All stories by Alexis Soloski on BroadwayStars

Sunday, June 16, 2019

Review: In ‘Pathetic,’ a Retelling of Racine, Love Hurts by Alexis Soloski

Julia Jarcho’s new play is a squirmy, sinister meditation on female desire, with a whiff of ancient Greece.

SOURCE: The New York Times Subscription at 01:18PM
Saturday, June 15, 2019

The Secret Life of Bees review – sweet, buzzy musical is one to watch by Alexis Soloski

Linda Gross Theater at the Atlantic Theater Company, New York The latest from Spring Awakening’s Duncan Sheik is a lush and emotionally impactful production with a smart book from Pulitzer…

SOURCE: The Guardian at 06:06AM
Tuesday, June 11, 2019

Michelle Wolf: 'My new period joke is for men – and they love it' by Alexis Soloski

The upfront standup took down Trump with a blistering routine at the White House correspondents’ dinner. But she won’t joke about him again Here are some things the comedian Michelle Wol…

SOURCE: The Guardian at 07:18AM
Monday, June 10, 2019

Why this year's Tony awards lacked that Broadway magic by Alexis Soloski

With most of the awards landing in predictable hands and a host who failed to add the requisite pizzazz, the annual Broadway love-in felt rather flat The 2019 Tony awards began with James Co…

SOURCE: The Guardian at 04:03PM
Monday, June 3, 2019

Review: ‘Nomad Motel,’ a Play With Vacancies by Alexis Soloski

In this untidy but often poignant drama, Carla Ching brings together the young and the rootless in Southern California.

SOURCE: The New York Times Subscription at 10:18PM
Thursday, May 30, 2019

Bernadette Peters: 'Every role I've played, I've thought – that's me!' by Alexis Soloski

The Broadway powerhouse talks about trusting Sondheim, hearing others sing her songs and waiting to be taken seriously Cafe Luxembourg, the closet-sized New York bistro Bernadette Peters cho…

SOURCE: The Guardian at 04:42AM
Monday, May 27, 2019

Bronx Gothic: one woman shaking oppression to the core by Alexis Soloski

Assaulting the audience with its ‘twerking gone wrong’, Okwui Okpokwasili’s dance-theatre hybrid draws on difficult memories of her childhood Okwui Okpokwasili wants to shake you. Up a…

SOURCE: The Guardian at 06:48AM
Wednesday, May 22, 2019

Review: In ‘Lunch Bunch,’ You Are What Eats You by Alexis Soloski

Sarah Einspanier’s play centers on beleaguered public defenders trying to find ways to nourish themselves and maybe one another.

SOURCE: The New York Times Subscription at 04:06PM

3 Days in a Van With a Shakespeare Troupe. Daggers and Dunkin’ Donuts. by Alexis Soloski

The intrepid young actors from Shakespeare & Company perform on a four month tour, not unlike the traveling players from Elizabethan times.

SOURCE: The New York Times Subscription at 02:32PM
Friday, May 17, 2019

How Annette Bening Puts It All Onstage. But Keeps Something for Herself. by Alexis Soloski

The film star is nominated for a Tony for “All My Sons,” a play with which she has a personal connection.

SOURCE: The New York Times Subscription at 10:48AM
Tuesday, May 14, 2019

Critic’s Pick: Review: A Rollicking Trek ‘Around the World in 80 Days’ by Alexis Soloski

Laura Eason’s adaptation of the Jules Verne novel is a reminder of how to make stage magic from simple elements.

SOURCE: The New York Times Subscription at 03:06PM
Sunday, May 5, 2019

Review: In ‘Hans Christian Andersen: Tales Real and Imagined,’ No Happily Ever After by Alexis Soloski

The Ensemble for the Romantic Century’s production synthesizes dramatic narrative with chamber music and some fantastic puppetry.

SOURCE: The New York Times Subscription at 10:18PM
Friday, May 3, 2019

What Inspired a New Musical? Conspiracy Theories. And Yodeling. by Alexis Soloski

Dave Malloy, the “Great Comet” composer, unpacks three songs from “Octet,” his (yes) a cappella musical about digital addiction.

SOURCE: The New York Times Subscription at 11:04AM
Thursday, April 25, 2019

Beetlejuice review – fun, freaky Tim Burton adaptation haunts Broadway by Alexis Soloski

The Winter Garden, New York A stage transfer for the spirited 80s comedy struggles to produce any memorable songs but provides an enjoyably silly night out nonetheless A specter is haunting …

SOURCE: The Guardian at 09:30PM
Tuesday, April 23, 2019

Tootsie review – Broadway adaptation is a giddy night out by Alexis Soloski

The Marquis Theatre, New York Crazy Ex-Girlfriend star Santino Fontana gives a charming performance as a man dressing up as a woman to get ahead What if all that stood between you and succes…

SOURCE: The Guardian at 09:30PM
Monday, April 22, 2019

All My Sons review – Annette Bening and Tracy Letts power sturdy revival by Alexis Soloski

The American Airlines Theatre, New York Thrilling, note perfect performances elevate yet another staging of Arthur Miller’s transgressive tragedy A play about the rancid heart of the Ameri…

