Branden Jacobs-Jenkins’s 2013 play is tensely dark, as well as very funny You can’t fail to feel the ghosts in Appropriate: they are there in the very timbers of the ancient Southern pl…
SOURCE: theartsdesk.com at 08:42PMNew West London venue opens with a zestful spectacular to suit all ages London’s Troubadour White City theatre has got off to a, literally, flying start.
SOURCE: theartsdesk.com at 09:06AMLean and hungry brilliance in Ned Bennett's production of Peter Shaffer When he gave Martin Dysart, the troubled psychiatrist protagonist of Equus, a line in which he speaks about “moments…
SOURCE: theartsdesk.com at 05:54PMStagecraft skill and company playing meld seamlessly in Petersburg production Lev Dodin has been artistic director of the famed Maly Drama Theatre for some three and a half decades now, ove…
SOURCE: theartsdesk.com at 11:48AMThe indelible power of Lynn Nottage’s new play confirmed in Donmar transfer There’s a joke early on in Sweat, Lynn Nottage’s superlative drama about American working lives, in which a …
SOURCE: theartsdesk.com at 10:18AMOkwui Okpokwasili’s solo performance piece is an astounding piece of theatre It’s hard, and finally fruitless to attempt to describe Okwui Okpokwasili’s Bronx Gothic in conventional te…
SOURCE: theartsdesk.com at 08:03AMDeclan Donnellan riffs on Beaumont’s meta-comedy in flavoursome Russian Declan Donnellan has a rich record of working with Russian actors: his previous walk on the Slavic side, the darkly …
SOURCE: theartsdesk.com at 08:48AMLenny Henry leads a strong cast in August Wilson’s 1999 play of African American identity The huge achievement of the last two decades or so of August Wilson’s life, right up to his deat…
SOURCE: theartsdesk.com at 06:06AMArthur Miller’s possession drama staged for spectacle The Crucible is a play that speaks with unrelenting power at times of discord, most of all when the public consciousness looks ripe fo…
SOURCE: theartsdesk.com at 07:00PMPowerful production of Arthur Miller's play of fraternal discord, past painThere’s a sublime equilibrium to Arthur Miller’s 1968 play between the overwhelmingly heavy weight of hist…
SOURCE: theartsdesk.com at 03:42PMThe season's closing pairing presents Danny Dyer and a radio revelationIt was back to the very beginning for this final instalment of “Pinter at the Pinter”, with its pairing of A S…
SOURCE: theartsdesk.com at 10:32AMAdrian Lester compels in new American drama about care and connectionThe Off Broadway production of Cost of Living two years ago brought Martyna Majok the 2018 Pulitzer Prize for Drama, the …
SOURCE: theartsdesk.com at 03:04PMDH Lawrence's tragically inflected 1913 tale of family relationships powerfully toldThere’s a stark power to Jack Gamble’s production of DH Lawrence’s The Daughter-in-Law, which h…
SOURCE: theartsdesk.com at 10:48AMLove it or leave it production sends the RSC on a laboured way to EssexFor those of us who have never thought much before about links between pantomime and Shakespeare, Fiona Laird’s new M…
SOURCE: theartsdesk.com at 11:32AMNatasha Gordon joins the company as her debut drama transfers from the NationalThis is Natasha Gordon’s first play, and in it she has created a whole world. A world of grief and laughter, …
SOURCE: theartsdesk.com at 08:36AMSupreme lucidity and two commanding performances make for a moving productionYou always wonder about those final scenes of Shakespeare’s tragedies. Are they really needed dramatically; do …
SOURCE: theartsdesk.com at 08:48AMBack to the 17th century: the village that cut itself off to dieThe end-of-season contemporary writing slot at the Globe must be a proposal as full of promise for playwrights as it is perhap…
SOURCE: theartsdesk.com at 04:06AMA furious, darkly comic riff on race, this frenetic two-hander dazzlesUnderground Railroad Game is scabrous theatre – in every sense. To start with, Jennifer Kidwell and Scott R Sheppard�…
SOURCE: theartsdesk.com at 09:04AMThe ladies of France shine in a production that otherwise makes heavy weather If ever there was a play of “well bandied” words, it’s surely Love’s Labour’s Lost. The early Shakesp…
SOURCE: theartsdesk.com at 09:06AMJordan Seavey paints a landscape of New York gay life that is as moving as it is witty I’m still not entirely sure what the full associations of the title of New York playwright Jordan Sea…
SOURCE: theartsdesk.com at 08:24AMOrlando Bloom compels as the hitman-cop ruling Tracy Letts's dark, gothic worldRight from the beginning of this production of Tracy Letts’s very first play, it’s clear we’re in fo…
SOURCE: theartsdesk.com at 06:48AMCalixto Bieito's melange of text and music delivers a mesmerising agony of desolationCalixto Bieito has a reputation as a radical theatre-maker, and by any traditional standards The Str…
SOURCE: theartsdesk.com at 06:24PMMichelle Terry's new company explores gender fludity, charts new directionsThere’s a distinct feeling of back-to-basics to this opening double bill at the Globe under the theatre’s …
SOURCE: theartsdesk.com at 10:06AMBravura performance from Tanya Moodie in sharp new American drama of racial discordConflict and comedy can be unpredictable bedfellows, and Chicago playwright Joel Drake Johnson’s 2014 pla…
SOURCE: theartsdesk.com at 09:48AM★★★★ THE OPEN HOUSE, THE PRINT ROOM A tyrannical family reunion and a dramatic volte-face in Will Eno's ingenious new dramaA tyrannical family reunion and a dramatic volte-face in Wi…
SOURCE: theartsdesk.com at 05:45AMWas Tennessee Williams breaking rules, or breaking apart when he wrote this 1969 play? A bit of both, probably, and the two main characters of the rarely performed In the Bar of a Tokyo Hote…
SOURCE: The Arts Desk at 03:19AMLorraine Hansberry’s career as a playwright proved tragically short. A Raisin in the Sun is by some distance her best-known work, a key piece about the African American post-war experience…
SOURCE: The Arts Desk at 09:09AMI’m still pondering the title of Chris Urch’s new play. On the surface it’s clear enough: The Rolling Stone is a weekly newspaper in Uganda that has been notorious for pursuing that co…
SOURCE: The Arts Desk at 10:21AMEvery incarnation of totalitarianism has its own specific mythology, which exists in different forms as it is believed at home and “translated” abroad (or not, in both cases). North Kore…
SOURCE: The Arts Desk at 08:20PMIs Jim Broadbent Britain’s best-loved actor? The slate of screen roles he’s accumulated over the years – this Christmas Carol is his return to theatre after a decade away – has surel…
SOURCE: The Arts Desk at 09:46AMOne of the joys about this stage adaptation of Jules Verne’s Around the World in 80 Days is the contrast between its phlegmatic hero Phileas Fogg, who deals with everything in terms of pre…
SOURCE: The Arts Desk at 08:31AM