All stories by Michael Billington on BroadwayStars

Friday, March 17, 2017

Filthy Business review – a superbly modern Mother Courage by Michael Billington

Hampstead theatre, LondonSara Kestelman excels as an uncliched Jewish matriarch in Ryan Craig’s punchily acted new play about an East End family firmIf plays survive by creating meaty role…

SOURCE: The Guardian at 08:36AM
Thursday, March 16, 2017

La Cage aux Folles is proof of theatre's ability to shift sexual attitudes by Michael Billington

Jerry Herman and Harvey Fierstein’s 1983 musical has been revived once more. The show struck an important, rarely acknowledged blow for equalityWhen it opened in New York in 1983, La Cage …

SOURCE: The Guardian at 11:54AM
Wednesday, March 15, 2017

Seventeen review – veteran actors get teenage kicks in striking portrait of youth by Michael Billington

Lyric Hammersmith, LondonAdults play confused adolescents in Matthew Whittet’s playground drama, adding an extra layer of hope and sadness to their characters Related: Seventeen going on 7…

SOURCE: The Guardian at 10:32AM
Tuesday, March 14, 2017

My Brilliant Friend review – triumphant staging of Elena Ferrante's quartet by Michael Billington

Rose theatre, KingstonApril De Angelis’s inventive and fluid five-and-a-half-hour production spans 50 years in its characters’ lives, and makes clear the books’ feminist messageI am no…

SOURCE: The Guardian at 03:12AM
Sunday, March 12, 2017

The Miser review – Griff Rhys Jones presides over a relentless gag-fest by Michael Billington

Garrick theatre, London The audience is clobbered into submission by an anything-for-a-laugh Molière adaptation that casts Lee Mack – in his theatre debut – as the sane oneI guess, sinc…

SOURCE: The Guardian at 08:12PM

My Country: A Work in Progress review – Carol Ann Duffy visits Brexit by Michael Billington

National Theatre, London Britannia is shown to be fractious and divided in this bold but fragmented piece – built from interviews with UK voters – that does not tell us anything newTom S…

SOURCE: The Guardian at 10:12AM
Saturday, March 11, 2017

From Brecht to Lorca, the playwrights who became theatre's freedom fighters by Michael Billington

It’s wrong to characterise 1930s theatre as escapist or frivolous. In Europe and America, many plays were alerting audiences to the dangers of fascism – led by the German fugitive Bertol…

SOURCE: The Guardian at 09:54AM
Thursday, March 9, 2017

Who's Afraid of Virginia Woolf? review – Staunton ignites Albee's marital battle by Michael Billington

Harold Pinter theatre, London Imelda Staunton and Conleth Hill are both superb as they trade insults and toy vindictively with their guests in a first-rate revival of an astonishing playThis…

SOURCE: The Guardian at 07:36PM

Limehouse review – timely account of Labour's 1981 split is beautifully acted by Michael Billington

Donmar Warehouse, LondonRoger Allam is astonishing as Roy Jenkins in this drama about how the ‘gang of four’ left Labour to form the SDPSteve Waters likes to peep behind closed doors. In…

SOURCE: The Guardian at 09:48AM
Wednesday, March 8, 2017

Privacy review – Taut drama short-circuits the crucial debate by Michael Billington

Donmar Warehouse, LondonJames Graham's new play under the direction of Josie Rourke is rich and adrenaline-fuelled but lacks a real intellectual tussle• Ewan MacAskill: Fear, then relief, …

SOURCE: The Guardian at 04:06AM
Tuesday, March 7, 2017

Rosencrantz and Guildenstern Are Dead review – Daniel Radcliffe returns in Stoppard classic by Michael Billington

Old Vic, LondonActor perfectly matched in nimble high-wire act that is still spritely – but gains heft from its awareness of death The play’s the thing. Fifty years after its professiona…

SOURCE: The Guardian at 08:24PM

a profoundly affectionate ... review – couples' rows are painful to watch by Michael Billington

Royal Court Theatre Upstairs, LondonMeera Syal stars in debbie tucker green’s play about intimate relationships which is given a perverse staging that leaves you with a crick in the neckAs…

SOURCE: The Guardian at 08:32AM
Monday, March 6, 2017

Rosencrantz and Guildenstern Are Dead – review by Michael Billington

Chichester Festival TheatreTrevor Nunn's fine production of Tom Stoppard's 1966 play begins with a striking image: the two heroes seen against the stark background of a leafless tree. The Be…

SOURCE: The Guardian at 09:32AM

Imelda Staunton is right: eating in your seat is a crime against theatre by Michael Billington

Audiences have been asked not to consume food at a new show. Theatre is a collective act of concentration – it’s spoiled by constant chomping and slurpingHallelujah! Imelda Staunton has …

SOURCE: The Guardian at 06:12AM
Saturday, March 4, 2017

Snow in Midsummer review – restless spirit seeks revenge in Chinese classic by Michael Billington

Swan, Stratford-upon-AvonThe ghost of a wronged widow hovers over a modern industrial town in the RSC’s intriguing update of a 13th-century playThis is a genuine curiosity. As part of its …

SOURCE: The Guardian at 07:32AM
Thursday, March 2, 2017

The Hypocrite review – Richard Bean's raucous comedy does Hull proud by Michael Billington