SOURCE: The Guardian at 09:30PM

Gary review – Taylor Mac's Titus sequel is a bloody mess by Alexis Soloski

The Booth Theatre, New York An inspired idea, a comedic follow-up to Shakespeare’s brutal tragedy, is sadly not enough to sustain a disappointingly thin show Nine onstage deaths, three sev…

SOURCE: The Guardian at 10:47AM
Sunday, April 21, 2019

Ben Platt: 'Beyoncé gave me flowers. I'm afraid to touch them' by Alexis Soloski

He played ‘anxious weirdo nerds’ in Pitch Perfect and Dear Evan Hansen, but on his soul-baring new album Ben Platt has a new role ... himself ‘I really like playing people who aren’t…

SOURCE: The Guardian at 10:00AM
Friday, April 19, 2019

Hillary and Clinton review – Laurie Metcalf on winning form in solid drama by Alexis Soloski

The Golden Theatre, New York The Tony award winner dominates as the politician in a 2008-set work of speculative stage drama with John Lithgow as her supportive husband Remember when Hillar…

SOURCE: The Guardian at 09:07AM
Thursday, April 18, 2019

In John Cameron Mitchell’s Podcast, a Rock Musical That’s All in Your Head by Alexis Soloski

“Anthem: Homunculus” is a six-hour, 10-episode epic about a man and his teratoma. The tumor sings. As do Glenn Close, Patti LuPone and Cynthia Erivo.

SOURCE: The New York Times Subscription at 04:00AM
Tuesday, April 16, 2019

Burn This review – Adam Driver ignites patchy Broadway revival by Alexis Soloski

Hudson Theatre, New York A standout performance from the brooding actor is the main selling point of an 80s-set comedy drama that fails to match him A small play about big words – sex, dea…

SOURCE: The Guardian at 09:30PM
Thursday, April 11, 2019

Critic’s Notebook: The Playboy Club in 2019: Show Tunes and an Identity Crisis by Alexis Soloski

Entertainment for all: On Mondays the club hosts Playboy Live!, a showcase for Broadway talent.

SOURCE: The New York Times Subscription at 09:00AM
Sunday, April 7, 2019

‘Fosse/Verdon’ Is Full of Broadway Legends. Here’s Who’s Who by Alexis Soloski

This series, which debuts Tuesday on FX, includes many midcentury Broadway and film personalities and their works. Here’s a cheat sheet.

SOURCE: The New York Times Subscription at 12:48PM
Thursday, April 4, 2019

Let It Bleed: The Perverse Influence of ‘Titus Andronicus’ by Alexis Soloski

With Taylor Mac’s “sequel” about to open on Broadway, we look at how Shakespeare’s goriest play has seeped into pop culture.

SOURCE: The New York Times Subscription at 10:00AM
Sunday, March 31, 2019

Critic’s Pick: Review: In ‘The White Devil,’ Pick Your Poison by Alexis Soloski

Turns out that a Jacobean tragedy with a bleak worldview and an extensive body count can still be a lot of fun.

SOURCE: The New York Times Subscription at 09:45PM

What the Constitution Means to Me review – a five star Broadway triumph by Alexis Soloski

Hayes Theater, New York Heidi Schreck’s funny, impactful and breathlessly exciting ode to the constitution is one of the year’s best shows Shattering, galvanizing and very funny, Heidi S…

SOURCE: The Guardian at 08:00PM
Friday, March 29, 2019

‘Fosse/Verdon’ Has Magic to Do. And Undo. by Alexis Soloski

A limited FX series revives two Broadway legends, Bob Fosse and Gwen Verdon. Will the show razzle dazzle us? Or will it find a new way to tell the story of artists who behave badly?

SOURCE: The New York Times Subscription at 08:00AM
Thursday, March 28, 2019

Review: In ‘The Tragedy of Julius Caesar,’ the Political Thrill Is Gone by Alexis Soloski

Shana Cooper’s revival at Theater for a New Audience is so deep in conversation with itself and its dance battles that it nearly forgets to speak to us today.

SOURCE: The New York Times Subscription at 09:45PM
Sunday, March 24, 2019

Review: A Séance (With Leaf Blowers) in ‘Variations on the Main’ by Alexis Soloski

The final show at Jack’s current location is weird and difficult to parse. But it’s nice to know there’s a place for theater like this in New York.

SOURCE: The New York Times Subscription at 11:42AM
Thursday, March 21, 2019

Ain't Too Proud review – thrilling music but shallow drama in Temptations musical by Alexis Soloski

Imperial Theatre, New York Broadway’s latest jukebox music is electrified by fantastic singing and dancing but let down by some inert storytelling There’s a chilly irony at the shrink-wr…

SOURCE: The Guardian at 09:00PM
Wednesday, March 20, 2019

White Noise review – Suzan-Lori Parks provokes and disturbs by Alexis Soloski

The Public Theater, New York The Pulitzer prize-winning playwright has created an absurdist, challenging drama about the fallout from a racially motivated attack by police Slavery ended in 1…

SOURCE: The Guardian at 10:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre