Tuesday, April 2, 2019
The latest Mabou Mines production is a strikingly designed but ultimately bloodless take on the weird second part of Goethe’s classic.
SOURCE: The New York Times Subscription at 09:45PMSunday, March 24, 2019
Monday, March 18, 2019
Quincy Tyler Bernstine, now starring in “Marys Seacole,” is drawn to the toughest, brainiest roles. And playwrights are drawn to her to pull them off.
SOURCE: The New York Times Subscription at 02:51PMWednesday, March 13, 2019
A low-key spotter of high-wattage talent, Jason Eagan has made Ars Nova the launchpad for creative types merging uptown and downtown sensibilities.
SOURCE: The New York Times Subscription at 10:00AMTuesday, March 12, 2019
Wednesday, March 6, 2019
A drama set in a college classroom during a campus shooting, “Good Friday,” at the Flea Theater, is meant to unsettle and provoke.
SOURCE: The New York Times Subscription at 03:46PMMonday, March 4, 2019
Kristine Haruna Lee’s gorgeously complex play is made up of sharp vignettes that open up to explore Japanese-American identity.
SOURCE: The New York Times Subscription at 09:45PMSunday, March 3, 2019
A dissection of an episode of “The X-Files” is the jumping-off point for an exploration of a fragile and tortured identity.
SOURCE: The New York Times Subscription at 09:45PMWednesday, February 27, 2019
This gleefully but fatally overloaded play riffs on sci-fi, time-travel and airplane-disaster movies, while sending up our screen-obsessed culture.
SOURCE: The New York Times Subscription at 01:32PMSunday, February 24, 2019
The scientist in Edward Einhorn’s uneven romantic dramedy wants to find solid proof of his girlfriend’s devotion. Which is his first problem.
SOURCE: The New York Times Subscription at 04:53PMFriday, February 15, 2019
“When Angels Fall,” at Peak Performances, and “Non Solus,” at the Brooklyn Academy of Music, blend circus with dance in feats of perfect equilibrium.
SOURCE: The New York Times Subscription at 03:48PMWednesday, February 6, 2019
Two shows enlist their spectators as witnesses, exhorting the Americans in the room to consider what our nation is doing in our name.
SOURCE: The New York Times Subscription at 10:18PMMonday, February 4, 2019
In a new revival, Henry VIII lacks grandeur and Cromwell cunning. Without worthy adversaries, Sir Thomas More’s dilemma never delivers the drama.
SOURCE: The New York Times Subscription at 02:54PMFriday, January 25, 2019
Sure, less paper makes environmental sense. But relying on digital programs betrays what makes the in-the-moment experience of theater so special.
SOURCE: The New York Times Subscription at 10:42AMTuesday, January 22, 2019
In a smart if sometimes shaggy monologue that ponders a divided nation, Mr. Quinn worries about more than the occupant of the White House.
SOURCE: The New York Times Subscription at 10:18PMWednesday, January 16, 2019
Performers revisit their own fraught memories in recent productions, including one inspired by women who have accused the president of misconduct.
SOURCE: The New York Times Subscription at 03:24PMSunday, January 13, 2019
The bloody story of Procne and Philomela is retold as a tale of sisterly devotion in this indie-rock opera by the Kilbanes at BRIC House in Brooklyn.
SOURCE: The New York Times Subscription at 02:03PMFriday, January 11, 2019
This stunning Under the Radar festival show tells the story of Valerie Solanas, the feminist agitator who shot Andy Warhol.
SOURCE: The New York Times Subscription at 02:18PMThursday, January 10, 2019
At Bushwick Starr, Diana Oh and her team of “super queero heart questers” welcome guests to a night of dance-filled revelry. (Yes, there’s a sleepover option.)
SOURCE: The New York Times Subscription at 03:54PMWednesday, December 19, 2018
Of the three jukebox bio-musicals about female pop stars now on Broadway, it’s the latest that best understands its audience.
SOURCE: The New York Times Subscription at 07:18AMSunday, December 16, 2018
This clever, messy comedy opens with a charming pair of singing elves, yet it’s an ill-advised choice for Santa believers.
SOURCE: The New York Times Subscription at 01:54PMThursday, December 13, 2018
This multimedia adaptation for the era of TED Talks and smartphones is visually and aurally striking, but it lacks the spookiness of the original novella.
SOURCE: The New York Times Subscription at 03:54PMWednesday, December 5, 2018
In Krista Knight’s muddled dramedy, an abusive husband and his fearful wife are joined by a mythological sea creature.
SOURCE: The New York Times Subscription at 10:54PMSunday, December 2, 2018
A new musical illuminates the obscure history of American women who were recruited to the Signal Corps in Europe. It’s rather thrilling, until Act 2.
SOURCE: The New York Times Subscription at 10:18PMFriday, November 30, 2018
Classical Theater of Harlem reimagines the Charles Dickens tale with the holiday curmudgeon as a real estate predator in need of reclamation.
SOURCE: The New York Times Subscription at 02:48PMSunday, November 25, 2018
Sara Fellini’s play follows John Wilkes Booth, months before he kills President Lincoln, while he spars with his brothers on and off stage.
SOURCE: The New York Times Subscription at 02:48PMSunday, November 18, 2018
Friday, November 16, 2018
The writer of “Eve’s Song” looks back (at an awkward childhood) and ahead (at her inspirations) while scrolling through her Instagram feed.
SOURCE: The New York Times Subscription at 08:48AMThursday, November 15, 2018
Friday, November 9, 2018
The highly physical Irish actor Aaron Monaghan came late to Beckett, and is young to portray Estragon. But the role fits (even if the shoes don’t).
SOURCE: The New York Times Subscription at 01:48PM 
