All stories by David Jays on BroadwayStars

Sunday, April 26, 2015

Les Ballets de Monte Carlo: Romeo and Juliet review – Prokofiev, puppets and a killer plinth by David Jays

London ColiseumJean-Christophe Maillot’s production is fresh and uncluttered but the lovers are sidelined in this flawed interpretation of Shakespeare’s tragedy Continue reading...

Linked From The Guardian at 10:00AM
Monday, April 13, 2015

Maze review – a charming and mysterious labyrinth of dance by David Jays

Margate Winter GardensFramed by looming white industrial foam walls, Jasmin Vardimon’s performance is enthralling – but falls short of its Cocteauesque inspiration Continue reading...

Linked From The Guardian at 09:13AM
Sunday, April 12, 2015

National Youth Dance Company review – a rewarding tour of Planet Cherkaoui by David Jays

Sadler’s Wells, LondonThe curiosity of choreographer Sidi Larbi Cherkaoui is a smart fit with NYDC’s 38 young performers in a challenging large-scale project Continue reading...

Linked From The Guardian at 09:27AM
Monday, February 16, 2015

Rona Munro: Manchester on a knife edge by David Jays

Scuttlers, the playwright’s latest drama, is about the gangs of street-fighting kids who terrorised 19th-century Ancoats with belts and blades“After the 2011 riots,” says Rona Munro, …

Linked From The Guardian at 02:28PM
Thursday, January 8, 2015

No pity party: how ‘victim art’ dances with truth by David Jays

Twenty years ago, a critic caused a storm by declaring a dance piece ‘victim art’. Disabled dancers and choreographers who work with drug addicts and ex-prisoners reveal what has changed…

Linked From The Guardian at 02:30AM
Thursday, December 11, 2014

Candoco Dance Company review – smart show skips through the unsayable by David Jays

Queen Elizabeth Hall, LondonMining conversations with the disabled and non-disabled dancers, Hetain Patel’s Let’s Talk About Dis tackles physical difference with wit, guile and confidenc…

Linked From The Guardian at 07:11AM
Friday, November 28, 2014

Phoenix Dance Theatre mixed programme review – jolts of intrigue in modest bill by David Jays

A juicy piece by Israeli-Dutch duo Ivgi and Greben, and Darshan Singh Bhuller’s tender work about his father, are highlights in programme that plays it safe Continue reading...

Linked From The Guardian at 07:33AM
Friday, October 24, 2014

Carnage by candlelight: Michael Longhurst on Tis Pity Shes a Whore by David Jays

With its incest and gore, John Fords 17th-century tragedy was not an obvious choice for the director of Constellations. He explains the allure of the play and of the Sam Wanamaker Playhouse…

Linked From The Guardian at 11:17AM
Sunday, October 5, 2014

Blanche McIntyre: the stage director who works hard to make it all look easy by David Jays

From helming £4,000 plays straight out of Oxford, the prolific young director with a brain the size of a planet has grown bolder with each production. But what will she choose next? Continu…

Linked From The Guardian at 10:30AM
Monday, September 22, 2014

Fiddler on the Roof at 50 mazel tov! by David Jays

This classic musical is schmaltzy and shadowy and the role of Tevye the milkman continues to reward a star turn Continue reading...

Linked From The Guardian at 09:22AM
Friday, July 25, 2014

Coppélia review psycho-thriller meets mischievous romcom by David Jays

English National Ballet, LondonStriking rising talents bring added vim to this sugared-up tale of an inventor and his sexbot Almost human: why is art so obsessed with lifesize dolls? Contin…

Linked From The Guardian at 08:51AM
Tuesday, June 10, 2014

Elaine Cassidy at the Donmar: take control and cut the chit-chat by David Jays

Acting? It's weird. Lyndsey Turner? She's a 'grafter'. Brian Friel's Fathers and Sons? It casts her as the Hotel Inspector. Sort of. The star of TV's The Paradise on her return to the stage&…

