All stories by Michael Billington on BroadwayStars

Tuesday, June 26, 2018

The Turn of the Screw review – Britten's opera chills the spine as darkness falls by Michael Billington

Regent’s Park Open Air theatre, LondonThis superb production creeps into every corner of the outdoor space, as the battle for children’s souls intensifies Britten in the park? A ghost st…

SOURCE: The Guardian at 08:54AM
Saturday, June 23, 2018

Theatre review: Dancing at Lughnasa / Old Vic, London by Michael Billington

Old Vic, LondonFor the second time in a week we are confronted by a play set in the summer of 1936 dealing with domestic and social upheaval. Like Peter Flannery's Burnt By The Sun, Brian Fr…

SOURCE: The Guardian at 02:04PM
Friday, June 15, 2018

Pressure review – David Haig takes us into the eye of the D-day storm by Michael Billington

Ambassadors theatre, LondonThe actor-playwright finds rich drama in the interaction of war and weather in a show with a powerful contemporary resonance“How can the weather ever be boring?�…

SOURCE: The Guardian at 11:12AM
Thursday, June 14, 2018

The Country Wife review – a Restoration romp around Soho by Michael Billington

Minerva, ChichesterWilliam Wycherley’s 1675 comedy of manners and morals gets a modern-day update starring Susannah FieldingIs it always necessary to update Restoration comedy? Two months …

SOURCE: The Guardian at 11:12AM
Wednesday, June 13, 2018

The Prime of Miss Jean Brodie review – words are weapons in smart take on Spark by Michael Billington

Donmar Warehouse, LondonLia Williams is superb in David Harrower’s adaptation of the novel, directed by Polly FindlayI can think of more urgent requirements for the British theatre than ye…

SOURCE: The Guardian at 09:04AM
Tuesday, June 12, 2018

Machinal review – hellish vision of America as an assembly line by Michael Billington

Almeida, LondonNatalie Abrahami directs Sophie Treadwell’s unforgettable portrait of a young woman suffocating at home and workNow is obviously a good time to revive Sophie Treadwell’s 1…

SOURCE: The Guardian at 09:12AM
Monday, June 11, 2018

Monogamy review – celebrity chef cooks up an apocalyptic stew by Michael Billington

Park theatre, LondonTorben Betts’s social satire about a beleaguered kitchen goddess builds to a bewildering climax of panic and violenceTorben Betts clearly sees cooking as a source of dr…

SOURCE: The Guardian at 06:54PM
Sunday, June 10, 2018

Five theatre flops that deserve a revival by Michael Billington

Whether too avant garde, too shocking or simply unlucky, sometimes a great play doesn't find favour with the public. I'd like to see these given another run – how about you?CE Montague, a …

SOURCE: The Guardian at 06:36PM

Isabelle Huppert Reads Marquis de Sade review – philosophical pain, actorly pleasure by Michael Billington

Queen Elizabeth Hall, LondonWatching Huppert’s expert differentiation of the Marquis de Sade’s Justine and Juliette in solo recital makes you wish she would bring a conventional play to …

SOURCE: The Guardian at 07:48AM
Friday, June 8, 2018

Julie review – Polly Stenham's modern take on Strindberg misses the mark by Michael Billington

Lyttelton, LondonThe Crown’s Vanessa Kirby impresses but this updated version of the class-conscious tragedy is overblownPolly Stenham is not the first dramatist to update Strindberg’s M…

SOURCE: The Guardian at 08:12AM
Thursday, June 7, 2018

Donmar Warehouse names Michael Longhurst as new artistic director by Chris Wiegand and Michael Billington

Josie Rourke describes her successor at London theatre as ‘one of the most gifted, original and impressive directors in the country’Michael Longhurst has been appointed as the new artist…

SOURCE: The Guardian at 08:04AM

My Name Is Lucy Barton review – Laura Linney triumphs as a writer confronting her past by Michael Billington

Bridge theatre, LondonElizabeth Strout’s novel works outstandingly on stage, thanks to sole performer Linney’s nuanced command of the narrativeNovels, depending on the stream of time, ra…

SOURCE: The Guardian at 07:04AM
Wednesday, June 6, 2018

Utility review – slow-burning drama about a mother under pressure by Michael Billington

Orange Tree, RichmondEmily Schwend’s play about a mum with two jobs, three kids and a feckless husband pays homage to female enduranceWatching Emily Schwend’s prize-winning play about th…

SOURCE: The Guardian at 04:54AM
Tuesday, June 5, 2018

The Biograph Girl review – vivacious tribute to silent screen legends by Michael Billington

Finborough, LondonDavid Heneker and Warner Brown’s musical captures the heady excitement of the burgeoning movie businessPre-talkies Hollywood constantly seduces musical-makers. This forgo…

SOURCE: The Guardian at 12:36PM

Theatre review: August: Osage County / Lyttelton theatre, London by Michael Billington

Lyttelton theatre, LondonExposing the myth of the happy nuclear family has long been a staple of American drama. If Tracy Letts's play, in a magnificent Chicago Steppenwolf production by Ann…

SOURCE: The Guardian at 05:04AM
Monday, June 4, 2018

Killer Joe review – Orlando Bloom's hitman-cop is queasily gripping by Michael Billington

