All stories by Matt Wolf on BroadwayStars

Thursday, November 24, 2022

London’s Theater Cuts Matter, on Broadway and Beyond by Matt Wolf

The cushion of state money let the Hampstead and Donmar playhouses develop broad programs with international reach. Now they must find creative ways to play on.

SOURCE: The New York Times Subscription at 05:12AM
Saturday, November 19, 2022

'The Sex Party' review — a limp and confusing play suffers from questionable stereotyping by Matt Wolf

Beckett specialist Lisa Dwan and Oscar winner Timothy Hutton head cast of the latest from English writer-director Terry Johnson

SOURCE: LondonTheatre.co.uk at 08:34AM
Thursday, November 3, 2022

A Studio Ghibli Classic Comes to the London Stage by Matt Wolf

An adaptation of “My Neighbour Totoro” enchants audiences at the Barbican. Across town at the Harold Pinter Theater, a revival of “Good” takes viewers to darker territory.

SOURCE: The New York Times Subscription at 05:54AM
Thursday, October 27, 2022

Review: Praise the Lord for ‘Tammy Faye’ by Matt Wolf

A new musical about the life of the televangelist Tammy Faye Bakker, composed by Elton John, makes spectacular entertainment from a righteous subject.

SOURCE: The New York Times Subscription at 12:33PM
Tuesday, October 25, 2022

'Marvellous' review — biographical play is filled with heart, but could use more art by Matt Wolf

Theresa Heskins co-authors and directs overinsistent adaptation of the life of Neil (Nello) Baldwin, a 76-year-old Staffordshire legend, which launches a lovely new West End venue

SOURCE: LondonTheatre.co.uk at 01:09PM
Monday, October 24, 2022

'My Son's a Queer (But What Can You Do?)' review — a celebration of being your best, most theatrical self by Matt Wolf

Rob Madge solo play comes to the West End for two weeks, directed by Luke Sheppard, of "& Juliet" fame.

SOURCE: LondonTheatre.co.uk at 12:46PM
Thursday, October 13, 2022

Dark Clouds Over London Stages by Matt Wolf

Productions of “John Gabriel Borkman” and “Blues for an Alabama Sky” conjure bleak atmospheres in two playhouses.

SOURCE: The New York Times Subscription at 05:25AM
Monday, October 10, 2022

The Band's Visit, Donmar Warehouse review - still waters run bittersweet by Matt Wolf

Feted Broadway musical finds an apt London fit Not much happens but, in its way, everything does in The Band's Visit, the gentle, sweet-natured musical that rather unexpectedly stormed B…

SOURCE: theartsdesk.com at 08:43AM
Thursday, October 6, 2022

'The Boy With Two Hearts' review — a heartwrenching yet sanitised tale by Matt Wolf

Phil Porter adapts heart-tugging memoir that was a BBC Radio 4 Book of the Week.

SOURCE: LondonTheatre.co.uk at 09:43AM
Wednesday, October 5, 2022
Thursday, September 29, 2022

'Jews. In Their Own Words.' review — a series of remarkable testimonies and reflections on British Judaism by Matt Wolf

Royal Court verbatim theatre is both affecting - and self-flagellating

SOURCE: LondonTheatre.co.uk at 09:19AM
Wednesday, September 28, 2022

Eureka Day, Old Vic review - fun if not entirely fulfilling by Matt Wolf

Dissent in the ranks in uber-timely American comedy Can a play peak too soon? That's the quandary that attends the Old Vic airing of Eureka Day, Jonathan Spector's on-point if overextended…

SOURCE: theartsdesk.com at 07:13AM
Thursday, September 22, 2022

At the End of Her Reign, the Queen Takes a Bow Onstage by Matt Wolf

“Handbagged,” a play that opened in London a day after Queen Elizabeth II died, depicts a clever, compassionate monarch. But theatrical depictions haven’t always been so reverential.

SOURCE: The New York Times Subscription at 04:25AM
Tuesday, September 13, 2022

'The Clinic' review — an invigorating play connects the political and personal with ease by Matt Wolf

Maynard Eziashi and Donna Berlin play husband and wife in exciting Almeida Theatre premiere from Dipo Baruwa-Etti

SOURCE: LondonTheatre.co.uk at 10:54AM
Monday, September 12, 2022

'Antigone' review — Inua Ellams adapts Sophocles' Greek tragedy with high emotions by Matt Wolf

Max Webster and Jo Tyabji co-direct Inua Ellams' modern-day adaptation of Sophocles tragedy.