Hull Truck theatre, HullStaged for Hull’s year as UK City of Culture, this One Man, Two Guvnors-style farce is a merry take on local historyThe road to Hull, they say, is paved with good i…

SOURCE: The Guardian at 07:24AM
Wednesday, March 1, 2017

La Strada review – Fellini's ragtag circus comes to the stage by Michael Billington

Richmond theatre, LondonSally Cookson directs a fine ensemble in a witty and inventive high-wire production with a modern edgeThe last attempt to stage Fellini’s Oscar-winning 1954 movie h…

SOURCE: The Guardian at 09:12AM
Tuesday, February 28, 2017

Hamlet review – Andrew Scott is a charming prince in a chic yet dotty show by Michael Billington

Almeida, LondonRobert Icke’s staging of Shakespeare’s tragedy has fine performances and highly intelligent touches but some of its ideas are eccentrically wrong-headedBy a strange irony …

SOURCE: The Guardian at 08:06PM
Sunday, February 26, 2017

Speech and Debate review – tech-savvy kids battle with a phoney adult world by Michael Billington

Trafalgar Studios, LondonPatsy Ferran shines in Stephen Karam’s shapeshifting off-Broadway hit about teenage dilemmas and predatory adults set around a school rhetoric contestFirst seen of…

SOURCE: The Guardian at 10:12AM
Friday, February 24, 2017

A Midsummer Night's Dream review – a nightmare of rage and chaos by Michael Billington

Young Vic, London Simmering hatred, lust and violence are never far away in a disturbing production that delves deep into the collective unconsciousRomantic Victorian versions of Shakespeare…

SOURCE: The Guardian at 10:36AM
Thursday, February 23, 2017

Twelfth Night review – Tamsin Greig is brilliant in a show full of fun by Michael Billington

Olivier, LondonSimon Godwin’s inventive gender-fluid production of Shakespeare’s most perfect comedy has a vital elan and some great performancesThe casting of Tamsin Greig as Malvolia i…

SOURCE: The Guardian at 07:03AM

The Cherry Orchard review – Chekhov revival sows seeds of revolution by Michael Billington

Arcola, London Trevor Griffiths’ version of the masterpiece is staged in London for the first time in a modern-dress production implying we too are on the brink of changeThis enterprising …

SOURCE: The Guardian at 02:36AM
Tuesday, February 21, 2017

The Girls review – Gary Barlow gives Calendar Girls a classy musical makeover by Michael Billington

Phoenix theatre, London The Take That star and Tim Firth have collaborated seamlessly on a show that is far superior to its predecessors on stage and screenIt might be fair to assume that th…

SOURCE: The Guardian at 06:03PM

The Wild Party review – big, blowsy revival you won't want an invite to by Michael Billington

The Other Palace, LondonThis musical adaptation, based on Joseph Moncure March’s racy 1928 poem, is so frenzied it leaves you exhausted Andrew Lloyd Webber acquired what used to be the St …

SOURCE: The Guardian at 09:12AM
Sunday, February 19, 2017

New Nigerians review – robust satire proves there's power in political outrage by Michael Billington

Arcola, LondonOladipo Agboluaje hits close to home as he shows the darkly comic side of the fight for revolutionary changeDriving home after the play, I caught an item on Radio 4’s The Wor…

SOURCE: The Guardian at 06:54AM
Friday, February 17, 2017

Why has Thomas Ostermeier stripped his Richard III of politics? | Michael Billington by Michael Billington

Shedding his clothes and seducing the audience, Lars Eidinger’s Gloucester is the classic charming narcissist – but why soften the play’s political bite at such a crucial time?I have a…

SOURCE: The Guardian at 01:18PM
Tuesday, February 14, 2017

Everybody's Talking About Jamie review – drag musical from the Feeling's frontman by Michael Billington

Crucible, SheffieldDan Gillespie Sells has a lot to offer musical theatre, but this Billy Elliot-style story about a northern teen drag queen lacks dramaA northern working-class lad strikes …

SOURCE: The Guardian at 07:06AM
Monday, February 13, 2017

Dubailand review – Carmen Nasr’s drama nails hard truths about Dubai's dark side by Michael Billington

Finborough, LondonThis new play heightens our awareness of the city as a sterile Shangri-La, but the arguments would carry greater weight if it was more balancedAlongside all the promotional…

SOURCE: The Guardian at 11:24AM
Sunday, February 12, 2017

Blues for an Alabama Sky review – riveting picture of 1930s Harlem by Michael Billington

Royal Academy of Dramatic Art, LondonThis superbly performed production of Pearl Cleage’s drama gives a fierce sense of the conflict between belonging and the desire to escape Given the bi…

SOURCE: The Guardian at 11:12AM
Saturday, February 11, 2017

The Voysey Inheritance, National, London by Michael Billington

National, LondonEvery 20 years or so we rediscover Harley Granville Barker's astonishing play. Following revivals at the Royal Court in 1965 and the National itself in 1989, we now have Pete…

SOURCE: The Guardian at 02:31AM
Friday, February 10, 2017

Fences – review by Michael Billington

Duchess, LondonLenny Henry has won his spurs as a Shakespearean actor in Othello and The Comedy of Errors. Now he takes on the titanic role of Troy Maxson in August Wilson's Fences which won…

SOURCE: The Guardian at 09:03PM

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