All stories by Susannah Clapp on BroadwayStars

Sunday, March 22, 2015

The Cutting of the Cloth review – 50s Savile Row marvellously realised by Susannah Clapp

Southwark Playhouse, LondonMichael Hastings’s richly detailed 1973 drama finally reaches the stage in a production so exact you can smell it Continue reading...

SOURCE: The Guardian at 04:00AM

Play Mas review – Trinidad through a carnival lens by Susannah Clapp

Orange Tree, RichmondPaulette Randall’s enterprising revival of Mustapha Matura’s 1974 play is vivid and humorousOne of the best plays staged last year was Lynn Nottage’s Intimate Appa…

SOURCE: The Guardian at 04:00AM

Mermaid review – beautiful, ambitious and overladen by Susannah Clapp

Nottingham PlayhouseHans Christian Andersen’s mermaid discovers trainer envy and bulimia in Polly Teale’s 21st-century rewrite Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, March 15, 2015

Dracula review – spareness, boldness and electrifying sound design by Susannah Clapp

New Vic, Newcastle-under-Lyme Bram Stoker’s novel become an all-round sensory experience in this fine adaptation by Theresa HeskinsThe creatures dangle and spin upside down from the rafter…

SOURCE: The Guardian at 03:00AM

The Armour review – no linking narrative, too much corridor carpet by Susannah Clapp

The Langham, LondonBen Ellis’s site-specific drama could have made more of its historic hotel setting Continue reading...

SOURCE: The Guardian at 02:42AM
Sunday, March 1, 2015

Closer review – Marber’s 90s passion play still stirs by Susannah Clapp

Donmar Warehouse, London Patrick Marber’s finely wrought 1997 play about the brutal business of falling in and out of love holds good in David Leveaux’s smooth if safe revival Continue r…

SOURCE: The Guardian at 03:00AM

Farinelli and the King review – Mark Rylance and Iestyn Davies dazzle by Susannah Clapp

Sam Wanamaker Playhouse, LondonThe healing power of music is made real in Clare van Kampen’s irresistibly genial play about the great 18th-century castratoThere is an irresistible genialit…

SOURCE: The Guardian at 02:00AM

Man and Superman review – Ralph Fiennes towers as Shaw’s Don Juan by Susannah Clapp

Lyttelton, LondonSimon Godwin’s whirling revival of Shaw’s loquacious 1903 play proves fashion wrong in emphatic styleMuch is said about the responsibility of the National Theatre to fin…

SOURCE: The Guardian at 02:00AM
Sunday, February 15, 2015

How to Hold Your Breath review – ragbag dystopia starring Maxine Peake by Susannah Clapp

Royal Court, LondonPeake is the one bright spark in Zinnie Harris’s muddled state-of-the-world drama Continue reading...

SOURCE: The Guardian at 03:00AM

Radiance review – Alan Alda’s drama about Marie Curie lacks chemistry by Susannah Clapp

This account of the scientist’s romantic life fails to sparkle, despite Cathy Tyson’s expressive lead Continue reading...

SOURCE: The Guardian at 03:00AM

The Life and Times of Fanny Hill review – satisfying mix of raunch and melancholy by Susannah Clapp

John Cleland’s 18th-century erotic romp is given a well-judged modern edgeExcellent. The 18th century is sweeping over Bristol’s theatres. In April the Tobacco Factory puts on The School…

SOURCE: The Guardian at 02:00AM
Sunday, February 8, 2015

The Last of the De Mullins review – comic and fervent by Susannah Clapp

Jermyn Street, LondonA headstrong heroine scarpers from the family pile with a baby in tow in St John Hankin’s prophetic 1908 play, now staged for the first time in public Continue reading…

SOURCE: The Guardian at 03:01AM

Hello/Goodbye review – a flat romance by Susannah Clapp

Hampstead theatre, LondonTV’s young Inspector Morse is the only good thing about this predictable love story Continue reading...

SOURCE: The Guardian at 03:00AM

The Ruling Class review – James McAvoy saves the show by Susannah Clapp

The star dazzles in this madcap revival of Peter Barnes’s blunt 1968 satire Continue reading...

SOURCE: The Guardian at 02:00AM
Sunday, February 1, 2015

The Hard Problem review – Tom Stoppard dodges the big question by Susannah Clapp

Dorfman theatre, LondonConsciousness is the subject of Stoppard’s first full-length work in nine years but the play lacks his usual intellectual rigourYou could measure out a theatre-going…

SOURCE: The Guardian at 02:00AM
Sunday, January 25, 2015

Bull review – a riveting and uncomfortable 55 minutes by Susannah Clapp

Young Vic, LondonMike Bartlett’s follow-up to Cock is a masterclass in the workings of collusionSusannah Clapp reviews the ChangelingSusannah Clapp reviews Fever Continue reading...

