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Nida Manzoor, the creator, writer and director of the series, shares what things inspired her to make a show about Muslim women in a punk band.
The long-running variety show went off the air a half-century ago this month. But much of it is officially available on YouTube. Here’s a look at some of the best moments.
Robert O’Hara and Torrey Townsend discuss their collaboration on “Off Broadway,” a biting satire about a company whose leaders are willfully oblivious of their racial and gender biases.
Terrance McNally’s farcical “It’s Only a Play,” the revue “After Midnight” and productions from Russia are among the highlights.
Without seeing a script, Ann Dowd jumped at the chance to work with Robert Icke on his solo adaptation of the Ibsen classic. Then the debates began.
Highlights include the latest edition of “Broadway Bares,” Jackie Sibblies Drury’s “Marys Seacole” and a new play by Caryl Churchill.
This ingenious interactive show finds the Russian playwright’s characters plotting against their creator.
This Bristol Old Vic production, based on the harrowing story of the British mountaineer Joe Simpson, tracks the spiral of decisions behind human exploits.
“I can’t tell if I hate acting or if I love it too much,” he said ahead of the debut of the Amazon series “Panic.” Coming soon, a major role in Steven Spielberg’s “West Side St…
Highlights include “A Midsummer Night’s Dream” at Shakespeare’s Globe, the rising stars of LaGuardia High School and “Uncle Vanya” on PBS.
Other highlights include a new show by Kristina Wong, Joshua Harmon’s “Bad Jews” and “Broadway by the Year.”
Modesto Jimenez, known as Flako, has turned cab theater into a genre, and his latest show takes place on a ride through Bushwick, Brooklyn.
Highlights include concerts by Melissa Errico and Sutton Foster, and an adaptation of Virginia Woolf’s “The Waves.”
The projection designer Jared Mezzocchi has become a go-to guy for ambitious virtual productions. Next up: Starring in his own haunted house play.
Without international tours, streaming high-concept, director-driven European theater is the next best thing to being there.
Highlights include a virtual production of Adam Rapp’s “The Sound Inside” and a new reading series by Roundabout Theater Company.
Among the offerings are a well-matched double bill, Ute Lemper’s tribute to Marlene Dietrich and a virtual revival of Michel Legrand’s musical “Amour.”
In “The Jackson C. Frank Listening Party w/ Special Guests,” the musician is simultaneously central and peripheral to the story.
Presentations include a star-studded reading of “The Thanksgiving Play,” musicals crossing the Atlantic and the Oregon Shakespeare Festival.
The magician explains how he worked up to “In & Of Itself” in a new memoir, “Amoralman,” a prequel of sorts to the show.
The past year has made us rethink the boundaries between theater and film. Many of these shows are a little bit of both.
Audience members can shift from camera to camera in this streaming solo show, like security guards keeping watch.
Anna Moench’s play, about a woman working in social media content moderation, begins with dark humor but slides into psychological horror.
Presentations include the 30th anniversary of George C. Wolfe’s “The Colored Museum”; Andréa Burns in “Bad Dates”; and a solo show by Riz Ahmed.
Patrick Page looks at bad guys, Steven Carl McCasland gives us literary women, and Jill Sobule mines her own history, including the dreaded seventh grade.
Cleverly edited and darkly funny, the latest Theater in Quarantine show finds a nervous couple afraid to go out or let anyone in. Sound familiar?
A film of Derek DelGaudio’s idiosyncratic show captures its surreal vibe and unconventional approach.
The Pasadena Playhouse has a new tribute to Herman, the composer of “Hello, Dolly!,” and Tomei turns up in “Beirut” and “Three Hotels.”
Travis Alabanza’s monologue starring Reece Lyons examines agency and safety, here inextricably intertwined with identity.
The shows have not been staged, but three concept albums are at the center of a sprawling fictional world created largely by teenagers.