SOURCE: LondonTheatre.co.uk at 10:52AM
Friday, September 9, 2022

'Who Killed My Father' review — Ivo van Hove directs a singular feat of commitment and endurance by Matt Wolf

Ivo van Hove returns to the Young Vic, where his shattering 'A View from the Bridge' was first seen in 2014

SOURCE: LondonTheatre.co.uk at 10:59AM
Thursday, September 1, 2022

At the National Theater, Love Redeems, in Various Ways by Matt Wolf

Two productions at the London playhouse feature heroines who, reluctantly, allow transformative characters into their lives.

SOURCE: The New York Times Subscription at 05:07AM
Thursday, August 11, 2022

At Edinburgh’s Festivals, Big Names and Live Issues by Matt Wolf

While marquee productions have featured star turns from Ian McKellen and Alan Cumming, smaller shows deal with contemporary life.

SOURCE: The New York Times Subscription at 04:48AM
Tuesday, August 9, 2022

'The Tempest' review — a cut down Shakespeare loses its magic by Matt Wolf

Shakespeare’s valedictory, to comply with the received scholarship on this climactic play of his, lands with muted force in Sean Holmes’s curate’s egg of a production – engaging and …

SOURCE: londontheatre.co.uk at 01:56PM
Monday, August 8, 2022

'South Pacific' review — Rodgers and Hammerstein's musical is recharged with a new political currency by Matt Wolf

Julian Ovenden and Joanna Ampil in Rodgers & Hammerstein classic directed by Daniel Evans, Ovenden's former castmate in Merrily We Roll Along two decades ago

SOURCE: LondonTheatre.co.uk at 10:49AM

'The Tempest' review — a cut down Shakespeare loses its magic by Matt Wolf

Problematic Globe production of The Tempest, starring Ferdy Roberts as a barely-clad Prospero

SOURCE: LondonTheatre.co.uk at 10:38AM
Tuesday, August 2, 2022

101 Dalmatians, Regent's Park Open Air Theatre review - puppets rule in patchy musical by Matt Wolf

Long-aborning musical still has a leg or two further to go There's further training, shall we say, still needed on 101 Dalmatians, the much-delayed show that marks the second consecutive mu…

SOURCE: theartsdesk.com at 06:18AM
Monday, August 1, 2022

101 Dalmatians, Regent's Park Open Air Theatre - puppets rule in patchy musical by Matt Wolf

Kate Fleetwood as Cruella de Vil in a show in need of further shaping

SOURCE: theartsdesk.com at 12:23PM
Wednesday, July 27, 2022

'Bad Jews' review — a shouty revival pushes the play to breaking point by Matt Wolf

Joshua Harmon's Off Broadway play resurfaces in London for a shouty revival headed by newcomer Rosie Yadid

SOURCE: LondonTheatre.co.uk at 10:32AM
Tuesday, July 26, 2022

'Chasing Hares' review — an ambitious political play that proves why theatre matters by Matt Wolf

Scott Karim and Irfan Shamji reprise their 2019 stage partnership in a new play set between Kolkata, India, and the UK and directed by Milli Bhatia

SOURCE: LondonTheatre.co.uk at 09:52AM
Saturday, July 23, 2022

Anything Goes, Barbican review - shipboard frivolity still fizzes, mostly by Matt Wolf

Last summer's hit Cole Porter revival is itself now revived, now with Kerry Ellis as Reno Sweeney, replacing Sutton Foster

SOURCE: theartsdesk.com at 11:08AM
Friday, July 22, 2022

'Closer' review — 25 years on, Patrick Marber's play struggles to connect by Matt Wolf

Ella Hunt gives a breakout performance opposite Jack Farthing in patchy 25th anniversary revival of Patrick Marber's London and Broadway play.

SOURCE: LondonTheatre.co.uk at 09:04AM
Thursday, July 21, 2022

Putin, Chekhov and the Theater of Despair by Matt Wolf

In London, a new play about President Vladimir V. Putin of Russia and a revival of “The Seagull” explore undercurrents of pain.

SOURCE: The New York Times Subscription at 04:33AM
Thursday, July 7, 2022

On the London Stage, Families in Disarray by Matt Wolf

Two new plays, “The Southbury Child” and “Mad House,” explore domestic discord with contrasting degrees of success.

SOURCE: The New York Times Subscription at 02:18AM
Monday, July 4, 2022

'King Lear' review — 25 years later, Kathryn Hunter still gives an astounding 'Lear' by Matt Wolf

Kathryn Hunter revisits Lear in a patchy production that co-stars Hunter's boss, Globe artistic director Michelle Terry

SOURCE: LondonTheatre.co.uk at 10:53AM
Wednesday, June 22, 2022

A Doll's House, Part 2, Donmar Warehouse review - Noma Dumezweni nails it by Matt Wolf

Broadway entry from 2017 is the rare sequel that richly delivers Slamming the door on experience comes with repercussions in A Doll's House, Part 2, the thrilling Broadway entry from Americ…

SOURCE: theartsdesk.com at 10:12AM