SOURCE: The Guardian at 03:00AM

The Fever review – an evening of wine, chocolates and guilt by Susannah Clapp

May Fair hotel, LondonWallace Shawn’s denunciation of capitalism hits home – up to a pointSusannah Clapp reviews The ChangelingSusannah Clapp reviews Bull Continue reading...

SOURCE: The Guardian at 03:00AM

The Changeling review – Middleton and Rowley’s tragedy has never been so acutely funny by Susannah Clapp

Sam Wanamaker Playhouse, London Gore, humour and Hattie Morahan cut to the quick in Dominic Dromgoole’s whip-sharp production of The ChangelingSusannah Clapp reviews Bull at the Young VicS…

SOURCE: The Guardian at 03:00AM
Sunday, January 18, 2015

Women on the Verge of a Nervous Breakdown review – elegant and edgy but lacks Pedro power by Susannah Clapp

Playhouse, LondonDespite some terrific performances, this musical adaptation struggles to capture the spirit of Almodóvar’s movieWomen on the Verge, the musical: in pictures Almodóvar sa…

SOURCE: The Guardian at 03:05AM

Tree review – twinkles from one comic exchange to another by Susannah Clapp

Old Vic, LondonDaniel Kitson’s play has quirky charm – and deep theatrical rootsThe first marvel in Daniel Kitson’s Tree is the tree itself, a fine structure built by Take 1 Scenic Ser…

SOURCE: The Guardian at 03:03AM

Donkey Heart review – dialogue with darts of wildness by Susannah Clapp

Trafalgar Studios, London Moses Raine’s play, set in a Moscow flat, makes the strange seem close at hand Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, January 11, 2015

The Grand Tour review – a sideways glance at a big subject by Susannah Clapp

Finborough, LondonThis pocket-sized production works wonders with Jerry Herman’s musical about fleeing the Nazis Continue reading...

SOURCE: The Guardian at 03:03AM

Village Wooing/How He Lied to Her Husband review – short, sharp Shaw by Susannah Clapp

Tristan Bates, LondonTwo of Bernard Shaw’s lesser-known works, one satirising one of his biggest successes, are snappily effective on a tiny stage Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, December 28, 2014

Antarctica review – lo-tech storytelling, high-grade music by Susannah Clapp

Battersea Arts Centre, London Bach, Verdi and Dvorák provide the soundtrack for this jaunty polar adventure for children starring the irresistible Owlabear Continue reading...

SOURCE: The Guardian at 03:00AM

Cats review – none of it is very catlike by Susannah Clapp

Andrew Lloyd Webber’s resurrected musical features terrific dancing and some truly hideous moggies Continue reading...

SOURCE: The Guardian at 03:00AM

Jabberwocky review – uncanny and enchanting by Susannah Clapp

Little Angel, London Lewis Carroll’s nonsense poem makes perfect sense in Peter O’Rourke’s spellbinding puppet show Continue reading...

SOURCE: The Guardian at 03:00AM
Saturday, December 27, 2014

15 things to look forward to in 2015 by Robin McKie, Alice Fisher, Rowan Moore, Kitty Empire, Tristram Hunt, Andrew Brown, Susannah Clapp, Emma Graham-Harrison, Robert McCrum, Eddie Butler, Ryan Gilbey, Ben Preston, Stuart Dredge and Peter Preston

Benedict Cumberbatch’s Hamlet, smartwatches, the return of the Large Hadron Collider, the rugby World Cup in Britain, a flood of classic drama on TV and a critical climate summit – some …

SOURCE: The Guardian at 05:59PM
Sunday, December 21, 2014

Golem review – a glimmering evening by Susannah Clapp

Young Vic, London The ingenious 1927 mingle live performance, animation and film to disconcerting effect in this anti-technology tale Continue reading...

SOURCE: The Guardian at 03:03AM

The Merchant of Venice review – significance steams through by Susannah Clapp

The close confines of the Almeida are perfect for this updating of Rupert Goold’s extraordinary production set in 21st-century Las Vegas Continue reading...

SOURCE: The Guardian at 03:00AM

City of Angels review – it smoulders, slinks and sizzles by Susannah Clapp

Donmar, LondonJosie Rourke’s first musical at the Donmar is a sexy, jazzy homage to noirStage and screen were all over each other last week. And to good effect. Josie Rourke’s production…

SOURCE: The Guardian at 03:00AM
Sunday, December 14, 2014

Anything Goes review – Cole’s corker rules the waves by Susannah Clapp

Crucible, SheffieldDirector Daniel Evans continues his run of Christmas musical magic in Sheffield with a glorious Anything Goes Continue reading...

SOURCE: The Guardian at 03:05AM