All stories by Michael Billington on BroadwayStars

Tuesday, January 29, 2019

Cuzco review – romance left in ruins on the Inca trail by Michael Billington

Theatre 503, LondonVíctor Sánchez Rodríguez’s play stylishly shows how confrontation with the colonial past can lead to self-discoveryLiving European writers are so rarely seen on the i…

SOURCE: The Guardian at 07:18AM
Sunday, January 27, 2019

Welcome to the UK review – fancy a game of Home Office bingo? by Michael Billington

The Bunker, LondonThe Borderline theatre group’s timely satire is well-intentioned, but its funfair setting reduces it to baggy vaudevilleThis is a prime example of what you might call the…

SOURCE: The Guardian at 08:18PM
Friday, January 25, 2019

Leave to Remain review – spirited gay-marriage musical from Kele Okereke by Michael Billington

Lyric Hammersmith, LondonIn Okereke and Matt Jones’s play, directed by Robby Graham, the story, song and movement are seamlessly integratedThe title suggests we’re in for an evening advo…

SOURCE: The Guardian at 06:36AM
Wednesday, January 23, 2019

When We Have Sufficiently Tortured Each Other review – enjoyable, but hardly shocking by Michael Billington

Dorfman, LondonCate Blanchett and Stephen Dillane add some heft to an uninspired exploration of modern sexual mores Advance reports of people fainting in the stalls suggested we might be in …

SOURCE: The Guardian at 08:12PM

Dear Elizabeth review – poets bare their souls in a lyrical show by Michael Billington

Gate theatre, London Jade Anouka and Jonjo O’Neill give first-rate performances reading the letters between Elizabeth Bishop and Robert LowellSarah Ruhl’s dramatisation of the letters ex…

SOURCE: The Guardian at 06:54AM
Tuesday, January 22, 2019

Violet review – Fun Home duo's road trip gets lost in music by Michael Billington

Charing Cross theatre, LondonKaisa Hammarlund impresses but Jeanine Tesori’s musical has a trite message and gets an over-amplified productionJeanine Tesori, who wrote the scores for Carol…

SOURCE: The Guardian at 07:32AM
Thursday, January 17, 2019

Our Lady of Kibeho review – startling story of a heavenly 'visitation' by Michael Billington

Royal and Derngate, NorthamptonKatori Hall’s astonishing drama, based on the alleged visions of three schoolgirls, explores the power of faith and miracles as Rwanda’s genocide loomsKato…

SOURCE: The Guardian at 07:04AM
Wednesday, January 16, 2019

Rosenbaum's Rescue review – riveting clash about escaping the Nazis by Michael Billington

Park theatre, LondonTwo men compare fiercely different reckonings of the exodus of 7,500 Jews from Denmark in this gripping playAt the heart of Alexander Bodin Saphir’s fascinating first p…

SOURCE: The Guardian at 11:06AM
Tuesday, January 15, 2019

Approaching Empty review – Iron Lady drives a wedge between cabbies by Michael Billington

Kiln, LondonIshy Din’s new play, set in the aftermath of Margaret Thatcher’s death, explores the impact of her legacy on two immigrantsIshy Din is a former Middlesbrough taxi-driver on a…

SOURCE: The Guardian at 07:12AM
Monday, January 14, 2019

Aspects of Love review – Andrew Lloyd Webber’s most beguiling score by Michael Billington

Southwark Playhouse, LondonLove has one too many aspects in Jonathan O’Boyle’s spirited revival, which needs a librettist to trim the untidy narrative ‘It is possible to have more than…

SOURCE: The Guardian at 08:12AM
Friday, January 11, 2019

The War of the Worlds review – smart take on today's 'fake news' invasion by Michael Billington

New Diorama, LondonOrson Welles’s radio adaptation of the sci-fi classic is given a new spin on stage with references to Trump and BrexitThe story of the panic induced by Orson Welles’s …

SOURCE: The Guardian at 08:54AM
Tuesday, January 8, 2019

Paradise review – Sara Kestelman is superb in sunset drama by Michael Billington

Hampstead Downstairs, LondonDusty Hughes’s play about two mischief-making seniors living in a retirement home is stoic about ageingGiven that nearly a fifth of the UK population is aged 65…

SOURCE: The Guardian at 07:36AM
Monday, January 7, 2019

Time Is Love/Tiempo Es Amor review – betrayal in the barrio by Michael Billington

Finborough, LondonChé Walker’s enigmatic drama, set in Los Angeles, is the theatrical equivalent of film noirWritten and directed by Ché Walker, this play brings a touch of unexpected gl…

SOURCE: The Guardian at 07:24AM
Sunday, January 6, 2019

Pinter Five and Six review – starry cast bring shorter works into the spotlight by Michael Billington

Harold Pinter theatre, LondonJane Horrocks, Rupert Graves and others shine in Patrick Marber and Jamie Lloyd’s bold revivals of the playwright’s shorter playsOne of the great pleasures o…

SOURCE: The Guardian at 08:04AM
Wednesday, January 2, 2019

Decadence and dystopia: the unmissable theatre, dance and comedy of 2019 by Michael Billington, Lyndsey Winship and Brian Logan

Blanchett and Hiddleston get sexual, there are chills in a Glasgow tower block, Matthew Bourne takes on the star-crossed lovers, plus Catherine Tate, Tim Minchin and Ben Elton return to the …

SOURCE: The Guardian at 07:42AM
Friday, December 21, 2018

Nativity! The Musical review – season's greetings from Dani and Danny Dyer by Michael Billington