Linked From The Guardian at 04:00AM
Wednesday, May 21, 2014

All My Sons review reproachful truths under a rustle of leaves by David Jays

Regent's Park theatre, LondonThis revival of Arthur Miller's 1947 war-imbued drama doesn't quite hit home, but intensifies as night fallsA plane growled over Regent's Park during the opening…

Linked From The Guardian at 10:46AM
Monday, April 28, 2014

Birmingham Royal Ballet review small is beautiful in a foxy triple bill by David Jays

Crescent theatre, BirminghamChoreographers Kit Holder and Alexander Whitley made their mark in this intimate space at the International Dance festival, BirminghamSmall spaces have proved the…

Linked From The Guardian at 11:09AM
Sunday, April 27, 2014

The Tempest Replica review inventive but constrained dance version of Shakespeare by David Jays

Sadler's Wells, LondonCrystal Pite and Kidd Pivot's take on The Tempest has an intriguing repeating structure, and probes keenly into Prospero's character, but feels somewhat held backShakes…

Linked From The Guardian at 12:00PM
Thursday, April 17, 2014

'Modern exile': Paul McGann and Anya Reiss on relocating Chekhov to Yemen by David Jays

The dark and panoramic Three Sisters has been relocated to the Middle East and set among British diplomats and military. The play's adapter and star explain why"The play has turned out …

Linked From The Guardian at 03:00AM
Thursday, February 27, 2014

Sex, solitude and soul: Rattigan's Variation on a Theme returns by David Jays

Rattigan's spin on La Dame aux Camélias was slated when it was first staged in 1958 and then vanished from view. Actor Rachael Stirling and director Michael Oakley explain why they've broug…

Linked From The Guardian at 11:20AM
Monday, January 6, 2014

How to name a character – raid your inbox! by David Jays

How do writers come up with character names? Some raid their emails, some plunder their school days – and some take inspiration from Psycho. Stephen Poliakoff, Abi Morgan and more talk to …

Linked From The Guardian at 01:25PM
Wednesday, August 14, 2013

Rosemary Vercoe obituary by David Jays

Costume designer who began her career in acting but won acclaim with her designs for the theatre and operaA baggy cardigan; a battered fedora; a starchy dress fastened high at the neck. The …

Linked From The Guardian at 11:55AM
Monday, September 10, 2012

Michael Clark Company: The Barrowlands Project – review by David Jays

Barrowland Ballroom, GlasgowA decade ago, who would have predicted that the uniquely wayward Michael Clark would become one of Britain's most reliably pleasurable choreographers? Fierce cont…

Linked From The Guardian at 11:20AM
Wednesday, August 17, 2011

Roger Butlin obituary by David Jays

Innovative stage designer with a love of baroque opera and a painterly sensibilityIn 1972 Thomas Allen was a young baritone preparing to sing Benjamin Britten's Billy Budd for…

Linked From The Guardian at 01:52PM
Thursday, April 7, 2011

Rachel Cameron obituary by David Jays

Gifted Australian ballerina and inspirational educator for ballet teachersIn Britain, few did more to keep the fragile art of classical ballet alive than the gifted dancer and supreme educat…

Linked From The Guardian at 01:23PM
Thursday, February 24, 2011

Stage to page: do books about theatre ever live up to the real thing? by David Jays

Writing convincingly about theatre is the trickiest of arts. Does Simon Callow's prizewinning autobiography make the grade?Simon Callow is currently playing a nasty Toby Belch in Twelfth Nig…

Linked From The Guardian at 08:11AM
Tuesday, February 1, 2011

Are the RSC ensemble's glory days over? by David Jays

After the triumph of its Shakespeare history cycle, it seems that the RSC's once-great ensemble has lost its wayThe cycle of Shakespeare's history plays performed by the RSC (2007-8) was one…

Linked From The Guardian at 12:32PM
Friday, January 14, 2011

What really goes on in the rehearsal room? | David Jays by David Jays

Why are theatre rehearsal rooms such mysterious spaces? And why are dance rehearsals so different?To most theatregoers, the rehearsal room is a mysterious space: a crucible, sealed off to th…

Linked From The Guardian at 09:58AM

All that Chat

Oct 06: Slave Play
Feb 01: The Minutes
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