All stories by Michael Billington on BroadwayStars

Sunday, March 31, 2019

Maggie May review – Lionel Bart's musical knows how to show you a good time by Michael Billington

Finborough, LondonBart and Alun Owen’s 1964 musical about a Liverpudlian dockside prostitute and her sailor beau gets a foot-stamping first professional revival The working-class British m…

SOURCE: The Guardian at 10:01AM
Friday, March 29, 2019

Grief Is the Thing With Feathers review – Cillian Murphy is a wonder by Michael Billington

Barbican, LondonMurphy has an astonishing athleticism playing both man and crow in an adaptation of Max Porter’s story of grief Cillian Murphy and Enda Walsh have teamed up to bring Max Po…

SOURCE: The Guardian at 06:56AM
Tuesday, March 26, 2019

Wolfie review – Sisters Grimm weave a fairytale with a social conscience by Michael Billington

Theatre 503, LondonRoss Willis’s surreal debut is driven by a concern for vulnerable children, but will be remembered for its two remarkable actors Ross Willis’s debut play is subtitled …

SOURCE: The Guardian at 09:00AM
Friday, March 22, 2019

Edmond de Bergerac review – France's hectic answer to Shakespeare in Love by Michael Billington

Birmingham RepThis slapstick look at the classic play about Cyrano the long-nosed poet has been given a witty, kaleidoscopic staging It is not hard to see why Alexis Michalik’s play has cl…

SOURCE: The Guardian at 06:59AM
Thursday, March 21, 2019

Downstate review – big-question drama on how we live with child abusers by Michael Billington

Dorfman, LondonFour sex offenders are confronted by one of their victims in Bruce Norris’s viscerally acted drama about punishment Bruce Norris likes to live dangerously. In Clybourne Park…

SOURCE: The Guardian at 08:58AM
Wednesday, March 20, 2019

The Bay at Nice review – David Hare's battle of duty and desire by Michael Billington

Menier Chocolate Factory, LondonPenelope Wilton gives a fine turn as an understated heroine in this revival of Hare’s play about a one-time pupil of Matisse David Hare’s 1986 play was or…

SOURCE: The Guardian at 06:54AM
Tuesday, March 19, 2019

The Taming of the Shrew review – RSC's battle of reversed sexes by Michael Billington

Royal Shakespeare theatre, Stratford-upon-Avon Gender-swapped roles turn this courtship power game into a strange puzzle – although the trick plays dividends with its gleeful subplots You…

SOURCE: The Guardian at 07:30PM
Wednesday, March 13, 2019

Betrayal review – a haunting reminder of deception's impact by Michael Billington

Harold Pinter Theatre, LondonTom Hiddleston is the big draw and is superb in conveying unhealed emotional wounds After a brilliant season of Pinter’s short plays we now get his full-length…

SOURCE: The Guardian at 08:26PM

Admissions review – a harsh lesson for white liberals by Michael Billington

Trafalgar Studios, London When positive discrimination appears to rob a boy of his college place, the racial pieties of America’s left are exposed in Joshua Harmon’s drama Joshua Harmon …

SOURCE: The Guardian at 12:22PM
Monday, March 11, 2019

Strike Up the Band review – cheese-war satire roasts the American whey by Michael Billington

Upstairs at the Gatehouse, LondonThe Gershwins’ upbeat music sits uneasily with a cheerily absurd script in this revival of George S Kaufman’s comedy Satire, George S Kaufman said, is wh…

SOURCE: The Guardian at 07:14AM
Thursday, March 7, 2019

Waitress review – guilty passions served up with warmth by Michael Billington

Adelphi, LondonBased on Adrienne Shelly’s film and scored by Sara Bareilles, the New York hit arrives in London in a lively production Billed as the first Broadway musical with an all-fema…

SOURCE: The Guardian at 05:45PM

Richard II review – women of colour's blazing show reflects our current chaos by Michael Billington

Sam Wanamaker Playhouse, LondonAdjoa Andoh is extraordinarily expressive in a production with politics to the fore that makes one see the play afresh By casting an iconic English history pl…

SOURCE: The Guardian at 06:37AM
Wednesday, March 6, 2019

Alys, Always review – stylish staging of Harriet Lane's thriller by Michael Billington

Bridge theatre, LondonJoanne Froggatt plays a lowly journalist who ascends into elite literary circles in Nicholas Hytner’s smooth production Journalists enjoy seeing themselves depicted o…

SOURCE: The Guardian at 06:22AM
Thursday, February 28, 2019

Counting Sheep review – feverish show recreates Kiev uprising by Michael Billington

The Vaults, LondonThis viscerally powerful piece about the 2014 revolution divides the audience into protesters and observers Originally conceived by Mark and Marichka Marczyk, this piece of…

SOURCE: The Guardian at 05:39AM
Wednesday, February 27, 2019

The Son review – Florian Zeller's frightening tale of teen depression by Michael Billington

Kiln, London Fear and fleeting joy punctuate an exploration of family dynamics, charting the upheaval of divorce and adolescence Florian Zeller’s remarkable play completes a trilogy that v…

SOURCE: The Guardian at 07:44AM
Sunday, February 24, 2019

Equus review – Peter Shaffer's homoerotic classic is exhilarating by Michael Billington

