All stories by Catherine Love on BroadwayStars

Wednesday, October 16, 2019

Content warning: this festival is for 'generation snowflake' by Catherine Love

Handle With Care, a three-week festival at Camden People’s theatre, aims to contest perceptions about millennials’ entitlement, fragility and offence-taking Handle With Care, the title …

Linked From The Guardian at 08:48AM
Monday, September 30, 2019

The Boy Who Cried Wolf review at York Theatre Royal, York – ‘storytelling, singing and silliness’ by Catherine Love

Wolves may be in the title, but tutti frutti’s children’s show is all about the sheep. Its familiar story is told by

Linked From The Stage Registration at 08:59AM
Saturday, September 28, 2019

Under Three Moons review – interrogating the pressures of masculinity by Catherine Love

The Lowry, Salford Following two friends over three decades, Daniel Kanaber’s play spans friendship, mental health and emotionally pent-up men ‘Take care of yourself,” one character gr…

Linked From The Guardian at 09:06AM
Thursday, September 26, 2019

A View from the Bridge review at York Theatre Royal, York – ‘solid but unremarkable’ by Catherine Love

As the lights come up, a crate is lowered from above, like a shipment being unloaded in the Brooklyn docks. Beneath the

Linked From The Stage Registration at 04:27AM
Friday, September 20, 2019

Sick! festival review – a funny, heartfelt poke at the biggest taboos by Catherine Love

Various venues, ManchesterFrom dance to comedy to video, this series of events confronts illness, grief and death with uplifting candour The title of Candoco Dance Company’s show, Let’s …

Linked From The Guardian at 04:18PM
Tuesday, September 17, 2019

The 50 best theatre shows of the 21st century by Michael Billington, Alexis Soloski, Catherine Love, Mark Fisher and Chris Wiegand

A hip-hop history lesson, a dizzy Dahl musical and a continent-hopping barbershop … we pick the finest new works of theatre since 2000 Jez Butterworth: the sage behind our No1 Continue rea…

Linked From The Guardian at 07:18PM
Thursday, September 12, 2019

The Jumper Factory review – prison drama does justice to real inmates' stories by Catherine Love

Home, Manchester Created with prisoners at HMP Wandsworth and performed by a cast affected by the criminal justice system, Luke Barnes’ play reminds us that people are more than their crim…

Linked From The Guardian at 10:12AM
Tuesday, August 27, 2019

15 of the best Edinburgh festival shows now touring by Kate Wyver, Catherine Love, Anna Winter, Brian Logan, Mark Fisher and Chris Wiegand

The festival is over for another year but plenty of its theatre, comedy and dance hits have announced dates around the UK CollapsibleBreffni Holahan gives a searing performance as Essie in M…

Linked From The Guardian at 01:54AM
Wednesday, August 14, 2019

Jerry Springer the Opera review – chatshow from hell still shocks by Catherine Love

Hope Mill theatre, ManchesterThe TV host who provokes salacious slanging matches becomes newly pertinent in a revival of Stewart Lee and Richard Thomas’s show It’s interesting how the pa…

Linked From The Guardian at 08:36AM
Monday, August 12, 2019

Edinburgh festival 2019: the shows we recommend by Brian Logan, Alex Needham, Catherine Love, Michael Billington, Chris Wiegand, Mark Fisher, Anna Winter and Kate Wyver

Plan your schedule with our roundup of top shows, ordered by start time. This page will be updated daily throughout the festival BoutSummerhall, 10.20am, until 25 AugustAn exploration of bro…

Linked From The Guardian at 03:12PM
Saturday, August 10, 2019

Until the Flood review – fleshed-out fictions from a real-life killing by Catherine Love

Traverse theatre, EdinburghDael Orlandersmith transforms into her characters, dispassionately inhabiting their reactions to the shooting of black teen Michael Brown by a white policeman Dael…

Linked From The Guardian at 07:33AM
Friday, August 9, 2019

Daughterhood review – a subtle account of the ties that bind by Catherine Love

Roundabout, Summerhall, EdinburghCharley Miles’s multifaceted but tightly focused play is about the complex, envy-laced relationship between siblings The title of Charley Miles’s play is…

Linked From The Guardian at 12:12PM

Fox review – new mum's obsession with a stranger by Catherine Love

Pleasance Courtyard, EdinburghA woman with postnatal depression fixates on a homeless man in this uncomfortable drama in which only one of the characters seems real Katie Guicciardi’s one-…

Linked From The Guardian at 06:36AM
Thursday, August 8, 2019

Life Is No Laughing Matter review – depressed? Eat some bananas by Catherine Love

Summerhall, EdinburghInspirational hashtags, cute dogs and marriage don’t cure depression, says Demi Nandhra in her gleefully silly yet deeply important take on mental health Every year no…

Linked From The Guardian at 07:03PM
Tuesday, August 6, 2019

All of Me review – a messy and beautiful look at depression by Catherine Love

Summerhall, EdinburghThough it is unashamedly bleak, there are fragments of brightness as Caroline Horton’s show recognises mental health as something that ebbs and flows Caroline Horton o…

