All stories by Tom Birchenough on BroadwayStars

Sunday, August 18, 2024

Antony and Cleopatra, Shakespeare's Globe review - Egypt in sign language, Rome in pale force by Tom Birchenough

The Globe stretches the theatrical experience with this bilingual BSL production More surely than any other London stage, the Globe has opened up our theatrical perspective on different lang…

SOURCE: theartsdesk.com at 03:54PM
Friday, July 19, 2024

The Hot Wing King, National Theatre review - high kitchen-stove comedy, with sides of drama by Tom Birchenough

Katori Hall is back in her native Memphis with an exuberant ensemble piece There’s an exuberant comedy from the start in Katori Hall’s The Hot Wing King, which comes to London after an i…

SOURCE: theartsdesk.com at 12:42PM
Wednesday, May 22, 2024

Richard III, Shakespeare's Globe review - Michelle Terry riffs with punk bravado by Tom Birchenough

A female cast rips into toxic masculinity in a rebalanced treatment of villainy There’s a fierce, dark energy to the Globe’s new Richard III that I don’t recall at that venue for a fai…

SOURCE: theartsdesk.com at 04:06PM
Monday, April 1, 2024

The Divine Mrs S, Hampstead Theatre review - Rachael Stirling shines in hit-and-miss comedy by Tom Birchenough

Awkward mix of knockabout laughs, heartfelt tribute and feminist messaging never quite settles There are genres of theatre that demand buy-in from the audience – musicals, opera and the…

SOURCE: theartsdesk.com at 02:12PM
Monday, October 24, 2022

Something in the Air, Jermyn Street Theatre review - evocative London mood music by Tom Birchenough

Peter Gill's new memory play is a wistful recreation of gay loves lost and found As its title suggests, Peter Gill’s Something in the Air is an elusive piece – it’s about catching at i…

SOURCE: theartsdesk.com at 02:19PM
Monday, June 27, 2022

Mad House, Ambassadors Theatre review - David Harbour is magnificent in Theresa Rebeck's family drama by Tom Birchenough

While bravado support from Bill Pullman practically steals the show For sheer extremes of family dysfunction Theresa Rebeck’s Mad House must be aiming to set new records in American drama.…

SOURCE: theartsdesk.com at 05:54AM
Saturday, June 18, 2022

Jitney, Old Vic review - a directorial delight by Tom Birchenough

The first in his 'Century Cycle' catches the fabric of life that August Wilson made his own It’s great to see August Wilson’s early play – the first of his “Century Cycle”, that re…

SOURCE: theartsdesk.com at 11:42AM
Friday, April 22, 2022

Lava, Soho Theatre review - silences, secrets and lies by Tom Birchenough

James Fritz’s play explores the spoken and unspoken ripples of grief with fine naturalism The title of James Fritz’s play is allusive, oblique even. I assume it refers to how, in the af…

SOURCE: theartsdesk.com at 01:42AM
Monday, April 11, 2022

'Daddy' A Melodrama, Almeida Theatre review - production exuberance carries a new play of promise by Tom Birchenough

Jeremy O Harris's scintillating drama poses questions about possession, in life and art Danya Taymor’s production of “Daddy” A Melodrama has a huge exuberance: a tour de force in itsel…

SOURCE: theartsdesk.com at 02:12AM
Wednesday, April 6, 2022

The Fever Syndrome, Hampstead Theatre review - ambitious family drama falls short by Tom Birchenough

Alexis Zegerman’s new play feels less than the sum of its parts The Fever Syndrome has an ambition that places itself firmly in the tradition of the great American family drama (comparison…

SOURCE: theartsdesk.com at 12:33PM
Tuesday, December 21, 2021

Peggy For You, Hampstead Theatre review - comedic gold, and a splinter of ice, from Tamsin Greig by Tom Birchenough

Agent supreme Peggy Ramsay returns to the stage in accomplished Alan Plater revival Was Peggy Ramsay a “woman out of time”? The legendary London literary agent, who nurtured the talents…

SOURCE: theartsdesk.com at 06:33AM
Monday, December 6, 2021

Measure for Measure, Sam Wanamaker Theatre review - this problem play is a delight by Tom Birchenough

Blanche McIntyre regenders the Duke and relishes the London low-life Measure for Measure may be the quintessential Shakespearean “problem” play, but just what has earned it that epithet…

SOURCE: theartsdesk.com at 01:24PM
Thursday, November 18, 2021

A Merchant of Venice, Playground Theatre review - Shylock supreme in a pared-down production by Tom Birchenough

The intensity of studio theatre only fitful in Bill Alexander's updated adaptation What’s in an article? Director Bill Alexander has titled his new production A Merchant of Venice, leaving…

SOURCE: theartsdesk.com at 12:12PM
Wednesday, November 3, 2021

'Night Mother, Hampstead Theatre review - despair in sotto-voce by Tom Birchenough

Stockard Channing explores the essentials in Marsha Norman revival ‘Night Mother remains a play of piercing pessimism, something that’s not necessarily the same as tragedy, though the tw…

SOURCE: theartsdesk.com at 11:36AM
Sunday, April 25, 2021

The Winter's Tale, RSC, BBC Four review - post-war poise colours a solid production by Tom Birchenough

Overcoming lockdown challenges, a broadcast first for RSC It has been a hard coming for this RSC Winter’s Tale but, mirroring the action of the play itself, considerable travail has brough…

SOURCE: theartsdesk.com at 06:42PM
Monday, April 19, 2021

A Splinter of Ice, Original Theatre Company online review - Graham Greene and Kim Philby are friends reunited by Tom Birchenough

Affectionate aplomb from Oliver Ford Davies and Stephen Boxer in Ben Brown's new play There’s such a genial feel to the pairing of Oliver Ford Davies and Stephen Boxer in Ben Brown’s ne…

SOURCE: theartsdesk.com at 10:36AM
Thursday, April 1, 2021

A Midsummer Night's Dream, SHAKE Festival livestream review - a star turn from Luisa Omielan makes this 'Bottom's Dream' by Tom Birchenough

Jenny Caron Hall's production, with sister Rebecca starring, offers 'mechanical' treats Just what the Zoom era has brought to theatre – to performers and audiences alike – is something w…

SOURCE: theartsdesk.com at 09:42AM
Tuesday, February 23, 2021

Barnes' People, Original Theatre Company online review - intriguing quartet of monologues revived by Tom Birchenough

Jemma Redgrave and Adrian Scarborough excel in Peter Barnes radio solos brought to screen The four monologues that make up Barnes’ People were filmed in the grand surroundings of the Theat…

SOURCE: theartsdesk.com at 07:33AM
Friday, February 19, 2021

Hymn, Almeida Theatre online review - highs and lows of a soulful brother bonding by Tom Birchenough

Adrian Lester and Danny Sapani in their skins in Lolita Chakrabarti’s new play Contact without touch: among the many readjustments that the pandemic has brought to theatre, its demands th…

SOURCE: theartsdesk.com at 09:36AM
Wednesday, April 22, 2020

Tiger Country, Hampstead Theatre online review - a taut drama of NHS pressure and pain by Tom Birchenough

Nina Raine’s urgent story of hospital stress rings truer than ever today If ever there was a “play for today”, it’s surely this.

SOURCE: theartsdesk.com at 11:12AM
Wednesday, February 12, 2020

Collapsible, Bush Theatre review - a high-wire solo engagement by Tom Birchenough

Breffni Holahan’s bravura performance controls a monologue of mental malaise There’s such remarkable symbiosis between material and performance in Irish dramatist Margaret Perry’s Coll…

SOURCE: theartsdesk.com at 07:54AM
Thursday, January 30, 2020

Kunene and the King, Ambassadors Theatre review - a Shakespearean voyage through the legacy of apartheid by Tom Birchenough

A strange meeting across the boundary of race: John Kani co-stars in his two-hander with Antony Sher John Kani’s Kunene and the King is history in microcosm. Its premiere at the RSC last y…

SOURCE: theartsdesk.com at 08:24AM
Thursday, January 23, 2020

Uncle Vanya, Harold Pinter Theatre review - a superlative company achievement by Tom Birchenough

Ian Rickson’s exemplary production relishes the nuances of Conor McPherson's adaptation Uncle Vanya must surely be the closest, the most essential of Chekhov’s plays, its cast – just f…

SOURCE: theartsdesk.com at 07:48PM
Wednesday, December 11, 2019

Three Sisters, National Theatre review - Chekhov in time of war by Tom Birchenough

Relocation from the Russian provinces to Sixties Biafra brings insight and immediacy Inua Ellams’ Three Sisters plays Chekhov in the shadow of war, specifically the Nigerian-Biafran seces…

SOURCE: theartsdesk.com at 09:36AM
Monday, December 9, 2019

Fairview, Young Vic review - questioning the assumptions of race by Tom Birchenough

New American drama directs a rapier wit at black stereotypes Jackie Sibblies Drury’s Fairview comes to the Young Vic with the 2019 Pulitzer Prize for Drama under its belt, and a reputatio…

SOURCE: theartsdesk.com at 03:18PM
Tuesday, October 15, 2019

Solaris, Lyric Hammersmith review - moving and finely cerebral by Tom Birchenough

David Greig’s dream-drama of cosmic loneliness is sci-fi at its most philosophical David Greig’s reimagining of Stanisław Lem’s 1961 novel has brought a masterpiece of intellectual sc…

SOURCE: theartsdesk.com at 09:36AM
Thursday, October 10, 2019

Mephisto [A Rhapsody], Gate Theatre review - the callowness of history by Tom Birchenough

More manner than message in adaptation of Klaus Mann's 1930s novel You wonder about the title of French dramatist Sam Gallet’s Mephisto [A Rhapsody], an adaptation for our days of Klaus Ma…

SOURCE: theartsdesk.com at 11:24AM
Friday, October 4, 2019

Our Lady of Kibeho, Theatre Royal Stratford East review - heaven and hell in Rwandan visions by Tom Birchenough

Questions of faith in Katori Hall’s luminous meditation on belief, doubt and miracles The American dramatist Katori Hall has created a work of rare accomplishment in Our Lady of Kibeho, a …

SOURCE: theartsdesk.com at 02:03PM
Monday, September 30, 2019

Macbeth, Chichester Festival Theatre review - cosmic yet closely crafted by Tom Birchenough

John Simm is a strikingly intelligent Thane in a broadly theatrical production There’s a fine balance between the cosmic and the closely crafted in director Paul Miller’s Macbeth, his fi…

SOURCE: theartsdesk.com at 01:48PM
Tuesday, September 24, 2019

Youth Without God, Coronet Theatre review - the chill control of nascent Nazism by Tom Birchenough

Christopher Hampton adapts von Horváth's novel about the mindset of totalitarianism The only novel by the Hungarian dramatist Ödön von Horváth, Youth Without God was written in exile aft…

SOURCE: theartsdesk.com at 12:48PM
Friday, September 20, 2019

Old Stock: A Refugee Love Story, Wilton's Music Hall review - klezmer revue is moving and inventive by Tom Birchenough

An original piece of theatre-making finds joyous exuberance, as well as sorrow, in the immigrant experience Canadian playwright Hannah Moscovitch’s “refugee musical” – now there’s …

SOURCE: theartsdesk.com at 11:42AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic