All stories by Michael Billington on BroadwayStars

Thursday, August 2, 2018

Othello review – Mark Rylance and André Holland get to heart of the play by Michael Billington

Shakespeare’s Globe, LondonRylance is a fascinating and nihilistic Iago and André Holland exudes majestic dignity as Othello in Clare van Kampen’s lively and unsettling productionAny pr…

SOURCE: The Guardian at 07:06AM
Thursday, July 26, 2018

Theatre review: King Lear / Courtyard, Stratford-upon-Avon by Michael Billington

Courtyard, Stratford-upon-AvonIt is no exaggeration to say that this King Lear is long-awaited. Critics, in fact, have been waiting impatiently for nine weeks to get a glimpse of a productio…

SOURCE: The Guardian at 10:54PM

Exit the King review – Rhys Ifans’s dying despot is majestic by Michael Billington

Olivier, LondonIfans’ performance shows he’s ready for the big Shakespeare roles, though Ionesco’s absurdist drama is considerably less compellingFor its first foray into the world of …

SOURCE: The Guardian at 08:36AM
Wednesday, July 25, 2018

Spamilton review – a Hamilton parody by numbers by Michael Billington

Menier Chocolate Factory, London This fast-moving spoof of Lin-Manuel Miranda’s hit musical seems torn between admiration and scepticismFor the past 36 years, Gerard Alessandrini has been …

SOURCE: The Guardian at 06:24AM
Friday, July 20, 2018

The Meeting review – quiet Quaker rebellion provokes crisis of faith by Michael Billington

Minerva, ChichesterCharlotte Jones’s drama pitches a non-violent religious community on to the Napoleonic wars’ spiritual frontlineCharlotte Jones is an unpredictable dramatist. In her m…

SOURCE: The Guardian at 09:18AM
Thursday, July 19, 2018

Pity review – absurdist comic strip misses its target by Michael Billington

Royal Court, LondonRory Mullarkey’s unfocused drama of a Britain collapsing in apocalyptic chaos is not helped by the production’s aural and visual overkillI guess this new play by Rory …

SOURCE: The Guardian at 08:06PM
Wednesday, July 18, 2018

Allelujah! review – Alan Bennett's hospital drama is full of quiet anger by Michael Billington

The Bridge theatre, LondonPatients’ singalongs and Bennett’s stinging wit light up a state-of-the-nation play set on a geriatric ward Hospitals make good theatre. Shortly after Alan Benn…

SOURCE: The Guardian at 06:04PM

Theatre review: Mother Clap's Molly House by Michael Billington

Mother Clap's Molly HouseNational Theatre, London Rating: ****Mark Ravenhill clearly likes to have it both ways. In this wonderfully exuberant new musical play at the Lyttelton, he celebrat…

SOURCE: The Guardian at 11:24AM

His Dark Materials, National Theatre, London by Michael Billington

National Theatre, London· Picture gallery: images from the productionNothing is more tempting than the apparently impossible. But, although director Nicholas Hytner and his creative team di…

SOURCE: The Guardian at 11:24AM

Alan Bennett's new play is not just about history - it makes history by Michael Billington

Alan Bennett’s new play is not just about history - it makes history. Michael Billington hails a masterpieceSchool shapes our ends - almost literally so in the case of the more sexually pr…

SOURCE: The Guardian at 10:18AM
Tuesday, July 17, 2018

A Monster Calls review – adolescent reality meets fairytale fantasy with wit and charm by Michael Billington

Old Vic, LondonSally Cookson delivers an exhilarating production of Patrick Ness’s story about a lonely boy coping with grief, bullying and a monster in a yew treeSometimes it is good to g…

SOURCE: The Guardian at 06:54PM
Saturday, July 14, 2018

Made in Dagenham review – brassy Gemma Arterton musical lacks passion by Michael Billington

Adelphi, LondonDirected by Rupert Goold, this stage version of the film suffers from its caricatures, relentless jokiness and functional score • Ford fiesta: Made in Dagenham musical opens…

SOURCE: The Guardian at 09:18AM
Friday, July 13, 2018

Paul, National, London by Michael Billington

National, London"Only an artist can understand religion." So says the emperor Nero at the end of Howard Brenton's new play about Saint Paul.But, even if Nero's point is debatable, Brenton's …

SOURCE: The Guardian at 11:32AM

The Lehman Trilogy review – Mendes is on the money with astonishing saga by Michael Billington

Lyttelton, LondonThis engrossing play about the banking family provides a history of western capitalism and an acting masterclass from Simon Russell Beale, Ben Miles and Adam GodleyWhat an a…

SOURCE: The Guardian at 08:12AM
Thursday, July 12, 2018

As You Like It review – captures love's exhilarating madness by Michael Billington

Open Air theatre, Regent’s Park, LondonOlivia Vinall and Edward Hogg light up a production whose pleasures outweigh its preachinessMax Webster’s production of Shakespeare’s comedy sets…

SOURCE: The Guardian at 08:06AM
Wednesday, July 11, 2018

It Happened in Key West review – necrophilia musical leaves you cold by Michael Billington

Charing Cross theatre, LondonThere are jaunty tunes and fine performances but this musical about mummification starts to decompose halfway throughThey seem to have a penchant for musicals ab…

SOURCE: The Guardian at 08:06AM
Friday, July 6, 2018

The Jungle review – vital drama of hope and despair at the Calais camp by Michael Billington

Playhouse theatre, LondonThis vivid recreation of life in the sprawling refugee camp is a priceless piece of theatre that enlarges our understanding while appealing to our emotionsThis is th…

SOURCE: The Guardian at 09:36AM
Thursday, July 5, 2018

Foxfinder – review by Michael Billington

Finborough, LondonIn a wan year for new writing, Dawn King's play shines out like a beacon. Winner of the Papatango playwriting competition, it may display the influence of Arthur Miller's T…

SOURCE: The Guardian at 07:24AM
Wednesday, July 4, 2018

The Lieutenant of Inishmore review – Aidan Turner is terrific in shocking comedy by Michael Billington

Noël Coward theatre, LondonThe Poldark star gives an excellent performance in a first-rate revival of Martin McDonagh’s brutally funny playPoldark fans turning up to see Aidan Turner in M…

SOURCE: The Guardian at 06:12PM

Posh by Michael Billington

Royal Court, LondonLaura Wade's new play is highly topical: it is about the sense of entitlement to power of a privileged, wealthy, public school and Oxbridge elite. But while I'm glad to se…

SOURCE: The Guardian at 12:32PM

Miss Littlewood review – the seven ages of a theatrical revolutionary by Michael Billington

The Swan, Stratford-upon-AvonClare Burt passes on the trademark cap to six other actors who all share the role of the pioneering director in Sam Kenyon’s engaging musical tributeAs a nomad…

SOURCE: The Guardian at 07:18AM
Tuesday, July 3, 2018

The King and I review – spirited revival of a problematic classic by Michael Billington

London PalladiumThe Broadway revival of Rodgers and Hammerstein’s musical comes to the West End with fine acting, handsome staging and inescapable overtones of western imperialismThis 1951…

SOURCE: The Guardian at 06:24PM
Monday, July 2, 2018

Gillian Lynne: the trailblazer who made British musicals move by Michael Billington

The choreographer brought her classical training, dramatic eye and vitality to bear on hits such as Cats, Phantom of the Opera and Chitty Chitty Bang BangGillian Lynne, who has died aged 92,…

SOURCE: The Guardian at 10:36AM
Sunday, July 1, 2018

The Play About My Dad review – a father in the eye of the storm by Michael Billington

Jermyn Street theatre, London Boo Killebrew cleverly evokes the havoc of Hurricane Katrina through her doctor father’s memories of the disaster and the imperilled characters they recallHow…

SOURCE: The Guardian at 07:48AM
Friday, June 29, 2018

Genesis Inc. review – scattergun satire on the IVF industry by Michael Billington

Hampstead theatre, LondonA sparkling cast including Harry Enfield star in Jemma Kennedy’s unwieldy play about the commercialisation of conceptionJemma Kennedy’s play about the IVF indust…

SOURCE: The Guardian at 07:32AM
Thursday, June 28, 2018

Fun Home review – Bechdel memoir takes stage musical in new directions by Michael Billington

Young Vic, LondonThis adaptation of Alison Bechdel’s graphic novel is a beautifully performed mix of memory-play and strip-cartoonOklahoma! this ain’t. During his tenure at the Young Vic…

SOURCE: The Guardian at 08:12AM
Wednesday, June 27, 2018

One for Sorrow review – suspicion hits home in bomb attack drama by Michael Billington

Royal Court, LondonCordelia Lynn probes middle-class morals in a drama about a family who house a stranger following an attack on LondonThe mysterious visitor whose presence provokes a moral…

SOURCE: The Guardian at 08:12PM

Theatre review: Jerusalem | Royal Court, London by Michael Billington

Royal Court, LondonJez Butterworth's last play, Parlour Song, transported us to a housing estate on the edge of a dark forest. Now he takes us into the woods for a bucolic frolic depicting t…

SOURCE: The Guardian at 05:12AM

Knockouts, nobles and nukes: the 25 best British plays since Jerusalem by Michael Billington

It is the hit that transformed British theatre. As Jez Butterworth’s epochal drama returns, our critic chooses the 25 best plays since Jerusalem – from exploited boxers to warring kingsF…

SOURCE: The Guardian at 01:48AM
Tuesday, June 26, 2018

Great performances: Mark Rylance in Jerusalem by Michael Billington

As Johnny ‘Rooster’ Byron, Rylance transformed himself into a strutting, muscular figure in Jez Butterworth’s haunting study of a changing EnglandBig claims are often made for Mark Ryl…

SOURCE: The Guardian at 12:18PM

The Turn of the Screw review – Britten's opera chills the spine as darkness falls by Michael Billington

Regent’s Park Open Air theatre, LondonThis superb production creeps into every corner of the outdoor space, as the battle for children’s souls intensifies Britten in the park? A ghost st…

SOURCE: The Guardian at 08:54AM

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