Theatre Royal Stratford East, LondonNed Bennett brilliantly directs the landmark 1973 play about a teenager who has blinded horses I’ve often complained about the move towards a directors�…

SOURCE: The Guardian at 07:05PM
Tuesday, February 19, 2019

Bodies review – deft revival for adultery neurosis comedy drama by Michael Billington

Southwark Playhouse, LondonJames Saunders’ impeccably performed 70s piece takes on big issues as two couples swap partners and explore the poetry of painDedicated to retrieving forgotten p…

SOURCE: The Guardian at 10:32AM
Monday, February 18, 2019

Come From Away review – relentless niceness in tale of post-9/11 Canadian kindness by Michael Billington

Phoenix theatre, LondonThis musical about plane passengers diverted to Newfoundland on 11 September has plenty of heart but not enough biteThis musical by the Canadian married team of Irene …

SOURCE: The Guardian at 05:54PM
Sunday, February 17, 2019

9 to 5 The Musical review – slick and stylish Dolly Parton period piece by Michael Billington

Savoy theatre, LondonThis beloved revenge fantasy is as subtle as a sledgehammer but its advocacy of workplace equality makes it hard to dislikeYou can’t escape the presence of Dolly Parto…

SOURCE: The Guardian at 06:42PM
Friday, February 15, 2019

Berberian Sound Studio review – aural sex-drenched horror hits its targets by Michael Billington

Donmar Warehouse, London This fascinating adaptation of a film about a Foley artist creating sound effects for a horror movie attacks its targets – artistic responsibility and male power s…

SOURCE: The Guardian at 11:42AM
Thursday, February 14, 2019

The American Clock review – Arthur Miller's snapshots of the 1930s by Michael Billington

Old Vic, LondonThis vaudeville about the Great Depression showcases Miller’s capacity to capture the state of a troubled nationThe impromptu Arthur Miller festival – initiated by the tra…

SOURCE: The Guardian at 06:36AM
Tuesday, February 12, 2019

All About Eve review – classic Hollywood updated with technical wizardry by Michael Billington

Gillian Anderson and Lily James give fine performances but this version of the 1950 film might be a little too clever for its own goodThis is a show that reeks of chic. It stars Gillian Ande…

SOURCE: The Guardian at 08:24PM

Rutherford and Son review – passion and power in Githa Sowerby's classic by Michael Billington

Crucible, SheffieldOwen Teale and Laura Elphinstone are superb, as a patriarch and his daughter, in Caroline Steinbeis’s potent production The astonishing thing about Githa Sowerby’s pla…

SOURCE: The Guardian at 06:12PM
Friday, February 8, 2019

Albert Finney on stage: that indefinable quality called 'weight' by Michael Billington

The actor shone as brightly in theatre as he did on film, helping to create modern classics from Billy Liar to Joe Egg, and playing the first Hamlet at the National’s Southbank homeBecause…

SOURCE: The Guardian at 01:36PM

Dracula review – Stoker's chiller returns to library where it was written by Michael Billington

The London LibraryA cast of two do their best to breathe cohesion into a play full of sex, shrieks and floating eyes … but without a vampire in sightGiven that Bram Stoker researched his 1…

SOURCE: The Guardian at 07:04AM
Thursday, February 7, 2019

Pinter Seven review – Danny Dyer and Martin Freeman on fire in glorious double bill by Michael Billington

Harold Pinter theatre, LondonDyer and Freeman excel as gunmen in The Dumb Waiter and Jamie Lloyd’s staging of A Slight Ache, with John Heffernan and Gemma Whelan, is a revelationThe season…

SOURCE: The Guardian at 06:24AM
Wednesday, February 6, 2019

Cougar review – breathless scenes of sexual power games in luxury hotels by Michael Billington

Orange Tree, RichmondThis unsettling portrait of a world and a relationship in crisis breezes through 80 scenes in 75 minutesRose Lewenstein’s play triggers all kinds of associations. Sinc…

SOURCE: The Guardian at 10:54AM
Sunday, February 3, 2019

Beast on the Moon review – portrait of a marriage and a massacre by Michael Billington

Finborough, LondonRichard Kalinoski’s deeply touching play is about the fraught relationship between two escapees of the Armenian genocide living in 1920s MilwaukeeDrama can tackle big sub…

SOURCE: The Guardian at 07:42PM
Friday, February 1, 2019

Cost of Living review – Adrian Lester dazzles in stirring portrait of poverty by Michael Billington

Hampstead theatre, LondonAn impeccable cast play out dual narratives about life on the US breadline in a tough drama that earns its poignancyFor the 100th premiere in his decade-long tenure …

SOURCE: The Guardian at 05:54AM
Thursday, January 31, 2019

The Orchestra review – Jean Anouilh's band clash over sex and politics by Michael Billington

Omnibus theatre, LondonA team of musicians create discord as the neglected playwright’s short, sharp drama is given a stylish revival In 1962 there were six plays by Jean Anouilh running i…

SOURCE: The Guardian at 06:48PM
Tuesday, January 29, 2019

Cuzco review – romance left in ruins on the Inca trail by Michael Billington

Theatre 503, LondonVíctor Sánchez Rodríguez’s play stylishly shows how confrontation with the colonial past can lead to self-discoveryLiving European writers are so rarely seen on the i…

SOURCE: The Guardian at 07:18AM

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