Linked From The Guardian at 11:54AM

Daddy Drag/Pops review – dads and daughters are lost for words by Catherine Love

★★★☆☆/★★★★☆Summerhall, Edinburgh/Assembly Roxy, EdinburghIn two bold new shows, fathers and their children are caught in a damaging cycle of love and betrayal Our fathers…

Linked From The Guardian at 01:33AM
Monday, August 5, 2019

Beach Body Ready review – laughing and loving beyond body shame by Catherine Love

Pleasance Courtyard, EdinburghIt’s not a new message but it’s made with charm and comedy in this three-hander about how women’s bodies are policed Remember that weight-loss product ad …

Linked From The Guardian at 09:03PM

The Incident Room review – Yorkshire Ripper retelling puts police in the spotlight by Catherine Love

Pleasance Courtyard, EdinburghNew Diorama’s beautifully crafted play casts doubt on titillating tales of the notorious serial killer, but can’t escape the clutches of morbid fascination …

Linked From The Guardian at 03:06PM
Sunday, August 4, 2019

Like Animals review – sweet two-hander challenges limits of language by Catherine Love

Summerhall, EdinburghWith a flurry of feathers and splash of water, Kim Donohoe and Pete Lannon ask how much can ever know another creature At a moment when we urgently need to reassess our …

Linked From The Guardian at 02:12PM
Saturday, August 3, 2019

Art Heist review – clever and chaotic study of art's value by Catherine Love

Underbelly, EdinburghPoltergeist’s mischievous show asks how we determine the worth and meaning of artworks A plastic shoe, scuffed around the edges, sits atop a white plinth. A figure st…

Linked From The Guardian at 06:24AM
Friday, August 2, 2019

Eco-venues and no-flyer zones: Edinburgh fringe tackles the climate crisis by Catherine Love

Mass extinctions, carbon emissions and freak storms will feature at a festival where artists are finding new ways to raise the alarm ‘I no longer think of this as a technological problem. …

Linked From The Guardian at 02:36AM
Wednesday, July 31, 2019

Swallows and Amazons review – swashbuckling nostalgia set to divine tunes by Catherine Love

York Theatre RoyalSongs and music by the Divine Comedy’s Neil Hannon sparkle in this vivid adaptation of Arthur Ransome’s classic that might please adults more than kids Summer holidays …

Linked From The Guardian at 01:06PM
Tuesday, July 30, 2019

There Is a Light That Never Goes Out review – luddite rebels' defiance still crackles by Catherine Love

Royal Exchange, ManchesterKandinsky reawaken Manchester’s radical past in an imaginatively staged drama that fuses history and myth Today, computers are taking our jobs. At the turn of the…

Linked From The Guardian at 12:48PM
Saturday, June 15, 2019

'There's a resonance with today – Peterloo is still with us' by Catherine Love

Composer Emily Howard, poet Michael Symmons Roberts and immersive theatre company ANU on MIF’s bicentennial Peterloo commemoration Look closely as you walk through the streets of Mancheste…

Linked From The Guardian at 06:06AM
Friday, June 14, 2019

Yellow Is the Colour of Sunshine review – bright young things by Catherine Love

Seven Arts, LeedsChildren’s theatre company Tutti Frutti use physical playfulness and ingenuity to tell a story about the importance of communication and friendships Friendship, as adults …

Linked From The Guardian at 04:33PM
Wednesday, June 12, 2019

Driving Miss Daisy review at York Theatre Royal – ‘a plodding revival’ by Catherine Love

On the surface, Driving Miss Daisy looks like a timely choice of revival. The play explores the relationship between an African American

Linked From The Stage Registration at 06:57AM
Monday, June 3, 2019

Black Teeth and a Brilliant Smile review – last orders for Andrea Dunbar by Catherine Love

Ambassador, Bradford At the pub, the night before her untimely death, the acclaimed playwright spars with her younger self in this tender adaptation of Adelle Stripe’s novel Andrea Dunbar…

Linked From The Guardian at 04:24AM
Wednesday, May 29, 2019

Redcoats review – song-studded ode to the Butlin's empire by Catherine Love

Scarcroft Allotments, YorkThe DIY charm of Mikron Theatre and Nick Ahad’s new show is a good match for the resort’s brand of family fun The Redcoat, as one character in Nick Ahad’s new…

Linked From The Guardian at 08:03AM
Tuesday, May 28, 2019

All I See Is You review – smitten but bruised as love and law collide by Catherine Love

Hope Mill theatre, ManchesterSet in the 60s, the hidden histories of men up against repressive homosexuality laws have an intense emotional force in Kathrine Smith’s production When playw…

Linked From The Guardian at 07:48AM
Sunday, May 5, 2019

Transform festival review – theatre radicals take over the streets by Catherine Love

Various venues, LeedsWith interactive surveillance games, reconstructions of student protests and interventions in a shopping centre, the biennial festival reconfigured audiences’ relation…

Linked From The Guardian at 02:42PM
Tuesday, April 9, 2019

'There's work to do here!' The theatres putting audiences in charge by Catherine Love

Theatregoers in York and Manchester have been recruited to bring fresh ideas and talent to the cities’ stages in revolutionary programme initiatives ‘How do we bridge the gap between the…

Linked From The Guardian at 02:53AM

All that Chat

2019-2020 BROADWAY SEASON
Oct 06: Slave Play
Feb 01: The Minutes
TBA: Blue