCrory excels in this modern-dress take on Euripides that is alive with complexity and psychological astutenessAfter her success with Ibsen's A Doll's House, Carrie Cra…

SOURCE: The Guardian at 11:18PM
Monday, September 4, 2017

Rudy’s Rare Records review – Lenny Henry’s reggae romp has the audience roaring by Michael Billington

Birmingham RepStuffed with gags and overflowing with an easygoing, laid-back liberalism, this comedy about a vinyl-shop owner fighting developers has the feel of a stonking hitIf there is a …

SOURCE: The Guardian at 05:48PM
Friday, September 1, 2017

Hamlet review – lucky few see Tom Hiddleston combine sweet sadness with incandescent fury by Michael Billington

Donmar Warehouse, LondonHollywood star shines in limited run production directed by Kenneth Branagh and designed to raise funds for RadaFew shows are seemingly more exclusive than this. Tom …

SOURCE: The Guardian at 08:12PM
Monday, August 28, 2017

Windows review – Galsworthy's warring family put woolly liberalism to the sword by Michael Billington

Finborough, LondonGeoffrey Beevers’ production of little-known play about the moral fissures within an upper middle-class family is a razor-sharp take on a quietly subversive workAs a refo…

SOURCE: The Guardian at 11:18AM
Thursday, August 24, 2017

Loot review – Joe Orton's savage farce now even funnier and filthier by Michael Billington

Park theatre, LondonFrom the necrophilia to the suggestion Christ was framed, the playwright’s most dangerous work – performed without the censor’s cuts for the first time – shows Or…

SOURCE: The Guardian at 09:24AM
Wednesday, August 23, 2017

Knives in Hens review – a fable with many messages by Michael Billington

Donmar Warehouse, LondonDavid Harrower’s 1995 play, with its deceptively simple premise of a woman finding articulacy, offers insight into the power of language to shape our humanity If on…

SOURCE: The Guardian at 07:04AM
Sunday, August 20, 2017

The Stepmother review – marriage, morals and misdemeanours by Michael Billington

Minerva, ChichesterInjustice, inequality, power and passion drive the plot of this remarkable play which still rings horribly true a century after it was writtenGitha Sowerby’s remarkable …

SOURCE: The Guardian at 12:04PM

Against review – Ben Whishaw on a mission to save the world by Michael Billington

Whishaw is quietly charismatic in this play with lofty philosophical ambitions but which ignores the social and political history behind today’s violenceBen Whishaw is a highly sympathetic…

SOURCE: The Guardian at 06:48AM
Thursday, August 17, 2017

King Lear review – poverty-stricken Shakespeare puts spotlight on homeless by Michael Billington

Shakespeare’s Globe, London On a stripped-back stage, Nancy Meckler’s production locates Lear in a world of deprivation, broken family relationships and bubbling anger‘No disco-dancing…

SOURCE: The Guardian at 07:48AM
Tuesday, August 15, 2017

The Majority review – solo show asks us to vote on ethical issues by Michael Billington

Dorfman, London Rob Drummond presents us with questions such as whether violence is a legitimate weapon of political protest but there’s not enough room for real debateVoting is becoming t…

SOURCE: The Guardian at 10:06AM
Sunday, August 13, 2017

The Divide review by Michael Billington

King’s theatre, EdinburghAlan Ayckbourn’s Handmaid’s Tale-esque projection of a plague-ravaged future contains many nice ironies and performances, but strains patience over its six hou…

SOURCE: The Guardian at 02:18AM
Friday, August 11, 2017

Looking at Lucian review – mesmerising portrait of the artist as an old man by Michael Billington

Ustinov Studio, BathHenry Goodman is utterly convincing in Alan Franks’ one-man play about Lucian Freud, with stories of his models, from the Krays to the QueenA solo play about a painter …

SOURCE: The Guardian at 08:12AM

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