Trafalgar Studios, London This revival of Tracy Letts’s violent play about a grotesquely dysfunctional family keeps the audience uncomfortable Even with a big movie star, Orlando Bloom, in…

SOURCE: The Guardian at 06:04PM

Stitchers review – Sinéad Cusack is outstanding in Esther Freud's prison drama by Michael Billington

Jermyn Street theatre, LondonThe novelist’s debut play depicts the true story of Lady Anne Tree’s determination to bring needlecraft to prisoners The novelist Esther Freud (Hideous Kinky…

SOURCE: The Guardian at 07:06AM
Friday, June 1, 2018

Leave Taking review – insightful and honest tale of the anguish of immigrants by Michael Billington

Bush theatre, LondonThree decades since its debut Winsome Pinnock’s pioneering portrayal of the lives of black Britons feels shockingly contemporaryIt is more than 30 years since Winsome P…

SOURCE: The Guardian at 08:06AM
Thursday, May 31, 2018

Translations review – a flawless take on Friel's culture-clash masterpiece by Michael Billington

Olivier, LondonBrian Friel’s play about the infinite mysteries of language is richly realised in a meticulous Ian Rickson production, with excellent performances from a strong castBrian Fr…

SOURCE: The Guardian at 09:04AM

Theatre review: That Face / Duke of York's, London by Michael Billington

Duke of York's, LondonForget all the hype about Polly Stenham, at 21, being the youngest West End debutant since Christopher Hampton.What matters is that her 90-minute play, first seen at th…

SOURCE: The Guardian at 05:42AM

Hotel review – Polly Stenham aims high but misses by Michael Billington

National Theatre, LondonThe ideas get lost in this violent thriller that explores the political legacy of colonialismBe careful what you wish for. Reviewing Polly Stenham's last play, No Qua…

SOURCE: The Guardian at 05:42AM
Wednesday, May 30, 2018

Tartuffe review – bilingual production squanders Molière's wit and wisdom by Michael Billington

Theatre Royal Haymarket, LondonChristopher Hampton’s erratic California-set adaptation features strong performances by Audrey Fleurot and Paul Anderson, but its lack of coherence is not ju…

SOURCE: The Guardian at 08:06AM
Tuesday, May 29, 2018

The Daughter-in-Law review – is this the best British working-class drama? by Michael Billington

Arcola, LondonJack Gamble directs a first-rate revival of DH Lawrence’s even-handed account of a conflicted marriageThree years ago, the National Theatre pointlessly conflated DH Lawrence�…

SOURCE: The Guardian at 07:04PM
Sunday, May 27, 2018

Shirleymander review – timely retelling of chilling Tory scandal by Michael Billington

Playground theatre, LondonGregory Evans’ staging of the 1986 ‘homes for votes’ saga is enlightening and enjoyably foul-mouthed – but ducks key political questionsTwo of my favourite …

SOURCE: The Guardian at 06:48AM
Friday, May 25, 2018

Kiss Me Kate review – the pinnacle of song-and-dance Shakespeare by Michael Billington

Grand theatre, LeedsOpera North present a deft revival of the 1949 Cole Porter show mixing The Taming of the Shrew with showbiz shenanigansWhat is the best musical based on a Shakespeare pla…

SOURCE: The Guardian at 06:24AM
Wednesday, May 23, 2018

The Grönholm Method review – Apprentice-style contest keeps you guessing by Michael Billington

Menier Chocolate Factory, London Four applicants undergo a gruelling selection process while tricks are played on the audience in Jordi Galceran’s dramaSince its Barcelona premiere in 2003…

SOURCE: The Guardian at 10:32AM
Monday, May 21, 2018

3 Women review – many snappy returns in Katy Brand's barbed drama by Michael Billington

Trafalgar Studios 2, LondonThe comedian’s debut play gives a double portrait of mother-daughter relationships on the eve of a weddingIt comes as a shock to walk into the theatre and be con…

SOURCE: The Guardian at 06:06AM
Friday, May 18, 2018

Hay Fever – review by Michael Billington

Noel Coward, LondonHoward Davies has a gift for revitalising Coward's comedies. Having put the sexuality back into Private Lives, he now visually redefines Hay Fever and pulls off the daring…

SOURCE: The Guardian at 07:12PM

Hamlet/As You Like It review – Michelle Terry's double-edged Globe debut by Michael Billington

Shakespeare’s Globe, LondonThe new artistic director’s ensemble give fine performances but this pairing raises questions about staging ShakespeareIn this pairing of two plays performed b…

SOURCE: The Guardian at 07:06AM
Thursday, May 17, 2018

The Girl on the Train review – is Paula Hawkins's bestseller unadaptable? by Michael Billington

West Yorkshire Playhouse, LeedsJoe Murphy directs an adaptation of the 2015 thriller with Jill Halfpenny playing an amateur sleuth drawn to the case of a missing womanSurveying an elliptical…

SOURCE: The Guardian at 10:06AM
Wednesday, May 16, 2018

The String Quartet's Guide to Sex and Anxiety review – strange and beautiful by Michael Billington

Birmingham RepCalixto Bieito’s intense theatrical collage brings together four first-rate actors and the miraculous Heath QuartetCalixto Bieito, as anyone who has seen his productions of C…

SOURCE: The Guardian at 09:04AM

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