Eventim Apollo, LondonThe father-and-daughter duo add self-deprecating cheer, alongside Jo Brand, to this feelgood fairytaleThe Dyers – Danny and Dani – and Jo Brand are the marquee name…

SOURCE: The Guardian at 06:48AM
Thursday, December 20, 2018

Sweat review – breathtaking drama about life in the American rustbelt by Michael Billington

Donmar Warehouse, LondonBased on interviews with residents of small-town Pennsylvania, Lynn Nottage’s play vividly describes the betrayal and resentments of striking female factory workers…

SOURCE: The Guardian at 06:32AM
Wednesday, December 19, 2018

The Tragedy of King Richard the Second review – Simon Russell Beale's king sold short by Michael Billington

Almeida, London Joe Hill-Gibbins’ stripped-back production delivers a forceful royal downfall, but leaves little space to explore the power plays behind itSimon Russell Beale was born to p…

SOURCE: The Guardian at 05:32AM
Monday, December 17, 2018

Top 10 theatre shows of 2018 by Michael Billington

A gender-switch Company got Sondheim’s blessing, Sam Mendes probed the doomed Lehman dynasty and Austen had a sparkling rewrite. But the year belonged to Jonathan Pryce and Eileen Atkins f…

SOURCE: The Guardian at 08:18AM
Friday, December 14, 2018

Timon of Athens review – Kathryn Hunter lays waste to wealth-worship by Michael Billington

The Swan, Stratford-upon-AvonA searing central performance flips the gender dynamics as Shakespeare’s study of greed gets a ravishing revivalShakespeare’s embittered satire, notoriously,…

SOURCE: The Guardian at 08:04AM
Thursday, December 13, 2018

The Cane review – Mark Ravenhill's provocative look at power abuse by Michael Billington

Royal Court, LondonA deputy head’s historical deeds trouble his retirement in this tense drama starring Alun Armstrong, Nicola Walker and Maggie SteedFor the second time in a week on stage…

SOURCE: The Guardian at 08:06PM
Wednesday, December 12, 2018

The Double Dealer review – sly schemers, randy wives and foolish cuckolds by Michael Billington

Orange Tree, RichmondSelina Cadell stages an enterprising production of Congreve’s convoluted restoration comedySelina Cadell is on a one-woman mission to preserve Restoration comedy. Havi…

SOURCE: The Guardian at 05:42PM
Tuesday, December 11, 2018

Snowflake review – Mike Bartlett's Christmas drama for a divided Britain by Michael Billington

Old Fire Station, OxfordA masterfully written generational clash lies at the heart of this timely story rich in insight, poignancy and optimism It is a quite a coup for this bustling arts ce…

SOURCE: The Guardian at 08:42AM
Monday, December 10, 2018

Sleeping Beauty review – futuristic panto for the Fortnite generation by Michael Billington

Theatre Royal Stratford East, LondonCharles Perrault meets Doctor Who in this lively production about a cockney martial-arts princess who travels through timePantomime survives by being infi…

SOURCE: The Guardian at 06:24AM
Friday, December 7, 2018

Uncle Vanya review – Terry Johnson brings brutality to Chekhov country by Michael Billington

Hampstead theatre, London There are vibrant performances in this new version of the Russian masterpiece, directed and written by Johnson Terry Johnson has directed his own new version of Che…

SOURCE: The Guardian at 06:06AM
Thursday, December 6, 2018

The Producers review – Brooks's bonfire of good taste still burns brightly by Michael Billington

Royal Exchange, Manchester Raz Shaw’s riotous revival of Mel Brooks’s musical meisterwerk offers as much fun as you’ll find on a stage this ChristmasMel Brooks’s 2001 musical, like t…

SOURCE: The Guardian at 07:12AM
Wednesday, December 5, 2018

Hole review – history of female empowerment with heavy gravity by Michael Billington

Royal Court, London Ellie Kendrick livens up her inventive debut with astrophysics and ancient Greek myth – but it could use more concrete argumentEllie Kendrick’s hour-long debut play c…

SOURCE: The Guardian at 08:12PM
Tuesday, December 4, 2018

True West review – Harington and Flynn star as Shepard's warring siblings by Michael Billington

Vaudeville, LondonKit Harington and Johnny Flynn are good, if slightly mismatched, as the brothers in Sam Shepard’s haunting playYou can see why Kit Harington and Johnny Flynn were drawn t…

SOURCE: The Guardian at 07:04PM
Monday, December 3, 2018

Burke and Hare review – a very merry romp about murder by Michael Billington

Jermyn Street theatre, LondonWith a cast of three playing multiple characters, this is an energetic telling of the cadaver-supplying criminalsYou learn something new all the time. I had alwa…

SOURCE: The Guardian at 05:42PM

Jeannie review – return of a spirited Scottish Cinderella by Michael Billington

Finborough, LondonMairi Hawthorn really gets her teeth into the titular heroine in Aimée Stuart’s 1940 play that creaks with age at timesCinderella stories are all the rage at Christmas. …

SOURCE: The Guardian at 12:06PM
Thursday, November 15, 2018

Love-Lies-Bleeding review – Don DeLillo play is a matter of life and death by Michael Billington

Print Room at the Coronet, London The novelist’s 2005 drama opens up arguments about assisted death and the point at which life ceases to have meaningMany of the great American novelists �…

SOURCE: The Guardian at 06:33AM

All that Chat